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José Saramago |
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José Saramago |
Novelist José Saramago (1922-2010) was Portugal's most notable literary figure, and the first Portuguese-language author to win the Nobel Prize for Literature. Described by many as a "born storyteller," Saramago's charming and challenging cannon has assured him an esteemed place among Europe's literary elite.
Saramago was born November 16, 1922, in the provincial town of Azinhaga, Portugal. He and his parents and older brother lived with his grandparents on their property. The author revealed in an autobiography posted on the Nobel Prize Website that he would have shared his father's surname - de Sousa - but the registrar entered "the nickname by which [his] father's family was known in the village . . . saramago . . . a wild herbaceous plant, whose leaves in those times served at need as nourishment for the poor." Saramago's father - José de Sousa - and his mother - Maria da Piedade - were landless peasant laborers, but in 1924 the family moved to Lisbon which gave Saramago an unusual opportunity to receive an education, however brief. He divided his time between his parent's meager home in Lisbon, where he excelled in all academic subjects, and his grandparents' farm in Azinhaga, where he helped them work the land.
Sought Advanced Education
Saramago attended local Lisbon grammar schools until his family's dire economic circumstances made it impossible for him to continue with his formal academic education. He dropped out of school in his teen years and enrolled in a technical school for metal workers, where he learned the mechanic's trade. Although the vocational school required that its students focus on a trade, it did offer a sampling of academic courses that could be taken on the side. Saramago took full advantage of this opportunity and studied French and literature with the aim of mastering the art of literary translation.
Aside from earning numerous honorary doctorates from a wide range of universities later in life, Saramago's academic career never officially went beyond grammar school. He married his first wife, Ilda Reis, one of Portugal's top engravers, in 1944. They had one child, a daughter named Violante, in 1947, but would divorce in 1970. Meanwhile, in addition to working mechanical jobs he wrote and published a short novel at age 25 titled Land of Sin; the political climate was so unfavorable to such work that he abandoned further attempts to pursue fiction; he later denounced the novel as an immature effort at best. Saramago has stated in interviews that, contrary to popular opinion, he was not afraid to write because of the oppressive governmental environment. Rather, he felt he had nothing worthwhile to say at that time in his life.
Life as a Writer
Saramago soon traded in mechanical jobs to serve as the editor of a small Lisbon newspaper, Diario de Noticias, until the Portuguese government changed hands again in 1974. In 1969 he became a member of the then-illegal Portuguese Communist party, an affiliation he would maintain throughout his life. Losing the editorial position as a result of the rampant political intrigue of the time, Saramago then turned to translating French manuscripts into Portuguese to support himself, remaining at this task from 1975 to 1980. It was not long before the literature he was translating began to stoke his own creative fires, and he finally returned to novel-writing as an outlet for his self-expression.
Saramago's trademark fictional style mixes elements of magical realism - defined by Library Journal contributor Nancy Pearl as "any narrative that demonstrates the power of imagination to transform reality through the art of storytelling" - with sharp social observations. Known for being a fluent and persuasive author, Saramago has been praised for his ability to move from description to philosophizing to sharing popular wisdom. As Richard A. Preto-Rodas explained in World Literature Today regarding Saramago's extraordinary style, "Gone are the usual distinctions involving narrative, description, and dialogue. . . . The result . . . is unsettling as the reader opens to pages filled with lines of unbroken print. One may even lose one's way in the absence of capital letters, punctuation marks, and paragraph indentations."
In 1977 Saramago published what he considers his first novel, Manual of Painting and Calligraphy. This was followed by two more books in quick succession: 1978's Objecto quase (Quasi-Objects) and 1980's Levantado do chão (Raised from the Ground). Levantado do chão was well received by both press and public, and earned its author some degree of recognition within Portugal's literary scene. His 1982 novel Memorial do convento - translated into English in 1987 as Baltasar and Blimunda - was the first of Saramago's works translated and distributed widely enough to catch the attention of an international audience. A history of eighteenth century Portugal that weaves elements of social and political history into an account of King John V's construction of the Mafra Convent, the novel was praised for its mix of fact and fantasy. So well loved was it, in fact, that Memorial do convento it was eventually adapted as an opera and performed in 1990 at La Scala in Milan.
Saramago's next novel, 1984's O ano da morte de Ricardo Reis (The Year of the Death of Ricardo Reis), is considered by many critics to be his tour de force. The novel revolves around the famous Portuguese poet Fernando Pessoa, and brings to life, through Saramago's characteristic mix of fact, fantasy, and folklore, Portuguese society during the 1930s, as the tide of fascism and socialism were sweeping through a Europe still unsettled by the Great War. In 1986 he released A jangada de pedra (The Stone Raft), a fantasy-allegory that finds Spain and Portugal cut off from the rest of Europe after a giant fault line appears in the Pyrenees. That same year the novelist met Spanish journalist Pilar del Rio, and the two wed in 1988. Saramago ended the 1980s with publication of his 1989 novel História do cêreco de Lisboa (The History of the Siege of Lisbon), a tale that twines the threads of a medieval love story with a modern one.
Saramago's next project, 1991's O evangelho segundo Jesus Cristo (The Gospel according to Jesus Christ), caused an uproar throughout Catholic Portugal, and was condemned by the Church for its depiction of a Jesus with human failings and desires. Portugal's conservative government contested the novel's entry into the running for a literary prize in 1992, and the slight prompted Saramago and his wife to leave Lisbon behind and settle in the Canary Islands. His next novel, Ensaio sobre a cegueira (Blindness), tells of an inexplicable and inescapable "white blindness" that sweeps through a seemingly orderly society, quickly dissolving it into a state of primitive chaos. Described by Andrew Miller in the New York Times Book Review as presenting "a clear-eyed and compassionate acknowledgment of things as they are, a quality that can only honestly be termed wisdom," Blindness catapulted Saramago's talents squarely in front of the public eye, paving the way for the accolades that were to come.
In 1997 Saramago published Todos os nomes (All the Names), a novel described by Pearl in Library Journal as "in turns claustrophobic, playful, farcical, and suspenseful," and conveying "the human need for connection in a lonely world." He won the Nobel Prize for Literature the following year in 1998, at the age of 75, following which the world - and particularly the United States - began to sit up and take notice of his unique world view. As quoted on their Website, the Nobel Prize committee cited Saramago's ability to enable readers "to apprehend an illusory reality" with "parables sustained by imagination, compassion and irony" as the reason for his accomplishment.
The next few years brought more publications - a small parable titled Conto da ilha descohecia (The Tale of the Unknown Island) in 1999, the travelogue Journey to Portugal in 2000, his 2002 novel La Caverna (The Cave), and his 2004 novel The Double. The last book received some mixed reactions from critics. Some, like Philip Graham in New Leader, called The Double "a deft reworking of a timeless theme and a virtuoso exercise in voice - from a writer who seems to produce masterpiece after masterpiece like clockwork." Others, like Jeff Giles in Newsweek, reported that the novel reads like "a short story that got too big for its binding." Despite his advanced age, Saramago continued to cultivate and maintain his public through interviews and radio broadcasts.
A Writer's Task
Saramago and his family split their time between their home on the Canary island of Lanzarote and a flat in Lisbon. His novels have been translated into over 30 different languages, and New York Times contributor Alan Riding identified Saramago's "unwavering concern for individual fate" as the quality that "gives his fiction its distinctive voice and independent character." On the basis of his fiction alone, Saramago has been lauded as among the most influential contemporary novelists working in Europe.
After settling in Lanzarote, Saramago compiled a set of annual journals titled Notebooks from Lanzarote. In World Literature Today Preto - Rodas explained that these entries reveal Saramago to be "a man who is obviously very much at peace with himself and devoted to his wife in their new home 'built entirely of books, from top to bottom' in a setting of volcanic hills, flowers, and the sea. "
Saramago died on June 18, 2010, at the age of 87.
Books
Encyclopedia of World Literature in the Twentieth Century, Volume Four, St. James Press, 1999.
Newsmakers 1999, Gale, 1999.
The Oxford Companion to English Literature, sixth edition, Oxford University Press, 2000.
Periodicals
Europe, March, 2000.
Library Journal, March 15, 2003.
New Leader, September-October, 2004.
Newsweek, October 11, 2004.
New York Times, October 9, 1998.
New York Times Book Review, November 1, 1987; July 13, 1997; October 4, 1998.
U.S. News and World Report, October19, 1998.
World Literature Today, winter, 1999.
Online
Columbia Encyclopedia:
José Saramago |
Saramago's novels include Levantado do chão [raised from the floor] (1980); Memorial do convento (1982; tr. Baltasar and Blimunda, 1987), a picaresque love story set in the Portuguese Inquisition and the work that first brought him international acclaim; O ano da morte de Ricardo Reis (1984; tr. The Year of the Death of Ricardo Reis, 1990); A jangada de pedra (1986; tr. The Stone Raft, 1995); the controversial O evangelho segundo Jesus Cristo (1991; tr. The Gospel According to Jesus Christ, 1994); Ensaio sobre a cegueira (1995; tr. Blindness, 1998), perhaps his finest work, a political parable in which a city lapses into barbarism following a plague of blindness, and its sequel, Ensaio sobre a lucidez (2004; tr. Seeing, 2006); Todos os nomes (1997; tr. All the Names, 1999); A Caverna (2000; tr. The Cave, 2002); Homem duplicado (2002; tr. The Double, 2004), Intermitências da morte (2005, tr. Death with Interruptions, 2008); and Viagem do elefante (2008, tr. The Elephant's Journey, 2010), his last novel. Saramago also wrote poetry, essays, plays, journals, and two memoirs. After the Portuguese government blocked the nomination of his 1991 novel about Jesus for a literary prize, he moved (1992) to Lanzarote in the Canary Islands in an symbolic act of self-exile. Critics have noted that the novels written after the move are more austere, stylized, allegorical, and universal than his previous Portugal-themed works. Saramago was awarded the Nobel Prize in Literature in 1998, the first Portuguese-language writer to achieve the honor.
Bibliography
See study by H. Bloom, ed. (2005).
Wikipedia on Answers.com:
José Saramago |
| José Saramago | |
|---|---|
| Born | José de Sousa Saramago 16 November 1922 Azinhaga, Santarém, Portugal |
| Died | 18 June 2010 (aged 87) Tías, Lanzarote Island, Spain |
| Occupation | Playwright, novelist |
| Nationality | Portuguese |
| Period | 1947–2010 |
| Notable award(s) | Nobel Prize in Literature 1998 |
| Spouse(s) | Pilar del Rio (m. 1988) |
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www.josesaramago.org/saramago/ |
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José de Sousa Saramago, GColSE (Portuguese pronunciation: [ʒuˈzɛ sɐɾɐˈmaɣu]; (16 November 1922 – 18 June 2010) was a Nobel-laureate Portuguese novelist, poet, playwright and journalist. His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the human factor. Harold Bloom has described Saramago as "a permanent part of the Western canon".[2]
Saramago was awarded the Nobel Prize for Literature in 1998.[3] More than two million copies of his books have been sold in Portugal alone and his work has been translated into 25 languages.[4][5] He founded the National Front for the Defence of Culture (Lisbon, 1992) with Freitas-Magalhães and others. In 1992, the Portuguese government, under Prime Minister Aníbal Cavaco Silva, ordered the removal of The Gospel According to Jesus Christ from the European Literary Prize's shortlist, claiming the work was religiously offensive. Saramago complained about censorship[6] and moved to Lanzarote in the Canary Islands, Spain, where he resided until his death.[7][8]
A proponent of libertarian communism,[9] Saramago came into conflict with some groups, such as the Catholic Church. Saramago was an atheist who defended love as an instrument to improve the human condition.
At the time of his death, Saramago was married to Spanish journalist Pilar del Rio, and had a daughter from a previous marriage.[8] The European Writers’ Parliament came from a proposal by Saramago and Orhan Pamuk; Saramago was expected to speak as the guest of honour at its opening ceremony in 2010 but he had died.[10]
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Saramago was born in 1922 into a family of landless peasants in Azinhaga, Portugal, a small village in Ribatejo Province some hundred kilometers northeast of Lisbon.[7] His parents were José de Sousa and Maria de Piedade. "Saramago", a wild herbaceous plant known in English as the wild radish, was his father's family's nickname, and was accidentally incorporated into his name upon registration of his birth.[7] In 1924, Saramago's family moved to Lisbon, where his father started working as a policeman. A few months after the family moved to the capital, his brother Francisco, older by two years, died. He spent vacations with his grandparents in Azinhaga. When his grandfather suffered a stroke and was to be taken to Lisbon for treatment, Saramago recalled, "He went into the yard of his house, where there were a few trees, fig trees, olive trees. And he went one by one, embracing the trees and crying, saying good-bye to them because he knew he would not return. To see this, to live this, if that doesn't mark you for the rest of your life," Saramago said, "you have no feeling."[11] Although Saramago was a good pupil, his parents were unable to afford to keep him in grammar school, and instead moved him to a technical school at age 12. After graduating, he worked as a car mechanic for two years. Later he worked as a translator, then as a journalist. He was assistant editor of the newspaper Diário de Notícias, a position he had to leave after the democratic revolution in 1975.[7]
After a period of working as a translator he was able to support himself as a writer. Saramago married Ilda Reis in 1944. Their only child, Violante, was born in 1947.[7] From 1988 until his death in June 2010 Saramago was married to the Spanish journalist Pilar del Río, who is the official translator of his books into Spanish.[7]
Saramago did not achieve widespread recognition and acclaim until he was sixty, with the publication of his fourth novel, Memorial do Convento (literally, Memoir of the Convent). A baroque tale set during the Inquisition in 18th-century Lisbon, it tells of the love between a maimed soldier and a young clairvoyant, and of a renegade priest's heretical dream of flight. The novel's translation in 1988 as Baltasar and Blimunda, by Giovanni Pontiero, brought Saramago to the attention of an international readership.[7][12] This novel won the Portuguese PEN Club Award.
He became a member of the Portuguese Communist Party in 1969 and remained so until the end of his life.[13] Saramago was also an atheist[14] and self-described pessimist.[15] His views have aroused considerable controversy in Portugal, especially after the publication of The Gospel According to Jesus Christ.[16] Members of the country's Catholic community were outraged by Saramago's representation of Jesus and particularly God as fallible, even cruel human beings. Portugal's conservative government would not allow Saramago's work to compete for the European Literary Prize,[7] arguing that it offended the Catholic community. As a result, Saramago and his wife moved to Lanzarote, an island in the Spanish Canaries.[17]
Saramago was awarded the Nobel Prize for Literature in 1998. The announcement came when he was about to fly to Germany ahead of the Frankfurt Book Fair, and caught both him and his editor by surprise.[7] The Nobel committee praised his "parables sustained by imagination, compassion and irony", and his "modern skepticism" about official truths.[12]
Saramago died on 18 June 2010, aged 87, having spent the last few years of his life in Lanzarote, Spain.[18] He was reported to have eaten breakfast and chatted with his wife for a time before ill health overcame him and killed him.[19] The Guardian described him as "the finest Portuguese writer of his generation",[18] while Fernanda Eberstadt of The New York Times said he was "known almost as much for his unfaltering Communism as for his fiction".[4] Saramago's translator, Margaret Jull Costa, paid tribute to him, describing his "wonderful imagination" and calling him "the greatest contemporary Portuguese writer".[18] Saramago had continued his writing until his death. His most recent publication, Cain, was published in 2009, with an English translation made available in August 2010. Saramago had suffered from pneumonia a year before his death. Having been thought to have made a full recovery, he had been scheduled to attend the Edinburgh International Book Festival in August 2010.[18]
Portugal declared two days of mourning.[6][9] There were verbal tributes from senior international politicians: Luiz Inácio Lula da Silva (Brazil), Bernard Kouchner (France) and José Luis Rodríguez Zapatero (Spain), while Cuba's Raúl and Fidel Castro sent floral tributes.[9]
Saramago's funeral was held in Lisbon on 20 June 2010, in the presence of more than 20,000 people, many of whom had travelled hundreds of kilometres, but also notably in the absence of right-wing President of Portugal Aníbal Cavaco Silva who holidayed in Azores as the ceremony took place.[20] Silva, the Prime Minister when Saramago's name was removed from the shortlist of the European Literary Prize, said he did not attend Saramago's funeral because he "had never had the privilege to know him".[6] Mourners, who questioned Silva's absence in the presence of reporters,[6] held copies of the red carnation, symbolic of Portugal's democratic revolution.[20] Saramago's cremation took place in Lisbon,[20] with his ashes being scattered in his birthplace of Azinhaga and in Tias in Lanzarote, his home until his death.[9]
Saramago's experimental style often features long sentences, at times more than a page long. He uses periods sparingly, choosing instead a loose flow of clauses joined by commas.[7] Many of his paragraphs extend for pages without pausing for dialogue, (which Saramago chooses not to delimit by quotation marks); when the speaker changes, Saramago capitalizes the first letter of the new speaker's clause. His works often refer to his other works.[7] In his novel Blindness, Saramago completely abandons the use of proper nouns, instead referring to characters simply by some unique characteristic, an example of his style reflecting the recurring themes of identity and meaning found throughout his work.
Saramago's novels often deal with fantastic scenarios, such as that in his 1986 novel The Stone Raft, in which the Iberian Peninsula breaks off from the rest of Europe and sails around the Atlantic Ocean. In his 1995 novel Blindness, an entire unnamed country is stricken with a mysterious plague of "white blindness". In his 1984 novel The Year of the Death of Ricardo Reis (which won the PEN Award and the Independent Foreign Fiction Award), Fernando Pessoa's heteronym survives for a year after the poet himself dies. Additionally, his novel Death with Interruptions (also translated as Death at Intervals) takes place in a country in which, suddenly, nobody dies, and concerns, in part, the spiritual and political implications of the event, although the book ultimately moves from a synoptic to a more personal perspective.
Using such imaginative themes, Saramago addresses the most serious of subject matters with empathy for the human condition and for the isolation of contemporary urban life. His characters struggle with their need to connect with one another, form relations and bond as a community, and also with their need for individuality, and to find meaning and dignity outside of political and economic structures.
When asked to describe his daily writing routine in 2009, Saramago responded, "I write two pages. And then I read and read and read."[21]
Saramago was a proponent of anarcho-communism,[9] and a member of the Communist Party of Portugal.[8] As a member of his PCP he stood for the 1989 Lisbon Local election in the list of the Coalition "For Lisbon" and was elected Alderman and presiding officer of the Municipal Assembly of Lisbon.[22] Saramago was also a candidate of the Democratic Unity Coalition to the European Parliament in all the elections from 1989 to 2009, usually in positions with no possibility of being elected.[22] Saramago was a critic of the European Union and the International Monetary Fund.[7]
In his novel Blindness, the communist principle of from each according to his ability, to each according to his need is stated in a positive light.[23] In a 2008 press conference for the filming of Blindness he stated, in reference to the global financial crisis, that "Marx was never so right as now"[24]
Although many of his novels are acknowledged political satire of a subtle kind, it is in The Notebook that Saramago makes his political convictions most clear. The book, written from a Marxist perspective, is a collection of his blog articles for the year September 2008 to August 2009. According to The Independent, "Saramago aims to cut through the web of 'organized lies' surrounding humanity, and to convince readers by delivering his opinions in a relentless series of unadorned, knock-down prose blows."[25] His political engagement has led to comparisons with George Orwell: "Orwell's hostility to the British Empire runs parallel to Saramago's latter-day crusade against empire in the shape of globalisation."[26] When speaking to The Observer in 2006 he said "The painter paints, the musician makes music, the novelist writes novels. But I believe that we all have some influence, not because of the fact that one is an artist, but because we are citizens. As citizens, we all have an obligation to intervene and become involved, it's the citizen who changes things. I can't imagine myself outside any kind of social or political involvement."[27]
During a visit to Ramallah in March 2002 during the second intifada, Saramago compared the Palestinian city, which was blockaded at the time by the Israeli army, to concentration camps. Some critics claimed Saramago's statement was antisemitic.[8][28][29][30][31][32]
During the 2006 Lebanon War, Saramago joined Tariq Ali, John Berger, Noam Chomsky, and others in condemning what they characterized as "a long-term military, economic and geographic practice whose political aim is nothing less than the liquidation of the Palestinian nation".[33]
He was also a supporter of Iberian Federalism.
| Title | Year | English title | Year | ISBN |
|---|---|---|---|---|
| Terra do Pecado | 1947 | Land of Sin | ISBN 9722111450 | |
| Os Poemas Possíveis | 1966 | Possible Poems | ||
| Provavelmente Alegria | 1970 | Probably Joy | ||
| Deste Mundo e do Outro | 1971 | This World and the Other | ||
| A Bagagem do Viajante | 1973 | The Traveller's Baggage | ||
| As Opiniões que o DL teve | 1974 | Opinions that DL had | ||
| O Ano de 1993 | 1975 | The Year of 1993 | ||
| Os Apontamentos | 1976 | The Notes | ||
| Manual de Pintura e Caligrafia | 1977 | Manual of Painting and Calligraphy | 1993 | ISBN 1857540433 |
| Objecto Quase | 1978 | Quasi Object | ||
| Levantado do Chão | 1980 | Raised from the Ground | 2011 | |
| Viagem a Portugal | 1981 | Journey to Portugal | 2000 | ISBN 0151005877 |
| Memorial do Convento | 1982 | Baltasar and Blimunda | 1987 | ISBN 0151105553 |
| O Ano da Morte de Ricardo Reis | 1986 | The Year of the Death of Ricardo Reis | 1991 | ISBN 0151997357 |
| A Jangada de Pedra | 1986 | The Stone Raft | 1994 | ISBN 0151851980 |
| História do Cerco de Lisboa | 1989 | The History of the Siege of Lisbon | 1996 | ISBN 015100238X |
| O Evangelho Segundo Jesus Cristo | 1991 | The Gospel According to Jesus Christ | 1993 | ISBN 0151367000 |
| Ensaio sobre a Cegueira | 1995 | Blindness | 1997 | ISBN 0151002517 |
| Todos os Nomes | 1997 | All the Names | 1999 | ISBN 0151004218 |
| O Conto da Ilha Desconhecida | 1997 | The Tale of the Unknown Island | 1999 | ISBN 0151005958 |
| A Caverna | 2001 | The Cave | 2002 | ISBN 0151004145 |
| A Maior Flor do Mundo | 2001 | Children's Picture Book | ||
| O Homem Duplicado | 2003 | The Double | 2004 | ISBN 0151010404 |
| Ensaio sobre a Lucidez | 2004 | Seeing | 2006 | ISBN 0151012385 |
| Don Giovanni ou o Dissoluto Absolvido | 2005 | Don Giovanni, or, Dissolute Acquitted | ||
| As Intermitências da Morte | 2005 | Death with Interruptions | 2008 | ISBN 1846550203 |
| As Pequenas Memórias | 2006 | Small Memories | 2010 | ISBN 9780151015085 |
| A Viagem do Elefante | 2008 | The Elephant's Journey | 2010 | ISBN 9789722120173 |
| Caim | 2009 | Cain | 2011 | ISBN 9786071103161 |
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