Dictionary:
Ju·dith2 (jū'dĭth) ![]() |
| Britannica Concise Encyclopedia: Judith |
For more information on Judith, visit Britannica.com.
| Encyclopedia of Judaism: Book of Judith |
It is generally agreed that there is a kernel of historical truth in the story. The invaders are in fact thought to have been the Persians, perhaps under King Artaxerxes III (359-338 BCE) and perhaps disguised by an author writing in the Persian period. In this view the Israelites had joined a revolt against their Persian overlords. The aim of the author was to strengthen faith in God as well as to exalt the figure of Judith, seized by the spirit of God and conceivably drawn to a certain extent from life.
By all accounts the book was originally written in Hebrew. It includes two poems, of prayer and thankgiving (ch. 9, 16), the latter replete with biblical imagery, the work on the whole being a highly polished creation. It survived in four Greek versions and has inspired painters, composers, and writers more than any other apocryphal work.
| Bible Guide: Book of Judith |
Book of the Apocrypha; it dates from Persian times, but was probably rewritten in the Hasmonean period. It was originally composed in Hebrew, but is extant only in four Greek versions. Judith is included in the Septuagint, the Bible canon of the Catholic and Greek churches, and in the Protestant Apocrypha. Although a prose work, it contains two poems of thanksgiving voiced by the heroine Judith.
The story depicts the crisis confronting Israel after Nebuchadnezzar overthrew Arphaxad, his enemy to the east (1:13). Nebuchadnezzar ordered his chief captain, Holofernes, to invade the west country, which had refused to join him in battle (2:6). The Israelites prepared for resistance, seeking divine help through fasting, prayer and mourning (chap. 4). But when the enemy appeared, they became greatly concerned (7:4), and in their panic cried to God (7:19). The turning point of the story is the appearance of Judith (chap. 8), a Jewish widow, described as wise, beautiful and of great faith. After praying to the Lord to prove that he, and not Nebuchadnezzar, is God (9:7-9), she laid her plan (10:1-5). By means of stealth, and helped by her beauty (chaps. 11-12), Judith seduced Holofernes. Plying him with liquor (12:16-13:2) she then beheaded the drunken general with his own sword (13:8-9). The book ends with Judith's song of thanksgiving which stresses the theme that, by the hand of a woman (16:6), God has won the battle (16:3) and that he is invincible (16:13).
The book is of interest because it mentions numerous Jewish religious customs practiced at the time of its composition. Judith herself is described as a devout woman in a state of mourning (8:4-6), who prayed regularly (9:1), abstained from Gentile food (10:5; 12:2), and washed herself every evening in running water (12:7-9). Other important aspects in the book are the conversion of Achior (14:10), who as an Ammonite, was barred by the Torah from adherence to the Israelite nation (Deut 23:3); wisdom, a frequent theme in apocryphal literature, in this case ascribed to Judith; and the fact that the author chose a woman as the hero.
The book dates from the Second Temple period. Some hold that it was written shortly after the return from the Babylonian Exile; others have placed it as late as the Hasmonean period. Some scholars believe the book of Judith was not included in the canon because the portrayal of Judith seducing and murdering a defenceless man (Holofernes) was not suited to her piety, and for that reason the book was relegated to the apocryphal writings.
| Columbia Encyclopedia: Judith |
Bibliography
See C. A. Moore, Judith (1985). See also bibliography under Apocrypha.
Dictionary:
Ju·dith1 (jū'dĭth) ![]() |
| Wikipedia: Book of Judith |
| This article may contain original research or unverified claims. Please improve the article by adding references. See the talk page for details. (June 2009) |
The Book of Judith is a deuterocanonical book, included in the Septuagint and in the Roman Catholic and Eastern Orthodox Christian Old Testament of the Bible, but excluded by Jews and Protestants. It has been said that the book contains numerous historical anachronisms, which is why many scholars now accept it as ahistorical; it has been considered a parable or perhaps the first historical novel.[1]
The name Judith (Hebrew: יְהוּדִית, Modern Yehudit Tiberian Yəhûḏîṯ ; "Praised" or "Jewess") is the feminine form of Judah.
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The Book of Judith has a tragic setting that appealed to Jewish patriots and it warned of the urgency of adhering to Mosaic Law, generally speaking, but what accounted for its enduring appeal was the drama of its narrative. The story revolves on Judith, a daring and beautiful widow, who is upset with her Jewish countrymen for not trusting God to deliver them from their foreign conquerors. She goes with her loyal maid to the camp of the enemy general, Holofernes, to whom she slowly ingratiates herself, promising him information on the Israelites. Gaining his trust, she is allowed access to his tent one night as he lies in a drunken stupor. She decapitates him, then takes his head back to her fearful countrymen. The Assyrians, having lost their leader, disperse, and Israel is saved. Though she is courted by many, she remains unmarried for the rest of her life.
As a non-historical tale, its scenes are enlivened and given immediacy by their setting in a definitely characterized (though anachronistic) setting and time, and connected, as all historical novels are, with important personages of history — here "Nebuchadnezzar" as a "King of Assyria" who reigns in Nineveh — features it shares with the Book of Esther, the Book of Daniel and its continuations, and the Book of Tobit. Nowhere are the "historical" details introduced in more profusion than in Judith.
With the very first words of the tale, "In the twelfth year of the reign of Nebuchadnezzar, who reigned over the Assyrians in Nineveh," it is argued by the compilers of the Jewish Encyclopedia that the narrator sets his story in "Once upon a time".
The city called "Bethulia," (properly "Betylua") and the narrow and strategic pass into Judea that it occupies (Judith IV:7ff VIII:21-24) are believed by many to be fictional settings, but some suggest that a city called Meselieh is Bethulia.
The editors of the Jewish Encyclopedia identified Holofernes' encampment with Shechem. The Assyrians, instead of attempting to force the pass, lay siege to the city and cut off its water supply. Although Nebuchadnezzar conquered Judah in reality, he is foiled in the narrative of the Book of Judith.
A commentary in the Douay-Rheims Bible says about Nebuchadnezzar of Assyria: "Not the king of Babylon, [...], but another of the same name, who reigned in Ninive: and is called by profane historians Saosduchin. He succeeded Asarhaddan in the kingdom of the Assyrians, and was contemporary with Manasses king of Juda." Saosduchin, or Samar-sumukin, brother of king Ashurbanipal, was, however, contrary to the commentary, not the direct successor of their father Esarhaddon's, but a viceroy appointed by Ashurbanipal.
The Book of Judith was originally written in Hebrew. Though its oldest versions have been translated into Greek and have not been preserved in the original language, its Hebrew origin is revealed in details of vocabulary and phrasing. The extant Hebrew language versions, whether identical to the Greek, or in the shorter Hebrew version which contradicts the longer version in many specific details of the story, are medieval.
Even though the Book of Judith is no longer considered a part of the official Jewish religious canon, many within Orthodox Judaism place it in the Hellenistic period when Judea battled the Seleucid monarchs. It is regarded as a story related to the events surrounding the military struggle of that time and is believed to be a true reference to the background events leading up to the Jewish holiday of Hanukkah. (See also 1 Maccabees and 2 Maccabees).
The Anglo-Saxon abbot Ælfric wrote a homily about Judith. A poem Judith in Old English also treats the beheading of Holofernes, as do lines 122 to 124 of Geoffrey Chaucer's The Merchant (from The Canterbury Tales).
In Renaissance literature, painting and sculpture, the story of Judith became an exemplum of the courage of local people against tyrannical rule from afar. The (Human) Dalmatian Humanist Marko Marulić (1450-1524) reworked the Judith story in his Renaissance literary work, Judita. His inspiration came from the contemporary heroic struggle of the Croats against the Ottomans in Europe.
The account of Judith's beheading Holofernes has been treated by several painters and sculptors, most notably Donatello and Caravaggio, as well as Sandro Botticelli, Andrea Mantegna, Giorgione, Lucas Cranach the Elder, Titian, Horace Vernet, Gustav Klimt, Artemisia Gentileschi, Jan Sanders van Hemessen, Trophime Bigot, Francisco Goya, Francesco Cairo and Hermann-Paul. Also, Michelangelo depicts the scene in multiple aspects in one of the Pendentives, or four spandrels on the ceiling of the Sistine Chapel.
The famous 40-voice motet, Spem in alium by English composer Thomas Tallis, is a setting of a text from the Book of Judith.
The story also inspired a play by Abraham Goldfaden, oratorios by Antonio Vivaldi, and W. A. Mozart, and an operetta by Jacob Pavlovitch Adler.
Alessandro Scarlatti wrote an oratorio in 1693, La Giuditta, as did the Portuguese composer Francisco António de Almeida in 1726; Juditha triumphans was written in 1716 by Antonio Vivaldi; Mozart composed in 1771 La Betulia Liberata (KV 118), to a libretto by Pietro Metastasio. Judith is by Russian composer Alexander Serov.
In 1841 Friedrich Hebbel published his closet drama Judith, but in the English language, blanket censorship of all biblical subjects on the stage set the theme off-limits until the twentieth century,[citation needed] when the British playwright Howard Barker examined the Judith story and its aftermath, first in the scene "The Unforeseen Consequences of a Patriotic Act," as part of his collection of vignettes, The Possibilities. Barker later expanded the scene into a short play Judith.
In 2007 Philippe Fénelon (French, born in 1952) composed Judith, an opera with one act and five pictures (monodrama), based on a booklet adaptated from the Friedrich Hebbel's drama, in German (creation on 28/11/07 at the Pleyel Room, Paris, ordered by the Opera National de Paris).
Mention must also be made of Jean Giraudeaux' "Judith," a tragedy in 3 acts. [Eliezer Oyola, Evangel University. Please add details.]
The American rock supergroup, A Perfect Circle, had the single Judith on their first album, Mer de Noms.
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Caravaggio's Judith Beheading Holofernes |
Michelangelo's Judith carries away the head of Holofernes |
Judith Slaying Holofernes by Artemisia Gentileschi |
Judith I by Gustav Klimt |
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| Tobit · Judith · 1 Maccabees · 2 Maccabees · Wisdom (of Solomon) · Sirach · Baruch · Letter of Jeremiah · Additions to Daniel · Additions to Esther |
| Greek and Slavonic Orthodox canon |
| 1 Esdras · 3 Maccabees · Prayer of Manasseh · Psalm 151 |
| Georgian Orthodox canon |
| 4 Maccabees · 2 Esdras |
| Ethiopian Orthodox "narrow" canon |
| Apocalypse of Ezra · Jubilees · Enoch · 1–3 Meqabyan · 4 Baruch |
| Syriac Peshitta |
| Psalms 152–155 · 2 Baruch · Letter of Baruch |
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| Preceded by Tobit |
R.Catholic & Orthodox Books of the Bible See Deuterocanon |
Succeeded by Esther |
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