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Junius Brutus Booth

 
American Theater Guide: Junius Brutus Booth

Booth, Junius Brutus (1796–1852), actor. Slated for the law in his native England, he elected to become an actor instead and soon rose to play opposite Edmund Kean, who was seen in many quarters as his rival. In 1821, however, Booth deserted his wife, wed Mary Ann Holmes, a Bow Street flower seller years later, and came to America, where in Richmond he made his debut as Richard III, making his New York debut in the same role the next year. The critic for the National Advocate described Booth as “slender, and below middle size; youthful in appearance and rather handsome than otherwise. His countenance is open and expressive; his eye of that peculiar cast which is well adapted to display the workings of a distorted mind; his voice pleasing and capable of great modulation.” Among his other famous roles were Hamlet, Sir Giles Overreach, Posthumus, Iago, and Cassius, as well as important parts in such now‐neglected plays as Brutus. Many critics suggested his interpretations were copied from Kean, but nonetheless they recognized his unique abilities and hailed him as the first powerful tragedian of the American stage. Early on he developed a habit of beginning quietly and saving his full force for the final impassioned scenes. At one time he played Oreste in Racine's Andromaque in French and claimed to have done Shylock in Hebrew, the last possibly reflecting his Jewish ancestry. As with all actors of his day, he toured regularly. His last performance was in New Orleans, and he died on a Mississippi steamboat while continuing that tour. Because his first wife would not grant him a divorce until 1851, all his children but the first were born out of wedlock. His eldest son by his second marriage, Junius Brutus Booth Jr. (1821–83), made his New York debut as Abder Khan in Mazeppa in 1843. Never the fine performer his father or brothers were, he played largely in supporting roles, although he had a moderately successful career as actor‐manager, especially in California. He retired early to enter the hotel business. Biography: Booth Memorials: Passages, Incidents and Anecdotes in the Life of Junius Brutus Booth (the Elder), Asia Booth Clarke, 1866.

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Columbia Encyclopedia: Junius Brutus Booth
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Booth, Junius Brutus, 1796-1852, Anglo-American actor. After experience in the provinces, he appeared at Covent Garden. In 1817, with his portrayal of Richard III, he established himself as a rival of Edmund Kean. In 1821 he emigrated to the United States, where he spent most of his remaining life. An imposing tragic actor with a full, rich voice and a rugged grandeur, Booth had an erratic personal life complicated by intemperate habits. His son Junius Brutus Booth, Jr. excelled as a theatrical manager, while Edwin Booth surpassed his father as an actor. A third son was the assassin of President Lincoln, John Wilkes Booth.

Bibliography

See S. Kimmel, The Mad Booths of Maryland (2d ed. 1969).

Wikipedia: Junius Brutus Booth
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Junius Brutus Booth

Junius Brutus Booth (May 1, 1796 – November 30, 1852) was an English actor. He was the father of John Wilkes Booth (actor and the assassin of U.S. President Abraham Lincoln), Edwin Booth (an exceptional actor in his own right), and Junius Brutus Booth, Jr., an actor and theatre manager. Booth was named for Marcus Junius Brutus, one of the lead assassins of Julius Caesar.

Biography

Junius was born in St. Pancras, London, England, the son of Richard Booth, a lawyer, and Jane Elizabeth Game, and grandson of John Booth, a silversmith, and Elizabeth Wilkes, a relative of the English radical and politician John Wilkes. He displayed remarkable talent from an early age, deciding on a career in the theatre by the age of seventeen. He performed roles in several small theatres throughout England, and joined a tour of the Low Countries in 1814, returning the following year to make his London debut.

Early in 1810, Junius met Marie Christine Adelaide Delannoy while boarding at her mother's home in Brussels. They eloped, marrying in London on May 17, 1815. Their first child, Amelia, was born October 5 of the same year, but died in infancy. Their only child to survive infancy, Richard Junius Booth, was born January 21, 1819.[1]

Booth gained national renown with his performance in the title role of Richard III in 1817 at the Covent Garden Theatre. Critics compared his performances favorably with those of Edmund Kean, who was at that time the foremost tragedian in Britain. Indeed, partisans of these two actors would occasionally start rows at venues where the two were playing together. This did not however stop the two from performing in the same plays; Kean and Booth acted in several Shakespearian productions at the Drury Lane Theatre from 1817 to 1821.

In 1821, Booth ran off to the United States with Mary Ann Holmes, a flower girl, abandoning his wife and their young son. Booth and Mary Ann claimed to be married that year[1] and settled near Bel Air, Maryland in a farmhouse which Booth later remodeled and named "Tudor Hall." It was listed on the National Register of Historic Places in 1973.[2] He then embarked upon a thirty-year acting career that made him famous throughout the country. Booth traveled to such cities as Baltimore, Boston and New York; he was particularly acclaimed in New Orleans for his ability to perform in French.

During this time, his family, which grew to 10 children, lived in great isolation in primitive conditions, despite the grand name they gave to their residence.

In 1825-1826 and 1836-1837 Booth made tours of his native England without his family. By 1831 he had become the manager of the Adelphi Theatre in Baltimore.

Booth's grave at Green Mount Cemetery in Baltimore

His acclaim continued to grow throughout the rest of his life; Walt Whitman described him as "the grandest historian of modern times." Although his relationship with Mary Ann was relatively happy, they lost four children, three in the same year (1833), and he suffered from a combination of alcoholism and madness. His health declined steadily through his later years, and he became known as "Crazy Booth, the mad tragedian." It was often difficult for his friends to tell whether he was drunk or crazy.

In 1846, his first wife learned of her husband's second family and left England for the United States. After years of unsuccessful attempts to break up his relationship with Mary Ann Holmes, she divorced him in 1851. On May 10, 1851, with the youngest of their ten children now eleven years of age, Junius finally legally married Mary Ann.[1][3]

In 1852, he was involved in a tour of California with his sons Edwin Booth and Junius Brutus Booth, Jr., performing in San Francisco and Sacramento. On the return trip the pair again visited New Orleans for some engagements. On the steamboat ride from New Orleans to Cincinnati, Junius became ill from drinking impure river water. With no physician on board, he died after suffering five days of fever.[3]

See also

References


 
 
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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
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