Kander and Ebb, songwriting team. Composer John [Harold] Kander (1929–2004) was born in Kansas City, Missouri, then studied at Oberlin College and Columbia prior to spending nine years in journeyman work at summer theatres and as an orchestrator. His first score was heard in A Family Affair (1962). That same year he was introduced to Fred Ebb (1932–2004), the New York–born lyricist and librettist who was educated at Columbia and first contributed lyrics to Broadway in the revue From A to Z (1960). Their debut as a team was with Flora, the Red Menace (1965) and a year later they enjoyed their first hit, Cabaret (1966). Subsequent musicals were The Happy Time (1968); Zorbá (1968); 70, Girls, 70 (1971); Chicago (1975); The Act (1977); Woman of the Year (1981); The Rink (1984); Kiss of the Spider Woman (1993); and Steel Pier (1997). The two Kander and Ebb shows that followed failed to make it to New York, but the team had simultaneous hits on Broadway for several years in the late 1990s–early 2000s when both Chicago and Cabaret revivals enjoyed long runs. Stanley Green has written, “If, like their creators, [their] songs have escaped individual acclaim, they have nevertheless performed the demanding function of heightening the emotion and strengthening the texture of the varied dramatic works for which they were created.” Autobiography (both): Colored Lights, 2003.
Composer John Kander teamed with lyricist Fred Ebb to forge one of the longest-running and most successful creative partnerships in Broadway history, their bold, brassy style giving rise a series of enormously popular and provocative musicals including Cabaret, Chicago, and Kiss of the Spider Woman. Kander was born March 18, 1927 in Kansas City, MO, and began studying music as a child; he started his professional career in 1950 with Second Square, and between 1955 and 1957 served as choral director and conductor for Rhode Island's Warwick Musical Theatre. From there he arranged the dance music for Gypsy and Irma la Douce, and made his Broadway composing debut with the 1962 flop A Family Affair. Meanwhile, Morning Sun, the first stage production by Fred Ebb (born April 8, 1935 in New York, NY), had closed after just eight performances. The two met later in 1962 and soon collaborated on the songs "My Coloring Book" and "I Don't Care Much," both later recorded by Barbra Streisand. The duo's first stage musical, Golden Gate, went unrealized, but it did convince producer Harold Prince to hire them for his Flora, the Red Menace, a satire of bohemian culture and radical politics which also featured Liza Minnelli in her Tony Award-winning Broadway debut.
Kander & Ebb's next collaboration continued in the political vein of Flora, but with much more serious overtones -- 1966's Cabaret, a brilliant examination of fascism in pre-war Berlin, rocketed the duo to massive critical and commercial success, winning seven Tony awards (including Best Musical) on its way to a run of 1,166 performances and an Oscar-winning film adaptation. Kander & Ebb resurfaced in 1968 with two new musicals, The Happy Time and Zorba, followed three years later by 70, Girls, 70; in 1972, they also composed a number of songs for Minnelli's Emmy-winning television special Liza With a Z. After contributing material to Streisand's 1975 film Funny Girl, later that same year Kander & Ebb launched Chicago, which was largely overlooked during its original run but was revived to massive success two decades later. In 1977, they scored Martin Scorsese's film musical New York, New York; the title song later became a signature hit for Frank Sinatra as well as the Big Apple's unofficial theme; also that year, the duo launched The Act on Broadway -- both projects starred Minnelli.
After a four-year absence from the stage, Kander & Ebb returned with 1981's Woman of the Year, a vehicle for Hollywood legend Lauren Bacall which earned four Tonys; three years later, the duo debuted The Rink, but were otherwise largely silent for the remainder of the decade. Their 1991 induction into the New York Theatre Hall of Fame coincided with the premiere of And the World Goes 'Round, an off-Broadway tribute revue featuring dozens of their songs. 1993's Kiss of the Spider Woman returned Kander & Ebb to their past prominence, netting Best Musical honors from the New York Drama Critics as well as a handful of Tony awards, including Best Actress accolades for star Chita Rivera. Steel Pier followed in 1997, and later that same year Kander & Ebb were announced as recipients of the 21st annual Kennedy Center Honors. ~ Jason Ankeny, All Music Guide
Kander and Ebb were a highly successful songwriting team consisting of composerJohn Kander (born March 18, 1927) and lyricistFred Ebb (April 8, 1933 - September 11, 2004). Known primarily for their stage musicals, Kander and Ebb also scored several movies including their most famous song, the theme song from Martin Scorsese'sNew York, New York. Recorded by many artists, "New York, New York" became a signature song for Frank Sinatra. The team also became associated with two actresses, Liza Minnelli and Chita Rivera, for whom they wrote a considerable amount of material for the stage, concerts and television.
John Kander and Fred Ebb were introduced by their mutual music publisher Tommy Valando in 1963. They first collaborated on an unproduced musical called Golden Gate, which producer-director Harold Prince called "...basically a test to see if the collaboration was any good." They wrote Flora the Red Menace, their first musical to be produced on Broadway, in 1965, in which Liza Minnelli made her Broadway debut. Another early collaboration was the industrial musicalGeneral Electric presents Go Fly a Kite written with Walter Marks for General Electric's 5th Electric Executives Conference in Williamsburg, Virginia in 1966.
Kander's and Ebb's greatest acclaim came from the musical Cabaret (1966) and the 1972 film version. The musical, directed by frequent collaborator Harold Prince, was a major success, with a Broadway run of over 1,100 performances. It won a Tony Award as the season's best musical, and its original cast recording won a Grammy Award. The film, directed by Bob Fosse, won eight Academy Awards. The musical Chicago (1975), which was initially a lukewarm success, was revived on Broadway in 1996 and became a hit. It has become the longest-running revival in Broadway history, and the 2002 film version was also a great success, including an Oscar nomination for the collaboration. Other Broadway successes included Woman of the Year (1981), Kiss of the Spider Woman (1992), and, posthumously for Ebb, Curtains (2006).
Minnelli became strongly associated with Kander and Ebb, with Ebb producing Minnelli's Emmy-winning television special Liza with a Z. They appreciated the actress's excellent musicianship and found her congenial to work with. Kander said, "One of the nice things about writing for Liza is that you don't have to write for Liza. She can do anything. You know that whatever you do write, she's going to deliver it exactly the way you intended it. It's really the same with Chita Rivera, the other woman in our lives."[1]
Kander's and Ebb's fascination with the collaborative process began with their work on Cabaret, where a long experimental period permitted actors such as Joel Grey to contribute ideas toward the creation of their characters. The creative team often met at Harold Prince's home to discuss ideas. These sessions are discussed in the Kander and Ebb biography, Colored Lights, as 'what if' sessions.[2]
In 1998, Kander and Ebb were recognized for their contributions to theatre and music with Kennedy Center Honors.
^The Art Of The American Musical: Conversations With The Creators, Jackson R. Bryer, Richard Allan Davison, p. 102, 2005, Rutgers University Press, ISBN 0813536138
^Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz, John Kander, Fred Ebb, and Greg Lawrence, p. 61, November 5, 2003, Faber & Faber, ISBN 057121133X