Representative Albums: "Walking on Sunshine," "Original Recordings 1983-1984," "Katrina & the Waves"
Representative Songs: "Walking on Sunshine" "Going Down to Liverpool"
Biography
F. Scott Fitzgerald once said that there are no second acts in American life. He may have been right, but luckily for Katrina & the Waves, they either never read Fitzgerald, or the Anglo half of their Anglo-American lineup made them immune from this pattern. With a charismatic lead singer fronting a band pulled together by guitarist Kimberley Rew (late of the Soft Boys), who could write songs like nobody's business, they seemed tailor-made for success. And they did briefly cut a swathe across pop music in Europe, America, and around the world, achieving some serious success of their own with a pair of catchy, hook-laden songs, "Going Down to Liverpool" (which was first a hit as a cover by the Bangles) and "Walking on Sunshine." Their initial mass popularity (especially in America) was relatively brief, but their history and their range of good songs also extended a lot longer than most listeners are aware.
In 1981, in the wake of the Soft Boys' breakup, Rew landed in the Waves, an Anglo-American quartet featuring Katrina Leskanich (guitar, vocals), Vince de la Cruz (bass), and Rew's longtime friend Alex Cooper (drums). They tried it with Rew as lead singer but that wasn't a role that the guitarist/composer enjoyed -- instead, he moved Leskanich to the lead singer spot. The group became Katrina & the Waves to give it a special identity, at a time when there weren't a lot of bands with female lead singers. They spent two years working under the radar of the major labels, which had scarcely noticed the Soft Boys, never mind this quartet with the weird guitar-driven pop songs. They found a home with Attic Records, an independent label that had issued the Soft Boys' recordings in Canada, which allowed the band to avoid oblivion in favor of mere obscurity.
They started to make headway after two years of work, building an underground reputation, and the fact that their records had to be imported to England or the United States only added to their mystique. The record that turned their fortunes around, however, wasn't one of their own -- rather, it was the Bangles' cover of "Going Down to Liverpool," which became a hit on radio in England and America. Suddenly, the group was in demand from record labels on either side of the Atlantic, and they ended up signed to Capitol Records. Their self-titled Capitol debut LP, released in 1985, consisted of re-recorded (some accounts say simply remixed and redubbed) versions of the best songs from the group's two Attic albums, with a fuller, more elaborate sound. It peaked at number 28 in England and number 25 in America (the highest chart placement up to that time by any ex-member of the Soft Boys), and yielded the Top Ten U.S./U.K. hit "Walking on Sunshine," one of the more memorable pop/rock songs of the decade. A modest follow-up single, "Do You Want Crying," made the lower regions of the Top 40, and they seemed to have a big future in front of them, when the group suddenly broke stride at the same time they quickened the pace -- they rushed a second album (Waves) out that same year that was good enough but no improvement upon its predecessor. Additionally, their work lost its edge between the two LPs, and Rew had ceded some of his songwriting responsibility to the other members, who weren't nearly as skilled in composition. It sold less than half of what the earlier record had, generating a modest hit with the single "Sun Street," at number 22.
By 1989, their prospects seemed spent over the next three years as Capitol lost interest in the group, but they kept plugging and were rewarded with the Top 20 hit "That's the Way" and issued a third album, Break of Hearts, on the SBK label. They remained a marketable commodity in England and on the European continent, releasing three LPs in Germany during the 1990s, on Virgin and Polydor. Rew and Leskanich narrowly avoided going off to solo careers. In 1995, One Way Records in America released a passable best-of collection comprised of their Capitol material. Then, in 1997, lightning struck for the group a second time when the band won the Eurovision song contest with "Love Shine a Light," which reached the number two spot on the British charts. Although hardly the kind of honor they'd have considered in the 1980s -- the contest is usually the province of Euro-pop outfits with little rock credibility (ABBA is as credible as a winner ever got, and that's a long way from the Soft Boys) -- it revived interest in the band sufficient to get them a recording contract with Warner Bros. and helped them to generate a new album, Walk on Water. Not coincidentally, in 1997, EMI issued Walking on Sunshine: The Best of Katrina & the Waves, a superior compilation of their Capitol/EMI material dating between 1985 and 1991. And in 2003, the Bongo Beat label released The Original Recordings 1983-1984, collecting their two Attic Records albums together in one place, along with a bonus DVD containing their promotional concert film from the early '80s -- the existence of the latter makes up, in part, for the fact that the band never released a live album. By that time, the members had finally gone their separate ways, Rew and Leskanich embarking on solo careers. It wouldn't be totally surprising, however, to see one or more of them -- if not a totally reformed version of the group -- revive the band's repertory, so infectiously tuneful and relentlessly popular are their songs. ~ Bruce Eder, All Music Guide
Pre-history: The Waves and Mama's Cookin' (1975-1980)
The band's earliest incarnation was as The Waves, a group that played in and around Cambridge, England from 1975-77 and featured guitarist Kimberley Rew and drummer Alex Cooper. This incarnation of the Waves never issued any recordings, and broke up when Rew left to join the Soft Boys.
Mama's Cookin' was a pop cover band hailing from Feltwell, England. In 1978 the band featured Katrina Leskanich on vocals and keyboards; her then-boyfriend Vince de la Cruz on vocals and guitar; Marcos de la Cruz on vocals and drums; Ron Kucharski on bass; and Andrew Hoffner on guitar. In late 1980 Alex Cooper joined the band on drums with Bob Jakins on bass. Mama's Cookin' proceeded to gig steadily in England over the next two years, specializing in covers of songs by American acts such as Heart, Foreigner, Linda Ronstadt, and ZZ Top.
Early days as "The Waves" (1981-82)
When The Soft Boys broke up in 1981, Rew contacted his old Wave-mate Cooper to see about renewing their musical partnership. Cooper convinced Rew to join Mama's Cookin', and the group was quickly re-named The Waves after the band Rew and Cooper had been in together in the mid-1970s.
The Waves were initially fronted by singer/songwriter/guitarist Rew, who brought a wealth of original material to the band. Leskanich, meanwhile, originally only sang lead vocals on the cover tunes in the band's repertoire. However, over the first year of the Waves' existence, Rew began to write material for Leskanich to sing, and she was soon the primary vocalist.
Rounding out the Waves were de la Cruz on guitar, Jakins on bass, and Cooper on drums,
The Waves made their initial recorded appearances on a 1982 single ("Nightmare"/"Hey, War Pig!"); both tracks were included on the 1982 Rew solo album called The Bible of Bop. The Waves then issued their debut EP Shock Horror later in 1982. Around this time, bassist Jakins left the band. Jakins was not replaced, as de la Cruz took over on bass and the band was rechristened Katrina and the Waves.
Early Canadian success (1983-84)
In early 1983, the fledgling band recorded - at their own expense - an LP of their original material designed to be sold at gigs. Rew wrote all the songs on this LP, while Leskanich sang eight of the album's ten tracks. (Rew sang lead on the other two.)
The LP was shopped around to various labels, but only Attic Records in Canada responded with an offer. Consequently, although they were based in England, Katrina and The Waves' first album Walking On Sunshine was released only in Canada.
The album garnered enough critical attention and radio play (especially for the title track) to merit a Canadian tour. In 1984, the group released a follow-up album in Canada (Katrina and the Waves 2), with Leskanich now handling all the lead vocals. Rew was still the primary songwriter, but de la Cruz was also responsible for a few songs, including the Canadian airplay hit "Mexico".
Also in 1984, their song “Going Down to Liverpool” was covered by the Bangles, which added to their profile. With the group building a fan base with their recordings and extensive touring, major label interest began to build, and Katrina and the Waves eventually signed an international deal with Capitol Records in 1985.
"Walking on Sunshine" and national success (1985-1989)
For the first Capitol album, the band re-recorded, remixed, or overdubbed 10 songs from their earlier Canadian releases to create their self-titled international debut album in 1985.
The Katrina and the Waves album was a substantial critical and commercial success, and the group had a worldwide hit with the song "Walking on Sunshine," (#9 US, #8 UK) (a completely re-recorded, and substantially rearranged version of the song when compared to its initial 1983 Canada-only release). A Grammy award nominee for "Best New Artist" followed, as did constant touring, both of which helped to spur moderate sales of new releases.
A follow-up single to "Walking on Sunshine" called "Do You Want Crying" (written by de la Cruz) also became a top 40 US hit reaching #37 in the late summer of 1985.
However, the band's follow-up album to Katrina and the Waves (simply entitled Waves) didn't meet with the same measure of success, either critically or commercially. Rew wrote only two of the ten songs on the LP; de la Cruz and Leskanich each wrote four. Drummer Cooper, interviewed some years later, claimed "It was (a) mistake when we started taking over from Kimberley in the musical contribution side. The second Capitol album was awful...".
The album did spin off a minor UK and US hit in the form of the Rew-penned "Is That It?" (#70 US, #82 UK), and "Sun Street" (a de la Cruz composition) was a UK Top 30 hit in 1986. However, Capitol dropped the band after the Waves album didn't perform to expectations.
The band subsequently recorded a 1989 album for SBK Records called Break of Hearts, a harder, more rock-oriented effort than their previous releases. The album included "That's the Way" which reached #16 in the US (credited to Leskanich/Rew), but subsequent singles, including the infectious "Rock'n'Roll Girl", failed to chart, and the band once again was dropped from their label.
Downturn and surprise comeback (1990-1997)
Throughout the nineties, Katrina and the Waves recorded fairly steadily, though most releases were available only in continental Europe and/or Canada, and they issued no charting singles. They also recorded the song "We Gotta Get Out of This Place" with Eric Burdon for the TV series "China Beach" in 1990.
By the late nineties, however, the band had all but disappeared - until they surprisingly (if briefly) surged back into the limelight by winning the 1997 Eurovision Song Contest for the United Kingdom on 3 May1997 with the song "Love Shine a Light". Reacting to the win, Leskanich said it was the second landslide victory in a week; the song won by a record points margin, and Tony Blair had won the 1997 British general election two days previously. The song won by a then-record margin of 70 points over the Irish runner-up.[1]
"Love Shine a Light" became Katrina and the Waves' biggest-ever UK hit, peaking at #3 in the UK Singles Chart.[2]
Dissolution and aftermath
Despite their return to the public eye in the UK, Katrina and the Waves were not able to follow up "Love Shine a Light" with another hit, and Leskanich left the band in 1998 after several disagreements within the band. Legal wrangling followed, preventing Leskanich from using the band name and the band themselves became somewhat lost without their lead singer. Though attempts were made to find a new "Katrina" to front the group, the remaining Waves eventually dissolved the band to pursue individual careers.
Six years after the original band split up, Leskanich formed a new group in an attempt to repeat the Waves' Eurovision triumph, this time in Sweden. At the 2005 Melodifestivalen (the competition to select Sweden's Eurovision entry) the group failed to qualify directly from the fourth semi-final of the competition, and were eventually eliminated in a 'second-chance semi'. Having planned to call themselves "Katrina and the New Wave", they dubbed themselves "Katrina and the Nameless" after legal objections from the original Waves.
Hurricane "Katrina"
When Hurricane Katrina and its storm surge devastated much of the U.S. Gulf Coast in September 2005, the MSNBC news program, Countdown with Keith Olbermann, dubbed its coverage of the hurricane, "Katrina and the Waves"; the name also appeared in numerous headlines and blog postings. A New York Times reporter contacted Katrina Leskanich, who said: "The first time I opened the paper and saw 'Katrina kills 9,' it was a bit of a shock. ... I hope that the true spirit of 'Walking on Sunshine' will prevail. I would hate for the title to be tinged with sadness, and I will have to do my own part to help turn that around."[3]