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Keith Olsen

 
Artist: Keith Olsen
Keith Olsen

Worked With:

Alan Pasqua, Chris Minto, Tom Kelly, Neil Geraldo, Tommy Funderburk, Brian Foraker, David DeVore, Michael Baird, Rick Springfield, Pat Benatar
  • Genres: Rock
  • Instrument: Engineer, Producer

Biography

Keith Olsen is one of the more prolific and successful music producers of the second half of the 20th century, with over 200 productions to his credit, yielding sales of 110 million copies on single, LP, or CD, 45 Gold (or Platinum) Record Awards, and six Grammy Awards. Born in Sioux Falls, SD, he later moved to Wayzata, MN, when he was 12 years old, and attended school in Minneapolis. He developed a strong interest in music as a boy -- nor was that interest limited to one category or genre; Olsen was as fascinated by classical music as he was by pop and rock music. He took up the bass as an instrument and played with several local bands before he moved to California. He had managed to pick up some experience in recording within the limited facilities available in Minneapolis, but his real introduction to the art of producing came when he met Curt Boettcher, the renowned guitarist/singer-turned-sunshine pop/psychedelic producer. Boettcher was an influence on the younger Olsen, as was his subsequent contact with Brian Wilson. Although Olsen was playing bass in the Music Machine, which enjoyed a huge hit with the single "Talk Talk," he had already set his sights on production as a career goal.

Olsen got a job as an engineer at Sound City Studios in Los Angeles, where his technical and musical knowledge combined to allow him to transcend the typical boundaries of that job. He began recording demos by various L.A.-based bands, including a group called Fritz, that didn't seem to yield much for anyone concerned. Fate took a hand, however, after Fritz broke up, yielding a performing duo consisting of ex-members Lindsey Buckingham and Stevie Nicks -- they formed a group called Buckingham Nicks, and recorded a demo with Olsen that the latter helped shop around Los Angeles, getting them a contract with Polydor. Olsen ended up recording their resulting self-titled album, which got buried commercially but received high praise from critics and other musicians -- Buckingham Nicks became a favorite underground phenomenon, and Olsen started to get noticed seriously by other musicians as a young producer worth watching. One who found that advice worth taking was drummer Mick Fleetwood, of Fleetwood Mac, who were generally preparing for the recording of a new album and in the market for a studio and came to Sound City -- while there, he heard the Buckingham Nicks track "Frozen Love" and became interested in the guitarist; in those days, Fleetwood Mac always seemed to be one guitarist short, and he soon discovered that Buckingham and Nicks were a package deal, and, in fact, already preparing to do a second album. Fleetwood began thinking of taking on both of them, along with Olsen as producer for the forthcoming album. And that was precisely what happened. This resulted in the Fleetwood Mac album, a multi-platinum best-seller that moved a career's worth of music and put Olsen on the map as a producer. Over the years that followed, he worked with such top talent as the Grateful Dead, Bob Weir, Eddie Money, Emerson, Lake & Palmer, Rick Springfield, REO Speedwagon, Pat Benatar, Heart, Joe Walsh, Starship, Santana, Kim Carnes, Jethro Tull, The Babys, Ozzy Osbourne, the Scorpions, .38 Special, Bad Company, Sammy Hagar, Russ Ballard, Whitesnake, Foreigner, Sheena Easton, Journey, Loverboy, and Lou Gramm, He also moved into film work during the 1980s, working on the soundtracks to the megahits Footloose and Flashdance, the Disney sci-f/adventure Tron, and the box office smash Top Gun. By the mid-'90s, Olsen had reached the top of his profession as a music producer, and graduated to more of a behind-the-scenes role in the field of audiophile sound engineering, and also going into the field of publishing, including working with the copyrights of Hank Williams, Jr.. He has occasionally worked in television production (most notably in tandem with Stevie Nicks). In the 21st century, he has reportedly changed his residence to Hawaii, far from the center of the West Coast music industry. ~ Bruce Eder, All Music Guide
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Wikipedia: Keith Olsen
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Keith Olsen
Background information
Origin United States Sioux Falls, South Dakota
Occupations record producer, rock musician
Instruments bass guitar
Years active 1960s - present
Associated acts Fleetwood Mac
Grateful Dead
Music Machine, The
Ozzy Osbourne
Scorpions
Whitesnake
Website keitholsenproductions.com

Keith Olsen (born in South Dakota) is one of the most prolific and successful music producers in the industry.

Career

With over 120 albums produced netting a 1 in 4 Gold or better ratio, of which more than 24 are Platinum or better, and more than 14 are multi-Platinum, sales from Keith Olsen’s work exceeds 110 million units at retail, equaling more than a Billion dollars in business. To date his work appears on more than 250 albums.

He also has 45 Gold (or Platinum) Record Awards and six Grammy Awards.[1] Olsen was born in a small town in South Dakota, but moved to Minneapolis, Minnesota at the age of twelve, where he received a very midwestern cultural education, grounded in common sense and defined by reality.[citation needed] As he became more and more interested in music, both classical and the pop music of the time, he was lucky enough to earn some valuable experience in a couple of the only recording studios in the Minneapolis area. A wealth of soon to be discovered super talents were touring and commingling within the folk rock circuit Keith found himself involved in, like David Crosby, Roger McGuinn, and Chris Hillman, just to name a few.[citation needed]

After a brief stint as corporate director of global product development at Mackie Designs, during their public ownership era, Keith used his first-hand knowledge of how production equipment is used, what is needed, and how to hopefully keep technology out of the way of creativity, to assemble a team of experts to develop their digital products line.

Olsen produces several albums per year for Pogologo Productions Group and gives his time and energy tirelessly to the "National Academy of Recording Arts and Sciences" (NARAS) Producers and Engineers Wing, the mission of which he strongly believes is so necessary in this era of digital revolution.[citation needed] He currently serves on the P&E Steering Committee, P&E Advisory Council.

Olsen was the bass player for The Music Machine, who later went on to producing, co-producing the Fleetwood Mac album Fleetwood Mac, which was released in 1975. His career has spanned decades and included many of the top 50 artists of the 1980s, 90s, and 2000s. His award-winning career is well documented by numerous websites, books, and episodes of VH1's Behind the Music.[citation needed]

Also, among so many other works, he produced "Slip of the Tongue" (1989) by Whitesnake with Mike Clink. He also produced the album Crazy World with the Scorpions. This album contains such popular songs as "Wind of Change", "Send Me an Angel", "Hit Between the Eyes", etc. Keith was also a producer and engineer for the Grateful Dead's 1977 release Terrapin Station Sheila's (B Devotion) "Little Darlin'" in 1981, and also co-produced No Rest for the Wicked by Ozzy Osbourne. A lesser-known credit was his first Spanish-language album for Mexican superstar Emmanuel in the late 1980s, the original English-language version was never released, the Latino version was hugely successful.

References

External links



 
 
Learn More
Crazy World (1990 Album by Scorpions)
Café Racers [Bonus Tracks] (2001 Album by Kim Carnes)
Café Racers (1983 Album by Kim Carnes)

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