Representative Songs: "Lotus Flower," "'Round About Midnight," "Hill's Edge"
Biography
Throughout his career, Kenny Dorham was almost famous for being underrated since he was consistently overshadowed by Dizzy Gillespie, Fats Navarro, Miles Davis, Clifford Brown, and Lee Morgan. Dorham was never an influential force himself but a talented bop-oriented trumpeter and an excellent composer who played in some very significant bands. In 1945, he was in the orchestras of Dizzy Gillespie and Billy Eckstine, he recorded with the Be Bop Boys in 1946, and spent short periods with Lionel Hampton and Mercer Ellington. During 1948-1949, Dorham was the trumpeter in the Charlie Parker Quintet. After some freelancing in New York in 1954, he became a member of the first version of Art Blakey's Jazz Messengers and for a short time led a group called the Jazz Prophets, which recorded on Blue Note. After Clifford Brown's death, Dorham became his replacement in the Max Roach Quintet (1956-1958) and then he led several groups of his own. He recorded several fine dates for Riverside (including a vocal album in 1958), New Jazz, and Time, but it is his Blue Note sessions of 1961-1964 that are among his finest. Dorham was an early booster of Joe Henderson (who played with his group in 1963-1964). After the mid-'60s, Kenny Dorham (who wrote some interesting reviews for Down Beat) began to fade and he died in 1972 of kidney disease. Among his many originals is one that became a standard, "Blue Bossa." ~ Scott Yanow, All Music Guide
McKinley Howard (Kenny) Dorham (August 30, 1924 - December 5, 1972) was an Americanjazztrumpeter, singer, and composer born in Fairfield, Texas. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention from the jazz establishment that many of his peers did. For this reason, his name has become (in the words of writer Gary Giddins) "virtually synonymous with 'underrated.'" He composed the jazz standard "Blue Bossa," which appears on Joe Henderson's album Page One.
In 1963 Dorham added the 26-year-old tenor saxophonist Joe Henderson to his group, which later recorded Una Mas (the group also featured a young Tony Williams). The friendship between the two musicians led to a number of other albums, such as Henderson's Page One, Our Thing and In'n'Out. Dorham recorded frequently throughout the sixties for Blue Note and Prestige Records, as leader and as sideman for Henderson, Jackie McLean, Cedar Walton, Andrew Hill, Milt Jackson and others.
Dorham's quintet originally consisted of some very well known jazz musicians, being Tommy Flanagan (piano), Paul Chambers (double-bass) and Art Taylor (drums). Their recording debut was "Quiet Kenny" for the Original Jazz Classics record label, an album which featured mostly ballads. An earlier quartet featuring Dorham as co-leader with alto saxophone player Ernie Henry had released an album together under the name "Kenny Dorham/Ernie Henry Quartet". They produced the album "2 Horns, 2 Rhythm" for Riverside Records in 1957 with double-bassist Eddie Mathias and drummerG.T. Hogan. Today the album is being released under the name "Kenny Dorham Quartet", though this is due to marketing and is not technically correct.[1]
During his final years Dorham suffered from kidney disease, from which he died on December 5 1972, aged just 48.