King Curtis was the last of the great R&B tenor sax giants. He came to prominence in the mid-'50s as a session musician in New York, recording, at one time or another, for most East Coast R&B labels. A long association with Atlantic/Atco began in 1958, especially on recordings by the Coasters. He recorded singles for many small labels in the '50s -- his own Atco sessions (1958-1959), then Prestige/New Jazz and Prestige/TruSound for jazz and R&B albums (1960-1961). Curtis also had a number one R&B single with "Soul Twist" on Enjoy Records (1962). He was signed by Capitol (1963-1964), where he cut mostly singles, including "Soul Serenade." Returning to Atlantic in 1965, he remained there for the rest of his life. He had solid R&B single success with "Memphis Soul Stew" and "Ode to Billie Joe" (1967). Beginning in 1967, Curtis started to take a more active studio role at Atlantic, leading and contracting sessions for other artists, producing with Jerry Wexler, and later on his own. He also became the leader of Aretha Franklin's backing unit, the Kingpins. He compiled several albums of singles during this period. All aspects of his career were in full swing at the time he was murdered in 1971. ~ Bob Porter, All Music Guide
During the 1950s and early to mid 1960s he worked as a session player. He recorded under his own name and with others such as the Coasters with whom he recorded "Yakety Yak". Buddy Holly hired him for session work during which they recorded "Reminiscing". His best known singles from this period are "Soul Twist" and "Soul Serenade" .
In 1965 he moved to Atlantic Records and recorded his most successful singles "Memphis Soul Stew" and "Ode to Billie Joe" (1967). He worked with The Coasters, led Aretha Franklin's backing band The Kingpins. Curtis produced records, often working with Jerry Wexler and recorded for Groove Records during this period.[2]
On August 13, 1971,[4] Curtis became involved in an argument [5] with two men outside his apartment on West 86th Street. One of the men, Juan Montañez, stabbed Curtis in the heart. He was taken to Roosevelt Hospital, where he died from his wounds.[6] On the day of the funeral Atlantic Records closed their offices.[7]Jesse Jackson administered the service and as the mourners filed in, Curtis's band 'The Kingpins' played "Soul Serenade". Amongst those attending were Aretha Franklin, Cissy Houston, Brook Benton and Duane Allman.[8] Franklin sang the closing spiritual "Never Grow Old" and Stevie Wonder performed "Abraham, Martin & John and now King Curtis".[9]