Kirk Franklin

gospel singer

Personal Information

Born Kirk Smith in 1970(?) in Forth Worth, TX; raised by aunt, Gertrude Franklin; married Tammy Renee Collins, 1996; children: four.

Career

Mt. Rose Baptist Church, Fort Worth, TX, choir director, 1981(?); singer, songwriter, arranger and producer, 1991-. Fo Yo Soul production company, founder, 199(?)-.

Life's Work

"My message is simple and plain," Kirk Franklin insisted in the Los Angeles Times. "I'm trying to change the way people look at gospel music. It's not corny, and it's not hokey. We're not just running around here with some choir robes on, yelling and screaming. It's not about that anymore, kid." The charismatic Franklin has achieved mainstream success thanks to a fusion of hip-hop-flavored style and hardcore religious content. Where other gospel acts had replaced "Jesus" and "God" with "Him" and "You" in hopes of winning over pop listeners, Franklin has never blunted his proselytizing. At the same time, the recordings and concerts by the singer and his gospel group, The Family, have achieved sales that would be respectable even by secular standards and won a bevy of honors. Despite his rise to stardom, Franklin has kept his eye on the real prize. "When I try to reach people, it's by any means necessary," he told the Tri-State Defender. "The purpose is to win them. I spread the word of God through my music, and that's how souls are won--regardless of where it's heard."

Franklin's own soul underwent considerable turmoil in his youth. Born in Fort Worth, Texas, to a teenage mother, he never knew his father and was adopted at the age of three by the only mother he ever really knew--his great-aunt Gertrude--who raised him vigilantly. "She taught me everything," the singer told Cheo Hodari Coker of the Los Angeles Times. "She taught me how to respect people and respect myself, and that's something I'll never forget." A devout Baptist, Gertrude recognized and encouraged the boy's profound musical gifts; money she and Kirk made from recycling cans and newspapers paid for his piano lessons. His obvious talent for church singing led to an offer of a record contract by the time he was seven, but Gertrude refused to consider such an offer, considering Kirk's age. His precociousness could not be kept under wraps forever, though, and by age 11 he was leading the adult choir at Mt. Rose Baptist Church. "It was scary," he recalled to Coker. "I was [in charge of] people 60 and older. Could you imagine someone that young telling their elders they were singing wrong?"

Despite his immersion in a religious environment, Franklin was not immune to the call of street life. "I was always a moody child," he reflected in Texas Monthly. "In the house it was just me and an older woman. When I got around my peers, I was just buck wild, because I wanted to be a kid, you know?" Fear of being called a "church boy," he has noted in numerous interviews, motivated his acting out. "I was more of a perpetrator than a hardcore G[angster]," he asserted to Gannett News Service. "I was always one of the brothers trying to be a gangster with all the other kids because I didn't want them to think I was soft, although I was." Though his behavior was hardly extreme by street standards, he hung around pool halls, smoked marijuana and got into fights; it was only when, at 15, he saw a friend die of an accidental shooting that he decided to change his life. "I didn't think anyone could die so young," Franklin recollected to Coker of the Los Angeles Times. "I knew what I was doing was wrong. That was a major trip for me."

The incident had profound implications for the singer's path in life. "It woke me up," he told Gannett. "At 15 I had been in church all my life, but it wasn't in me." Further hardship ensued when he and his girlfriend had a child out of wedlock; she was left to care for the baby, Kerrion, for several years. "What I had done was wrong," he reflected in Texas Monthly, "but God forgave me, so I was able to forgive myself." Ultimately Franklin managed to place all his focus on his calling. Noted producer Milton Biggham heard a home demo tape Franklin had made and invited him to write material for a gospel album by the Dallas-Fort Worth (DFW) Mass Choir. Franklin fulfilled this request on the Choir's 1991 release I Will Let Nothing Separate Me and on 1993's Another Chance. He performed similar duties for the GMWA National Mass Choir's recording Live in Indianapolis.

But the vocalist wanted to perform his own material; to that end, he put together a 17-member singing group, the Family, culled in part from the DFW Mass Choir. "I called my group the Family because it was the extended family that I never had and the sense of family I always wanted," he proclaimed to Coker. After turning down a deal with Savoy Records, they signed a recording contract with Gospo Centric--a label run by gospel music industry veteran Vicki Mack-Lataillade--and released their debut, Kirk Franklin and the Family, in 1993. Recorded at Grace Temple Church in Forth Worth, the album scored with such songs as "Why We Sing" and "He Can Handle It." The Los Angeles Sentinel cited Mack-Lataillade's advice to Franklin: "I told him I didn't want gospel music to remain status quo; I wanted to make it for everybody," she pointed out.

Franklin's uplifting, modern take on gospel refused to omit "Jesus" and "the Lord" from the lyrics--as many gospel artists seeking mainstream fame have done--but at the same time pursued hip-hop fans with its up-to-date grooves and vocalizing. Though some purists objected to the appropriation of secular styles, Franklin brushed their qualms aside. "We're doing it our way," he asserted in the Los Angeles Sentinel. "If it's different, well, get used to it, because it's music inspired by God and it's here to stay."

Initially, the debut album sold respectably for a gospel record. But over a year and half after its release, Drew Dawson--an urban-radio deejay in Virginia--began playing "Why We Sing" regularly on his program; as a result, other secular radio stations began picking it up. Speaking to the Tri-State Defender, Dawson compared Franklin to multi-faceted R&B figure Babyface, another writer-performer-producer- arranger. "Because [Franklin]'s so talented as a songwriter and musician and because there's no one around in gospel music that is doing it all, his stuff stands out," Dawson insisted. It stood out so much, in fact, that Franklin soon became a sensation in the pop music world, becoming the first gospel debut to sell a million copies. "When my album started blowing up--I mean when God started blessing me--I started to go a lot of places," the singer related in USA Today, "but it was like a giving a diamond to a 4-year-old kid."

And Franklin had to deal with the consequences of challenging an entrenched form, in this case an approach to gospel that drew firm distinctions between secular and sacred music. "Gospel needs an edge," he asserted in the Michigan Chronicle, "so that it will receive the same type of respect that other types of music get. For so long gospel didn't get much respect from the industry." What's more, he pointed out in the same interview, his funky, contemporary approach drew in younger listeners. "A lot of Christian young people are saying, 'Man, this music that we like to listen to on the urban stations is real funky and it's jammin' but a lot of the songs are so nasty,'" Franklin reported. "'Can y'all give us something we can play in our Jeeps and ride down the street and pump to but it's talking about Jesus?'" Franklin and the Family did just that, incorporating references to secular rap and hip-hop hits, but reworking the lyrics to address religious themes. His explosive approach appeared in Family concerts as well. "Franklin came to us and said, 'We want lights, we want big sound, we want special effects,'" tour promoter Al Wash told the Los Angeles Sentinel, "and now we're putting on a show like no one else in gospel ever has."

Franklin further scandalized gospel's old guard by entering a production deal through Mack-Lataillade's new company, B-Rite Records, which was distributed by the controversial Interscope Records--home of the notorious rap label Death Row and such rock acts as Nine Inch Nails. Interscope co-founder Jimmy Iovine told the Los Angeles Times he considered Franklin "an innovative artist with a long career ahead of him. He's going to create a lot of avenues for artists in the genre that they don't have right now," continued the famed music executive. "I think the spirit of gospel will expand and be an even more important factor in the pop world." Mack-Lataillade asserted in the same article that Franklin provided a corrective to the kind of music for which Interscope had become infamous. "We're on a mission," she proclaimed, adding, "We want to show people that there's another way to go with the music. When Kirk's music stops, people don't feel violent, and today that's worth something."

Franklin and the Family followed up their debut with a Christmas album, but it was Whatcha Lookin' 4, a continuation of the pumped-up R&B-styled gospel that had made the first album a sensation, that was considered the true follow-up. The album hit the pop charts running and scored on both the gospel and R&B charts. Franklin--who played a pastor in the touring play He Say, She Say But What Does God Say?--told Janice Malone of the Tennessee Tribune that he was untroubled by the high expectations that greeted the album. "I just stayed focused and recognized that it had nothing to do with me," he insisted. "I don't know about other artists, but it's a lot different for me because I write all of my own material. By doing so it makes me more sensitive to the final outcome, song per song. Whenever I do a project, I don't pick out just one particular song. When God gives me the music, he also gives me the words to the song all together, so that was one worry, I didn't really have."

In early 1996, the singer married Tammy Renee Collins, a former member of the R&B group Ashanti; "She's wonderful," he exclaimed in USA Today. "She's my soul mate." He added, "I hate the single life. Even though my music has a lot of urban appeal, I'm still a church boy. I'm not supposed to be seen with three or four different women. I want to represent not just the music but the lifestyle." He further insisted, in CCM, that his decision to marry Tammy was strengthened by Divine guidance. "God told me," he claimed. "When I was in my prayer time in Birmingham, Alabama, God spoke to me and told me He was pleased [about his plan to marry Collins]. And that He was pleased that she and I had waited [to be intimate]...[Marriage] is making me think and feel like a man. For so long, I was a boy. I know I'm a better man now that I'm married." He brought his son into the marriage, and she her 7-year-old daughter; the two later had a child together.

His spouse would prove an additional pillar of strength when Franklin suffered a serious accident. In late 1996 he fell from the stage of North Hall Auditorium in Memphis after introducing opening act Yolanda Adams, landing in the orchestra pit and sustaining head injuries. After a hospital stay brightened by "tens of thousands of postcards and phone calls from well-wishers," as Jet reported, Franklin convalesced and resumed his "Tour of Life." His experience, he told Steve Jones of USA Today, deepened his appreciation for his wife. "I started looking at her differently and started holding her hand differently," he related. "It was like I was falling in love all over again." Franklin's desire to attend gospel's Stellar Awards was so strong, his wife recalled, was strong even during the thick of his recovery. "When he was in the hospital he was telling us he was going," she recalled to Jones. "And we kept telling him, 'You're not going anywhere.' But he was like, 'Yes I am. Yes I am.' So finally, when the doctors said it would be OK, we said all right."

Franklin's appearance at the Stellar Awards--a mere month after his fall--was something of a valedictory. Billboard's Lisa Collins reported that the singer "was the night's big winner, thrilling the crowd with a performance and testimony that brought the crowd to its feet." Though he took home five awards, including artist of the year, Franklin expressed a larger goal to Collins. "I wanted to make a fool out of the devil," he said. "You're not going to try to take my life and think I'm not going to praise God. I'm a living testimony."

Nearly a decade later, Franklin continued his mission. His music had generated an even bigger buzz in the music industry. Franklin made gospel music cool, opening the doors of churches to share their music over the airwaves and on television. He combined gospel with R&B, pop, rock, hip-hop, and even African and Latin music. Franklin was credited by his peers as helping to make gospel music into a multi-million dollar industry. VH1 offered viewers several concert shows in the early 2000s, and mainstream musicians--such as Bono, Mary J. Blige, and R. Kelly--partnered with Franklin in the studio. Franklin was hailed as a "visionary" of gospel music, and he knew all that label implied, telling CNN that gospel music's new popularity was "an opportunity to reach more people with the message--especially a generation that isn't into organized religion, God, the Jesus thing."

Awards

Dove Award, 1994, 1997, 1998, 1999, 2002, and 2003; Grammy Award, 1996, 1997, 1998; Stellar Award, 1996. BMI Christian Songwriter of the Year, three-way tie, 2003; NAACP Image Award, Outstanding Album, for The Rebirth of Kirk Franklin, Outstanding Song, for "Brighter Day," and Outstanding Gospel Artist, 2003.

Works

Selected discography

• Kirk Franklin and the Family, Gospo-Centric, 1993.
• Christmas, Gospo-Centric, 1995.
• Whatcha Lookin' 4, Gospo-Centric, 1996.
• God's Property, Gospo-Centric, 1997.
• Nu Nation Project, Gospo-Centric, 1998.
• One Nation Crew, Gospo-Centric, 2000.
• The Rebirth of Kirk Franklin, Gospo-Centric, 2002.

Further Reading

Periodicals

• Billboard, December 28, 1996, p. 16; February 15, 1997, p. 38.
• CCM, August 1996.
• Fort Worth Star-Telegram, June 6, 1996.
• Gannett News Service, June 21, 1996.
• Jet, November 25, 1996, p. 33.
• Los Angeles Times, July 7, 1996, p. 7.
• Los Angeles Sentinel, November 21, 1996.
• Michigan Chronicle, November 7, 1995.
• Philadelphia Tribune, May 9, 1995.
• Tennessee Tribune, December 4, 1996.
• Texas Monthly, 1996.
• Time, January 22, 1996.
• Tri-State Defender, November 29, 1995.
• USA Today, October 17, 1996; December 10, 1996; December 11, 1996.
• Washington Afro-American, February 18, 1995.

On-line

• "Franklin Pushes New Gospel Boundaries with 'Nu Nation Project,'" CNN, http://archives.cnn.com/2000/SHOWBIZ/Music/01/31/wb.kirk.franklin/ (accessed January 20, 2005).
• "Kirk Franklin," Nu Nation, www.nunation.com (accessed January 20, 2005).
• "New Gospel Reaching Out to Next Generation," CNN, www.cnn.com/SHOWBIZ/Music/9901/07/franklin.gospel/ (accessed January 20, 2005).

— Simon Glickman and Sara Pendergast

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For The Record...

Born c. 1970, in Fort Worth, TX; married c. 1996; children: Kerrion, son. Began career performing with the Dallas-Fort Worth Mass Choir; performed on Look How Far We’ve Come on Savoy, 1991; performed on Another Chance on Savoy, 1993; left to pursue a solo career; signed with Gospo-Centric and released Kirk Franklin and the Family;, 1993; released Kirk Franklin and the Family Christmas, 1995; released What’cha Lookin’ 4, 1996; contributed to Don’t Be a Menace film soundtrack, 1996; contributed to Special Gift, 1996; contributed to Soul Train Christmas Starfest, 1997; contributed to Get on the Bus film soundtrack, 1997; God’s Property from Kirk Franklin’s Nu Nation, 1997. Awards: Gospel Music Award for Song of the Year, 1993; Gospel Music Award for Best New Artist, 1993; Platinum certification for Kirk Franklin and the Family, 1993. Addresses: Record company—B-rite Music, 417 East Regent St., Englewood, CA, 90301.

Gospel singer

Gospel singer Kirk Franklin combines hip hop rhythms with overtly religious messages and has found massive crossover success in both Christian and pop music in America. Franklin and his back-up group the Family scored a hit in 1993 with "Song We Sing"—a rare crossover success. This rather impressive feat was overshadowed four years later by the song "Stomp," a song recorded with the group God’s Property and featuring a sample from "One Nation Under a Groove." "Stomp" stormed up the charts and became the first gospel video to air in heavy rotation on MTV (Music Television). Franklin’s appeal lay in the fact that he rather adeptly blends urban rhythms with his religious rhetoric, producing a savvy contemporary Christian mix aimed at members of the hip hop nation. John Morthland of Texas Monthly said that "the lean goateed Franklin is able to score with hard gospel largely because he has the qualities other gospel stars lack: charisma, sex appeal, stage presence, ambition, business savvy, and street credibility."

It was not always this easy for Franklin. Born out of wedlock to teenage parents who never married nor lived together, he had sporadic contact with his parents while he was growing up. When he was three, Franklin’s mother put him up for adoption at a Fort Worth church. His great-aunt Gertrude Franklin, who was then in her mid 60s, took him in and eventually adopted him, insisting that he get involved in her church and in its youth activities, especially the choir. Growing up in the church under his great-aunt’s watchful eye gave Franklin the drive to excel in the choir. By the age of seven, his innate talent had earned him the opportunity to pursue a gospel music recording contract. His great-aunt expressly forbade this, citing Franklin’s extremely young age. A mere four years later, Franklin had attained the rank of minister of music at the Mt. Rose Baptist Church. In this position, he was responsible for all of the music for all of the choral groups at the church.

While was growing up, the choir and its attendant lifestyle were still more of a sideline to Franklin than his life’s vocation. Commenting on this to Morthland, Franklin said; "I was always a moody child. In the house, it was just me and an older woman. When I got around my peers, I just went buck wild, because I wanted to be a kid, you know?" Hedonism filled Franklin’s days when he was not in church. His rebellious antics included fighting, hanging around with gang members, hanging out at pool halls, causing trouble at school, fighting, and smoking marijuana.

When he was 16, Franklin’s friend, 17-year-old Eric Pounds, was killed when his parents’ gun fell from thetop of the closet and accidentally discharged. Devastated, Franklin

sought solace from the church, reading the Bible, and getting more involved in music. The following year, Franklin’s faith was tested again when he got his girlfriend pregnant. Franklin told Allison Samuels of Newsweek: "those two things changed my life and got me in touch with the Lord and the Lord’s music." He added to Morthland that "what I had done [getting his girlfriend pregnant out of wedlock] was wrong, but God forgave me, so I was able to forgive myself." Franklin’s girlfriend gave birth to a son named Kerrion. She raised him by herself until early 1996. It was then that Franklin decided to do for his son what was never done for him. "I didn’t want my son raised like I was. I wanted him to know his father," he explained to Morthland.

Joins Gospel-Centric
At 19, Franklin met Milton Biggham, executive director of Savoy Records, the leading label in gospel music. Biggham persuaded him to join his newly established Dallas-Fort Worth Mass Choir. The Dallas-Fort Worth Mass Choir released two albums on Savoy with Franklin, 1991’s Look How Far We’ve Come and Another Chance in 1993. Biggham, who was Franklin’s mentor in the industry, offered him a solo recording contract with Savoy. After much thought, Franklin politely declined feeling that on the Savoy label he would only be a small fish in a big pond. Not long after this, Franklin was contacted by Vicky Latallaide who had recently established the Los Angeles based Gospo-Centric label. After days of prayerful deliberation, he signed up with Gospo-Centric.

The breakthrough success of Kirk Franklin and the Family in 1993 exceeded the expectations of both Gospo-Centric and Franklin. The album, which teamed Franklin up with his back-up group, the Family, contained the hit inspirational track, "Why We Sing," which not only topped the gospel music charts but managed to break out of the gospel ghetto and attract serious attention and air play on rhythm and blues (R&B) stations as well. Latallaide told Billboard’s Phyllis Stark that "we didn’t know if they [R&B stations] would pick it up; we just wanted to make them aware of it because it was doing so well in gospel … [the record’s mainstream success] kind of caught us off guard…[adding nonetheless that the success of" Why We Sing "] was something we had quietly prayed for." Gina Deeming, Gospo-Centric’s business affairs manager, further elaborated on the matter to Stark adding that "we basically called it an act of God. It’s anointed and it’s God’s record, and we just try to take care of it."

Numerous program directors from R&B and urban music stations across America mentioned that the positive uplifting message of "Why We Sing" hit a nerve with R&B and urban music listeners. It was such a contrast to the graphically profane and sexually explicit lyrical content of a lot of the current urban music. Franklin explained his appeal to Samuels saying, "Black youth are looking for spirituality and a better way to live. I’m doing what it takes to get the attention of my generation. Kids are killing their parents. They’re lost. Someone has to bring them back."

Franklin’s hard work paid off as "Why We Sing" won the Gospel Music Song of the Year Award in 1993 and he and his band took home the award for the year’s Best New Artist as well. Accolades and recognition did not stop there. The album, Kirk Franklin and the Family, became the first gospel album to go platinum in America. The sales were fueled, in no small part, by the success of "Why We Sing" on the Contemporary Christian, gospel, R&B, and pop charts.

The 1995 Christmas release, Kirk Franklin and the Family Christmas, was also popular and the release of Whatcha’Looking 4, debuted at number 23 on the pop albums chart in 1996. Also that year, Franklin contributed tracks to the Special Gift Christmas compilation, the Soul Train Christmas Starfest, and to the soundtrack for the film Don’t be a Menace.

Holy Dope Dealer
Franklin’s previous work served as a prelude to the phenomenally unprecedented success of his 1997 album, God’s Property from Kirk Franklin’s Nu Nation as the album went gold, selling half a million copies in its first month of release. It topped not only the gospel charts but the R&B charts as well and even managed to make it to number three on the pop charts. The albums success was driven by the smash hit "Stomp," which sampled George Clinton’s funky "One Nation Under a Groove" and featured a rap from Cheryl James, also known as Salt, from Salt n’ Pepa. Franklin first met God’s Property at a gospel concert where the Dallas-Fort Worth Mass Choir and the Family were performing on the same bill. Franklin invited God’s Property to sing on Whatcha Lookin’ 4 and he then get a song on the soundtrack for Spike Lee’s 1997 film Get on the Bus.

Although never released as a single, "Stomp" became the first gospel song to make it into heavy rotation on MTV. "Stomp" also managed to seduce young people who had strayed from the church with its propulsive beats, rhythmic clapping and intoxicating chorus. Defending his use of hip hop to promote the word of God, Franklin told U.S. News & World Report writer, Thom Geier, "there’s nothing sinful about the beat. When I’ve got their attention, I hit them with the holy dope. I’m a holy dope dealer." Linda Searight, the music teacher who formed God’s Property in Dallas in 1992 concurred with Franklin and told Morthland, "going into nightclubs, that’s just God comin’ through, where ever He wants to come through. The nature of what we’re doing is outreach. And that means you have to reach out to bring in."

Selected discography
(With Dallas-Fort Worth Mass Choir) Look How Far We’ve Come, Savoy, 1991.
(With Dallas-Fort Worth Mass Choir) Another Chance, Savoy, 1993.
Kirk Franklin and the Family (includes "Why We Sing"), Brite, 1993.
Kirk Franklin and the Family Christmas, B-rite, 1995.
Whatcha Lookin’ 4, B-rite, 1996.
(Contributor) Don’t be a Menace, Island, 1996.
(Contributor) Special Gift, Island, 1996.
(Contributor) Soul Train Christmas Starfest, Epic, 1997.
(Contributor) Get on the Bus, Interscope, 1997.
God’s Property from Kirk Franklin’s Nu Nation (includes "Stomp"), B-rite, 1997.

Sources
Billboard, December 11, 1993; December 3, 1994.
Jet, December 25, 1995.
Newsweek, September 1, 1997.
Texas Monthly, September, 1996; September, 1997.
U.S. News & World Report, July 7, 1997.

• Genres: Gospel

Biography

Since his debut, 1993's Kirk Franklin & the Family, Kirk Franklin has been one of the brightest stars in contemporary gospel music. The album spent 100 weeks on the gospel charts (some of those on top), crossed over to the R&B charts, and became the first gospel debut album to go platinum. His second album, Kirk Franklin & the Family Christmas, became the genre's first Christmas album to make it to number one, and his 1996 album Whatcha Lookin' 4 went gold as soon as it was distributed. With such phenomenal success, it is small wonder that some have hailed him as "the Garth Brooks of gospel." Still, despite all the adulation and brouhaha, Franklin remains a humble, devout Christian, eschewing the title "entertainer" in favor of labeling himself as just a "church boy."

Franklin's road to the top, though quick, was far from smooth. Abandoned by his mother and never having known his father, Franklin was reared by his Aunt Gertrude, a deeply religious woman who raised him as a strict Baptist. When he was four, she paid for his piano lessons by collecting aluminum cans. The lessons were money well spent, for Franklin was a natural musician who could sight read and play by ear with equal facility. At age 11, he was leading the Mt. Rose Baptist Church adult choir near Dallas. Despite, or because of, his church background, Franklin began rebelling in his teens and getting into trouble until one of his friends was accidentally shot and killed at age 15.

Realizing that he had chosen a bad road, Franklin returned to the fold and began composing songs, recording, and conducting. Since 1991, he has been backed up by his 17-member choir, the Family, a group comprised of friends and associates from his younger days (interestingly, one member of the Family, Jon Drummond, made it to the semifinals of the 100-meter sprint at the 1996 Olympics). Support from his pastor, his wife Tammy, whom he married in early 1996, and the four children they brought to the marriage help keep Franklin close to his religious core, and he returned in 1998 with Nu Nation Project. The album topped the Billboard Top 200 charts (peaking at number seven) and remained on the Billboard Gospel Albums chart for 49 weeks, paving the way for Franklin's third Grammy (Best Contemporary Soul Gospel Album).

Over the course of the next few years, Franklin worked on the soundtrack of the movie Kingdom Come (contributing the single "Thank You") and released another album, 2002's The Rebirth of Kirk Franklin. Making good on the success of its predecessor, the disc soared to number four on the Billboard 200 chart and spent 29 weeks on the Gospel Albums chart. Two more chart-topping albums emerged out in the next four years, Hero (2005) and Songs for the Storm, Vol. 1 (2006), both of which topped the gospel charts at the time of their release. Hero went on to win two Grammys in late 2006.

The following year, he released The Fight of My Life, an all-star affair featuring contributions from Rance Allen, tobyMac, and Melvin Williams, among others. It topped the Gospel Albums chart and broke into the Top 40 of the Billboard 200. In 2010, following the tragic earthquake in Port-au-Prince, Haiti, Franklin assembled an even bigger crowd of gospel all-stars in Nashville’s Quad Studios to record the benefit single “Are You Listening." His next studio album, 2011's Hello Fear, featured "I Smile," his first hit on the pop charts since 2005. ~ Sandra Brennan, Rovi

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