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La Esmeralda

 
Wikipedia: La Esmeralda (ballet)
Important Ballets & *Revivals of Marius Petipa
Marius Petipa -1898.JPG

*Paquita (1847, *1881)
*Le Corsaire (1858, 1863, 1868, 1885, 1899)
The Pharaoh's Daughter (1862, *1885, *1898)
Le Roi Candaule (1868, *1891, *1903)
Don Quixote (1869, *1871)
La Bayadère (1877, *1900)
*Giselle (1884, 1899, 1903)
*Coppélia (1884)
*La Fille Mal Gardée (1885)
*La Esmeralda (1886, 1899)
The Talisman (1889)
The Sleeping Beauty (1890)
The Nutcracker (1892)
Cinderella (1893)
The Awakening of Flora (1894)
*Swan Lake (1895)
*The Little Humpbacked Horse (1895)
The Cavalry Halt (1896)
Raymonda (1898)
The Seasons (1900)
Harlequinade (1900)

La Esmeralda is a ballet in 3 acts, 5 scenes, inspired by Notre Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot; with music by Cesare Pugni and design by William Grieve (scenery), D. Sloman (machinery), Mme. Copere (costumes).

It was first presented by the Ballet of her Majesty's Theatre, London on March 9, 1844 with the Ballerina Carlotta Grisi as Esmeralda, Jules Perrot as Gringoire, Arthur Saint-Leon as Phoebus, Adelaide Frassi as Fleur de Lys, and Antoine Louis Coulon as Quasimodo.

Today the ballet is presented in its full-length form only in certain parts of the world; Russia; parts of Eastern Europe; and New Jersey, United States. New Jersey Ballet introduced the full-length version for the first time in the United States in 2004. Outside of Russia, Eastern Europe and New Jersey only excerpts are given - the La Esmeralda Pas de Deux and the Pas de Six, but mostly the Diane and Actéon Pas de Deux is given, which in all actuality is not originally from the ballet (it is often miscredited as having been added by Petipa to his 1886 revival of La Esmeralda).

Contents

Important revivals

  • Marius Petipa for the Imperial Ballet in 4 acts and 5 scenes. Imperial Mariinsky Theatre, St. Petersburg, 17 December 1886. Revived especially for the Ballerina Virginia Zucchi. Musical revision and additional pas by Riccardo Drigo (including a Pas de six for Virginia Zucchi. Petipa added additional numbers in 1866 (a Pas de deux for the Ballerina Claudina Cucchi that became known as the Pas Cucchi to the music of Pugni), 1871 (a Pas de dix for the Ballerina Eugenia Sokolova to the music of Yuli Gerber), and 1872 (a Pas de cinq for the Ballerina Adèle Grantzow to music by an unknown composer).
  • Marius Petipa for the Imperial Ballet in 4 acts and 5 scenes. Imperial Mariinsky Theatre, St. Petersburg, 21 November 1899. Revived especially for the Prima Ballerina Assoluta Mathilde Kschessinskaya.
  • Agrippina Vaganova for the Kirov Ballet in 3 acts. Kirov Theatre of Opera and Ballet, Leningrad, 3 April 1935. Revived especially for the Ballerina Tatiana Vecheslova. Vaganova added a "new" Pas d'action for the Ballerina Galina Ulanova and the Danseur Vakhtang Chabukiani, which she arranged from the Pas de Diane from Petipa's 1868 ballet Tsar Kandavl (a.k.a. Le Roi Candaule) to music by Pugni and Drigo, which is known today as the Diane and Actéon Pas de Deux.
  • Pyotr Gusev for the Kirov Ballet in 3 acts. Kirov Theatre of Opera and Ballet, Leningrad, 1949.
Fanny Elssler in the title role of the Pugni/Perrot La Esmeralda, Berlin, circa 1845

Diane and Actéon Pas de Deux

See also

Video


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