latent image
(graphic arts) An invisible image produced by the physical or chemical effects of light on the individual crystals (usually silver halide) of photographic emulsions; the development process makes the image visible, in the negative.
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(graphic arts) An invisible image produced by the physical or chemical effects of light on the individual crystals (usually silver halide) of photographic emulsions; the development process makes the image visible, in the negative.
An invisible image produced by a physical or chemical effect of light on the individual crystals (usually silver halide) of photographic emulsions. This image can be rendered visible by the process known as development. See also Photography; Photolysis.
An invisible image typically of electrical charges. For example, in a copy machine, a latent image of the page to be copied is created on a plate or drum as an electrical charge.
The invisible image produced on photographic or radiographic film by the action of light or radiation before development.
Latent image, an invisible picture formed by a brief exposure to light, and which can be subsequently amplified into a full-strength image. Henry Talbot's first process of photogenic drawing produced a visible image directly in the camera or printing frame. Termed a printout process, this approach relied totally on solar energy to reduce the light-sensitive silver halide to the metallic silver that formed a visible image. While producing the gratification of a visible picture, the inescapable consequence was very long exposure times. In the competing early process, the daguerreotype, a brief exposure in the camera produced a barely visible effect on the silver iodide, and fuming with mercury brought the image to full strength. It is not at all clear that Daguerre understood the implications of this, but Talbot certainly did when in September 1840 he noticed an anomalous behaviour in one of his papers. Rapidly tracing its roots, he deduced that the addition of gallic acid allowed him to use a brief exposure to form a latent image. This invisible recording of the various intensities of light comprising the scene could then be converted into a full-strength visible image by development in a solution of gallic acid and silver nitrate. He named this new negative process the ‘Calotype’ (loyal friends called it the Talbotype) and wrote in the Literary Gazette, ‘I know of few things in the range of science more surprising than the gradual appearance of the picture on the blank sheet, especially the first time the experiment is witnessed’ (19 February 1841). Anyone who has entered a darkroom and developed a print in an open tray will readily understand this sense of magic. Talbot had discovered for himself ‘physical development’, where the liquid developer donated silver for the image, and this amplified the effect of the exposure by a factor of 100. Other approaches, curiously including light itself, can be used, but most modern developers exploit ‘chemical development’, where the silver available in the sensitive coating is utilized. Continuing research has improved the practical aspects of this to the point where the factor of amplification can be in the millions. But amidst the competing theories, the underlying mechanism of the latent image is nearly as much a mystery to present-day scientists as it was to Talbot.
— Larry J. Schaaf
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When photographic materials such as film or paper is exposed to light (or in radiography, X-rays) and then developed, only the area that received sufficient exposure is darkened in the developer to form an image. This indicates that there is invisible change made to the silver halide crystals in the exposed part of the emulsion coated on the film or paper. In early age of photography, photographers did not know what the invisible change was, but a term latent image was coined for this.
Latent image is invisible until the emulsion is developed using photographic developer. In more physical terms, latent image is a small cluster of metallic silver atoms formed in or on a silver halide crystal due to reduction of interstitial silver ions by photoelectrons (photolytic silver cluster).
If intense exposure continues, such photolytic silver clusters grow to visible sizes. This is called printing out image. On the other hand, visible image formed by the action of photographic developer is called developed out" image.
The size of silver cluster in the latent image can be as small as a few silver atoms. On the other hand, developed silver grain can have dozen billions of silver atoms. Therefore, photographic developer is a chemical amplifier acting on latent image, with a gain factor up to several billion. The development system was the most important technology that increased the photographic sensitivity in the history of photography.
The action of the light with the silver halide grains within the emulsion forms sites of metallic silver on the grains. The basic mechanism by which this happens was first proposed by R W Gurney and N F Mott in 1938. The incoming photon liberates an electron from a silver halide molecule, called photoelectron. Photoelectrons migrate to a shallow electron trap site (a sensitivity site), where the electrons reduce silver ions to form a metallic silver speck. A positive hole must also be generated but it is largely ignored. Subsequent work has slightly modified this picture, so that 'hole' trapping is also called into question (Mitchell, 1957). Since then, the mechanism of sensitivity and latent image formation has been greatly improved.
One very important way to increase photographic sensitivity is to manipulate the electron traps in each crystal. A pure, defect-free crystal exhibits poor photographic sensitivity, since it lacks a shallow electron trap that facilitates the formation of latent image. In such a case, much of the photoelectrons will be wasted by recombination mechanism. Shallow electron traps are created by sulfur sensitization, introduction of a crystalline defect (edge dislocation), and incorporating a trace amount of non-silver salt as a dopant. The location, kind and number of shallow traps have a huge influence on the efficiency by which the photoelectrons create latent image centers, and consequently, on photographic sensitivity.
Another important way to increase photographic sensitivity is to reduce the threshold size of developable latent image. Gold sensitization of Koslowski creates a metallic gold specks on crystal surface, which by itself does not render the crystal developable. When latent image is formed around the gold speck, the presence of gold is known to reduce the number of metallic silver atoms necessary to render the crystal developable.
Another important concept in increasing photographic sensitivity is to separate photohole away from photoelectrons and sensitivity sites. This should reduce the probability of recombination. Reduction sensitization is one possible implementation of this concept. Recent 2-electron sensitization technique is built on this concept. However, the scientific knowledge on the behavior of photoholes is less well understood than that of photoelectrons.
On the other hand, a deep electron trap or a site that facilitates recombination will compete for photoelectrons and therefore reduces the sensitivity. However, these manipulations are used, for example, to enhance contrast of the emulsion.
Reciprocity law failure is a phenomenon that same amount of exposure (irradiance multiplied by duration of exposure) produces different image density when the irradiance (and thus duration) is varied.
There are two kinds of reciprocity failure. They are both related to poor efficiency of utilizing phtoelectrons to create latent image centers.
High intensity reciprocity failure (HIRF) is common when the crystal is exposed by intense but brief light, such as flash tube. This reduces photographic speed and contrast. This is common with emulsions optimized for highest sensitivity with long exposure using old emulsion technology.
HIRF is due to creation of many latent subimages that are not developable due to small size. Because of brief and intense exposure, many photoelectrons are created simultaneously. They make many latent subimages (that cannot render the crystal developable), rather than one or a few latent images (that can).
HIRF can be improved by incorporating dopants that create temporary deep electron traps, optimizing the degree of sulfur sensitization, introducing crystalline defect (edge dislocation).
In recent years, many photographic prints are made by scanning laser exposure. Each location on a photographic paper is exposed by very brief but intense laser. Problems due to HIRF were the major technical challenge in development of such products. Color photographic papers are usually made with very high percentage of silver chloride (about 99%) and the rest is bromide and/or iodide. Chloride emulsions have particularly poor HIRF and usually suffer from HIRF. Paper manufacturers use dopants and precise control of the dislocation sites to improve (to virtually eliminate) HIRF for this new application.
Low intensity reciprocity failure (LIRF) occurs when the crystal is exposed with weak light of long duration, such as in astronomical photography.
LIRF is due to inefficiency of forming a latent image, and this reduces photographic speed but increases contrast. Due to low level of exposure irradiance (intensity), a single crystal may have to wait for a significant amount of time between absorbing sufficient number of photons. In the process of making a stable latent image center, a smaller and less stable silver speck is made. Further generation of photoelectrons is necessary to grow this small speck to a larger, stable, latent image. There is a positive probability that this intermediate unstable speck will decompose before next available photoelectrons can stabilize it. This probability increases with decreasing irradiance level.
LIRF can be improved by optimizing the stability of latent subimage, optimizing sulfur sensitization, and introduction of crystalline defect (edge dislocation).
Depending on the silver halide crystal, the latent image may be formed inside or outside of the crystal. Depending on where the LI is formed, the photographic properties and the response to developer vary. Current emulsion technology allows very precise manipulation of this factor by a number of ways.
Each emulsion has a place within each crystal where LI's are formed preferentially. They are called "sensitivity centers." Emulsions that form LI in the interior are called internal(ly) sensitive emulsions, and those that form LI on the surface are called surface sensitive emulsions. The sensitivity type largely reflects the site of very shallow electron traps that form latent images effectively.
Most, if not all, old technology negative film emulsions had many unintentionally created edge dislocation sites (and other crystalline defects) internally and sulfur sensitization was performed on the surface of the crystal. Because multiple sensitivity centers are present, the emulsion had both internal and surface sensitivity. That is, photoelectrons may migrate to one of many sensitivity centers. In order to exploit the maximum sensitivity of such emulsions, it is generally considered that the developer must have some silver halide solvent action to make the internal latent image sites accessible. Many modern negative emulsions introduce a layer just under the crystal surface where a sufficient number of edge dislocation is intentionally created, while maintaining the bulk of the crystal interior defect-free. Chemical sensitization (e.g., sulfur plus gold sensitization) is applied on the surface. As a result, the photoelectrons are concentrated to a few sensitivity sites on or very near the crystal surface, thereby greatly enhancing the efficiency with which the latent image is produced.
Emulsions with different structures were made for other applications, such as direct positive emulsions. Direct positive emulsion has fog center built in in the core of the emulsion, which is bleached by photoholes generated upon exposure. This type of emulsion produces positive image upon development in a conventional developer, without reversal processing.
A developer solution converts silver halide crystals to metallic silver grains, but it acts only on those having latent image centers. (A solution that converts all silver halide crystals to metallic silver grains is called fogging developer and such a solution is used in the second developer of reversal processing.) This conversion is due to electrochemical reduction, wherein the latent image centers act as a catalyst.
A developer solution must have a reduction potential that is strong enough to develop sufficiently exposed silver halide crystals having a latent image center. At the same time, developer must have reduction potential that is weak enough not to reduce unexposed silver halide crystals.
In a suitably formulated developer, electrons are injected to the silver halide crystals only through silver speck (latent image). Therefore it is very important for the chemical reduction potential of the developer solution (not the standard reduction potential of the developing agent) to be somewhere higher than the Fermi energy level of small metallic silver clusters (that is, latent image) but well below the conduction band of unexposed silver halide crystals.
Generally, weakly exposed crystals have smaller silver clusters. Silver clusters of smaller sizes have higher Fermi level, and therefore more crystals are developed as the developer's reduction potential is increased. However, again, the developer potential must be well below the conduction band of silver halide crystal. Thus there is a limit in increasing the photographic speed of the system by boosting the developer potential; if the solution's reduction potential is set high enough to exploit smaller silver cluster, at some point the solution begins to reduce silver halide crystals regardless of exposure. This is called fog, which is metallic silver made from non-imagewise (exposure-nonspecific) reduction of silver halide crystals. It was also found that, when developer solution is optimally formulated, the maximum photographic speed is rather insensitive to the choice of developing agent (James 1945), and there exists a limit for the size of silver cluster determining the developability of the crystal.
One way to improve this problem is the use of gold sensitization of Koslowski. A small metallic gold cluster whose Fermi level is high enough to prevent development of the crystal is used to decrease the threshold size of metallic silver cluster that can render the crystal developable.
For further discussion, refer to Tani 1995 and Hamilton 1988.
Under normal conditions the latent image, which may be as small as a few atoms of metallic silver on each halide grain, is stable for many months. Subsequent development can then reveal a visible metallic image. (Photographic developers reduce the silver halide grains to silver, but are designed to work preferentially on silver halide crystals with a latent image centers present.
A famous instance of latent-image stability is the picture taken of the ill-fated balloon expedition of Salomon Andree and his party to the North Pole in 1897. The pictures of the expedition and of the balloon stranded on the ice were not discovered and developed until some 33 years later (see Coe, ch 10 for picture).
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