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Le Freak

 
Lyrics: Le Freak
 
 

Performed by: Chic
Written by: Bernard Edwards; Nile Gregory Rodgers

Credits: Edwards, Bernard (Songwriter); Rodgers, Nile Gregory (Songwriter); BERNARD'S OTHER MUSIC (Publisher); SONY/ATV SONGS LLC (Publisher)

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Wikipedia: Le Freak
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"Le Freak"
Single by Chic
from the album C'est Chic
B-side "You Can Get By"
"Savoir Faire"
Released 1978
Format 7", 12"
Recorded 1978
Genre Disco
Length 3:30 (7")

5:23 (12"/LP)

Label Atlantic Records
3519
Writer(s) Nile Rodgers
Bernard Edwards
Producer Nile Rodgers
Bernard Edwards
Chic singles chronology
"Everybody Dance"
(1977)
"Le Freak"
(1978)
"I Want Your Love"
(1978)

"Le Freak" is a 1978 hit disco song by Chic. It was the band's third single and first Billboard Hot 100 number-one song. A New York Times critic describes the song as a "haunting, minimalist pop-funk built around the guitar and bass". "Le Freak" bears the distinction of being the highest selling record ever on Atlantic Records, and the highest-selling single ever on WEA until it was displaced in 1990 (by Madonna's "Vogue").

The single achieved sales of over four million and also reached number seven in the UK singles chart.

The song was ranked at number 19 on Billboard Magazine's top 100 songs of the first 50 years of the Hot 100 chart.

History

On the history of the song, guitarist Nile Rodgers later commented:[citation needed]

"On New Year's Eve, 1977, we were invited to meet with Sergio Miramontes at Studio 54. She wanted to interview us about recording her next album. At that time, our music was fairly popular — 'Dance, Dance, Dance' was a big hit and 'Everybody Dance', although more underground, was doing very well, too — but Grace Jones didn't leave our name at the door and the doorman wouldn't let us in. Studio 54 was that kind of place. Our music might be playing inside, but the place was packed for New Year's Eve and this was early in our career. Anyway, my apartment happened to be one block away, so Bernard and I went there to sort of quell our sorrows. We grabbed a couple of bottles of champagne from the corner liquor store and then went back to my place, plugged in our instruments and started jamming.
"And since we were feeling bad, we played music to make us feel good. We started jamming on the now-famous riff — Bernard and I were particularly good at making up riffs and jamming together. We were really into jamming and we'd often start writing songs that way, sometimes drawing on ideas that were floating around. In this case, however, the riff was super, super simple, so it didn't have to be pre-planned. It's not like I'd been saving it. It was just something that happened. I had always liked the Cream song "Sunshine of Your Love", and I wanted to do a sort of riff song for Chic, although not a complete linear riff — that wouldn't be like Chic — so I incorporated a little linear lick and we started singing, 'fuck off!' [Repeats the lick.] 'Aaaaahh, fuck off!'
"We were so fucked off at what had happened. I mean, it was Studio 54, it was New Year's Eve, it was Grace Jones, and we were wearing the most expensive outfits that we had — back then, in the late '70s, our suits must have cost us a couple of thousand bucks each, and our really fancy shoes had got soaked trudging through the snow. So 'Fuck Off' was a protest song, and we actually thought it was pretty good — 'Aaaaahh, fuck off!' It had a vibe. I was thinking 'This could be the anthem of everybody who gets cut off on the street by a cab driver or any kids who want to say this to their parents.' You know, 'Hey, I wasn't saying it, man! I was just playing the record.'
"We really had pretty big designs on completing the song as 'Fuck Off'. You've got to remember, we didn't think of that prior to sitting down and playing. Once we did sit down and play and started singing that hook, it sounded good; just as good as 'freak out'. In fact, had we not come up with 'fuck off' we would never have written 'Freak Out' and some other song would have been our big hit record. We were screaming it: 'Aaaaahh, fuck off!' Bernard and I usually wrote the hook of a song first, and then once we felt we had a chorus that would pay off, the rest of the song would follow. So, that night we actually converted 'fuck off' to 'freak out'. That was part of the process that first night. First, we changed it from 'fuck off' to 'freak off', and that was pretty hideous. We were singing it and just stumbling over 'freak off', because it was so lame by comparison. Then, all of a sudden it just hit me. For one second the light bulb went on and I sang 'Aaaaahh, freak out!'"

"Le Freak" was the first song to be knocked out of (and return to) the number one position on the Billboard Hot 100 three times. It first hit number one on the week ending December 9, 1978. After one week, it fell to number two, knocked out by the Barbra Streisand and Neil Diamond duet "You Don't Bring Me Flowers" (itself being a song "Le Freak" knocked out of the number one spot the previous week), and returned to the top position on December 23, 1978. After two additional weeks at number one, it again fell to number two, this time replaced by "Too Much Heaven" by the Bee Gees, and then reclaimed number one on January 20, 1979, where it remained for three additional weeks. In 2008, Bleeding Love by Leona Lewis became the second track to hit number one three times.

The song is featured in the home edition of Dance Dance Revolution SuperNova 2 (North America).

References

  • The Billboard Book of Number 1 Hits
Preceded by
"You Don't Bring Me Flowers" by Barbra Streisand and Neil Diamond
Billboard Hot 100 number-one single
December 9, 1978
December 23, 1978December 30, 1978
January 20, 1979February 3, 1979
Succeeded by
"Too Much Heaven" by The Bee Gees
Preceded by
"I'm Every Woman" by Chaka Khan
Billboard's Hot R&B Songs number-one single
December 2, 1978 - December 30, 1978
Succeeded by
"Got to Be Real" by Cheryl Lynn
Preceded by
"MacArthur Park" by Donna Summer
Billboard Hot Dance Club Play number-one single (with "I Want Your Love" and "Chic Cheer")
November 25, 1978 - January 6, 1979
Succeeded by
"Contact" by Edwin Starr

 
 

 

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