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legend

 
Dictionary: leg·end   (lĕj'ənd) pronunciation

n.
    1. An unverified story handed down from earlier times, especially one popularly believed to be historical.
    2. A body or collection of such stories.
    3. A romanticized or popularized myth of modern times.
  1. One that inspires legends or achieves legendary fame.
    1. An inscription or a title on an object, such as a coin.
    2. An explanatory caption accompanying an illustration.
    3. An explanatory table or list of the symbols appearing on a map or chart.

[Middle English, from Old French legende, from Medieval Latin (lēctiō) legenda, (lesson) to be read, from Latin, feminine gerundive of legere, to read.]

USAGE NOTE   Legend comes from the Latin adjective legenda, "for reading, to be read," which referred only to written stories, not to traditional stories transmitted orally from generation to generation. This restriction also applied to the English word legend when it was first used in the late 14th century in reference to written accounts of saints' lives, but ever since the 15th century legend has been used to refer to traditional stories as well. Today a legend can also be a person or achievement worthy of inspiring such a story-anyone or anything whose fame promises to be enduring, even if the renown is created more by the media than by oral tradition. Thus we speak of the legendary accomplishments of a major-league baseball star or the legendary voice of a famous opera singer. This usage is common journalistic hyperbole, and 55 percent of the Usage Panel accepts it.


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Traditional story or group of stories told about a particular person or place. Formerly the term referred to a tale about a saint. Legends resemble folktales in content; they may include supernatural beings, elements of mythology, or explanations of natural phenomena, but they are associated with a particular locality or person. They are handed down from the past and are popularly regarded as historical though they are not entirely verifiable.

For more information on legend, visit Britannica.com.

A notification placed on certain stock certificates describing the terms and conditions of sale and ownership.

Investopedia Says:
The main purpose of a legend is to notify owners of the restrictions placed on certain stocks. Sometimes, however, the legend may not be included on the certificate, so there may be restrictions on some stocks that have no legends. Generally, these restrictions occur when the initial owner enters into a shareholder agreement.

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1. Textual matter appearing beneath an illustration, drawing, or photograph that titles, describes, identifies, or clarifies that which appears above it. See also caption.

2. Explanatory list of symbols on a chart or map, including the mileage scale on a map.

3. Lettering or writing in an inscription, as on a coin or medal.

Thesaurus: legend
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noun

  1. A traditional story or tale that has no proven factual basis: fable, myth. See belief/unbelief, real/imaginary, religion.
  2. A body of traditional beliefs and notions accumulated about a particular subject: folklore, lore, myth, mythology, mythos, tradition. See knowledge/ignorance.

n. an explanation of symbols used on a map, chart, sketch, etc., commonly printed in tabular form at the side of the map, etc.

See the Introduction, Abbreviations and Pronunciation for further details.

Another term for the key on a map.

legend, a story or group of stories handed down through popular oral tradition, usually consisting of an exaggerated or unreliable account of some actually or possibly historical person—often a saint, monarch, or popular hero. Legends are sometimes distinguished from myths in that they concern human beings rather than gods, and sometimes in that they have some sort of historical basis whereas myths do not; but these distinctions are difficult to maintain consistently. The term was originally applied to accounts of saints' lives (see hagiography), but is now applied chiefly to fanciful tales of warriors (e.g. King Arthur and his knights), criminals (e.g. Faust, Robin Hood), and other sinners; or more recently to those bodies of biographical rumour and embroidered anecdote surrounding dead film stars and rock musicians (Judy Garland, John Lennon, etc.).

Adjective: legendary.

See also folklore.
English Folklore: legends
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In folklore theory, a ‘legend’ is a short traditional oral narrative about a person, place, or object that really exists, existed, or is believed to have existed; even when it recounts a supernatural or highly unusual event, this is claimed to have occurred in real life. Unlike a fairytale or joke, it is presented (and generally accepted) as true; it offers information, moral judgements, or warnings which reflect the preoccupations of the hearers. In practice, the status of legends is more complex, both as regards orality and perceived truthfulness. Many which were once purely oral have repeatedly appeared in books, local newspapers, and TV, from where they feed back into oral tellings; some are commercially exploited (e.g. by tourist guides) but not believed; in some cases, the truth of the tradition is a matter for heated dispute (e.g. Robin Hood, Lady Godiva), while in others what was once regarded as true and important is now mere entertainment.

Legends are extremely common in English folklore, and indeed throughout Europe. Various classifications have been proposed, some based on content, some on function, and some on range of dissemination. Legends about past heroes were the first type to be identified. Many, such as those about King Alfred burning the cakes and King Canute defying the tide, are plausible, and very widely known; others have supernatural content, but are told of real people, such as St Dunstan or Drake; in others, the historical identity of the hero has vanished under legendary motifs, and rediscovering it becomes a contentious issue, as with attempts to identify the ‘real’ Arthur or Robin Hood. The categories of ‘historical’ and ‘local’ legend are not mutually exclusive, since there are tales about national figures such as Cromwell which are only locally known, while others relate to people only important in local history.

Local legends are found throughout England, and are extremely varied, the one common factor being their association with landmarks or buildings in the locality; yet, far from being unique to one place, they generally fit story-patterns known elsewhere in England or abroad, thus being migratory as well as local. As regards claims to credibility, they range from amusing fantasies, through stories such as those about treasures and tunnels which may (or may not) contain the proverbial ‘grain of truth’, to religious and supernatural tales embodying firm beliefs and moral principles. Where the belief is actively held, personal experience stories (memorates) often develop alongside the supernatural legend, and reinforce it; in present-day England this often occurs as regards haunted sites.

Another major category is the contemporary legend; this type is notorious for its rapid international diffusion, yet each individual telling presents itself as a local story; some tellers, obviously, must be hoaxing their hearers, while others are saying what they honestly believe.

Bibliography
The full bibliography list is available here.

  • Briggs 1970-1 B, and Westwood 1985 contain numerous examples
Word Tutor: legend
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pronunciation

IN BRIEF: A story handed down from the past. Also: The lettering on a coin or medal.

pronunciation Every year at the festival the mayor of the town told the legend of the beautiful horse.

Quotes About: Legend
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Quotes:

"Legend : a lie that has attained the dignity of age." - H. L. Mencken

Wikipedia: Legend
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A depiction of the legendary Rütlischwur.

A legend (Latin, legenda, "things to be read") is a narrative of human actions that are perceived both by teller and listeners to take place within human history and to possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants includes no happenings that are outside the realm of "possibility", defined by a highly flexible set of parameters, which may include miracles that are perceived as actually having happened, within the specific tradition of indoctrination where the legend arises, and within which it may be transformed over time, in order to keep it fresh and vital, and realistic. The Brothers Grimm defined legend as folktale historically grounded.[1] A modern folklorist's professional definition of legend was proposed by Timothy R. Tangherlini in 1990:[2]

Legend, typically, is a short (mono-) episodic, traditional, highly ecotypified[3] historicized narrative performed in a conversational mode, reflecting on a psychological level a symbolic representation of folk belief and collective experiences and serving as a reaffirmation of commonly held values of the group to whose tradition it belongs."

Contents

Etymology and origin

Holger Danske, a legendary character.

The word "legend" appeared in the English language circa 1340, transmitted from mediaeval Latin language through French.[citation needed] Its blurred extended (and essentially Protestant) sense of a non-historical narrative or myth was first recorded in 1613. By emphasizing the unrealistic character of "legends" of the saints, English-speaking Protestants were able to introduce a note of contrast to the "real" saints and martyrs of the Reformation, whose authentic narratives could be found in Foxe's Book of Martyrs.[citation needed] Thus "legend" gained its modern connotations of "undocumented" and "spurious". Before the invention of the printing press, stories were passed on via oral tradition. Storytellers learned their stock in trade: their stories, typically received from an older storyteller, who might, though more likely not, have claimed to have actually known a witness, rendered the narrative as "history". Legend is distinguished from the genre of chronicle by the fact that legends apply structures that reveal a moral definition to events, providing meaning that lifts them above the repetitions and constraints of average human lives and giving them a universality that makes them worth repeating through many generations. In German-speaking and northern European countries, "legend", which involves Christian origins, is distinguished from "Saga", being from any other (usually, but not necessarily older) origin.

The modern characterisation of what may be termed a "legend" may be said to begin 1865 with Jacob Grimm's observation, "The fairy tale is poetic, legend, historic." [4] Early scholars such as Karl Wehrhahn[5] Friedrich Ranke[6] and Will-Erich Peukert[7] followed Grimm's example in focussing solely on the literary narrative, an approach that was enriched particularly after the 1960s ,[8] by addressing questions of performance and the anthropological and psychological insights provided in considering legends' social context. Questions of categorising legends, in hopes of compiling a content-based series of categories on the line of the Aarne-Thompson folktale index, provoked a search for a broader new synthesis.

In an early attempt at defining some basic questions operative in examining folk tales, Friedrich Ranke in 1925[9] characterised the folk legend as "a popular narrative with an objectively untrue imaginary content" a dismissive position that was subsequently largely abandoned.[10]

Compared to the highly-structured folktale, legend is comparatively amorphous, Helmut de Boor noted in 1928.[11] The narrative content of legend is in realistic mode, rather than the wry irony of folktale;[12] Wilhelm Heiske[13] remarked on the similarity of motifs in legend and folktale and concluded that, in spite of its realistic mode, legend is not more historical than folktale.

Legend is often considered in connection with rumour, also believable and concentrating on a single episode. Ernst Bernheim suggested that legend is simply the survival of rumour.[14] Gordon Allport credited the staying-power of certain rumours to the persistent cultural state-of-mind that they embody and capsulise;[15] thus "Urban legends" are a feature of rumour.[16] When Willian Jansen suggested that legends that disappear quickly were "short-term legends" and the persistent ones be termed "long-term legends", the distinction between legend and rumour was effectively obliterated, Tangherlini concluded.[17]

In the painting of Lady Godiva by Jules Joseph Lefebvre, the authentic historical person is fully submerged in the legend, presented in an anachronistic high mediaeval setting.

Related concepts

Legends are tales that, because of the tie to a historical event or location, are believable, although not necessarily believed. For the purpose of the study of legends, in the academic discipline of folkloristics, the truth value of legends is irrelevant because, whether the story told is true or not, the fact that the story is being told at all allows scholars to use it as commentary upon the cultures that produce or circulate the legends.

The mediaeval legend of Genevieve of Brabant connected her to Treves.

Hippolyte Delehaye, (in his Preface to The Legends of the Saints: An Introduction to Hagiography, 1907) distinguished legend from myth: "The legend, on the other hand, has, of necessity, some historical or topographical connection. It refers imaginary events to some real personage, or it localizes romantic stories in some definite spot."

From the moment a legend is retold as fiction its authentic legendary qualities begin to fade and recede: in The Legend of Sleepy Hollow, Washington Irving transformed a local Hudson River Valley legend into a literary anecdote with "Gothic" overtones, which actually tended to diminish its character as genuine legend.

Stories that exceed these boundaries of "realism" are called "fables". For example, the talking animal formula of Aesop identifies his brief stories as fables, not legends. The parable of the Prodigal Son would be a legend if it were told as having actually happened to a specific son of a historical father. If it included an ass that gave sage advice to the Prodigal Son it would be a fable.

Legend may be transmitted orally, passed on person-to-person, or, in the original sense, through written text. Jacob de Voragine's Legenda Aurea or "The Golden Legend" comprises a series of vitae or instructive biographical narratives, tied to the liturgical calendar of the Roman Catholic Church. They are presented as lives of the saints, but the profusion of miraculous happenings and above all their uncritical context are characteristics of hagiography. The Legenda was intended to inspire extemporized homilies and sermons appropriate to the saint of the day.

Some famous legends

References

  1. ^ Norbert Krapf, Beneath the Cherry Sapling: Legends from Franconia (New York: Fordham University Press) 1988, devotes his opening section to distinguishing the genre of legend from other narrative forms, such as fairy tale; he "reiterates the Grimms' definition of legend as a folktale historically grounded", according to Hans Sebald's review in German Studies Review 13.2 (May 1990), p 312.
  2. ^ Tangherlini, "'It Happened Not Too Far from Here...': A Survey of Legend Theory and Characterization" Western Folklore 49.4 (October 1990:371-390) p. 85.
  3. ^ That is to say, specifically located in place and time.
  4. ^ "Das Märchen ist poetischer, die Sage, historischer"; quoted at the commencement of Tangherlini's survey of legend scholarship (Tangherlini 1990:371), which is in large part the basis of this section.
  5. ^ Wehrhahn Die Sage (Leipzig) 1908.
  6. ^ Ranke, "Grundfragen der Volkssagen Forshung", in Leander Petzoldt (ed.), Vergleichende Sagenforschung 1971:1-20, noted by Tangherlini 1990.)
  7. ^ Peukert , Sagen (Munich: E Schmidt) 1965.
  8. ^ Stimulated in part, Tangherlini suggests, by the 1962 congress of the International Society for Folk Narrative Research.
  9. ^ Ranke, "Grundfragen der Volkssagenforschung", Niederdeutsche Zeitschrift fur Volkskunde 3 (1925, reprinted 1969)
  10. ^ Charles L. Perdue Jt., reviewing Linda Dégh and Andrew Vászony's essay "The crack on the red goblet or truth and the modern legend" in Richard M. Dorson, ed. Folklore in the Modern World, (The Hague: Mouton)1978, in The Journal of American Folklore 93 No. 369 (July-September 1980:367), remarked on Ranke's definition, criticised in the essay, as a "dead issue". A more recent examination of the balance between oral performance and literal truth at work in legends forms Gillian Bennett's chaprer "Legend: Performance and Truth" in Gillian Bennett and Paul Smith, eds. Contemporary Legend (Garland) 1996:17-40.
  11. ^ de Boor, "Märchenforschung", Zeitschrift für Deutschkunde 42 1928:563-81.
  12. ^ Lutz Röhrich, Märchen und Wirklichkeit: Eine volkskundliche Untersuchung (Wiesbaden: Steiner Verlag) 1956:9-26.
  13. ^ Heiske, "Das Märchen ist poetischer, die Sage, historischer: Versuch einer Kritik", Deutschunterricht14 1962:69-75..
  14. ^ Bernheim, Einleitung in der Geschichtswissenschaft(Berlin: de Gruyter) 1928.
  15. ^ Allport, The Psychology of Rumor (New York: Holt, Rinehart) 1947:164.
  16. ^ Bengt af Klintberg, "Folksägner i dag" Fataburen 1976:269-96.
  17. ^ Jansen, "Legend: oral tradition in the modern experience", Folklore Today, A Festschrift for William Dorson (Bloomington: Indiana University Press) 1972:265-72, noted in Tangherlini 1990:375.

Translations: Legend
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Dansk (Danish)
n. - legende, sagn, myte, fabel, sagnfortælling, sagnhistorie, sagnlitteratur
adj. - legendarisk

Nederlands (Dutch)
legende, overlevering, inscriptie, randschrift, legenda, verklaring der tekens, omschrijving

Français (French)
n. - légende
adj. - légendaire, fameux

Deutsch (German)
n. - Legende, Sage, Inschrift, Beschriftung
adj. - legendär, berühmt

Ελληνική (Greek)
n. - μύθος, θρύλος, επιγραφή, υπόμνημα, λεζάντα, επεξήγηση (εικόνας κ.λπ.)

Italiano (Italian)
leggenda, legenda, motto

Português (Portuguese)
n. - lenda (f)

Русский (Russian)
легенда, легендарная личность, надпись, подпись к иллюстрации, объяснение условных знаков на схеме

Español (Spanish)
n. - leyenda, saga, inscripción, palabras explicativas
adj. - relacionado con o perteneciente a una leyenda o saga

Svenska (Swedish)
n. - legend, helgonberättelse, folksaga, sägen, inskrift, omskrift, inskription, motto, devis på vapensköld, text, förklaring, teckenförklaring

中文(简体)(Chinese (Simplified))
传说, 图例, 传奇文学, 图标符号, 传说的

中文(繁體)(Chinese (Traditional))
n. - 傳說, 圖例, 傳奇文學, 圖示符號
adj. - 傳說的

한국어 (Korean)
n. - 전설 , 전설 문학, 일화집, 설명집
adj. - 전설의 , 전설적 주인공의

日本語 (Japanese)
n. - 伝説, 伝説的人物, 伝説文学, 銘, 凡例, 説明

العربيه (Arabic)
‏(الاسم) أسطورة‏

עברית (Hebrew)
n. - ‮אגדה, מיתוס, מקרא (במפה), כתובת (על מטבע), סיפור-חייו של קדוש‬
adj. - ‮מפורסם ביותר‬


 
 
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