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Legends of the Fall

 
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Legends of the Fall

Plot

The sweeping, melodramatic saga of three brothers, their powerful father, and a beautiful woman, the popular period drama Legends of the Fall presents a romanticized view of rugged masculinity against lush Montana scenery. Based on a novel by Jim Harrison, the film covers decades in the lives of Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) Ludlow, the sons of retired military man William Ludlow (Anthony Hopkins). Raised by the unorthodox Ludlow after the departure of their mother, the boys grow up close, sharing an appreciation of the land and a pioneering spirit. The family becomes divided, however, when young Sam enlists in World War I over his father's objections, and his brothers follow suit to protect him. Despite these efforts, Sam dies in battle, leaving Alfred and Tristan to return home and deal with the lingering torment. Further complicating matters is the presence of Sam's beautiful fiancée, Susannah (Julia Ormond). After Sam's death, she attracts the romantic attention of both the responsible Alfred and the brooding Tristan, a conflict that threatens to drive the brothers apart. Aspiring to epic status, the film utilizes period detail and attractive landscapes as a backdrop for tragic, doomed romance. While some critics complained that the film resembled a romance novel writ, veering at times into the overwrought, audiences embraced the combination of emotion and grand historical scale, making the film a box-office success. ~ Judd Blaise, Rovi

Review

Although Edward Zwick's ambitious, tragic epic oozes with melodrama, it nevertheless manages to captivate the imagination. With a macho rural narrative smacking of a Jack London tale, the story becomes stuck in a tragic mode early on, with one painful event after another befalling the film's central family. Anthony Hopkins, Brad Pitt, and Aidan Quinn all breathe life into their respective characters, but their work, as well as Zwick's ability to capture the rugged beauty of Montana's pastoral landscapes, is severely compromised by the film's excessive length and its narrative's unceasing tragedies, both of which try the viewer's patience. The cast rarely disappoints though; Hopkins is exceptional as the patriarchal anarchist, while Pitt and Quinn also offer some strong moments. Legends of the Fall has all the elements of classic melodrama: romance, war, tragedy, and sibling rivalry, and its universal appeal made it a hit with moviegoers but, despite its aspirations, it is by no means an epic tale for the ages. ~ Mike DiBella, Rovi

Cast

Karina Lombard - Isabel Two; Gordon Tootoosis - One Stab; Paul Desmond - Decker; Bart the Bear - the bear; Nigel Bennett - Asgaard; Marc Levy - Butler; Weston McMillan - Noel; Christina Pickles - Isabel; Kenneth Welsh - Sheriff Tynert; Robert Wisden - John T. O'Banion; Bill Croft - Bartender; Ray Godshall, Jr. - Businessman; John Novak - James O'Banion; Stuart Aikins; Mary Colquhoun; Bill Dow - Longley; David Kaye - Samuel Decker; Charles Andre - Federal Officer

Credit

Andrew Precht - Art Director, Richard Roberts - Art Director, Mary Colquhoun - Casting, Jane Bartelme - Co-producer, Sarah Caplan - Co-producer, Deborah L. Scott - Costume Designer, Nilo Otero - First Assistant Director, Edward Zwick - Director, Steven Rosenblum - Editor, Patrick Crowley - Executive Producer, James Horner - Composer (Music Score), Jean A. Black - Makeup, John M. Eckert - Production Designer, Lilly Kilvert - Production Designer, John Toll - Cinematographer, Marshall Herskovitz - Producer, William D. Wittliff - Producer, Edward Zwick - Producer, Patrick Crowley - Producer, Dorree Cooper - Set Designer, David E. Campbell - Sound/Sound Designer, Douglas Ganton - Sound/Sound Designer, William D. Wittliff - Screenwriter, Susan Shilliday - Screenwriter, Anne Gordon - Animal Trainer/Wrangler, Jim Harrison - Book Author

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Legends of the Fall

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Legends of the Fall

Theatrical release poster
Directed by Edward Zwick
Produced by Marshall Herskovitz
William D. Wittliff
Edward Zwick
Written by Susan Shilliday
William D. Wittliff
Based on Legends of the Fall by
Jim Harrison
Starring Brad Pitt
Anthony Hopkins
Aidan Quinn
Julia Ormond
Henry Thomas
Music by James Horner
Cinematography John Toll
Editing by Steven Rosenblum
Studio Bedford Falls Productions
Distributed by TriStar Pictures
Release date(s) December 16, 1994 (1994-12-16)
Running time 133 minutes
Country United States
Language English
Budget $30 million
Box office $66,502,573

Legends of the Fall is a 1994 epic drama film based on the 1979 novella of the same title by Jim Harrison. It was directed by Edward Zwick and stars Brad Pitt, Anthony Hopkins and Aidan Quinn. The film was nominated for the Academy Awards for Best Cinematography, Best Art Direction (Lilly Kilvert, Dorree Cooper), and Best Sound (Paul Massey, David E. Campbell, Chris David and Douglas Ganton), and won the category for Best Cinematography.[1][2]

The film's timeframe spans the decade before World War I through the Prohibition era, and into the 1930s, ending with a brief scene set in 1963. The film centers on the Ludlow family of Montana, including veteran of the Indian Wars, Colonel Ludlow, his sons, Alfred, Tristan, and Samuel, and object of the brothers' love, Susannah.[1]

Both the film and the book contain occasional Cornish language terms, the Ludlow family being a Cornish emigrant family.[3]

Contents

Cast

Plot

Sick of the betrayals the United States government has perpetrated on the Native Americans, Colonel William Ludlow (Anthony Hopkins) retires to a remote part of Montana with One Stab, a Cree friend, where they build a ranch. Accompanying them are hired hand Decker, Decker's Cree wife Pet and their daughter Isabel Two. The Colonel's wife, Isabel, does not adapt to the harsh winters and moves to the East Coast. Colonel Ludlow has three sons: Alfred, the eldest, is responsible and cautious; Tristan is wild and well-versed in American Indian traditions; Samuel, the youngest, is educated but naive and constantly watched over by his brothers.

At age 12, Tristan touches a sleeping grizzly bear. The bear awakens and slashes at Tristan, injuring him, but he stabs at the bear's paw and cuts off a claw.

As the boys grow up, Samuel returns from Harvard with his fiancée, Susannah Fincannon. She finds Tristan captivating, but loves Samuel. Before they can marry, Samuel tells his family that he is leaving for Calgary to join the Canadian Expeditionary Force, and aid Britain[4] in the fight against Germany. Much to their father's displeasure, Alfred and Tristan also depart.

During World War I, the brothers find themselves in the 10th Battalion, CEF.[5] Alfred, commissioned as an officer, leads a charge into no man's land. Tristan abandons his unit to be at Samuel's side. The attack is repulsed with heavy casualties, and Alfred is wounded. While visiting Alfred in the field hospital, Tristan learns that Samuel has volunteered for a dangerous reconnaissance mission. He rushes off to protect his brother but arrives too late to save him from being killed. Devastated, Tristan holds Samuel until he dies, then cuts out Samuel's heart, which he sends home to be buried on his father's ranch. Seething with hatred, Tristan single-handedly raids behind German lines, killing two gunners. To the horror of his fellow soldiers, he returns to camp with the scalps of German soldiers hanging around his neck. He is discharged from army service but does not go home. Alfred returns to Montana and proposes marriage to Susannah, but she declines.

Tristan returns home, where Susannah finds him weeping over Samuel's grave. Susannah tries to comfort him, and they become lovers. A jealous Alfred confronts Tristan and later leaves to make his name in Helena. Tristan's relationship with Susannah is doomed by his guilt and pain for failing to protect Samuel, as well as feeling responsible for driving Alfred away. These demons force him to go travelling for several years. At the ranch, Susannah waits for him but eventually receives a letter: "All we had is dead. As I am dead. Marry another." Alfred finds her weeping on the porch and tries to comfort her. Colonel Ludlow finds them together, leading to an argument and falling out between the Colonel and Alfred. Colonel Ludlow later suffers a stroke. He does not speak for years and the ranch deteriorates. In time Susannah agrees to marry Alfred, now a congressman. Alfred's business and politics cause him to get involved with the O'Banion brothers, bootleggers and gangsters.

Tristan returns during Prohibition, bringing life back to the ranch and his father. He accepts Susannah's marriage to his brother and later falls in love with and marries Isabel Two. They have two children, the elder being a boy named Samuel in honor of his late brother. Life seems to become normal again for Tristan as he finds true happiness in his young family. Tristan becomes involved in small-scale smuggling bootleg liquor, finding himself at odds with the O'Banion brothers. Tristan's wife is accidentally killed by a police officer working for the O'Banions, and in a fit of agonized grief Tristan beats the officer nearly to death and has to serve thirty days in jail. Susannah visits, but Tristan refuses her advances and insists she "go home to Alfred". After his release, Tristan and Decker kill those responsible for Isabel Two's death, including one of the O'Banion brothers.

Susannah commits suicide after realizing she cannot live without Tristan. When the remaining O'Banion brother comes for Tristan, he and the corrupt sheriff are killed by Colonel Ludlow and Alfred as Tristan attempts to protect his father. Alfred reconciles with his father and brother. Tristan, knowing he will be blamed for the men's disappearance, leaves for the mountain country after asking Alfred to take care of his children. Over time, everyone in Tristan's life dies before him. As an old man, Tristan enters a clearing to investigate an animal carcass and is set upon by a grizzly bear. He draws his knife and fights it. As they struggle, the image freeze-frames as One Stab narrates: "It was a good death".

Awards and reception

The film opened in limited release on December 23, 1994 and made $14 million in its first weekend in wide release a month later. It went on to have a final box office total of $66 million.[6]

Although released in the hopes of being an Academy Award frontrunner, the film was nominated for just three awards, in none of the major categories. It won for best cinematographer John Toll. The film was much more successful at the Golden Globes, where it was nominated for Best Picture (Drama), Best Actor (Drama), and Best Director. The film has a 63% positive review from critics on Rotten Tomatoes (although the "Top Critics" rating, based on the reviews of critics from major publications, is only 44% positive). Roger Ebert describes it as "pretty good ... with full-blooded performances and heartfelt melodrama." On the other hand, Rita Kempley of the Washington Post says "...the yarn doesn't so much sweep as sprawl across the screen in all its panoramic idiocy."[7]

References

External links


 
 
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