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Lenny Bruce

 
Who2 Biography: Lenny Bruce, Comedian
 

  • Born: 13 October 1925
  • Birthplace: Mineola, New York
  • Died: 3 August 1966 (drug overdose)
  • Best Known As: Edgy, arrest-prone 1960's comedian

Name at birth: Leonard Alfred Schneider

An American counterculture icon from the 1960s, Lenny Bruce's obscenity-laced social satire paved the way for modern stand-up comedy. Bruce served in the navy during World War II (1942-45) and began performing stand-up comedy in 1946. As he gained popularity in New York night clubs, his brand of comedy shifted from impersonations to free-wheeling monologues satirizing religion and politics. He released several comedy albums and appeared occasionally on TV, especially as a guest of Steve Allen and Hugh Hefner. In 1961 he was arrested after a performance in San Francisco and charged with obscenity. Bruce was acquitted, but for the next few years he was frequently in trouble with the law for using raw language on stage -- a no-no back then. In 1964 he was convicted of obscenity in New York and jailed for a few months (in 2003 Governor George Pataki posthumously pardoned him). As his legal troubles mounted, he performed less and less and used drugs more and more. He died of a drug overdose (probably either heroin or morphine) at the age of 40, but his style went on to influence the next generation of comedians, from George Carlin and Richard Pryor to Robin Williams and Chris Rock.

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Artist: Lenny Bruce
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  • Born: October 13, 1925, Mineola, NY
  • Died: August 03, 1966, Los Angeles, CA
  • Active: '50s, '60s
  • Genres: Comedy
  • Instrument: Vocals, Percussion, Vocals (Background)
  • Representative Albums: "The Lenny Bruce Originals, Vol. 2," "Let the Buyer Beware," "The Lenny Bruce Originals, Vol. 1"
  • Representative Songs: "How to Relax Your Colored Fri," "Lima, Ohio," "Religions, Inc."

Biography

When once asked to describe jazz, trumpet legend Miles Davis sarcastically but saliently replied, "You can sweat it down to four words: Louis Armstrong and Charlie Parker." Applying that same old-school, new-school trailblazer to comedy is somewhat more problematic. A number of great early comics could stand in for the Armstrong entry, among them Charlie Chaplin, Groucho Marx, Jack Benny, and George Burns. But in choosing the "Charlie Parker of comedy," by that meaning the one who blazed the modern-day trail, influencing all that came after him, the answer is simple and irrefutable: Lenny Bruce. He was the genre's reckless visionary, the one who defied conventions, the law, and the system, and -- like most visionaries -- was taken down by it all in the end. Bruce changed the whole ball game: no longer would comics have to come out in a cute little suit and tell cute little mother-in-law jokes or feel like they were "working dirty" if they talked openly about sex and other taboo subjects. The shoot-from-the-hip and tell-the-truth work of Richard Pryor, George Carlin, Richard Lewis, and myriad other modern-day comics could never have existed without Bruce first storming the citadel and tearing down the conventional walls of comedy presentation back in the 1950s. He was the original rebel in this marvelous amalgam he invented, taking his borscht belt and strip-joint background and spot welding it to a hipster enlightenment. His style took previously taboo subjects and not only dumped them all in the audience's lap, but did it with a creative verve that made him the wildest, the hippest, the most controversial, and simply the best comic trotting the boards. Those lucky enough to have caught Bruce on an inspired night said it was like a roller coaster ride inside a person's head, free-association ramblings streaming out in a virtual torrent of ideas. Jumping from '50s jazz hipster slang to a liberal dosage of Yiddish vernacular that sounded like code to the uninitiated to sometimes impish little-boy charm letting you in on a big, dark secret, no comic created intimacy with an audience in almost any environment -- conclusively proven in his amazing performance at Carnegie Hall -- than Lenny Bruce.

Although he rode in on the crest of that late-'50s wave known as the "sick comics," Bruce distanced himself from the pack -- both in ideas, outlook, and demeanor -- quickly proving that he had much more to offer philosophically than some tasteless one-liners whose comedic value was usually based on shock value alone. Not that in the early days Bruce wasn't above drawing on items in the news to pull a "quickie sickie" observation to get a fast laugh, but the simple fact that Bruce quickly outgrew the medium that launched him was already apparent by the live recorded performances he was laying down that were appearing on albums by 1959 and 1960. While Mort Sahl (the most popular and digestible of the new comics) would take aim at political sacred cows, Bruce came from a hipster's background and -- fueled by endless nights of honing his craft in California strip joints, where the audience couldn't have cared less what he said or did -- was out to violate the night club taboos by dealing with sex, race, and religion, using words that had seldom been uttered on cabaret stages up to that point.

Bruce was a brilliant satirist and the object of his early pieces was quite often show business itself, clearly a signal that he was more than willing to bite the hand that was feeding him. Exposing the seediness, pomposity, and insensitivity that existed then -- as now -- in show business via brilliant routines like "The Palladium," "Hitler and the M.C.A.," "The Tribunal," and "Religions, Inc.," it was obvious that Bruce was going places that no comic had dared to go in front of an audience. Exposing racism and bigotry in routines like "White Collar Drunks," "How to Relax Your Colored Friends at Parties," and his brilliant satire of the movie "The Defiant Ones" was another bold step, paving the way for message comedians like Dick Gregory (and later, Richard Pryor) to find their voice and audience. His work went through three basic phases of development, starting with the bits and routines that lampooned show business conventions and often caused audiences to walk out. Tiring of the sheer drudgery of regurgitating the same material on a nightly basis, Bruce entered his second phase, abandoning all format on-stage, free-forming his entire performance. His final phase at the end of his career was slow-moving, obsessive shows centered around the contradictions in the American legal system. As Bruce kept testing the boundaries of what could be talked about on a stage, other comics heard his basic message and rethought their entire game plan. In effect, he invented modern-day comedy as we know it. The concept of a comedy concert back then was unthinkable. Up to that time, comics worked in clubs (bars, saloons, and strip joints) or as part of a stage show. Putting a comedian in a theater all by their lonesome for an entire evening seemed like a crazy idea until Bruce's work justified such a gamble, now a presentation format common to any comedian popular enough to fill a large building.

But with the trailblazing came the heat. The police busted him at the Jazz Workshop in 1961 for violating the California Obscenity Code. As Paul Krassner said, "Lenny fought for the right to say on a nightclub stage what he felt free to say in his own living room." Bruce's drug use was widely known throughout the business, and after his acquittal on obscenity charges, he was deported from Britain, barred from performing in Australia, busted for either narcotics possession or obscenity in Los Angeles, Chicago, Hollywood, New York, and San Francisco. In 1964 he had himself declared a legally bankrupt pauper, virtually unable to work anywhere (hence the move into "concerts"). By this time, the lone benefactor keeping him afloat was rock & roll producer Phil Spector, who was the last person to record him for public consumption. In August 1966, with his career and finances in tatters, Bruce died of a heroin overdose at age 40. His life story became a movie starring Dustin Hoffman. And his visionary work changed the world of comedy forever. ~ Cub Koda, All Music Guide
 
Actor: Lenny Bruce
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  • Born: 1925
  • Died: 1966
  • Occupation: Actor, Writer
  • Active: '50s-2000s
  • Major Genres: Comedy, History
  • Career Highlights: The Lenny Bruce Performance Film, Lenny Bruce: Swear to Tell the Truth, The Rocket Man
  • First Major Screen Credit: The Rocket Man (1954)

Biography

The notoriously raunchy comedy of Lenny Bruce pushed the boundaries of the First Amendment and got him into much legal trouble during the early '60s, but it also changed the face of American comedy monologues and opened the door to a grittier, more political form of standup humor. He was born Leonard Alfred Schneider, October 13, 1925, the son of performer Sally Marrs. When he first started out, he billed himself as Lenny Marrs and then Marselle before settling on the penname Bruce. His fame came from fearless monologues which utilized vulgar language and centered on such socially verboten topics as sexuality, religion, and racism. No topic was too sacred for Bruce and he was frequently harassed by authorities. But while initially his boundary-pushing performances gained him fame, they also led to his downfall; Bruce became unbookable due to the threat of nightclubs losing their licenses should he be allowed to perform. This banishment from performing also occurred abroad. His film credits include a major role in Dance Hall Racket (1954) and a screenplay for Rocket Man (1958). Bruce died of a morphine overdose on August 3, 1966, in his Hollywood residence. In 1974, Dustin Hoffman played Bruce in Bob Fosse's powerful biopic Lenny. ~ Sandra Brennan, All Movie Guide
 
Biography: Lenny Bruce
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American comedian Lenny Bruce (1925-1966) made fun of everything held sacred during the 1950s and early 1960s, from the Lone Ranger television character to the Pope and Jesus Christ. His irreverent "anything goes" style eventually caused him to be jailed for public obscenity.

Lenny Bruce shocked and entertained audiences during the politically conservative years following World War II. His irreverent and unabashed antics failed to amuse everyone, and on a number of occasions he was charged with public obscenity. He was convicted in several states and spent his final years involved in court appeals, defending his right to free speech. Bruce's life and career ended tragically when he died of a narcotic drug overdose at age 40.

First Comedic Influence

Bruce was born Leonard Alfred Schneider in Mineola, New York on October 13, 1925. As a child during the Great Depression, he lived with his mother and assorted relatives in a singularly Jewish environment. He saw his father infrequency, and life with Bruce's mother, comedian Sally Marr, was erratic at best. Bruce attended six elementary schools, sold pop bottles for spending cash, and stole lunches from other students. By his own admission, he sniffed aerosols as a youngster. Bruce's mother was completely uninhibited and supported herself in unconventional ways. For a time she operated a dance studio and furnished adult escorts. As Bruce grew to adulthood, his mother developed her own comedy act and performed in nightclubs. From his mother, Lenny learned to laugh at life's irregularities.

Bruce left home at the age of 16 and went to live with a couple named Dengler on their Long Island farm. He stayed on the farm until shortly after the beginning of World War II. In 1942, Bruce joined the U.S. Navy. After boot camp he served as an apprentice seaman on the U.S.S. Brooklyn. The ship was stationed in France and Italy, where Bruce experienced live combat conditions. He longed to return home. In order to secure a discharge, Bruce dressed like a female sailor until his superiors requested a dishonorable discharge. Through the intervention of the Red Cross, the Navy reversed the circumstance of the discharge and Bruce received an honorable release.

Bruce Found an Audience

No longer able to live at the Dengler farm, Bruce returned to live with his mother. She was working as a stand-up comedian at various clubs around Brooklyn. Bruce accompanied her to work and watched her and the other performers present their routines. Bruce himself took the stage one evening at the Victory Club, as a stand-in master of ceremonies. He used the stage name "Lenny Marsalle" that evening but later settled on Lenny Bruce. Despite pre-show jitters, Bruce composed himself and delivered a string of ad libs. To his surprise, the audience laughed and found him marginally amusing. Bruce, who performed without pay that first evening, was instantly addicted to the world of entertainment. In time, he secured an agent and played amateur clubs and contest, sometimes for a $2 fee or for prizes. Bruce wrote an act for himself to perform on stage so that he would not get tongue tied. He did excellent impressions of famous movie stars including Humphrey Bogart, James Cagney, and Edward G. Robinson. In 1947, he used those impressions to win Arthur Godfrey's Talent Scouts, a radio show talent contest.

Bruce performed in vaudeville shows and in burlesque theaters during the late 1940s, but in time he joined the merchant marine, working on the Luckenback Line to the Middle East. As a merchant seaman, Bruce visited over two dozen countries. At every port of call he saw little of the terrain and the culture beyond the shore bars and brothels. Bruce adopted the promiscuous lifestyle of many soldiers and seamen among his peers. On board the merchant ships, he learned to smoke hashish.

Return to Show Business

Shortly before he sailed with the merchant marine, Bruce met an exotic dancer named Harriet "Honey" Harlowe. Bruce was enamored with Harlowe after spending one evening with her at a party. The intense mutual attraction left a strong impression on Bruce, who eventually tracked her down by telephone while he was working on a merchant boat that was docked in Spain. The 25-year-old Bruce found Harlowe willing to wed and returned home as quickly as possible.

The newlywed couple re-entered show business in 1951. Bruce performed comedy while Harlowe sang and danced. They performed together in nightclubs. Bruce determined that he should raise money to pay for singing lessons for Harlowe, to enable her to resume her former career as an exotic dancer. Bruce, true to his outrageous comedic nature, concocted a false identity for himself. He assumed the identity of a priest and solicited donations for a leper colony in Guyana. Bruce collected $8,000 in three days before frustrated Miami law enforcement officials arrested him. He ceased his gigolo-like tactics and focused his efforts toward his stage career and his marriage.

The couple worked together until 1954 when both suffered severe injuries in a violent car crash in Pittsburgh. Bruce was thrown from the car, fractured his skull, and suffered lacerations. Harlowe's injuries were much worse. She was unable to walk for four months. Eventually the couple recovered and moved to a chicken farm in Arcadia, California that was owned by Bruce's father and stepmother.

Bruce, who studied acting at the Geller Dramatic Workshop in Southern California, was acutely ahead of his time in his political sympathies. He had great concern for the poverty stricken, discounted anti-Communist propaganda, took issue with capital punishment and what he viewed as other social shortcomings. On stage, Bruce made fun of the established traditions of Middle America. He was a talented speaker, and although his act was meticulously prepared and rehearsed, he projected a spontaneity to his audience. His natural gift for weaving stories, combined with an unnatural ability to ramble into a stream of consciousness repartee, was fundamental to his genius.

Obscenity Issues and Arrests

Kitty Bruce was born in 1955, the only child of Lenny Bruce and Harriet Harlowe. Soon Bruce became increasingly possessive of his wife, and developed a dependency on narcotic drugs. The couple divorced in 1957.

Within a year, Bruce established a following at several reputable nightclubs in San Francisco. His popularity soared as his reputation for using profanity and obscenity in his act grew. On stage, Bruce held nothing sacred. He clowned about perversion and sexual fantasies, taunted those who held the tenets of Judeo-Christian thought, and described the deep-seated racial tension in America. Lenny Bruce achieved high visibility. His antics were broadcast through the rapidly rising recording industry as well as through television. Many recognized the underlying truth in the Lenny Bruce message. This was true of the late San Francisco columnist Herb Caen, quoted in Playboy. "They call Lenny Bruce a sick comic-and sick he is. Sick of the pretentious phoneyness of a generation that makes his vicious humor meaningful." By the early 1960s, Lenny Bruce was invited to perform at Carnegie Hall. Despite the "adults only" nature of his act, he played to sellout audiences in 1960 and 1961.

In the midst of overwhelming popularity, Bruce was arrested for obscenity in San Francisco in October 1961. The case went to trial early in 1962 and ended in acquittal for Bruce. Later that year, he was arrested at the popular Gate of Horn Club in Chicago. In 1963, Bruce was refused admission to both England and Australia following a narcotics arrest and drug conviction earlier that year.

A conviction on obscenity charges in New York on November 4, 1964, caused another setback for Bruce, despite his earlier success in evading similar charges on the West Coast. The New York trial lasted six months. Despite petitions and testimony filed by prominent personalities including Gore Vidal and Norman Mailer, Bruce was convicted because he used "obscene, indecent, immoral, and impure" language and gestures in his performances. Bruce was sentenced to four months in jail, during which time his conviction in Chicago remained on appeal.

Bruce returned to San Francisco following his conviction in New York. Increasingly stressed and obsessed by his legal problems, he was determined to exonerate himself. Unfortunately, he was severely addicted to heroine at that time and lived mostly in seclusion after 1965. He stayed close to home and rarely worked. He gave his final comedic performance on June 25, 1966, at the Fillmore Auditorium in San Francisco. A few weeks later, on August 3, 1966, Bruce died of a drug overdose in Hollywood. His death was ruled accidental; he was 40 years old.

The Legacy of Lenny Bruce

Shortly before his death, Lenny Bruce published his autobiography, How To Talk Dirty and Influence People. Another publication, The Essential Lenny Bruce, went to print in 1966 and featured his collected comedy routines. The 1971 Broadway play, Lenny, was based on his life, and a movie by the same name was filmed later. A retrospective biography, Ladies and Gentlemen, Lenny Bruce!! was written by Albert Goldman and published in 1974. Kitty Bruce compiled assorted memorabilia into a manuscript entitled The Almost Unpublished Lenny Bruce: from the private collection of Kitty Bruce. She published the book in 1984. In 1998, Bruce was the subject of a movie produced for the Home Box Office (HBO) cable network.

In the late 1950s, Lenny Bruce made a series of comedy recordings and selected albums including, The Sick Humor of Lenny Bruce and Interview of Our Times, later reissued on compact disc in 1992 as a two-volume release entitled The Lenny Bruce Originals.

Further Reading

Bruce, Lenny, How To Talk Dirty and Influence People, Playboy Press, 1963, 1964, 1965.

Hamilton, Neil A., ABC-CLIO Companion to the 1960s Counterculture in America, 1997.

Thomas, William Karl, Lenny Bruce: the Making of a Prophet, Archon Books, 1989.

Entertainment, May 29, 1992; November 2, 1990.

Playboy, August 1991.

 

(born Oct. 13, 1925, Mineola, N.Y., U.S. — died Aug. 3, 1966, Hollywood, Calif.) U.S. stand-up comedian. He studied acting and began performing stand-up routines in nightclubs in the 1950s, soon developing a style marked by black humour and punctuated with obscenity. As he gained notoriety, he focused his material on criticisms of the social and legal establishments, organized religion, and other controversial subjects. His reputation acquired iconic status as a daring performer and an activist for free speech after his death from a drug overdose.

For more information on Lenny Bruce, visit Britannica.com.

 
Columbia Encyclopedia: Lenny Bruce
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Bruce, Lenny, 1925–66, American comedian, b. Long Island, N.Y., as Leonard Alfred Schneider. Possessed of a cynical, surreal, and intensely comic view of the world, Bruce brutally satirized such sensitive areas of American life as sex, religion, and race relations. His comedy left no group unscathed, and his routines were replete with four-letter words. Consequently, Bruce was at various times arrested and forbidden to perform; in 1964 he was convicted of obscenity charges stemming from a New York City performance. He was also arrested for narcotics violations. In Aug., 1966, he died of an overdose of narcotics at the age of 41. After his death Bruce became a cult figure, considered by many to be a martyr to the cause of free speech. His autobiography, How to Talk Dirty and Influence People (1965), sold well, and his nightclub routines were collected and published as The Essential Lenny Bruce (1966). Lenny, a musical based on his life and including much of his comic material, was a hit on Broadway in 1971. After his cult popularity had diminished, he was still regarded as a seminal figure in American culture, whose influence could be seen in the work of important novelists, playwrights, and filmmakers of the 1970s. In 2003, Bruce was posthumously pardoned of his obscenity conviction by the governor of New York.

Bibliography

See biography by A. Goldman (with L. Schiller), Ladies and Gentlemen, Lenny Bruce!! (1974).

 
Quotes By: Lenny Bruce
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Quotes:

"The reason I'm in this business, I assume all performers are -- it's Look at me, Ma! It's acceptance, you know -- Look at me, Ma, look at me, Ma, look at me, Ma. And if your mother watches, you'll show off till you're exhausted; but if your mother goes, Ptshew!"

"Every day people are straying away from the church and going back to God."

"All my humor is based upon destruction and despair. If the whole world were tranquil, without disease and violence, I'd be standing on the breadline right in back of J. Edgar Hoover."

"The role of a comedian is to make the audience laugh, at a minimum of once every fifteen seconds."

"A lot of people say to me, Why did you kill Christ? I dunno... it was one of those parties, got out of hand, you know. We killed him because he didn't want to become a doctor, that's why we killed him."

"Now a Jew, in the dictionary, is one who is descended from the ancient tribes of Judea, or one who is regarded as descended from that tribe. That's what it says in the dictionary; but you and I know what a Jew is -- One Who Killed Our Lord. And although there should be a statute of limitations for that crime, it seems that those who neither have the actions nor the gait of Christians, pagan or not, will bust us out, unrelenting dues, for another deuce."

See more famous quotes by Lenny Bruce

 
Wikipedia: Lenny Bruce
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Lenny Bruce
Lenny Bruce
Born October 13, 1925(1925-10-13)
Long Island, New York
Died August 3, 1966 (aged 40)
Los Angeles, California
Medium stand-up, film, television, books
Nationality American
Years active 1947–1966
Genres Satire/Political satire, Black comedy, Improvisational comedy
Subject(s) American culture, American politics, race relations, religion, human sexuality, obscenity, pop culture
Influenced Richard Pryor,[1] George Carlin,[2] Bill Cosby,[3] David Cross, Lewis Black,[4] Jon Stewart,[5] Peter Cook, Nick Di Paolo, Sam Kinison, Eddie Izzard, Bill Hicks, Rich Vos, Jerry Sadowitz, Cardell Willis, Louis C.K.
Spouse Honey Harlow[6]
Notable works and roles The Lenny Bruce Originals
The Carnegie Hall Concert
Let The Buyer Beware
How to Talk Dirty and Influence People

Lenny Bruce (October 13, 1925 – August 3, 1966), born Leonard Alfred Schneider, was an American stand-up comedian, writer, social critic and satirist of the 1950s and 1960s. His 1964 conviction in an obscenity trial led to the first posthumous pardon in New York history.

Contents

Early life

Bruce was born in Mineola, New York, grew up in nearby Bellmore and attended Wellington C. Mepham High School.[7] His youth was chaotic; his parents divorced when he was five years old and Lenny moved in with various relatives over the next decade. His mother, Sally Marr (née Sadie Kitchenberg), was a stage performer who had an enormous influence on Bruce's career. After spending time working on a farm with a family that provided the stable surroundings he needed, he joined the United States Navy at the age of 17 in 1942, and saw active duty in Europe until his discharge in 1946.

In 1947, soon after changing his last name to Bruce, he earned $12 and a free spaghetti dinner for his first stand-up performance in Brooklyn, New York. From that modest start, he got his first break as a guest (and introduced by his mother, who called herself "Sally Bruce") on the Arthur Godfrey's Talent Scouts show, doing a "Bavarian mimic" of American movie stars (e.g., Humphrey Bogart).

In 1951, he was arrested in Miami, Florida, for impersonating a priest. He was soliciting donations for a leper colony in British Guiana after he legally chartered the "Brother Mathias Foundation" (a name of his own invention—but possibly taken from the actual Brother Matthias who had befriended Babe Ruth at the orphanage to which Ruth had been confined as a child), and, unknown to the police, stole several priests' clergy shirts and a clerical collar while posing as a laundry man. He was found not guilty due to the legality of the New York state-chartered foundation, the actual existence of the Guiana leper colony, and the inability of the local clergy to expose him as an impostor. Later in his semifictional autobiography How to Talk Dirty and Influence People, he revealed that he had made approximately $8,000 in three weeks, sending $2,500 to the leper colony and keeping the rest.

Career

Bruce's early comedy career included writing the screenplays for Dance Hall Racket in 1953, which featured himself, his wife, Honey Harlow, and mother, Sally Marr, in roles; Dream Follies in 1954, a low-budget burlesque romp; and a children's film, The Rocket Man, in 1954. He also released four albums of original material on Berkeley-based Fantasy Records, with rants, comic routines, and satirical interviews on the themes that made him famous: jazz, moral philosophy, politics, patriotism, religion, law, race, abortion, drugs, the Ku Klux Klan, and Jewishness. These albums were later compiled and re-released as The Lenny Bruce Originals. Two later records were produced and sold by Bruce himself, including a 10-inch album of the 1961 San Francisco performances that started his legal troubles. Starting in the late 1960s, other unissued Bruce material was released by Alan Douglas, Frank Zappa and Phil Spector, as well as Fantasy. Bruce developed the complexity and tone of his material in Enrico Banducci's North Beach nightclub, "The hungry i," where Mort Sahl had earlier made a name for himself.

His growing fame led to appearances on the nationally televised Steve Allen Show, where he made his debut with an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "will Elizabeth Taylor become bar mitzvahed?" He also began receiving mainstream press, both favorable and derogatory. Syndicated Broadway columnist Hy Gardner called Bruce a "fad" and "a one-time-around freak attraction," while Variety declared him "undisciplined and unfunny." Influential San Francisco columnist Herb Caen, however, was an early and enthusiastic supporter, writing in 1959:

They call Lenny Bruce a sick comic, and sick he is. Sick of all the pretentious phoniness of a generation that makes his vicious humor meaningful. He is a rebel, but not without a cause, for there are shirts that need un-stuffing, egos that need deflating. Sometimes you feel guilty laughing at some of Lenny's mordant jabs, but that disappears a second later when your inner voice tells you with pleased surprise, 'but that's true.'

On February 3, 1961, in the midst of a severe blizzard, he gave a famous performance at Carnegie Hall in New York. It was recorded and later released as a three-disc set, titled The Carnegie Hall Concert. In the liner notes, critic Albert Goldman described it as follows:

This was the moment that an obscure yet rapidly rising young comedian named Lenny Bruce chose to give one of the greatest performances of his career. ... The performance contained in this album is that of a child of the jazz age. Lenny worshipped the gods of Spontaneity, Candor and Free Association. He fancied himself an oral jazzman. His ideal was to walk out there like Charlie Parker, take that mike in his hand like a horn and blow, blow, blow everything that came into his head just as it came into his head with nothing censored, nothing translated, nothing mediated, until he was pure mind, pure head sending out brainwaves like radio waves into the heads of every man and woman seated in that vast hall. Sending, sending, sending, he would finally reach a point of clairvoyance where he was no longer a performer but rather a medium transmitting messages that just came to him from out there — from recall, fantasy, prophecy. A point at which, like the practitioners of automatic writing, his tongue would outrun his mind and he would be saying things he didn't plan to say, things that surprised, delighted him, cracked him up — as if he were a spectator at his own performance![8]

Legal troubles

On October 4, 1961 Bruce was arrested for obscenity[9] at the Jazz Workshop in San Francisco; he had used the word "cocksucker" and riffed that "'to' is a preposition, 'come' is a verb", that the sexual context of "come" is so common that it bears no weight, and that if someone hearing it becomes upset, he "probably can't come." Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under charges of obscenity. The increased scrutiny also led to an arrest in Philadelphia for drug possession the same year, and again in Los Angeles, California, two years later. The Los Angeles arrest took place in then-unincorporated West Hollywood, and the arresting officer was a young deputy named Sherman Block, who would later become County Sheriff. The specification this time was that the comedian had used the word "schmuck", an insulting Yiddish term.

By the end of 1963, he had become a target of Manhattan District Attorney Frank Hogan, who was working closely with Francis Cardinal Spellman, the Archbishop of New York. The association of Hogan and Spellman led to the often repeated speculation that Bruce's persecution was actually fueled by his status as the original comedic Catholic Church-basher. In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. On both occasions, he was arrested after leaving the stage, the complaints again resting on his use of various obscenities.

A three-judge panel presided over his widely-publicized six-month trial, with Bruce and club owner Howard Solomon being found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, among other artists, writers and educators, as well as Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans. Bruce was sentenced on December 21, 1964, to four months in the workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon's conviction was eventually overturned by the New York Court of Appeals in 1970. [10]

Last years

Poster for Lenny Bruce's last series of appearances (at The Fillmore)

Despite his prominence as a comedian, Bruce only appeared on network television six times in his life. In his later club performances, Bruce was known for relating the details of his encounters with the police directly in his comedy routine; his criticism encouraged the police to eye him with maximum scrutiny. These performances often included rants about his court battles over obscenity charges, tirades against fascism and complaints that he was being denied his right to freedom of speech.

He was banned outright from several U.S. cities, and in 1962 he was banned from performing in Sydney, Australia. At his first show there, he got up on stage, declared "What a fucking wonderful audience" and was promptly arrested.

Increasing drug use also affected his health. By 1966 he had been blacklisted by nearly every nightclub in the United States, as owners feared prosecution for obscenity. Bruce did have a famous performance at the Berkeley Community Theatre in December 1965. It was recorded and became his last (live) album. It was titled "The Berkeley Concert", and he was described in it as lucid, clear and calm and is considered one of his best performances. His last performance was on June 25, 1966, at The Fillmore Auditorium in San Francisco, on a bill with Frank Zappa and The Mothers of Invention. The performance was not remembered fondly by Bill Graham, who described Bruce as "whacked out on amphetamines"; Graham thought that Bruce finished his set emotionally disturbed. Zappa asked Bruce to sign his draft card, but the suspicious Bruce refused.

At the request of Hugh Hefner, Bruce wrote his autobiography with the aid of Paul Krassner. Serialized in Playboy in 1964 and 1965, this material was later published as the book How to Talk Dirty and Influence People. Hefner had long assisted Bruce's career, featuring him in the television debut of Playboy's Penthouse in October 1959.

Death and posthumous pardon

On August 3, 1966, Bruce was found dead in the bathroom of his Hollywood Hills home at 8825 Kings Road. The "official" photo, taken at the scene, showed Bruce lying naked on the floor, a syringe and burned bottle cap nearby, along with various other narcotics paraphernalia. His official cause of death was "acute morphine poisoning caused by an accidental overdose."[11]

He was interred in Eden Memorial Park Cemetery in Mission Hills, California, but an unconventional memorial on August 21 was controversial enough to keep his name in the spotlight. The service saw over 500 people pay their respects, led by legendary record producer Phil Spector. Cemetery officials had tried to block the ceremony after advertisements for the event encouraged attendees to bring box lunches and noisemakers. Dick Schaap famously eulogized Bruce in Playboy, with the memorable last line: "One last four-letter word for Lenny: Dead. At forty. That's obscene."

Bruce is survived by his daughter, Kitty Bruce, who lives in Pennsylvania.[citation needed]

On December 23, 2003,[12] 37 years after his death, Bruce was granted a posthumous pardon for his obscenity conviction by New York Governor George Pataki,[13] following a petition filed by Ronald Collins and David Skover with Robert Corn-Revere as counsel, the petition having been signed by several stars such as Robin Williams. It was the first posthumous pardon in the state's history. Pataki claimed his act was "a declaration of New York's commitment to upholding the First Amendment."

Legacy

Lenny Bruce in 1963, his legal troubles growing

In 2004, Bruce was voted No. 3 of the 100 Greatest Stand-ups of All Time by Comedy Central behind Richard Pryor and George Carlin, both of whom cite Bruce as an influence (Carlin was arrested as an audience member for refusing to show identification at Bruce's December 1962 show at the Gate of Horn in Chicago, after the police ended the show and arrested Bruce for obscenity. They were both placed into the back of the same paddywagon together). In a similar survey conducted during 2007, Bruce was voted No. 30 of the 100 Greatest Comedy Stand-Ups by a public poll for the British Channel 4.[14]

Lenny Bruce in song

In part due to his freewheeling, jazz-like style, Lenny Bruce has always had fans in the music community.

  • Bruce is mentioned in Kid Rock's Early Mornin' Stoned Pimp by rapper Tino. "I'm like Lenny Bruce, girl, but I ain't no goddamn junkie".
  • Bruce is one of the celebrities immortalized on the cover of the Beatles' Sgt. Pepper's Lonely Hearts Club Band.
  • The clip of a news broadcast featured in "7 O'Clock News/Silent Night" by Simon and Garfunkel carries the supposed newscast audio of Lenny Bruce's death. In another track on the album Parsley, Sage, Rosemary and Thyme, "A Simple Desultory Philippic (Or How I Was Robert MacNamara'd Into Submission)", Paul Simon sings, "... and I learned the truth from Lenny Bruce, that all my wealth won't buy me health. So I smoke a pint of tea a day."
  • Lenny Bruce is referred to twice in the R.E.M. song "It's the End of the World as We Know It (And I Feel Fine)" including the line "Lenny Bruce is not afraid."
  • Bruce is mentioned during the musical RENT, in the song "La Vie Boheme".
  • Sections of the famous sketch "Thank You, Masked Man" were quoted by Frank Zappa's band during the band's 1984 tour (and can be heard on "You Can't Do That On Stage Any More Vol 3" on CD; "Does Humour Belong in Music?" on DVD).
  • Bruce is mentioned in Nada Surf's "Imaginary Friends" off of their 2005 album "The Weight Is A Gift". The line "Lenny Bruce's bug eyes, stare from an LP" is repeated numerous times throughout the song.
  • The comedian also inspired, or is mentioned in, songs by The Stranglers ("no more heroes"), John Lennon and Yoko Ono, Nico ("Eulogy to Lenny Bruce"), The Disposable Heroes of Hiphoprisy, Mighty Mighty Bosstones ("All Things Considered"), The Boo Radleys ("Rodney King (Song For Lenny Bruce)"), Great Big Sea, Steve Earle ("F the CC," including the lyric "Dirty Lenny died so we could all be free"), Phil Ochs (who wore one of Bruce's old jackets on the cover of his Pleasures of the Harbor album), Manic Street Preachers ("Ifwhiteamericatoldthetruthforonedayitsworldwouldfallapart"), Nada Surf ("Imaginary Friends"), Tim Hardin (who lived in Bruce's house for a time), Grace Slick (whose "Father Bruce" with The Great Society was written while Bruce was alive, in celebration of his surviving a 1965 fall from a San Francisco hotel window), The Auteurs ("Junk Shop Clothes" and possibly also "Lenny Valentino"), Mickey Avalon ("Dipped in Vaseline", including the lyric "filthy on the mic like Lenny Bruce used to be"), The Elastic Purejoy ("If Samuel Beckett Had Met Lenny Bruce"), MDC ("Long Time Gone"), Allan Sherman, Widespread Panic ("Tickle the Truth Into Submission"), Nuclear Valdez ("Unsung Hero"), Propergol (Two songs, "Initials L.B" and "Our Last Call," include samples of Bruce's voice), John Mayall ("The Laws Must Change"), Nils Lofgren ("Mr. Hardcore"), Aesthetic ("Lenny Bruce"), Juice Leskinen ("Lenny Bruce"), Metric ("On The Sly," including the lyric "for Halloween I want to be Lenny Bruce"), Genesis ("Broadway Melody of 1974," including the lyric "Lenny Bruce declares a truce and plays his other hand"), and John Frusciante with The Bicycle Thief ("Cereal Song" aka "Heroin").
  • Keith Richards (another fan) adapted a line from Lenny Bruce's "The Palladium" for the Rolling Stones song "Little T&A", where it became "the pool's in but the patio ain't dry".
  • Bob Dylan's song "Lenny Bruce" from the 1981 album Shot of Love describes a brief taxi ride shared by the two legends. In the last line of the song Dylan recalls: "Lenny Bruce was bad, he was the brother that you never had."
  • Lenny Bruce's "'to' is a preposition, 'come' is a verb..." controversy inspired the 1992 song "Big Mouth Strikes Again" by anarcho-punk band Chumbawamba. It includes a chorus which states that "TO is a preposition, COME is a verb, COME is a verb intransitive, TO COME, TO COME, Don't come in me," and a verse which details both the event and the subsequent legal proceedings.
  • In the updated 1964 version of "Hello Muddah, Hello Faddah," Allan Sherman sang "We're all tired of Mother Goose here / So next Friday night they're having Lenny Bruce here." Sherman's 1965 song "It's a Most Unusual Play" (a parody of "It's a Most Unusual Day") includes the following verse:
Oh, the language is a bit loose
It's decidedly not Mother Goose
Outside on the marquee
This quotation you'll see
"I was shocked!" And it's signed "Lenny Bruce"!

Books by or about Bruce

By Bruce:

  • Lenny Bruce, Stamp Help Out! (1961 and/or 1965, self-published and sold at his concerts and in hip bookshops like City Lights in SF)
  • Lenny Bruce, How to Talk Dirty and Influence People (Playboy Publishing, 1967)

By others:

  • Julian Barry, Lenny (play) (Grove Press, Inc. 1971)
  • Kitty Bruce, The (almost) Unpublished Lenny Bruce (1984, Running Press) (includes a graphically spruced up reproduction of 'Stamp Help Out!')
  • The Essential Lenny Bruce, compiled and edited by John Cohen (Ballantine Books, 1967)
  • Ronald Collins & David Skover, The Trials of Lenny Bruce: The Fall & Rise of an American Icon (Sourcebooks, 2002)
  • Don DeLillo, Underworld, (Simon and Schuster Inc., 1997)
  • Bradley Denton, The Calvin Coolidge Home For Dead Comedians, an award-winning collection of science fiction stories in which the title story has Lenny Bruce as one of the two protagonists.
  • Albert Goldman, with Lawrence Schiller, Ladies and Gentlemen—Lenny Bruce!! (Random House, 1974)
  • Brian Josepher, What the Psychic Saw (Sterlinghouse Publisher, 2005)
  • Frank Kofsky, Lenny Bruce: The Comedian as Social Critic & Secular Moralist (Monad Press, 1974)
  • Valerie Kohler Smith, Lenny (novelization based on the Barry-scripted/Fosse-directed film) (Grove Press, Inc., 1974)
  • William Karl Thomas, Lenny Bruce: The Making of a Prophet (first printing, Archon Books, 1989; second printing, Media Maestro, 2002; Japanese edition, DHC Corp. Tokyo, 2001)

Filmography

Films

Year Title Role Notes
1966 The Lenny Bruce Performance Film[1] Himself includes animated short film Thank You Mask Man by John Magnuson Associates

Footnotes

  1. ^ The 50 Most Influential Comedy Albums
  2. ^ Carlin, George, George Carlin on Comedy, "Lenny Bruce", Laugh.com, 2002
  3. ^ Welkos, Robert W. (2007-07-24). "Funny, that was my joke". The Los Angeles Times. http://www.latimes.com/news/local/la-et-joketheft24jul24,1,6252669,full.story?coll=la-headlines-california&ctrack=5&cset=true. Retrieved on 2008-05-04. 
  4. ^ Gillette, Amelie (2006-06-07). "Lewis Black". The A.V. Club. The Onion. http://origin.avclub.com/content/node/49217. Retrieved on 2008-06-26. 
  5. ^ Keepnews, Peter (1999-08-08). "There Was Thought in His Rage". New York Times. http://www.duckprods.com/projects/lennybruce/lb-nytimesfeature.html. Retrieved on 2008-06-26. 
  6. ^ "Died.". Time (magazine). September 5, 2005. http://www.time.com/time/magazine/article/0,9171,1109352,00.html. Retrieved on 2008-08-03. "78, ex-stripper who in 1951 married the soon-to-be-famous comedian Lenny Bruce; in Honolulu. Though the drug-addled pair split in 1957 (they had a daughter, Kitty), the sometime actress who called herself "Lenny's Shady Lady" helped successfully lobby New York Governor George Pataki to pardon Bruce" 
  7. ^ "c. 1940: Comedian Lenny Bruce Attends Mepham High". http://www.newsday.com/about/ny-iholi032405story,0,3917086.htmlstory. 
  8. ^ "Lenny Bruce The Carnegie Hall Concert". http://members.aol.com/dcspohr/lenny/carnegie.htm. 
  9. ^ "Lenny Bruce - Chronology". http://www.freenetpages.co.uk/hp/lennybruce/chronology.htm#1961. 
  10. ^ People v. Solomon, 26 N.Y.2d. 621
  11. ^ Collins, Ronald; Skover, David (2002). The Trials of Lenny Bruce: The Fall and Rise of an American Icon. Sourcebooks Mediafusion. pp. 340. ISBN 1-57071-986-1. 
  12. ^ CBSNews
  13. ^ Press Releases
  14. ^ 100 Greatest Comedy Stand-Ups Results on Channel 4. Accessed May 13, 2007.

References

External links


 
 

 

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Who2 Biography. Copyright © 1998-2008 by Who2, LLC. All rights reserved. See the Lenny Bruce biography from Who2.  Read more
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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
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