Lens flare

Photograph of NASA lunar lander containing lens flare. Besides the obvious flare around the Sun, the light artifacts at the bottom right are also caused by flare. Severe lens flare in a CCTV camera Sample of artificial lens flare, as might be used in an animated movie or video game. Lens flare is extremely difficult to control when a bright light source like the sun is just outside the frame. When the subject of a photo is the light source itself, lens flare can be a desirable and dramatic effect. Diffraction artifact on a digital picture. The sun is just outside the frame.

Lens flare is the light scattered in lens systems through generally unwanted image formation mechanisms, such as internal reflection and scattering from material inhomogeneities in the lens. These mechanisms differ from the intended image formation mechanism that depends on refraction of the image rays. For good optical systems and most images, flare is a secondary effect that is widely distributed across the image and thus not visible. But when an image includes a very bright light source, flare generated by a bright image region can have enough intensity to become very visible. The light produced by flare mechanisms superimposes broadly across the image, adding light to dark image regions and reducing image contrast.

Lenses with large numbers of elements such as zooms tend to exhibit greater lens flare, as they contain multiple surfaces at which unwanted internal scattering occurs.

Manifestation

The spatial distribution of the lens flare typically manifests as several starbursts, rings, or circles in a row across the image or view. Lens flare patterns typically spread widely across the scene and change location with the camera's movement relative to light sources, tracking with the light position and fading as the camera points away from the bright light until it causes no flare at all. The specific spatial distribution of the flare depends on the shape of the aperture of the image formation elements. For example, if the lens has a 6-bladed aperture, the flare may have a hexagonal pattern.

Such internal scattering is also present in the human eye, and manifests in an unwanted veiling glare most obvious when viewing very bright lights or highly reflective surfaces. In some situations, eyelashes can also create flare-like irregularities, although these are technically diffraction artifacts.

When a bright light source is shining on the lens but not in its field of view, lens flare appears as a haze that washes out the image and reduces contrast. This can be avoided by shading the lens (the purpose for which lens hoods are designed). In a studio, a gobo or set of barn doors can be attached to the lighting to keep it from shining on the camera. Modern lenses use lens coatings to reduce the amount of reflection and minimize flare.

Deliberate use

A lens flare is often deliberately used to invoke a sense of drama. A lens flare is also useful when added to an artificial or modified image composition because it adds a sense of realism, implying that the image is an un-edited original photograph of a "real life" scene.

For both of these reasons (implying realism and/or drama) artificial lens flare is a common effect in various graphics editing programs, although its use can be a point of contention among professional graphic designers^{[citation needed]}. Lens flare was one of the first special effects developed for computer graphics because it is the result of relatively simple optical principles. During the mid- to late-1990s, it was a popular graphical effect for computer and video games, and is now accompanied by other more complex atmospheric effects that add a greater sense of realism^{[citation needed]}.

For example, the 2009 film Star Trek features prominent use of lens flare as a stylistic choice by director JJ Abrams.

Lens flare was typically avoided by Hollywood cinematographers, but when filming Easy Rider, Laszlo Kovacs was forced to jury-rig a camera car for his Arriflex, which resulted in numerous lens flares as he shot motorcycle footage against Southwestern U.S. landscapes.^[1]

Diffraction artifact in digital cameras

One form of flare is specific to digital cameras. With the sun shining on an unprotected lens, a group of small rainbows appears. This artifact is formed by internal diffraction on the image sensor, which acts like a diffraction grating. Unlike true lens flare, this artifact is not visible in the eyepiece of a digital SLR camera, making it more difficult to avoid.

See also

• Bokeh, a source of circles around out-of-focus bright points, also due in part to the internals of the lens.
• Diffraction spike, a type of lens flare seen in some telescopes
• Anti-reflective coating, used to reduce lens flare and produces the red and green colors common in lens flare.

References

External links

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