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Leo Reisman

 
Artist: Leo Reisman

Similar Artists:

Alex Bartha, Russ Carlson, Joe Morrison, Sam Lanin, Gene Kardos, Victor Young, Ben Bernie, Henry Hall, Freddy Martin, Abe Lyman, Ozzie Nelson

Worked With:

  • Died: December 18, 1961
  • Active: '20s, '30s, '40s
  • Genres: Jazz
  • Instrument: Violin, Vocals, Performer
  • Representative Albums: "Vol. 1," "Society Swing," "Puttim on the Ritz"

Biography

Dubbed "the String Quartet of Dance Bands" by composer Jerome Kern, the Leo Reisman Orchestra also gained fame as a launching pad for talents including Fred Astaire, Eddy Duchin, Harold Arlen and Dinah Shore. According to the Big Bands Database (http://209.63.231.35/), Reisman was born in Boston in 1897 and began violin studies at age ten; within just two years, he was already performing professionally. A series of stints in local hotel bands predated a tenure with the Baltimore Symphony, and in 1919 Reisman formed his own big band, which soon after accepted a residency at New York's Hotel Brunswick. The orchestra remained at the Brunswick for a decade, in 1929 moving to the Central Park Casino; at this point the lineup included Duchin and fellow pianist Nat Brandywynne, as well as vocalist Lee Wiley. Upon taking up residency at the famed Waldorf Astoria, by 1932 the Reisman Orchestra's lineup swelled to include Astaire and Arlen; other alumni of note include cornetist Johnny Dunn as well as trumpeters Max Kaminsky and Bubba Miley, the latter a future member of Duke Ellington's group. Shore, meanwhile, sang with the band during their 1939 stay at the Strand Theatre. By the following decade, however, Reisman's lush, sophisticated style had fallen out of favor in the wake of swing's new popularity; he died on December 18, 1961. ~ Jason Ankeny, All Music Guide
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Leo Reisman (October 11, 1897 - December 18, 1961) was a violinist and bandleader in the 1920s and 1930s. Born and reared in Boston, Reisman studied violin as a young man, and formed his own band in 1919. He became famous for having over 80 hits on the popular charts during his career. Jerome Kern called Reisman's orchestra "The String Quartet of Dance Bands".

Reisman recorded for Columbia exclusively from July 1923 through March 11, 1929, when he signed with Victor and stayed until October 1933. He then signed with Brunswick and stayed until 1937 when he re-signed with Victor. During his 1929-1933 Victor period, Reisman recorded many lesser-known period Broadway songs, some of which were recorded by no other band.

Reisman also had the habit of featuring composers and Broadway performers as band vocalists, including Harold Arlen, Fred Astaire, Clifton Webb, and Arthur Schwartz. He also featured Lee Wiley in 1931-32 for her first 3 recordings. More often than not, his vocalists were Frank Luther, Dick Robertson and later Sally Singer and George Beuler. A notable recording from this era was "Happy Days Are Here Again" in November 1929, with vocals by Lou Levin.

Among his more popular hits were his #1 recordings of Cole Porter's "Night and Day" (1932) and Con Conrad's "The Continental" (1934), and Astaire's recording of Irving Berlin's "Cheek to Cheek" (1935).

Reisman's was primarily a dance orchestra; he was not a fan of jazz music, but some of his early 1930s 78 RPM recordings were a bit "hot".

Eddy Duchin was a member of Leo Reisman's orchestra; it was Reisman who gave Duchin his big break.1 The band leader and TV personality, Mitch Miller, also was a member of Reisman's orchestra.2

Leo Reisman died in New York City on December 18, 1961 at the age of 64.

External links

References

1 The Eddy Duchin Story. Columbia Pictures, Samuel A. Taylor (screenplay) and Leo Katcher (story), released 21 June 1956 (USA)

2 William G. Hyland, George Gershwin, A New Biography (Westport, CT: Praeger, 2003), p. 151


 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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