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Leon "Chu" Berry

 
Artist: Chu Berry
  • Born: September 13, 1910, Wheeling, WV
  • Died: October 30, 1941, Conneaut, OH
  • Active: '30s, '40s
  • Genres: Jazz
  • Instrument: Sax (Tenor)
  • Representative Albums: "The Indispensable," "Memorial," "Chu"
  • Representative Songs: "Limehouse Blues," "Sweethearts on Parade," "Annie Laurie"

Biography

Chu Berry was considered one of the top tenor saxophonists of the 1930s, just below Coleman Hawkins (his main influence), Lester Young, and Ben Webster. Particularly strong on up-tempo numbers (although his ballad statements could be overly sentimental), Berry might have become an influential force if he had not died prematurely. After playing alto in college, he switched to tenor in 1929 when he joined Sammy Stewart's band. In 1930, he moved to New York, playing with Benny Carter's band and Charlie Johnson's orchestra. He was prominently featured in Spike Hughes' 1933 recording sessions, was a star with the bands of Teddy Hill (1933-1935) and Fletcher Henderson (1936; to whom he contributed his song "Christopher Columbus"), and then found a permanent home with Cab Calloway in 1937. Berry was used on many sessions including with his friend Roy Eldridge, Lionel Hampton (a classic version of "Sweethearts on Parade"), Teddy Wilson, and Calloway (his version of "Ghost of a Chance" became well-known); in addition he led a couple of his own fine dates. Chu Berry died from the effects of a car crash when he was just 31. ~ Scott Yanow, All Music Guide
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Wikipedia: Leon "Chu" Berry
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Chu Berry
Birth name Leon Brown Berry
Born September 13, 1908(1908-09-13)
Origin Wheeling, West Virginia
Died October 30, 1941 (aged 33)
Genres Swing music
Instruments tenor saxophone
Associated acts Fletcher Henderson, Cab Calloway

Leon Brown "Chu" Berry (September 13, 1908,[1] Wheeling, West VirginiaOctober 30, 1941,[2] Conneaut, Ohio) was an American swing tenor saxophonist.

Considering the brevity of Chu's life, and that his recording career spans a mere decade, it is remarkable that his name continues to loom large in the annals of jazz. Had he lived, there is no doubt that he would be ensconced in the jazz pantheon alongside Coleman Hawkins and Lester Young. He was that good.Dan Morgenstern, director of the Institute of Jazz Studies at Rutgers University

Contents

Early life

Berry graduated from Lincoln High School, in Wheeling, then attended West Virginia State College, near Charleston, for three years.[3] His stepsister played piano and Chu became interested in music at an early age, playing alto sax at first with local bands. He was inspired to take up the tenor saxophone after hearing Coleman Hawkins on tour. Although Berry based his style on Hawkins' playing, the older man regarded Berry as his equal, saying "'Chu' was about the best."

Big Band Career

Most of Chu Berry's career was spent in the sax sections of major swing bands:[4]

"Although it has been stated in some publications that Chu Berry joined Count Basie's orchestra, this is erroneous. He did not take the place of Herschel Evans, but did, however, deputize for him at a recording date..."[5]

Session Player

Throughout his brief career, Chu Berry was in demand as a sideman for recording sessions under the names of various other jazz artists, including:

During the period 1934-1939, while saxophone pioneer Coleman Hawkins was playing in Europe, Chu Berry was one of several younger tenor saxophonists, such as Budd Johnson, Ben Webster and Lester Young who vied for supremacy on their instrument. Berry's mastery of advanced harmony and his smoothly-flowing solos on uptempo tunes influenced such young innovators as Dizzy Gillespie and Charlie Parker. The latter named his first son Leon in Chu's honor.[6] Chu Berry was one of the jazz musicians who took part in jam sessions at Minton's Playhouse in New York City which led to the development of bebop.

"Christopher Columbus", which Berry co-composed with Andy Razaf was the last important hit recording of the Fletcher Henderson orchestra, recorded in 1936. It is one of the most popular riff tunes from the swing era and was used as the final showstopper in Benny Goodman's first Carnegie Hall jazz concert of January 16, 1938.

Berry died in Conneaut, Ohio from injuries sustained in an automobile accident while en route between gigs in Brookfield, Ohio, and Toronto.

"Chu Berry" is the unofficial name of a series of saxophones produced by the C. G. Conn company during the 1920s, though it is more accurate to refer to those saxophones as the Conn New Wonder Series II. Interestingly, Berry played a tenor model known as the Conn 10M Transitional,[7] and is not known to have ever worked on a New Wonder Series II.[8] Saxophone collectors often use "Chu Berry" in reference to alto, soprano, and baritone models of the same vintage.[citation needed]

Author Jack Kerouac was obviously a Chu Berry fan, referring to him as "the great Chu Berry" near the beginning of The Subterraneans.

Discography

Although Chu Berry's recording career spanned less than a decade, he is well represented on record.[9]

Compilations

Ten selected singles

  • Sweet Sue, with Spike Hughes and His Negro Orchestra, 1933
  • I Never Knew, with The Chocolate Dandies, 1933
  • Blue Lou, with Fletcher Henderson, 1936
  • Limehouse blues, 1937
  • Forty-Six West Fifty-Two, Chu Berry and his Little Jazz Ensemble, with Roy Eldridge, 1938
  • Sittin' In, same
  • Oh, Lady Be Good!, with Count Basie, 1939
  • Sweethearts on parade, with Lionel Hampton, 1939
  • Shufflin' at the Hollywood, same
  • I Don't Stand a Ghost of a Chance with You, with Cab Calloway, 1940

External links

Footnotes

  1. ^ Although some sources give a 1910-09-13 birth date, Chu was enumerated 1910-04-15 in the United States census at 1002 Chapline Street in Wheeling, a 19-month-old child living with his parents Brown and Margaret Berry – "ancestry.com". ancestry.com (a subscription site). http://www.ancestry.com. Retrieved 2009-10-16. 
  2. ^ Berry's death date also appears differently in various sources. However, his death certificate clearly lists his death as occurring 7:30 AM, October 30, 1941, in Brown Memorial Hospital, Conneaut, Ohio, as the result of a skull fracture incurred in an accident at 12:35 AM, October 27. The informant is his wife Ann. The certificate lists his middle name as Brown, gives his birth date as September 13, 1908, and gives his parents' names and birthplaces. – "FamilySearch Record Search". familysearch.org. http://pilot.familysearch.org. Retrieved 2009-06-26. 
  3. ^ "Leon "Chu" Berry". Wheeling Hall of Fame biography. http://wheeling.weirton.lib.wv.us/history/people/hallfame/1998berr.htm. Retrieved 2009-05-29. 
  4. ^ Chilton, John, Who's Who of Jazz, Storyville to Swing Street, Time-Life Records Special Edition, page 32, 1978
  5. ^ Case, Brian, and Britt, Stan, The Illustrated Encyclopedia of Jazz, Harmony Books, page 24, 1978
  6. ^ "cabcalloway.cc". http://www.cabcalloway.cc/chu_berry.htm. Retrieved 2009-06-18. 
  7. ^ "10M Transitional". commentary. http://www.saxpics.com/conn/transitional.htm. Retrieved 2009-06-25. 
  8. ^ "New Wonder (Series II)". commentary. http://www.saxpics.com/conn/new_wonder2.htm. Retrieved 2009-06-18. 
  9. ^ Rust, Brian, Jazz and Ragtime Records, 1897-1942, Mainspring Press, 2008.

 
 

 

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