- Born: Mar 18, 1935 in Melrose, Massachusetts
- Occupation: Actor
- Active: '50s-'70s
- Major Genres: Comedy, Crime
- Career Highlights: Li'l Abner, Portrait of a Mobster, The Money Jungle
- First Major Screen Credit: Li'l Abner (1959)
| Actor: Leslie Parrish |
| Filmography: Leslie Parrish |
| Wikipedia: Leslie Parrish |
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This article may require cleanup to meet Wikipedia's quality standards. Please improve this article if you can. (February 2008) |
| Leslie Parrish | |
|---|---|
| Born | Marjorie Hellen March 13, 1935 Melrose, Massachusetts, USA Grew up in Hudson, Massachusetts. |
| Occupation | Actress |
| Years active | 1954–1978 |
| Spouse(s) | Eric Marlow (1956–1961) Richard Bach (1977–1999) |
Leslie Parrish (born 13 March 1935) is an American actress. She starred under her birth name, Marjorie Hellen, until she changed it in 1959.
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Parrish was born in Upper Black Eddy, Pennsylvania, and was a promising piano student at the Philadelphia Conservatory of Music. She discovered that by modeling she could earn more money than as a concert pianist. She came to New York City in November 1953. Before modeling she worked as a waitress in a diner.
She joined the Home Theatre Group of professional performers who put on plays at a private theater in Hollywood. Ruth Warrick and Mark Herron were also members. Parrish believed the experience of facing a live audience made her a better actress and more capable of transforming a scripted part into a three-dimensional human being.
Parrish signed with 20th Century Fox in 1954, when she was 19. The studio gave her statistics as 5 feet 6 inches, with measurements of 35 - 24 - 34. Her hair is reddish gold and she has gray eyes with a cream complexion. In May 1956 Parrish signed a contract with Metro-Goldwyn-Mayer.
Her two most notable roles are as lithe Daisy Mae in Li'l Abner (1959) and as the doomed Jocelyn Jordan in The Manchurian Candidate (1962).
In Portrait of a Mobster (1961) Parrish plays the wife of a detective who consorts with criminals. She is the daughter of a bootlegger who rebuffs the advances of Dutch Schultz, played by Vic Morrow. Eventually she becomes disillusioned with the corruption among the police force, and she leaves her husband to live with Schultz.
She made a number of films of the B-movie and sci-fi genres. Among these are Sex and the Single Girl (1964), Three on a Couch (1966), The Money Jungle (1968), The Candy Man (1969), The Devil's 8 (1969), Brother, Cry For Me (1970), and The Giant Spider Invasion (1975).
In 1954, NBC-TV borrowed the studios of WPIX every weekday morning. Parrish was employed by NBC as its "human test pattern" in regard to color tones. She sat for hours on a stool in front of color cameras. All the while engineers adjusted the tints and the lighting, and worked with costumes in different tints. Parish was seldom seen on WNBC, Channel 4, since most of her color work was performed on closed-circuit television.
Parrish was in an episode of the Kraft Suspense Theatre "The Kamchatka Incident" (1964). She performed with John Forsythe in a drama which concerned a U.S.-bound airplane's encounter with Russian fighter planes above Siberia. She has made numerous television appearances, including her notable role in the Star Trek episode "Who Mourns for Adonis?" (1967), in which Parrish plays Lieutenant Carolyn Palamas, who becomes the lust object of the Greek god Apollo. In the 1971 series Bearcats!, she played Liz Blake, an ex-love of lead character Hack Brackett, who is helped by him when her oil business is threatened by a series of mysterious fires.
In the TV series Logan's Run (1977), Parrish played the commander of an alien space ship on a Noah's Ark-type mission to gather and study specimens of beings from planets in different solar systems.
Parrish married Eric Marlow in in 1956 but later divorced him in May 1961.
She married Richard Bach, the author of Jonathan Livingston Seagull, in 1977, whom she met during the making of the movie of the same name.[1] She was a major element in two of his subsequent books—The Bridge Across Forever and One—which primarily focused on their relationship and Bach's concept of soulmates.[1]. They divorced amicably in 1999.
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