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Letters from Iwo Jima

 
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Letters from Iwo Jima

  • Director: Clint Eastwood
  • AMG Rating: starstarstarstar
  • Genre: War
  • Movie Type: War Drama, Anti-War Film
  • Themes: Great Battles, Heroic Mission, Trapped or Confined
  • Main Cast: Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shidou Nakamura
  • Release Year: 2006
  • Country: US
  • Run Time: 141 minutes
  • MPAA Rating: R

Plot

After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win -- and most have been told they will not survive -- their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of "Death Before Surrender" with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another. ~ Mark Deming, All Movie Guide

Review

Time and again, Clint Eastwood's films have returned to the subject of killing. They try to get at the forces that enable someone to take another man's life, and in the best of his films like Unforgiven and Mystic River, he addresses the multiple ramifications of that action. With a superb script by first-time screenwriter Iris Yamashita, Letters from Iwo Jima allows Eastwood to analyze killing and death in so many different contexts, the audience is left with nothing less than a catalogue of the emotional and physical costs of war. Of the movie's many accomplishments, its capacity to utilize and subvert the clichés of combat films might be the most noteworthy. In Letters from Iwo Jima, the Japanese soldiers have the same dreams, desires, and attitudes as every American GI from every war movie ever made. For example, early in the film a young soldier mocks his orders to dig a seemingly pointless hole, and the audience obeys its war-movie programming to sympathize with that rebellious spirit even though the character is Japanese. Anybody familiar with the genre expects the hole-digging soldier to learn the importance of following orders, and the soldier does learn his lesson, but in ways that force him to question most everything he has been taught about his people. Eastwood subverts the clichés in order to allow the audience to sympathize with the Japanese as a whole, and he allows the actors the breathing room to create individual human beings that we care about specifically. Ken Watanabe, as General Tadamichi Kuribayashi, holds the center of the film with a gravity, intelligence, humanity, and reverence that is nearly operatic in the context of the tragedy he oversees, while never once seeming larger than life. Watanabe is remarkable in every moment his character spends onscreen, always credible as an inspiring leader of men, an educated tactician, a loyal soldier, and a simple man who wishes life were different than it is. This performance embodies the spirit of Eastwood's film: a spirit that recognizes the human cost of combat, as well as the limits and necessities of living by a code of honor. Letters from Iwo Jima is the culmination of Eastwood's already-formidable directorial career, offering a fully formed statement on the motifs that have dominated his movies, and a work that will stand as one of the quintessential combat films of all time. ~ Perry Seibert, All Movie Guide

Cast

  • Ken Watanabe - General Kuribayashi
  • Kazunari Ninomiya - Saigo
  • Tsuyoshi Ihara - Nishi, Baron
  • Ryo Kase - Shimizu
  • Shidou Nakamura - Lieutenant Ito
Hiroshi Watanabe - Lieutenant Fujita; Takumi Bando - Captain Tanida; Yuki Matsuzaki - Nozaki; Takashi Yamaguchi - kashiwara; Eijiro Ozaki - Lieutenant Okubo; Nae - Hanako; Nobumasa Sakagami - Admiral Ohsugi; Luke Elliot - Sam; Sonny Saito - Medic Endo; Steve Santa Sekiyoshi - Kanda; Hiro Abe - Lt. Colonel Oiso; Toshiya Agata - Captain Iwasaki; Yoshi Ishii - Private Yamazaki; Toshi Toda - Colonel Adachi; Ken Kensei - Maj. General Hayashi; Ikuma Ando - Ozawa; Akiko Shima - Lead Woman; Masashi Nagadoi - Admiral Ichimaru; Mark Moses - American Officer; Roxanne Hart - Officer's Wife; Yoshio Iizuka - Tired Soldier; Mitsu Kurokawa - Suicide Soldier; Takuji Kuramoto - Ono; Koji Wada - Hashimoto; Akira Kaneda - Japanese Soldier #1; Shoji Hattori - Japanese Soldier #2; Mark Tadashi Takahashi - Japanese Soldier #3; Mitsuyuki Oishi - Japanese Soldier #4; Evan Ellingson - Kid Marine; Kazuyuki Morosawa - Ito's Guard; Masayuki Yonezawa - Ito's Soldier; Hiroshi Tom Tanaka - Hopeless Soldier; Mathew Botuchis - American Marine; Yukari Black - Mother; Daisuke Nagashima - Prisoner; Kirk Enochs - Marine Officer; Ryan Kelley - Marine #2; Jonathan Oliver Sessler - Marine #3; Michael Lawson - Marine #4; Taishi Mizuno - Cave Soldier #1; Daisuke Tsuji - Cave Soldier #2; Yoshi Ando - Excavator #1; Yutaka Takeuchi - Excavator #2; Tsuguo Mizuno - Lead Excavator; Mark Ofuji - Kuribayashi's Guard; Hallock Beals - Marine at Clearing; Ryan Carnes - Marine at Clearing; Jeremy Glazer - Marine Lieutenant; Ryoya Katsuyama - Boy; Masashi Odate - Cook; London Kim - Okubo's Soldier; Skip Evans - Pilots; Wanliss E. Armstrong - Pilots

Credit

Digital Domain - Animator, Frank Bonniwell - Animator, Eric Petey - Animator, Andrew Tamandl - Animator, Chad Finnerty - Animator, Flash Deros - Boom Operator, Phyllis Huffman - Casting, Tim Moore - Co-producer, Deborah Hopper - Costume Designer, Donald Murphy - First Assistant Director, Clint Eastwood - Director, Michael Owens - Second Unit Director, Joel Cox - Editor, Gary D. Roach - Editor, Tsuyoko Yoshida - Editor, Shogakukan-Bunko - Editor, Paul Haggis - Executive Producer, Patricia Dehaney - Hair Styles, Dennis Roden - Hair Styles, Steve Beimler - Location Manager, Kyle Eastwood - Composer (Music Score), Michael Stevens - Composer (Music Score), Jay Wejebe - Makeup, Dave Snyder - Makeup, Zoe Hay - Makeup, Rebecca Watchel - Makeup, Jojo Proud - Makeup, David Luckenbach - Camera Operator, Stephen Campanelli - Camera Operator, Henry Bumstead - Production Designer, James Murakami - Production Designer, Tom Stern - Cinematographer, Clint Eastwood - Producer, Steven Spielberg - Producer, Robert Lorenz - Producer, Gary A. Lee - Set Designer, Walt Martin - Sound/Sound Designer, Charles Maynes - Sound/Sound Designer, Brian Avery - Stunts, Al Goto - Stunts, Willie Leong - Stunts, Scott Leva - Stunts, Simon Rhee - Stunts, J. Mark Donaldson - Stunts, Richard L. Bucher - Stunts, Xuyen T. Valdivia - Stunts, John Valera - Stunts, Dustin Meier - Stunts, Michael Hugghins - Stunts, Ilram Choi - Stunts, Arnold Chon - Stunts, Steve Chang - Stunts, Sam Situmorang - Stunts, McKay Stewart - Stunts, Thomas Isao Morinaka - Stunts, Dennis Takeda - Stunts, Buddy Van Horn - Stunts Coordinator, Steve Riley - Special Effects Supervisor, Tim Moore - Unit Production Manager, Paul Haggis - Screen Story, Iris Yamashita - Screen Story, Iris Yamashita - Screenwriter, Michael Owens - Visual Effects Supervisor, Matthew Butler - Visual Effects Supervisor, Steve Mann - Sound Effects Editor, Jason King - Sound Effects Editor, Jay Jennings - Sound Effects Editor, Paul Calabria - Animal Trainer/Wrangler, Brenton Cottman - Matte Artist, Stan Seo - Matte Artist, Bill Coe - First Assistant Camera, Julie Donovan - First Assistant Camera, Charles Saldana - Key Grip, T.D. Scaringi - Key Grip, Donald Harris - Music Editor, Yoshikuni Taki - Production Supervisor, Mike Sexton - Properties Master, Gregg Rudloff - Re-Recording Mixer, John Reitz - Re-Recording Mixer, Dave Campbell - Re-Recording Mixer, Mable Lawson McCrary - Script Supervisor, Katie Carroll - Second Assistant Director, Stephen Campanelli - Steadicam Operator, Merie Weismiller Wallace - Still Photographer, Matthias Wittmann - Supervising Animator, Bub Asman - Supervising Sound Editor, Alan Robert Murray - Supervising Sound Editor, Julian Levi - Visual Effects Producer, Nicholas Vincent Korda - ADR Editor, Thomas J. O'Connell - ADR Mixer, Takashi Akaku - ADR Mixer, John Lacy - Assistant Chief Lighting Technician, James Wheelan - Assistant Location Manager, Danielle Hartzell - Assistant Production Coordinator, Miker Stovall - Assistant Production Coordinator, Jessica Meier - Assistant Production Coordinator, Scott M. Anderson - Assistant Properties, John Horning - Assistant Properties, Karl Weschta - Assistant Properties, David A. Wolowic - Assistant Sound Editor, Kevin Murray - Assistant Sound Editor, Douglas Wall - Best Boy Grip, Trevor Carroll-Coe - Camera Loader, Yumi Takada - Casting Associate, Matt Huffman - Casting Associate, Geoffrey MiClat - Casting Associate, Ross Dunkerley - Chief Lighting Technician, Michael M. Muscarella - Construction Coordinator, Mitchell Kenney - Costumes Supervisor, Jack Wright - Costumes Supervisor, Gloria D'Alessandro - Dialogue Editor, Karen Spangenberg - Dialogue Editor, Lucy Coldsnow - Dialogue Editor, Kirk Bales - Dolly Grip, Dixie Webster-Davis - Extra Casting, Taffy Schweickhardt - First Assistant Accountant, Stephanie Whalon - First Assistant Accountant, Landon Trawny - First Assistant Accountant, Robin Harlan - Foley Artist, Sarah Monat - Foley Artist, Christopher Flick - Foley Editor, Shawn Sykora - Foley Editor, Eryn Krueger - Key Make-up, Ben Bohling - Personal Assistant, Deana Lou - Personal Assistant, Kristie Macosko - Personal Assistant, Greg Newman - Personal Assistant, Gian Sardar - Personal Assistant, Jason S. Gondek - Production Accountant, JC Brown - Scenic Artist, Bobby McMahan - Second Assistant Camera, Peter Dress - Second Second Assistant Director, Karen Shaw - Supervising Production Coordinator, Domenic Rodriguez - Transportation Captain, Alana Stelling - Transportation Captain, Stelling. Larry L. - Transportation Coordinator, Digital Domain - Visual Effects, Gary Fettis - Set Decorator, Tadamichi Kuribayashi - Book Author, Juno J. Ellis - ADR Supervisor, Kurt Smith - Color Timing, Kenny Sanford - Construction Foreman, Paul Weakland - Construction Foreman, Tony's Food Services - Craft Service/Catering, Nancy James - Craft Service/Catering, Randy K. Singer - Foley Mixer, Linda Stelling - Set Medic/First Aid, Ronny Resch - Set Medic/First Aid, Ferguson Reid - Set Medic/First Aid, Dominic V. Ruiz - Special Effects Technician, David Poole - Special Effects Technician, John J. Downey - Special Effects Technician, James Lorimer - Special Effects Technician, James LaCroix - Special Effects Technician, Steven King - Special Effects Technician, Nicholas M. Papac - Special Effects Technician, Steven D. Kline - Special Effects Technician, Jason Hansen - Special Effects Technician, Shari Ann Riley - Special Effects Technician, Edward J. Protiva - Swing Gang, Steve-O Ladish - Swing Gang, J.R. Vasquez - Swing Gang, David Ladish - Swing Gang, Kai Blomberg - Swing Gang, Jay Smith - Swing Gang, Sara Gardner-Gail - Swing Gang, Debra Wolff - Visual Effects Editor, Mitchell Glaser - Visual Effects Editor, Pam Cartmel - Art Department Coordinator, Michael Cipriano - Assistant Editor, Carol O'Connell - Department Head Hair, Tania McComas - Department Head Makeup, Bill Cawley - First Assistant Sound Editor, Jason M. Muscarella - Properties Maker Foreman, Marlo Pabon - Compositor, Gareth Dinneen - Compositor, Tamara Stone - Compositor, Heather Hoyland - Compositor, Niki Bern - Compositor, Aruna Inversin - Compositor, Christina Drahos - Compositor, Joel Behrens - Compositor, Kym Olsen - Compositor, Eric Beaver - Compositor, Dan Cobbett - Compositor, Jay Frankenberger - Compositor, Chia-Chi Hu - Compositor, Dag Ivarsoy - Compositor, Gabriella Urbina Kalaitzidis - Compositor, Jeff Kim - Compositor, Paul Lambert - Compositor, Michael Maloney - Compositor, Michael Melchiorre - Compositor, Deborah Wiltman - Compositor, Darren M. Poe - Lead Compositor, Lou Pecora - Lead Compositor, Jason Selfe - Lead Compositor, Nicole Yoblonski - Rotoscope Artist, Sarahjane Javelo - Rotoscope Artist, Holly Horter - Rotoscope Artist, Edgar Diaz - Rotoscope Artist, Jenn Epstein - Rotoscope Artist, Ian A. Harris - Rotoscope Artist, Peter Herlein - Rotoscope Artist, Melissa Huerta - Rotoscope Artist, Daniel Mejia - Rotoscope Artist, Åsa Svedberg - CG Animator, Brian Gazdik - CG Animator, Atsushi Ikarashi - CG Animator, Marten Larsson - CG Animator, Youngil Pyo - CG Animator, Thomas Reppen - CG Animator, Andrew Bradbury - CG Animator, Robert A.D. Frick - CG Animator, Rory McLeish - CG Animator, Diana Sear - CG Animator, Asuka Tohda - CG Animator, Seung-Hyuk Kim - CG Animator

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Wikipedia: Letters from Iwo Jima
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Letters from Iwo Jima
Directed by Clint Eastwood
Produced by Clint Eastwood
Robert Lorenz
Steven Spielberg
Written by Tadamichi Kuribayashi
Tsuyuko Yoshido (book)
Iris Yamashita
Paul Haggis (story)
Iris Yamashita (screenplay)
Starring Ken Watanabe
Kazunari Ninomiya
Tsuyoshi Ihara
Ryo Kase
Nakamura Shidō
Music by Kyle Eastwood
Michael Stevens
Cinematography Tom Stern
Editing by Joel Cox
Gary D. Roach
Studio DreamWorks Pictures
Malpaso Productions
Amblin Entertainment
Distributed by Warner Bros.
Release date(s) December 9, 2006 (Japan)
January 12, 2007 (US)
March 29, 2007 (UK)
Running time 142 minutes
Country United States
Japan
Language Japanese
English
Budget $19,000,000[1]
Gross revenue $68,670,923[2]
Preceded by Flags of Our Fathers

Letters from Iwo Jima (硫黄島からの手紙 Iō Jima Kara no Tegami?) is a 2006 war film, directed and co-produced by Clint Eastwood, starring Ken Watanabe and Kazunari Ninomiya. The film portrays the Battle of Iwo Jima from the perspective of the Japanese soldiers and is a companion piece to Eastwood's Flags of Our Fathers, which depicts the same battle from the American viewpoint. The film is almost entirely in Japanese, but was made by four American production companies: Warner Bros. Pictures, DreamWorks Pictures, Malpaso Productions, and Amblin Entertainment.

The film was released in Japan on December 9, 2006 and received a limited release in the United States on December 20 in order to compete for the 79th Academy Awards. It was subsequently released in more areas of the U.S. on January 12, 2007, and was released in most states by January 19. An English-dubbed version was premiered on April 7, 2008.

Contents

Source

The film is based on the non-fiction books "Gyokusai sōshikikan" no etegami ("Picture letters from the Commander in Chief")[3] by General Tadamichi Kuribayashi (portrayed on screen by Ken Watanabe) and So Sad To Fall In Battle: An Account of War[4] by Kumiko Kakehashi about the Battle of Iwo Jima. While some characters such as Saigo are fictional, the overall battle as well as several of the commanders are based upon actual people and events.

Plot

In 2005, Japanese archaeologists explore tunnels on Iwo Jima. They find something in the dirt, and the scene changes to Iwo Jima in 1944. Private First Class Saigo, a baker conscripted into the Imperial Japanese Army, and his platoon are grudgingly digging beach trenches on the island. Meanwhile, Lieutenant General Tadamichi Kuribayashi arrives to take command of the garrison and immediately begins an inspection of the island defenses. He saves Saigo and his friend Kashiwara from a beating by Captain Tanida for having uttered 'unpatriotic speeches', and orders the men to stop digging trenches on the beach and begin tunnelling defenses into Mount Suribachi.

Later, Lieutenant Colonel Baron Takeichi Nishi, a famous Olympic gold medalist show jumper, joins Kuribayashi for dinner. They discuss the grim prospect of no naval or air support and the fanaticism their fellow officers would show. Kuribayashi evacuates the civilian population of Iwo Jima to mainland Japan. He clashes with some of his senior officers, who do not agree with his strategy of defending inland instead of the beaches; Kuribayashi believes the Americans will take the beaches quickly, and only the mountain defenses will have a better chance for holding out against the enemy.

Poor nutrition and unsanitary conditions take their toll on the garrison; many die of dysentery, including Kashiwara. The Japanese troops begin using the caves as barracks. Kashiwara's replacement, a young soldier named Superior Private Shimizu, arrives for duty on the island. Saigo and his friends suspect that Shimizu is a spy sent from Kempeitai to report on disloyal soldiers since he was trained at a Kempeitai institute. The first American aerial bombings occur shortly after, causing significant casualties. After the raid, Saigo is sickened when he sees the corpse of a friend, still sitting upright. Another casualty was Jupiter, Baron Nishi's horse, which was also killed by a bomb. The raid forces the Japanese to dig deeper into the volcanic island. A few days later, U.S. Marines land on Iwo Jima and the Japanese open fire. The battle for Iwo Jima begins.

As the landings occur, the American troops suffer heavy casualties, but the Japanese beach defenses are quickly overcome, and the attack turns to the defensive positions on Mount Suribachi. Saigo assists the defense by carrying ammunition to machine gunners. When a Japanese machine gunner is killed by a shell from an American ship, Saigo is ordered by the company commander to use his rifle, since the machine gun is damaged. He handles it so clumsily that he is sent to retrieve some machine guns instead. While delivering the request from his company commander to the commander of the Suribachi garrison, Saigo overhears General Kuribayashi radioing orders to retreat northward. The Suribachi commander, however, ignores the order from the general and instead orders Saigo to deliver a message ordering the men of his company to commit suicide. The Japanese soldiers of Saigo's unit commit suicide with grenades including Saigo's friend Nozaki, and Captain Tanida shoots himself in the head with his Type 14 8 mm Nambu Pistol, but Saigo runs away and leaves the cave with Shimizu, convincing him that it is more productive to continue the fight rather than die. They come across two other Japanese soldiers but one gets incinerated by an American flamethrower through a hole in the tunnel, causing the three remaining soldiers to flee. They then come across Japanese soldiers beating and tourturing a captured Marine (There are beliefs the captured Marine was Ralph "Iggy" Ignatowski). The Marine pleads to the Japanese to have mercy on him, although his plea falls on deaf ears as the Japanese soldiers stab him to death with bayonets, much to Saigo's disgust. Saigo and the remaining Japanese soldiers in Mount Suribachi attempt to flee under the orders of Lieutenant Oiso and flee the tunnels at night. However, they run into U.S. Marines who wipe out all the Japanese troops except for Saigo and Shimizu. The two men flee to friendly lines, but they are accused by Lieutenant Ito of deserting Suribachi. Ito raises his katana to execute Saigo and Shimizu for cowardice when General Kuribayashi appears to stop the punishment, confirming that he had indeed ordered the retreat and saving Saigo for the second time.

The soldiers from the caves attempt a futile attack against American positions, with the Japanese taking heavy losses. Saigo and the surviving soldiers are told to regroup with Colonel Nishi. Ito then heads towards the American lines with three land mines but is later captured by U.S. Marines.The next morning, heavy fighting takes place. The Japanese take casualties, but manage to kill several U.S. Marines and destroy a tank. Lieutenant Okubo, Nishi's executive officer shoots a U.S. Marine, who is subsequently captured by Nishi's men. He reveals his name to be Sam, and Nishi orders his medic to give him aid despite the Japanese's dwindling medical supplies. Despite their efforts, the Marine dies of his wounds. Nishi reads a letter the American received from his mother.

As a bomb hits Nishi's cave, Nishi is badly wounded and blinded. His men bind his wounds, and Nishi orders them to another position on the island. As a last favor, he asks Lieutenant Okubo to leave him a rifle. After leaving that position, the soldiers hear a distant gunshot from Nishi's cave.

Being fed up with the battle, Saigo says to Shimizu that he will surrender to the Americans and does not care if Shimizu reports this to the Kempeitai. Shimizu divulges to Saigo that he had been dishonorably discharged from the Kempeitai. In a flashback, it is revealed that he was discharged because he refused to obey a superior's order to kill a barking dog. He was then reassigned to Iwo Jima. This causes Saigo's attitude towards Shimizu to soften considerably. Shimizu breaks down and fearfully asks Saigo to surrender with him. Shimizu and another soldier attempt to flee the cave where they are stationed. Okubo orders them to halt; when they fail to stop, he shoots the other soldier while Shimizu escapes.

Shimizu surrenders to a U.S. Marine patrol and finds himself in the company of another Japanese soldier who had surrendered. The patrol moves on, leaving Shimizu and the other Japanese soldier and two Marines. One of the American guards, who does not want to be burdened with POWs, later shoots them, much to the other Marine's surprise and the two catch up to their patrol. The dead soldiers are discovered by the Japanese and Lieutenant Okubo points it out as a lesson for anyone else who wishes to surrender. Saigo, deeply saddened by his death, puts Shimizu's senninbari on his dead body.

Saigo and the remaining survivors find that Kuribayashi's cave is under attack, and a fierce battle rages. They charge through the crossfire, and lose several men, including Lieutenant Okubo who successfully neutralizes an American Browning M1919 machine gun and its crew. They enter the cave under a storm of American bullets, meeting up with Kuribayashi, who recognizes Saigo. One last attack with all the remaining men is planned. Kuribayashi orders Saigo to stay behind and destroy all the documents, including his own letters to his family. By this, Kuribayashi saves Saigo's life a third time. Kuribayashi and his remaining troops launch their final attack. Most of Kuribayashi's men are killed, and Kuribayashi is critically wounded.

Kuribayashi's loyal aide Fujita drags him away from the battle. The next morning, Kuribayashi orders his aide to behead him; however, the aide is shot dead by an American marksman as he raises his sword. Saigo appears at this moment, having buried some of the documents in the cave instead of burning them all. Summoning his last reserves of strength, the very weak Kuribayashi asks Saigo to bury him so that nobody will find him. Kuribayashi then draws his souvenir M1911 pistol (In two previous flashbacks, it was revealed to be a gift from a party in the United States before the war, where Kuribayashi was given the pistol as a gift at a ceremony where he was the guest of honor) and shoots himself in the chest. Saigo carries away the dead general and buries his body.

Later in the day, a patrol of American Marines come across Fujita's body. One Marine claims Kuribayashi's pistol and another claims Fujita's sword as war trophies. They then search the area and find an exhausted Saigo with a shovel in his hand. Upon seeing the pistol tucked into a Marine's belt, Saigo swings angrily and wildly at the Americans with his shovel. Too weak to fight properly, Saigo is knocked unconscious with a rifle butt and is taken on to a U.S. aid station on the beach. Awakening a while later, he glimpses the setting sun, with ships in the distance, as well as a U.S. truck, and smiles grimly.

The scene shifts back to the Japanese archaeologists who uncover the bag of letters written by Japanese soldiers on the island, never sent, that Saigo buried in 1945. As the letters fall from the bag, the voices of the fallen Japanese soldiers are heard reading from them.

Cast

Actor Role
Ken Watanabe Army Lt. General Tadamichi Kuribayashi
Kazunari Ninomiya Army Private First Class Saigo
Tsuyoshi Ihara Army Lt. Colonel/Baron Takeichi Nishi
Ryo Kase Army Superior Private Shimizu
Shido Nakamura Navy Lieutenant Ito
Hiroshi Watanabe Army Lieutenant Fujita
Takumi Bando Army Captain Tanida
Yuki Matsuzaki Army Private First Class Nozaki
Takashi Yamaguchi Army Private First Class Kashiwara
Eijiro Ozaki Army Lieutenant Okubo
Nae Yuuki Hanako (Saigo's wife)
Nobumasa Sakagami Admiral Ohsugi
Akiko Shima Lead Woman (Patriotic Women's Assoc.)
Yoshi Ando Excavator
Lucas Elliott Sam (wounded American Marine)
Mark Moses American Officer (in a flashback)
Roxanne Hart Officer's wife

Production

The film was originally entitled Red Sun, Black Sand (see Letters from Iwo Jima, DVD version, Disc 2). Although the film is set in Japan, it was filmed primarily in Barstow and Bakersfield in California. Filming in California wrapped on April 8, and the cast and crew then headed back to the studio in Los Angeles for more scenes before Eastwood, Watanabe and a skeleton crew made a quick one-day trip to Iwo Jima for some on-location shots.

The filmmakers had to be given special permission from the Tokyo Metropolitan Government to film on Iwo Jima, because more than 10,000 missing Japanese soldiers still rest under the soil. The Japan Maritime Self-Defense Force (JMSDF) operates a naval air base on Iwo Jima, which is used by the United States Navy for operations such as nighttime carrier landing practice. Civilian access to the island is restricted to those attending memorial services for fallen American Marines and Japanese soldiers.

Filming finished in late 2006.

DVD release

Letters from Iwo Jima was released on DVD by Warner Home Video on May 22, 2007. It was also released on HD DVD and Blu-ray Disc. Furthermore it was made available for instant viewing with Netflix's "Watch Instantly" feature where available.

The Two-Disc Special Collector's Edition DVD is also available in a Five-Disc Commemorative Set, which also includes the Two-Disc Special Collector's Edition of Flags of Our Fathers and a bonus fifth disc containing History Channel's "Heroes of Iwo Jima" documentary and To the Shores of Iwo Jima, a documentary produced by US Navy and Marine Corps.

Critical reception

The film received highly positive reviews, with the review tallying website Rotten Tomatoes reporting that 168 out of the 184 reviews they tallied were positive for a score of 91% and a certification of "fresh."[5] Lisa Schwartzbaum of Entertainment Weekly, Kenneth Turan of the Los Angeles Times, and Richard Schickel of Time were among many critics to name it the best picture of the year. In addition, Peter Travers of Rolling Stone and Michael Phillips of the Chicago Tribune both gave it four stars, and Todd McCarthy of Variety praised the film, assigning it a rare 'A' rating.

On December 6, 2006, the National Board of Review of Motion Pictures named Letters from Iwo Jima the best film of 2006.[6][7] On December 10, 2006, the Los Angeles Film Critics Association named Letters from Iwo Jima Best Picture of 2006. Furthermore, Clint Eastwood was runner-up for directing honors.[8] In addition, the American Film Institute named it one of the 10 best films of 2006. It was also named Best Film in a Foreign Language on January 15 during the Golden Globe Awards. It had been nominated for Best Film in a Foreign Language; and Clint Eastwood held a nomination for Best Director.

CNN's Tom Charity in his review described Letters from Iwo Jima as "the only American movie of the year I won't hesitate to call a masterpiece."[9] On the "Best Films of the Year 2006" broadcast (December 31, 2006) of the television show Ebert & Roeper, Richard Roeper listed the film at #3 and guest critic A. O. Scott listed it at #1, claiming that the film was "close to perfect."

On January 23, 2007, the film received four Academy Award nominations. Eastwood was nominated for his directing, as well as Best Picture along with producers Steven Spielberg and Robert Lorenz. It was also nominated for Best Original Screenplay. The film took home one award, Best Sound Editing.

The film has been far more commercially successful in Japan than in the U.S., ranking number 1 for five weeks. Though mostly appreciated for its empathetic view, the film has, however, received criticism from some Japanese moviegoers, including several staff members of the Association for the Advancement of Unbiased View of History (自由主義史観研究会?), who question the historical accuracy of its depiction of the Japanese military police, or the use of gairaigo terms like raifuru (ライフル?, "rifle") or jīpu (ジープ?, "Jeep") by Japanese Army soldiers, at a time when such practice was generally frowned upon.[10] Renowned nationalist and Prefectural Governor of Tokyo, Shintaro Ishihara, whose efforts and influence played a significant role in allowing the film's crew to shoot on Iwo Jima, criticized director Clint Eastwood's portrayal of American Marines. He stated that he believed Ore wa, Kimi no tame ni koso Shini ni iku (俺は、君のためにこそ死ににいく I Go to Die for You?), a film for which he wrote the screenplay and acted as executive director, was far superior to the Hollywood blockbuster.[11]

Furthermore, several non-U.S. reviews, such as that of the Independent of the United Kingdom, took offense at the characterization of good officers solely as those having had experience in the U.S. Those viewers believed that these characteristics make it an American film presenting a vision of the Japanese that reflects American cultural values and perceptions, in stark contrast to its framing in the American press as a film in the "Japanese point of view".[12]

Despite rave reviews, the film only grossed $13.7 million domestically in the United States. Stronger foreign sales grossing $54.9 million helped to boost revenue over production costs of $19 million.[2]

Top ten lists

The film appeared on many critics' top ten lists of the best films of 2006.[13]

General top ten

Awards

Academy Awards record
1. Best Sound Editing
Golden Globe Awards record
1. Best Foreign Language Film

Won

Nominated

See also

References

  1. ^ "LETTERS FROM IWO JIMA". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=lettersfromiwojima.htm. Retrieved July 5, 2009. 
  2. ^ a b "LETTERS FROM IWO JIMA". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=lettersfromiwojima.htm. Retrieved July 5, 2009. 
  3. ^ Kuribayashi, T. (Yoshida, T., editor) "Gyokusai Soshireikan" no Etegami. Shogakukan, Tokyo, April 2002, 254p, ISBN 4-09-402676-2 (Japanese)
  4. ^ Kakehashi, K. So Sad To Fall In Battle: An Account of War (Chiruzo Kanashiki). Shinchosha, Tokyo, July 2005, 244p, ISBN 4-10-477401-4 (Japanese) / Presidio Press, January 2007, 240p, ISBN 0-89141903-9 (English)
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  6. ^ "Eastwood's 'Letters' named 2006's best". CNN. http://www.cnn.com/2006/SHOWBIZ/Movies/12/06/film.nationalboard.ap/index.html. Retrieved December 6, 2006. 
  7. ^ "Awards for 2006". National Board of Review of Motion Pictures. http://www.nbrmp.org/awards/past.cfm?year=2006. Retrieved December 7, 2006. 
  8. ^ "Awards for 2006". Los Angeles Film Critics Association. http://www.lafca.net/Home/News/2006_lafca_awards_winners.html. Retrieved December 10, 2006. 
  9. ^ "Review: 'Letters from Iwo Jima' a masterpiece". CNN. http://www.cnn.com/2006/SHOWBIZ/Movies/12/22/review.letters/index.html. Retrieved January 9, 2007. 
  10. ^ "Official Association for the Advancement of Unbiased View of History Weblog". Blog.livedoor.jp. http://blog.livedoor.jp/jiyuu_shikan/. Retrieved August 23, 2009. 
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  12. ^ "Review: 'Letters from Iwo Jima'". The Independent. http://arts.independent.co.uk/film/reviews/article2298399.ece. Retrieved March 7, 2007. 
  13. ^ "Metacritic: 2006 Film Critic Top Ten Lists". Metacritic. http://www.metacritic.com/film/awards/2006/toptens.shtml. Retrieved January 8, 2008. 

External links

Awards
Preceded by
Paradise Now
 Palestine
Golden Globe for Best Foreign Language Film
2006
Succeeded by
The Diving Bell and the Butterfly
 France

 
 

 

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