Career Highlights: The Boys From Brazil, Thunder Rock, Body and Soul
First Major Screen Credit: Wolf's Clothing (1936)
Biography
The daughter of a German surgeon and an Austrian actress, Lilli Palmer was ten years old when she began appearing in amateur theatricals in Berlin. She studied for a theater career with Ilka Gruning, a character actress best known for her brief appearance as a refugee in Casablanca (1942). Shortly after her professional bow in 1932, Palmer fled from Germany to escape the incoming Nazi government. She worked at Paris' Moulin Rouge, then learned English well enough to appear in British films from 1935 and on the London stage from 1938. In the company of her first husband, Rex Harrison (whom she married in 1943), Palmer came to America in 1945, appearing in such stage productions as Anne of a Thousand Days and Bell, Book and Candle, and in such films as Cloak and Dagger (1946) and Body and Soul (1948). In 1952, she co-starred with Harrison in the film adaptation of the Broadway hit The Four Poster. Her marriage dissolved when Harrison became interested in movie leading lady Kay Kendall; her second -- and last -- husband was actor Carlos Thompson. Resettling in Europe in 1954, Palmer periodically returned to Hollywood for such projects as the well-circulated 1955 TV anthology The Lilli Palmer Theater. She continued to star in films produced in virtually every corner of the world, and to appear on Broadway. A prolific writer, Lilli Palmer published several books, including her 1975 autobiography Change Lobsters and Dance. ~ Hal Erickson, All Movie Guide
Palmer, who took her surname from an English actress she admired, was one of three daughters born to Dr. Alfred Peiser, a GermanJewish surgeon, and Rose Lissman, an Austrian Jewish stage actress in Posen, Prussia, Germany (now Poznań, Poland). When Lilli was four her family moved to Berlin-Charlottenburg. She studied drama in Berlin before fleeing to Paris in 1933 following the Nazi takeover. While performing in cabarets, she attracted the attention of British talent scouts and was offered a contract by the Gaumont Film Company. She made her screen debut in Crime Unlimited (1935) and appeared in British films for the next decade.
In 1943, she married actor Rex Harrison and followed him to Hollywood in 1945. She signed with Warner Brothers and appeared in several films, notably Cloak and Dagger (1946) and Body and Soul (1947). She also periodically appeared in stage plays as well as hosting her own television series in 1951. Harrison and Palmer appeared together in the hit Broadway play Bell, Book and Candle in the early 50s and later starred in the film version of The Four Poster (1952), which was based on the award-winning Broadway play of the same name, written by Jan de Hartog. She won the Volpi Cup for Best Actress in 1953 for The Four Poster. Harrison and Palmer divorced in 1956; they had one son, Carey Harrison, born in 1944. During the marriage, Harrison had many affairs, including one with Carole Landis, who committed suicide in 1948 in the wake of their failed relationship.
Palmer returned to Germany in 1954 where she played roles in many films and television productions. She also continued to play both leading and supporting parts in the U.S. and abroad. In 1957, she won the Deutscher Filmpreis for Best Actress for her portrayal of Anna Anderson in Is Anna Anderson Anastasia?. She starred opposite William Holden in The Counterfeit Traitor, an espionage thriller based on fact, (1962), and opposite Robert Taylor in another true World War II story, Disney's Miracle of the White Stallions (1963). On the small screen, in 1974 she starred as Manouche Roget in the six-part television drama series The Zoo Gang, about a group of former underground freedom fighters from World War II, with Brian Keith, Sir John Mills, and Barry Morse.
A talented writer, Palmer published a memoir, Change Lobsters and Dance, in 1975. Reminiscences by Vivian Matalon and Noël Coward (Matalon directed Palmer in the premiere production of Coward's play Suite in Three Keys in 1966; see A Song at Twilight) suggest that Palmer was not always the patient and reasonable person she represented herself as being in this autobiography. She wrote a full-length work of fiction presented as a novel rather than a memoir, The Red Raven in 1978.
Palmer was married to bisexual Argentine actor Carlos Thompson from 1957 until her death in Los Angeles from cancer in 1986 at the age of 71.