In February 2007 (with his accompanist, the pianist Michiko Otaki), the British violist Roger Chase initiated "The Tertis Project," which is a series of concerts devoted to 20th century works by British composers composed for Tertis.[1] Chase performs on the same Montagnana instrument that belonged to Tertis.
| Original composer |
Title |
Remarks |
| Anton Arensky (1861–1906) |
Berceuse |
|
| Johann Sebastian Bach (1685–1750) |
Aria "Come Sweet Death" |
from Cantata 191 |
| Adagio from Toccata in C Major |
published 1935; original for organ |
| Ludwig van Beethoven (1770–1827) |
Theme and Variations (on Mozart's "Ein Mädchen oder Weibchen"), Op.66 (1796) |
original for cello and piano |
| Johannes Brahms (1833–1897) |
Minnelied, Op.71 No.5 (1877) |
original for voice and piano |
| Wir wandelten for Violin or Viola and Piano, Op.96 No.2 (1884) |
original for voice and piano |
| Willy Burmester (1869–1933) |
Französisches Lied aus dem 18. Jahrhundert (French Air from the 18th Century) (1909) |
original for violin and piano |
| Eric Coates (1886–1957) |
First Meeting: Souvenir |
|
| Frederick Delius (1862–1934) |
Caprice and Elegy (1930) |
original for cello and orchestra |
| Serenade from the drama Hassan (1920–1923) |
|
| Sonata No.2 (1923) |
original for violin and piano |
| Sonata No.3 (1930) |
original for violin and piano |
| Ernő Dohnányi (1877–1960) |
Sonata in C♯ Minor, Op.21 (1912) |
original for violin and piano |
| Edward Elgar (1857–1934) |
Concerto in E Minor, Op.85 (1918–1919) |
original for cello and orchestra |
| Gabriel Fauré (1845–1924) |
Après un rêve |
original for voice and piano |
| Élégie, Op.24 |
original for cello and orchestra |
| Baldassare Galuppi |
Aria Amorosa |
|
| George Frideric Handel (1685–1759) |
Sonata in F Major (Adagio and Allegro) |
original for violin with basso continuo |
| Joseph Haydn (1732–1809) |
Capriccio |
published 1912 |
| John Ireland (1879–1962) |
The Holy Boy |
published 1918 |
| Franz Liszt (1811–1886) |
Liebestraum No.3 in A♭ Major, S.541 (c.1850) |
published 1954; original for piano |
| Felix Mendelssohn (1809–1847) |
Duetto |
original for piano: Song without Words, Op.38 No.6 (1836) |
| Fleecy Cloud |
original for piano: Song without Words, Op.53 No.2 (1838) |
| Gondola Song |
original for piano: Song without Words, Op.19 No.6 (1830) |
| On Wings of Song, Op.34 No.2 (1835) |
original for voice and piano: Auf Flügeln des Gesanges |
| Spring Song |
original for piano: Song without Words, Op.62 No.6 (1842) |
| Sweet Remembrance |
original for piano: Song without Words, Op.19 No.1 (1831) |
| Wolfgang Amadeus Mozart (1756–1791) |
Sonata [No.22] in A Major, K.305: Allegro molto; Tema con variazione |
original for violin and piano |
| Gabriel Pierné (1863–1937) |
Sérénade, Op.7 |
original for piano |
| Anton Rubinstein (1829–1894) |
Melody in F, Op.3 No.1 (1852) |
original for piano |
| Franz Schubert (1797–1828) |
Du bist die Ruh, Op.59 No.3 (D.776) |
original for voice and piano |
| Nacht und Träume, Op.43 No.2 (D.827) |
original for voice and piano |
| Robert Schumann (1810–1856) |
Romance, Op.28 No.2 |
original for piano |
| Cyril Scott (1879–1970) |
Cherry Ripe |
|
| Alexander Scriabin (1872–1915) |
Étude, Op.42 No.4 |
original for piano |
| Karol Szymanowski (1882–1937) |
Pieśń Roksany from the opera Król Roger |
|
| Pyotr Ilyich Tchaikovsky (1840–1893) |
Chanson triste, Op.40 No.2 |
original for piano |
| None But the Lonely Heart (also entitled A Pleading), Op.6 No.6 (1869) |
original for voice and piano |
| Francis Thomé (1850–1909) |
Sous la feuillée, Op.29 |
original for piano |
| traditional |
Londonderry Air "Farewell to Cucullain" for Viola or Violin and Piano |
|
| Old Irish Air for Viola or Violin and Piano |
|
| William Wolstenholme (1865–1931) |
Allegretto in E♭ Major, Op.17 No.2 |
published 1900; original for organ |
| Canzona in B♭ Major, Op.12 No.1 |
original for organ |
| Die Antwort (The Answer), Op.13 No.2 |
original for organ |
| Die Frage (The Question), Op.13 No.1 |
original for organ |
| Romanza, Op.17 No.1 |
published 1900; original for organ |