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| Britannica Concise Encyclopedia: Lionel Trilling |
For more information on Lionel Trilling, visit Britannica.com.
| Columbia Encyclopedia: Lionel Trilling |
Bibliography
See the posthumous collections of his essays, The Last Decade (1979), ed. by D. Trilling and The Moral Obligation to Be Intelligent (2000), ed. by L. Wieseltier, and his posthumously published unfinished novel The Journey Abandoned (2008), ed. by G. Murphy; studies by R. Boyers (1977), M. Krupnick (1986), D. T. O'Hara (1988), and J. Rodden, ed. (1999).
Dictionary:
Tril·ling (trĭl'ĭng) , Lionel
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| Works: Works by Lionel Trilling |
| 1947 | The Middle of the Journey. The literary and social critic's only novel concerns John Laskell's recuperation from a near-fatal illness in rural Connecticut. There he is confronted with differing assertions of values, beliefs, and moral responsibility through the death of a friend's young daughter. A novel of ideas, the book is important for its depiction of the moral and political climate of the 1930s and 1940s. Trilling, who joined the faculty at Columbia in 1931, previously published two critical studies, Matthew Arnold (1939) and E. M. Forster (1943). |
| 1950 | The Liberal Imagination. Trilling's first collection of essays mingles literary criticism with analyses of culture, politics, and history. It brings Trilling immediate national attention as a literary critic of the first order, ranking alongside F. R. Leavis and Edmund Wilson. |
| 1955 | The Opposing Self: Nine Essays in Criticism. Trilling combines literary and social criticism, dealing with the state of the individual in modern society through analysis of the works of Jane Austen, William Dean Howells, Henry James, Charles Dickens, and others. Trilling also publishes Freud and the Crisis of Our Culture. |
| 1965 | Beyond Culture: Essays on Literature and Learning. Trilling's essay collection includes a sequel to his essays on literature and psychoanalysis in The Liberal Imagination (1950), as well as an analysis of the cultural crisis produced by the turmoil of the era. |
| 1972 | Sincerity and Authenticity. The collection of lectures Trilling had delivered at Harvard form, according to reviewer Anatole Broyard, "a brilliant study of our moral life in process of revising itself." The lectures address the evolution of literature and society, from the sincerity that dominated the work of writers until the Romantic era, when the conception of selfhood began to emphasize authenticity. |
| 1980 | Speaking of Literature and Society. The twelfth and final volume in the uniform edition of this important critic's works. These fifty-eight pieces had been written between 1924 and 1968 and mainly consist of book reviews demonstrating Trilling's extraordinary care in considering different points of view. Also published is The Last Decade: Essays and Reviews, 1965-1975, demonstrating Trilling's impressive critical range in pieces such as "What Is Criticism?" and a review of the Freud-Jung letters, as well as studies of Jane Austen, William Morris, and James Joyce. |
| Quotes By: Lionel Trilling |
Quotes:
"Educating a son I should allow him no fairy tales and only a very few novels. This is to prevent him from having 1. the sense of romantic solitude (if he is worth anything he will develop a proper and useful solitude) which identification with the hero gives. 2. cant ideas of right and wrong, absurd systems of honor and morality which never will he be able completely to get rid of, 3. the attainment of ideals, of a priori desires, of a priori emotions. He should amuse himself with fact only: he will then not learn that if the weak younger son do or do not the magical honorable thing he will win the princess with hair like flax."
"Probably it is impossible for humor to be ever a revolutionary weapon. Candide can do little more than generate irony."
"Being a Jew is like walking in the wind or swimming: you are touched at all points and conscious everywhere."
"We who are liberal and progressive know that the poor are our equals in every sense except that of being equal to us."
"Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing -- he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him."
"The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive."
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Lionel Trilling
| Wikipedia: Lionel Trilling |
Lionel Trilling (born Lionel Mordecai Trilling, 4 July 1905 – 5 November 1975) [1] was an American literary critic, author, and teacher. With wife Diana Trilling, he was a member of The New York Intellectuals and contributor to the Partisan Review; although he did not establish a school of literary criticism, he is one of the great U.S. critics of the twentieth century in tracing the contemporary cultural, social, and political implications of literature.
Contents |
Lionel Trilling was born in Queens, New York City, to a Jewish family. In 1921, he graduated from DeWitt Clinton High School, and, at age sixteen, entered Columbia University, thus beginning a perpetual association with the university. In 1925, he was graduated from Columbia, and, in 1926, earned a master of art's degree. He taught at the University of Wisconsin–Madison and at Hunter College, afterwards, in 1932, he taught literature at Columbia University. In 1938, he earned his doctorate with a dissertation about Matthew Arnold, that later he published. In 1939, he was promoted to assistant professor — the first tenured Jewish professor in the English department; in 1948, he was promoted to full professor. In 1965, he became the George Edward Woodberry Professor of Literature and Criticism. Academically, he was a popular instructor, and, for 30 years, taught, with Jacques Barzun, Columbia’s Colloquium on Important Books, a course about the relationship between literature and cultural history. Among his students figure Norman Podhoretz, Jack Kerouac, Allen Ginsberg, John Hollander, and Louis Menand. Later, from 1969 to 1970 he was the Norton professor at Harvard University. In 1972 he was selected by the National Endowment for the Humanities to deliver the first Jefferson Lecture in the Humanities, described as "the highest honor the federal government confers for distinguished intellectual achievement in the humanities."[2]
In 1937, he joined the recently revived magazine Partisan Review, a Marxist, but anti-Stalinist, journal founded by William Philips and Philip Rahv in 1934. [3]
The Partisan Review was associated with the New York Intellectuals — Trilling, his wife Diana Trilling, Alfred Kazin, Delmore Schwartz, William Phillips, Clement Greenberg, Harold Rosenberg, Dwight Macdonald, Mary McCarthy, F. W. Dupee, Paul Goodman, Lionel Abel, Irving Howe, Saul Bellow, Leslie Fiedler, Elizabeth Hardwick, Richard Chase, William Barrett, Daniel Bell, Hannah Arendt, Isaac Rosenfeld, Susan Sontag, Steven Marcus, Norman Podhoretz, and Hilton Kramer — who emphasised the influence of history and culture upon authors and literature. As such, the New York Intellectuals distanced themselves from the New Critics, by concentrating upon the socio-political ramifications of the discussed literature, concerning the future of the intellectual middle class of New York City.
In the preface to the essays collection Beyond Culture (1965), he defends the New York Intellectuals: As a group, it is busy and vivacious about ideas, and, even more, about attitudes. Its assiduity constitutes an authority. The structure of our society is such that a class of this kind is bound by organic filaments to groups less culturally fluent, which are susceptible to its influence.
Trilling wrote one novel, The Middle of the Journey (1947), about an affluent Communist couple's encounter with a Communist defector (whom later Trilling acknowledged was inspired by his Columbia classmate Whittaker Chambers) and short stories including “The Other Margaret.” Otherwise, he wrote essays and reviews in which he reflected on literature’s ability to challenge the morality and conventions of the culture. Critic David Daiches said of Trilling, “Mr. Trilling likes to move out and consider the implications, the relevance for culture, for civilization, for the thinking man today, of each particular literary phenomenon which he contemplates, and this expansion of the context gives him both his moments of his greatest perceptions, and his moments of disconcerting generalization.”
Trilling published two complex studies of authors Matthew Arnold (1939) and E. M. Forster (1943), both written in response to a concern with “the tradition of humanistic thought and the intellectual middle class which believes it continues this tradition.”[4] His first collection of essays, The Liberal Imagination, was published in 1950, followed by the collections The Opposing Self (1955), focusing on the conflict between self-definition and the influence of culture , Freud and the Crisis of Our Culture (1955), A Gathering of Fugitives (1956), and Beyond Culture (1965), a collection of essays concerning modern literary and cultural attitudes toward selfhood. In Sincerity and Authenticity (1972), he explores the ideas of the moral self in post-Enlightenment Western civilization. He wrote the introduction to The Selected Letters of John Keats (1951), in which he defended Keats’s notion of Negative Capability, as well as the introduction, “George Orwell and the Politics of Truth”, to the 1952 reissue of George Orwell’s book, Homage to Catalonia.
In 2008, Columbia University Press published an unfinished novel that Trilling abandoned in the late 1940s. Scholar Geraldine Murphy discovered the half-finished novel among Trilling's papers archived at Columbia University.[5] Trilling's novel, titled The Journey Abandoned: The Unfinished Novel, is set in the 1930s and involves a young protagonist, Vincent Hammell, who seeks to write a biography of an elder, towering figure poet - Jorris Buxton. Buxton's character is loosely based on the nineteenth century, romantic poet Walter Savage Landor.[5] Writer and critic Cynthia Ozick praised the novel's skillful narrative and complex characters, writing that The Journey Abandoned is "a crowded gallery of carefully delineated portraits, whose innerness is divulged partly through dialogue but far more extensively in passages of cannily analyzed insight."[6]
Fiction
Books and Collections of Essays
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