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Live Free or Die Hard

 
Movies:

Live Free or Die Hard

  • Director: Len Wiseman
  • AMG Rating: starstarstar
  • Genre: Action
  • Movie Type: Action Thriller
  • Themes: Terrorism, Computer Paranoia, Heroic Mission
  • Main Cast: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q
  • Release Year: 2007
  • Country: US
  • Run Time: 129 minutes
  • MPAA Rating: PG13

Plot

An old-fashioned cop emerges to foil a high-tech attack on the country's computer infrastructure as Bruce Willis brings back one of the biggest action franchises in screen history. It's been over a decade since audiences last saw New York cop John McClane (Willis), but now, as the world's greatest criminal mastermind (Timothy Olyphant) attempts to cripple the entire country with an innovative act of technological terrorism, only one cop can insure that the integrity of the system stays intact. In this, the fourth installment of the long-running action series, Underworld director Len Wiseman picks up the torch formerly carried by directors John McTiernan and Renny Harlin to helm a script penned by Mark Bomback. ~ Jason Buchanan, All Movie Guide

Review

John McClane is back in another installment of the Die Hard franchise -- or is he? That's the question that faces moviegoers upon seeing Live Free or Die Hard, a techno-talky popcorn popper that has enough explosions to wake the dead, but very little to do with the esteemed film series by the time all of the terrorists are toast. So what went wrong? Is it the rating controversy that saw the film released as a very un-Die Hard PG-13? That has a bit to do with it, though the main gripe is that this really isn't a film about John McClane. Sure, there are a lion's share of stunts and one-liners, but the crux of the story has little to do with the cop from South Jersey who virtually reinvented the modern-day movie hero. Sadly, he's made to play second fiddle to Justin Long -- a young, sarcastic hacker whose part in the plot ends up nearly as substantial as McClane. Thus the movie essentially boils down to the two characters squabbling in an annoying "culture clash" fashion as they race from one destination to another, with lots of Long typing away at a keyboard and McClane only in tow to beat up the bad guys when they show up. Sound fun? Then maybe this is the flick for you. One thing is for sure though, this ain't your daddy's Die Hard.

To compare this sucker is to kill it. While it's never too easy to reboot an older franchise for modern audiences, Live Free does just enough to forget what came before it that it invites the critique. Bruce Willis has said that he despises the second film for giving too many nods to the original, but at least it acknowledged it. Here, the only thread of continuation has to do with McClane's family -- his estranged ex-wife and a daughter who gets annoyed by him, yet calls for daddy as soon as she gets stuck in an elevator! Does the government or the boring baddie (played with zero zest by Timothy Olyphant) even recognize that this is the same guy that thwarted three, count 'em, three terrorist attacks? No, not really. It's a point that thrusts the entire series into "lone wolf" territory, where McClane now has adventures that don't necessarily have to do anything that came before. As soon as this is understood, viewers can either tune out or just not give a hoot and enjoy the big pretty explosions. And to be sure, there are plenty of those.

In fact, take away any Die Hard references and this becomes a fairly forgettable summer excursion. The action is nice and at points, over-the-top, but never once is it gripping, just as the humor balances between light and cranky, but with techno-babble that is far too verbose. Casting is another problem, with memorable faces standing in for air-filled characters that the screenwriters didn't bother to invest time into. Additionally, director Len Wiseman does an admirable job of forgetting his Matrix rip-off roots, though his bland blue-hued color schemes and geographically challenged action still has a ways to go to compete with a heavyweight like John McTiernan. In the end, when all the gun shells are collected and freeways fixed, it's pretty obvious that Live Free was half-heartedly tailored to fit the franchise's mold, which is really too bad, because John McClane deserved better...and so do audiences. ~ Jeremy Wheeler, All Movie Guide

Cast

Mary Elizabeth Winstead - Lucy McClane; Kevin Smith - Warlock; Yancey Arias - Agent Johnson; Christina Chang - Taylor; Yorgo Constantine - Russo; Andrew Friedman - Casper; Kang Sung - Raj; Matt O'Leary - Clay; Cyril Raffaelli - Rand; Jonathan Sadowski - Trey; Chris Palermo - Del; Zeljko Ivanek - Molina; Jake McDorman - Jim; Rosemary Knower - Mrs. Kaludis; Gerald Downey - Hoover Agent; Allen Maldonado - Goatee; Jim Cantafio - Deli Owner; Chris Ellis - Scalvino; Regina McKee Redwing - Nearby Agent; Tony Colitti - Chief Hazmat Agent; Tim de Zarn - Police Sergeant; Kurt David Anderson - Miller; Nadine Ellis - Teller; Ethan Flower - Trader; Nick Jaine - Phone Guy; Tim Russ - Chuck Summer; Joe Gerety - Jack Parry; Edward James Gage - On Duty PP Operator; David Walrod - Deli Customer; Edoardo Costa - Emerson; John Reha - Slacker Kid; Rick Cramer - MP Rodriguez; Vito Pietanza - DC Cop; Dennis Depew - DC Cop; Howard Tyrone Ferguson - DC Cop; John Lacy - EMT; Diana Gettinger - FBI Dispatcher; Melissa Knowles - Freeway Reporter

Credit

James Hegedus - Art Director, Beat Frutiger - Art Director, Troy Sizemore - Supervising Art Director, Roger Stevenson - Boom Operator, Deborah Aquila - Casting, Tricia Wood - Casting, Marco Beltrami - Conductor, Pete Anthony - Conductor, Stephen Eads - Co-producer, Denise Wingate - Costume Designer, Lori Stilson - Costume Designer, Mark Cotone - First Assistant Director, Dieter H. Busch - First Assistant Director, Len Wiseman - Director, Brian Smrz - Second Unit Director, Nicolas de Toth - Editor, William Wisher - Executive Producer, Michael Fottrell - Executive Producer, Arnold Rifkin - Executive Producer, Curtis Collins - Location Manager, Marco Beltrami - Composer (Music Score), Zoltan Elek - Makeup, Mitchell Dubin - Camera Operator, Colin Hudson - Camera Operator, Patrick Tatopoulos - Production Designer, Simon Duggan - Cinematographer, Bruce Willis - Producer, John McTiernan - Producer, Michael Fottrell - Producer, Craig "Pup" Heath - Recording, John Kurlander - Recording, Blake Cornett - Recording, Tim Lauber - Recording, Charline St. Charles - Research, Geoff Hubbard - Set Designer, Gregory Scott Hooper - Set Designer, Anshuman Prasad - Set Designer, John Kurlander - Sound Mixer, Steve Nelson - Sound/Sound Designer, Cameron Frankley - Sound/Sound Designer, Jason W. Jennings - Sound/Sound Designer, Ai-Ling Lee - Sound/Sound Designer, Richard Epper - Stunts, Billy Lucas - Stunts, John Meier - Stunts, Michael Papajohn - Stunts, Denney Pierce - Stunts, Mark Riccardi - Stunts, Myke Schwartz - Stunts, Gregg Smrz - Stunts, Erik Stabenau - Stunts, Merritt Yohnka - Stunts, Gilbert Combs - Stunts, Charlie Croughwell - Stunts, Doc Duhame - Stunts, Jeffrey Lee Gibson - Stunts, Gunter Simon - Stunts, Patrick Statham - Stunts, Keith Woulard - Stunts, Jeff Habberstad - Stunts, Terry Jackson - Stunts, Lincoln Simonds - Stunts, Gregory J. Barnett - Stunts, Michael Runyard - Stunts, Matt McColm - Stunts, Mark Chadwick - Stunts, Brian Smyj - Stunts, Brian Simpson - Stunts, Sean Graham - Stunts, Peter Weireter - Stunts, Clay Cullen - Stunts, Brock Little - Stunts, Michael Weis - Stunts, Tom McComas - Stunts, Richard Cetrone - Stunts, Carl Paoli - Stunts, Joey Box - Stunts, Mike Gunther - Stunts, Scott Rogers - Stunts, Mickey Giacomazzi - Stunts, Richard Burden - Stunts, Mike Justus - Stunts, Tad Griffith - Stunts, Gary Guercio - Stunts, Peewee Piemonte - Stunts, Jeremy Fitzgerald - Stunts, Bryan Friday - Stunts, Jonathan Valera - Stunts, Bryon Weiss - Stunts, Kofi W. Elam - Stunts, Chris Antonucci - Stunts, Rex Reddick - Stunts, Larry Rippenkrogger - Stunts, Jared Eddo - Stunts, Mark Ginther - Stunts, Chad Stahelski - Stunts, Robert Alonzo - Stunts, Damon Caro - Stunts, T.J. White - Stunts, James M. Churchman - Stunts, Louie Franco - Stunts, Dane Farwell - Stunts, Scott Sproule - Stunts, Nick Brandon - Stunts, Joe Bucaro III - Stunts, Kim Washington - Stunts, Dennis Keiffer - Stunts, Mark Stefanich - Stunts, Michael Owen - Stunts, Chris Daniels - Stunts, Rosine "Ace" Hatem - Stunts, Boni Yanagisawa - Stunts, Hank Amos - Stunts, Tim Connolly - Stunts, Clay Donahue Fontenot - Stunts, Mike Massa - Stunts, Mike Mukatis - Stunts, Paul Eliopolus - Stunts, Daniel Arrias - Stunts, Jake Lombard - Stunts, Keith Adams - Stunts, Charles Grisham - Stunts, Peter Epstein - Stunts, Shawn Kautz - Stunts, John Becker - Stunts, Dean Bailey - Stunts, Ted Barba - Stunts, Danny Downey - Stunts, Ronn Surels - Stunts, Ross Jordan - Stunts, Mike Majesky - Stunts, Allan Padelford - Stunts, Kevin Scott - Stunts, Scott Cosgrove - Stunts, Matt Anderson - Stunts, Tom Erickson - Stunts, Mark Vanselow - Stunts, Paul Leonard - Stunts, Colin Follenweider - Stunts, Kevin Foster - Stunts, Marc Shaffer - Stunts, Andy Dylan - Stunts, Jessika Graff - Stunts, Shawn Crowder - Stunts, Adam Hart - Stunts, Jimmy Hart - Stunts, Craigory Glen Hunter - Stunts, Rick Kain - Stunts, Ralf Koch - Stunts, Johnny Machleit - Stunts, Johnny Martin - Stunts, Dennis McCarthy - Stunts, Billy Morts - Stunts, Stephen Neely - Stunts, Chris Nielsen - Stunts, Chad Parker - Stunts, Ming Qiu - Stunts, Todd Schneider - Stunts, Brandon Sebek - Stunts, Keith Shindoll - Stunts, Carol Neilson-Smrz - Stunts, Colton Lucas-Smrz - Stunts, J. Russell Solberg - Stunts, R.C. Thompson - Stunts, Sabine Varnes - Stunts, Lee Whittaker - Stunts, Stuart F. Wilson - Stunts, Brad Martin - Stunts Coordinator, Michael Meinardus - Special Effects Supervisor, Mike Neinardus - Special Effects Supervisor, Greg Dunn - Technical Advisor, Michael Oregon - Technical Advisor, Evan Williams - Technical Advisor, Joe C. D'Amato - Technical Advisor, David Marconi - Screen Story, Mark Bomback - Screen Story, Mark Bomback - Screenwriter, Gary Capo - Second Unit Director Of Photography, Jonathan Taylor - Second Unit Director Of Photography, Chris Moseley - Second Unit Camera, Joseph Cicio - Second Unit Camera, Patrick McClung - Visual Effects Supervisor, Matthew Hendershot - Visual Effects Supervisor, Randy Kelley - Sound Effects Editor, Marcus Trumpp - Additional Music, Claire Raskind - Unit Publicist, David Nowell - Aerial Photography, Hans Bjerno - Aerial Photography, Anthony Cappello - First Assistant Camera, John Holmes - First Assistant Camera, Victor Shelehov - Grip, Robert Small - Grip, Christopher Reynolds - Grip, Bill Green - Grip, Tom Jedrezejczyk - Grip, Philippe Mayer - Grip, Christian Staab - Grip, Mike Anderson - Key Grip, Don Selsor - Key Grip, Joe E. Rand - Music Editor, Jim Schultz - Music Editor, Steve Barnett - Post Production Supervisor, Nancy C. Honeycutt - Production Coordinator, Mitchell Dauterive - Production Supervisor, Scott Maginnis - Properties Master, Dale Saiger - Properties Master, Michael Todd - Properties Master, Bruce Kuroyama - Pyrotechnic Special Effects, Chris Brenczewski - Pyrotechnic Special Effects, Robert Simokovic - Pyrotechnic Special Effects, Richard M. Zarro - Pyrotechnic Special Effects, Andy Nelson - Re-Recording Mixer, Anna Behlmer - Re-Recording Mixer, Kim Berner - Script Supervisor, Colin Hudson - Steadicam Operator, Frank Masi - Still Photographer, Joseph B. Conmy IV - Visual Effects Producer, Joel Mendías - Visual Effects Producer, Tammy Fearing - ADR Editor, Charleen Steeves - ADR Mixer, David Lucarelli - ADR Recordist, Jason Sweers - Assistant Art Director, Patricio Farrell - Assistant Art Director, Desma Murphy - Assistant Art Director, Casey Collins - Assistant Location Manager, Christopher Johnson - Assistant Location Manager, Shauna Moss - Assistant Production Coordinator, Glenn Forbes - Assistant Properties, Rachel A. Flores - Assistant Properties, Lee Gilmore - Assistant Sound Editor, Steve Reinhardt - Best Boy Electric, Branch Brunson - Best Boy Electric, Jeffrey T. Sweet - Best Boy Grip, Jason Selsor - Best Boy Grip, Mike Sasgen - Buyer, Haydn Pazanti - Camera Loader, Samantha Finkler - Casting Associate, Erin Toner - Casting Associate, Jeff Murrell - Chief Lighting Technician, Bruce DiValerio - Construction Coordinator, John Casey - Costumes Supervisor, Cameron Steenhagen - Dialogue Editor, Jessica Dickson - Dialogue Editor, Audie Aragon - Dolly Grip, Melvin vonBulow - Dolly Grip, Sean M. Ginn - Electrician, Damon Liebowitz - Electrician, Gene Hara - Electrician, Erik Folsom - Electrician, Ron Koch, Jr. - Electrician, Lee Majors II - Electrician, John Crimins - Electrician, Russ Girffith - Electrician, Jennifer Bender - Extra Casting, Central Casting - Extra Casting, Mariann Lee - Extra Casting, Coleen Aiello - First Assistant Accountant, Ken Terry - First Assistant Editor, Alicia Stevenson - Foley Artist, Dawn Fintor - Foley Artist, Jonathon Klein - Foley Editor, Joe McCloskey - Key Costumer, Shoshana Rubin - Key Costumer, Scott T. Cameron - Key Hairstylist, Cheryl Gould - Leadman, Louise Weber - Personal Assistant, Natalie Mathes - Post Production Accountant, Andrew Schiel - Post Production Assistant, Cindy Quan - Production Accountant, Ruba Kharuf - Production Accountant, John Montgomery - Production Accountant, Robin Nicole Williams - Second Assistant Accountant, Kathy Mattes - Second Assistant Accountant, L.J. Santillan - Second Assistant Accountant, Michele Wright - Second Assistant Accountant, Steven Cueva - Second Assistant Camera, Kristi Arnds - Second Assistant Camera, Larry Katz - Second Second Assistant Director, Brad Arnold - Second Second Assistant Director, Yumiko Takeya - Second Second Assistant Director, Aaron Carter - Set Dresser, Jeff Hay - Set Dresser, Cheryl Andryco - Set Production Assistant, Todd Havern - Set Production Assistant, Cody Birdwell - Set Production Assistant, Richie Elson - Set Production Assistant, Leslie Merlin - Set Production Assistant, Bob Rizzolo - Set Production Assistant, William K. Ballard - Transportation Captain, Mike Antunez - Transportation Coordinator, Pixel Magic - Visual Effects, Digital Dimension - Visual Effects, RIOT Pictures - Visual Effects, The Orphanage - Visual Effects, Amalgamated Pixels Inc. - Visual Effects, Robert Gould - Set Decorator, Frank Bradley - Cable Person, Harry Muller - Color Timing, Butch Montgomery - Construction Foreman, Jeff Winn - Craft Service/Catering, Chris Winn - Craft Service/Catering, Hat Trick Catering - Craft Service/Catering, Paul Rathburn - Craft Service/Catering, Johnny Graham - Craft Service/Catering, Stan Pratt - Craft Service/Catering, Ted Schambers - Driver, David Betancourt - Foley Mixer, Gary Burritt - Negative Cutter, Marilyn Sommer - Negative Cutter, Craig Hosking - Pilot, Rick Shuster - Pilot, John Thomas Scanlon - Pilot, Keii Johnston - Pilot, Chris Saunders - Pilot, Daniel A. Parker - Production Secretary, Kevin A. Canamar - Set Medic/First Aid, Petra Bach - Supervising ADR Editor, Dempsey James Tillman - Video Assist, Steve Bluemenfield - Video Playback, Chris Hill - Video Playback, David McGraw - Video Playback, Ivan Landau - Visual Effects Editor, David Heinz - Visual Effects Editor, L.A. MadDogs - Voice Casting, Pacific Title - Title Design, Nathan Robinson - Title Design, Palma Bellardoni - Art Department Coordinator, Adam M. Duthie - Assistant Editor, Cedric Nairn-Smith - Assistant Editor, Jason Ruder - Assistant Music Editor, Toni-Ann Walker - Department Head Hair, Gerald Quist - Department Head Makeup, Jon "Shorty" Michaels - First Assistant Sound Editor, Edwin Natividad - Illustrator, Robert McKinnon - Illustrator, Tara Tovarek - Producer's Assistant, Tory Mell - Producer's Assistant, Marc Siegel - Producer's Assistant, Trey Neely - Producer's Assistant, Vanessa Mendoza - Producer's Assistant, Dale Saiger - Standby Carpenter, Wing Kwok - Compositor, Tommy Tran - Compositor, Tatjana Bozinovski - Compositor, Martin Hilke - Compositor, Brian Smallwood - Compositor, Rony Soussan - Compositor, Ken Stranahan - Compositor, Justin Jones - Rotoscope Artist, Todd Carson - Rotoscope Artist, George Gervan Jr. - Rotoscope Artist, Richard Gervan - Rotoscope Artist, Anthony Kramer - Rotoscope Artist, Chad Ridgeway - Rotoscope Artist, Dan Walker - Rotoscope Artist, Jason Bond - Rotoscope Artist, Rich Grande - Rotoscope Artist, Michelle Kater - Rotoscope Artist, Christine Peterson - Rotoscope Artist, Brent Veal - Rotoscope Artist, Brian Tolle - Matchmove Artist, Charles Schwartz - Matchmove Artist, Greg Tse - Matchmove Artist, Owen Calouro - Matchmove Artist, Danny Lee - Painter (digital), Eric Texier - Painter (digital), Neil Michka - Painter (digital), Shane Roberts - Painter (digital), Bruce Dahl - Painter (digital), Colie Wertz - Painter (digital), Melissa Best - Painter (digital), Sam Lee - Painter (digital), Laurence Lok - Painter (digital), Benoit Pelchat - Painter (digital), Jesse Russell - Painter (digital), Jason Williams - Painter (digital), Robert Young - Painter (digital), Will Anielewicz - Painter (digital), Clint Thorne - Painter (digital), Daniela Calafatello - Painter (digital), Dani Sukiennik - Painter (digital), Julie Adrianson - Painter (digital), Craig Rowe - Painter (digital), Can Chang - Painter (digital), Josh Cardenas - Painter (digital), Ross DeYoung - Painter (digital), Rony Edde - Painter (digital), Heath Kraynak - Painter (digital), Michael Lester - Painter (digital), Jerry Tung - Painter (digital), Scott Bonnenfant - Painter (digital), Betsy Bueller - Painter (digital), Webster Colcord - Painter (digital), Stephane Cros - Painter (digital), Matthew Doll - Painter (digital), Jonathan Green - Painter (digital), Michael Hall - Painter (digital), Kevin I. Hong - Painter (digital), Michael Janov - Painter (digital), Michael Kennan - Painter (digital), Khi Kim - Painter (digital), Michal Kriukow - Painter (digital), P. Alex Lim - Painter (digital), Kevin Mains - Painter (digital), David Menkes - Painter (digital), Stephen Misek - Painter (digital), Patrick Neary - Painter (digital), David Quirus - Painter (digital), Corey Rosen - Painter (digital), Sal Ruiz - Painter (digital), Michael Spaw - Painter (digital), Patrick Thompson - Painter (digital), Noah Vice - Painter (digital), Wayne Williams - Painter (digital), Cliff Fleming - Aeriel Coordinator, Vincent Flaherty - Armorer, Mike Papac - Armorer, Brandon Lambdin - Second Unit Second Assistant Director, Greg Pawlik - Second Unit Second Assistant Director

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Live Free or Die Hard

Live Free or Die Hard official movie poster
Directed by Len Wiseman
Produced by Michael Fottrell
Co-Producer:
Stephen James Eads
Executive Producer:
William Wisher
Arnold Rifkin
Written by Screenplay:
Mark Bomback
Story:
Mark Bomback
David Marconi
Script & Article:
John Carlin
Characters:
Roderick Thorp
Uncredited Screenplay:
Bruce Willis
Len Wiseman
Starring Bruce Willis
Justin Long
Timothy Olyphant
Mary Elizabeth Winstead
Maggie Q
Kevin Smith
Cliff Curtis
Music by Marco Beltrami
Cinematography Simon Duggan
Editing by Nicolas De Toth
Studio 20th Century Fox
Cheyenne Enterprises
Dune Entertainment
Ingenious Film Partners
Distributed by 20th Century Fox
Release date(s) June 27, 2007
Running time 129 min.
Country United States
Language English
Budget $110 million[1]
Gross revenue $383,531,464
Preceded by Die Hard with a Vengeance

Live Free or Die Hard, (released as Die Hard 4.0 outside of North America), is a 2007 action film, and the fourth installment in the Die Hard series. The film was directed by Len Wiseman and stars Bruce Willis as John McClane, the protagonist of the first three films. Supporting cast members included Justin Long, Timothy Olyphant, Mary Elizabeth Winstead, and Maggie Q. The storyline takes place 19 years after the first film, and finds McClane facing a gang of cyber terrorists. The film was based on the 1997 article "A Farewell to Arms" written for Wired magazine by John Carlin.[2] The film's North American release date was June 27, 2007.[1]

After the project was stalled due to the September 11, 2001 attacks, production eventually began, and the film's title was switched several times. A variety of visual effects were used for action sequences, even though Wiseman and Willis stated that they wanted to limit the amount of CGI in the film. In separate incidents during filming, both Willis and his stunt double were injured. Unlike the prior three films in the series, the US rating was PG-13 rather than R. An unrated version of Live Free or Die Hard containing profanity and violence not included in the theatrical version was made available for the DVD release.

Live Free or Die Hard received generally positive reviews, earning a 81% approval rating on Rotten Tomatoes and 69/100 from Metacritic. The film had total international box office gross receipts of $383.5 million. For the DVD release, 20th Century Fox pioneered a new kind of DRM, Digital Copy, that tries to weaken the incentives for consumers to learn how to rip discs by offering them a downloadable version with studio-imposed restrictions. The score for the film was released on July 2, 2007.

Contents

Plot

A number of computer hackers, including Matthew "Matt" Farrell, upload programs they were paid to code to a woman named Mai. Soon, all of the unnamed hackers are killed by planted explosives. The next morning, Mai's boss and lover, Thomas Gabriel, gives orders to initiate his plot. The first phase involves taking control of the transportation grid (most particularly, traffic lights) and the stock market. The Federal Bureau of Investigation responds by initiating a nationwide roundup of all known top hackers. Police officer John McClane is assigned to bring in Farrell, who lives in Camden, New Jersey; his unexpected arrival stops Farrell from unknowingly triggering the explosives meant for him. Mai has assassins as backup, but McClane is able to protect Farrell and kill most of their attackers.

McClane drives Farrell to the FBI headquarters in Washington, D.C., where Farrell is questioned. FBI director Bowman is uninterested in his surmise: Farrell believes that the terrorists are mounting a "fire sale" attack, taking advantage of the vulnerability of the nation's computer-controlled infrastructure. McClane and Farrell are driven in a convoy to a secure building, but Gabriel and Mai are able to locate Farrell and divert the convoy to gunmen waiting in a helicopter. In the ensuing firefight, McClane manages to send a police car airborne over a tollbooth to destroy the helicopter.

As McClane and Farrell recover, Gabriel nationally televises a fake video of the United States Capitol being bombed and demolished, setting off a public panic. Farrell believes that the power grid will be the next target, and directs McClane to a utility superstation in West Virginia, where they find Mai and her henchmen. McClane is able to kill all of them. When Gabriel tries to contact Mai, he reaches McClane instead, who taunts him with the news of his dead girlfriend. Farrell transmits Gabriel's image to the FBI, allowing them to identify their nemesis. Enraged, Gabriel redirects all the natural gas in nearby pipelines to the station, but McClane and Farrell escape just before the resulting explosion causes a power outage over most of the East Coast. Farrell suggests that they get help from his hacker friend Warlock.

Warlock, who has power generators ready in case of an outage, locates the program Farrell created for Gabriel. It is being used in a Social Security Administration building at Woodlawn, Maryland, an unlikely target. They discover that it is actually a front for a highly classified government facility which Gabriel instituted during his tenure at the National Security Agency (NSA). In case of a total computer systems failure—such as the one Gabriel manufactured—every critical personal and financial record across the country is sent to servers there to create a backup. Gabriel's men take over the facility and start downloading a copy. Warlock is also able to explain Gabriel's motivation: a talented hacker, he was once a top expert for the NSA. However, he was fired and his reputation was tarnished when he tried to sound the alarm about America's vulnerability to cyber-warfare.

Gabriel detects Warlock's hack and speaks with him, McClane, and Farrell; he reveals to McClane that he has taken McClane's estranged daughter Lucy hostage. After Warlock traces Gabriel's location to Woodlawn, McClane and Farrel head there, where Farrell triggers an alarm in the facility to alert the FBI. As McClane deals with Gabriel's forces, Farrell manages to encrypt the downloaded data to block access to it, but is captured. Gabriel and his men then leave the facility, Farrell and Lucy in tow, before the FBI arrive. McClane hijacks Gabriel's semi and pursues. Gabriel hacks into the military's computers to deceive a United States Air Force F-35B Lightning II pilot into believing that McClane is a terrorist. The semi is wrecked, but McClane survives and tracks Gabriel to a nearby warehouse.

McClane dispatches all but one of Gabriel's men, but Gabriel still holds Lucy and Farrell hostage. Gabriel shoots McClane in the shoulder and makes McClane watch as he prepares to kill Lucy and Farrell. However, when Gabriel grinds his gun into McClane's wound, McClane fires it through his shoulder, killing Gabriel. The last henchman is shot by Farrell. Afterwards, to McClane's chagrin, Lucy and Farrell show interest in each other.

Cast

Production

Script and title

The film's plot is based on an earlier script entitled WW3.com by David Marconi, screenwriter of Enemy of the State.[9] Using a Wired article entitled "A Farewell to Arms" by John Carlin, Marconi crafted a screenplay about a cyber-terrorist attack on the U.S.[2][10] The attack procedure is known as a "fire sale", depicting a three-stage coordinated attack on a country's transportation, telecommunications, financial, and utilities infrastructure systems. After the September 11, 2001 attacks, the project was stalled, only to be resurrected several years later and rewritten into Live Free or Die Hard by Doug Richardson and eventually by Mark Bomback.[11]

Willis said in 2005 that the film would be called Die Hard 4.0, as it revolves around computers and cyber-terrorism. IGN later reported the film was to be called Die Hard: Reset instead.[12] 20th Century Fox later announced the title as Live Free or Die Hard and set a release date of June 29, 2007 with filming to begin in September 2006.[13][14] The title is based on the state motto of New Hampshire, "Live Free or Die", which is attributed to a quote from General John Stark. International trailers use the Die Hard 4.0 title,[15] as the film was released outside North America with that title. Early into the DVD commentary for the film, both Wiseman and Willis note a preference for Die Hard 4.0, and subtly mock the Live Free or Die Hard title.[16]

Visual effects

For the visual effects used throughout the film, actor Bruce Willis and director Len Wiseman stated that they wanted to use a limited amount of CGI.[17] One VFX producer said that "Len was insisting on the fact that, because we’ve got Transformers and other big CG movies coming out, this one has to feel more real. It has to be embedded in some kind of practical reality in order to give it that edge of being a Die Hard."[18] Companies such as Digital Dimension, The Orphanage, R!ot, Pixel Magic, and Amalgamated Pixels assisted in the visual effects of the film.[18]

Digital Dimension worked on 200 visual effects shots in the film,[19] including the sequence that shows characters John McClane and Matt Farrell crouching between two cars as another car lands on top of the other cars. To achieve this effect, a crane yanked the car and threw it in the air onto the two cars that were also being pulled by cables. The shot was completed when the two characters were integrated into the footage of the car stunt after the lighting was adjusted and CGI glass and debris were added.[18] In the same sequence, John McClane propels a car into a hovering helicopter, which crashes to the ground. This was accomplished by first filming one take where an assassin with a rifle jumps from the helicopter, and in the next take the car is propelled into the stationary helicopter as it is hoisted by wires. The final view of the shot overlays the two takes, with added CGI for the debris and moving rotor blades.[18] The company also assisted in adding cars for traffic collisions and masses of people for evacuations from several government buildings.[19]

The Orphanage developed a multi-level freeway interchange for use in one of the final scenes of the film by creating a digital environment and a 1,000-foot (300 m) long spiral ramp that was built in front of a bluescreen.[20] When a F-35 jet is chasing McClane on the freeway, a miniature model and a full-size prop were both built to assist in digitally adding the jet into the scene.[20][21] The nine-foot model was constructed from November 2006 through February 2007.[20] When the jet is shown hovering near the freeway, editors used the software 3D graphics program Maya to blur the background and create a heat ripple effect.[20]

Filming and injuries

Justin Long, Bruce Willis, and Len Wiseman speaking about an upcoming scene while filming in Baltimore.

Filming for Live Free or Die Hard started in downtown Baltimore, Maryland on September 23, 2006.[22] The Social Security Datacenter exteriors were shot at Diamond Ranch High School in California.[23] Eight different sets were built on a large soundstage for filming many scenes throughout the film.[24] When recording the sound for the semi trailer used in one of the final scenes of the film, eighteen microphones were used to record the engine, tires, and damage to the vehicle.[24] Post-production for the film only took sixteen weeks, when it was more common for similar films to use twenty-six weeks.[24]

An FBI Police car used during filming.

In order to prevent possible injuries and be in peak condition for the film, Willis worked out almost daily for several months prior to filming.[25] Willis was injured January 24, 2007 during a fight scene, when he was kicked above his right eye by a stunt double for actress Maggie Q who was wearing stiletto heels. Willis described the event as "no big deal" but when Len Wiseman inspected his injury, he noticed that the situation was much more serious than previously thought—in the DVD commentary, Wiseman indicates in inspecting the wound that he could see bone. Willis was hospitalized and received seven stitches which ran through his right eyebrow and down into the corner of his eye. Due to the film's non-linear production schedule, these stitches can accidentally be seen in the scene where McClane first delivers Farrel to Bowman.[26]

Throughout filming, between 200 and 250 stunt people were used.[24] Bruce Willis' stunt double, Larry Rippenkroeger, was knocked unconscious when he fell twenty-five feet from a fire escape to the pavement. Rippenkroeger suffered broken bones in his face, several broken ribs, a punctured lung, and fractures in both wrists. Due to his injuries, production was temporarily shut down. Willis picked up the tab at area hotels for Rippenkroeger's parents and visited him a number of times at the hospital.[27]

Rating

The first three films in the Die Hard series were rated R by the MPAA. Live Free or Die Hard, however, sparked controversy[citation needed] because it was edited to obtain a PG-13 rating. In some cases, character dialogue was cut or muted in post-production to reduce profanity. Director Len Wiseman commented on the rating, saying "It was about three months into it [production], and I hadn't even heard that it was PG-13... But in the end, it was just trying to make the best Die Hard movie, not really thinking so much about what the rating would be."[16] Bruce Willis was upset with the studio's decision, stating, "I really wanted this one to live up to the promise of the first one, which I always thought was the only really good one. That's a studio decision that is becoming more and more common, because they’re trying to reach a broader audience. It seems almost a courageous move to give a picture an R rating these days. But we still made a pretty hardcore, smashmouth film."[28] Willis said he thought that viewers unaware that it was not an R-rated film would not suspect that, watching it, due to the level and intensity of the action, and the usage of some profanity, albeit less than the previous films.[29][30] He also said that this film was the best of the four: "It's unbelievable. I just saw it last week. I personally think, it's better than the first one."[31]

Reception

The film has a score of 81% with a certified "Fresh" rating on Rotten Tomatoes based on 192 reviews with the consensus being it is "an efficient, action-packed summer popcorn flick" and a score of a generally favorable 69% on Metacritic based on 34 reviews.[32][33] A review on IGN stated "Like the recent Rocky Balboa, this new Die Hard works as both its own story about an over-the-hill but still vital hero and as a nostalgia trip for those who grew up with the original films."[34] On the television show Ebert & Roeper, film critic Richard Roeper and guest critic Katherine Tulich gave the film "Two thumbs up," with Richard Roeper stating that the film is "not the best or most exciting Die Hard, but it is a lot of fun", and remarking, "Willis is in top form in his career-defining role."[35] Michael Medved gave the film three and a half out of four stars, opining, "a smart script and spectacular special effects make this the best Die Hard of 'em all."[36] Lawrence Toppman of The Charlotte Observer stated: "I can safely say I've never seen anything as ridiculous as Live Free or Die Hard." Toppman also said that the film had a lack of memorable villains and referred to John McClane as "just a bald Terminator with better one-liners".[37]

Live Free or Die Hard made $9.1 million in its first day of release in 3,172 theaters,[38] the best opening day take of any film in the Die Hard franchise (not taking inflation into account). On its opening weekend Live Free or Die Hard made $33.3 million ($48.3 million counting Wednesday and Thursday).[39] The film made $134.5 million domestically, and $249.0 million overseas, for a total of $383.5 million, making it the twelfth highest grossing film of 2007.[1] It was the most successful film in the franchise.[40]

Soundtrack

Live Free Or Die Hard Score
Soundtrack by Marco Beltrami
Released July 2, 2007
Length 63:06
Label Varèse Sarabande
Professional reviews

The score for Live Free or Die Hard, written by Marco Beltrami, was released on July 2, 2007 by Varese Sarabande (the previous Die Hard soundtracks' label), several days after the United States release of the film. This was the first film not to be scored by Michael Kamen, due to his passing in 2003. Other songs in the film include "Fortunate Son" by Creedence Clearwater Revival, "I'm So Sick" by Flyleaf, "Goth (Remix)" by 615 Music and Craig Sharmat, "Cycler" by RipTide Music, and "War Zone" by Audiomachine.

Home media release

The Blu-ray and DVD were released on October 29, 2007, in the United Kingdom,[41] on October 31 in Hungary,[42] November 20 in the United States,[43] and December 12 in Australia. The DVD topped rental and sales charts in its opening week of release in the United States and Canada.[44][45] There is an unrated version and a theatrical version of the film. The Blu-Ray release features the PG-13 theatrical cut which runs at 128 minutes, while the Collector's Edition DVD includes both the unrated and theatrical versions. Time magazine's Richard Corliss named it one of the Top 10 DVDs of 2007, ranking it at number 10.[46]

The DVD for the film was the first to include a Digital Copy of the film which could be played on a computer and could also be imported into several models of portable video players.[47] (The Terminator 2: Judgment Day Extreme DVD included a high-definition Windows Media file of the film, but its playback was limited to Windows PCs only.[48]) Mike Dunn, a president for 20th Century Fox, stated "The industry has sold nearly 12 million DVDs to date, and the release of Live Free or Die Hard is the first one that allows consumers to move their content to other devices."[47]

References

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  3. ^ Freydkin, Donna (June 29, 2007). "'Die Hard' easy for Olyphant". USA Today. http://www.usatoday.com/life/people/2007-06-28-die-hard-olyphant_N.htm. Retrieved April 21, 2009. 
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