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Livia

 
Biography: Livia

Livia (58 B.C.-29 A.D.) was an influential consort of Augustus, architect of the Roman Empire, who was depicted in imperial propaganda as the embodiment of womanliness and dedication, while her enemies believed her to be a ruthless seeker of power.

As mistress of the Roman world, Livia's private life was lived in public. Acting as a moral example of her husband's imperial ideology, she served Augustus as helpmate, sounding-board, conveyor of messages-off-the-record and as foster mother to his grandchildren and great-grandchildren. She also successfully secured the throne for her own son by a previous marriage.

On both sides of her family, Livia was the descendant of Roman senators. Her father Marcus Livius Drusus Claudianus was, as his name shows, a member of the Claudian family who was adopted by Livians. Such adoption of an adult, or nearly adult, male heir into a line which lacked one was quite common in Rome. The adoption also served as a political bond between two powerful families.

Livia's early life presumably resembled that led by most young girls in the politically and economically elite circles of the Empire. Many of them were acquainted with rhetoric and philosophy, rather than restricted to the rudiments of literacy. Later some had literary interests, or, at least, joined the cultural avant garde of Roman society. But whatever education had been provided Livia, she displayed no later interest in taking up with a racy intellectual or artistic crowd. That helped to safeguard her reputation for both chastity and Roman traditionalism and made her a striking contrast to women like Augustus's granddaughter Julia.

Livia's marriage to Tiberius Claudius at 15 was typical for Roman women. Marriage to a cousin was also not uncommon. In this case it was even more to be expected, since the marriage of a Livia to a Claudius further cemented the relationship between both families. Aware of the politics of arranged marriage from an early age, Livia would later put this knowledge to good use in positioning her sons within the new royal family.

The young Livia had started her life as a Roman matron in the most conventional fashion, but the civil war which had already begun with Julius Caesar's death threw everything out of kilter. After the battle of Philippi, her father, who had fought for the Republic against the Second Triumvirate (Lepidus, Marc Antony, and Octavian), committed suicide rather than undergo the indignity of flight. But Livia, along with her infant son Tiberius and her husband, who had also fought in the battle, were fugitives. In their flight to join Sextus Pompey's forces in Sicily, they were nearly captured on two occasions when the child began crying and almost betrayed their presence. It must have been terrifying for Livia at 16 to be running for her life and to have her infant son twice snatched from her and stuffed away where his cries could not be heard.

It remains unknown whether or not Livia was surprised to find her husband less dedicated to the survival of the Republican forces than to his own advancement. After Sextus Pompey refused to accord him the position he wanted, the family set out to join the triumvir Mark Antony, when hostilities broke out between the members of the Second Triumvirate. That journey too was traumatic for Livia. With her infant son and a few attendants, she was almost killed in a forest fire in Sparta. She barely escaped with a smoldering cloak and singed hair.

In 39 B.C., the triumvirs reached a settlement among themselves, and Livia's family returned to Italy under a general amnesty. There she met the triumvir Octavian. We do not know what Livia thought of him, but he was instantly enamored with her. Overcoming his conservative scruples, the elder Tiberius Claudius gave a traditional wedding feast to celebrate the marriage of his newly divorced wife - who was six months pregnant with his second son - to Octavian. Octavian, who had been unwilling to wait for her to deliver, had sought a priestly opinion that Livia was able to remarry while visibly pregnant. The incident foreshadowed the later Augustan government which appeared to defer to propriety and the constraints of tradition while actually accomplishing whatever Augustus (Octavian) wanted.

Little is heard of Livia during the ensuing years, but her former husband died in 33 B.C., presumably disappointed, as he had received no rapid political or military advancement. The young Tiberius, now nine, gave his father's funeral oration. Traditional funeral orations celebrated the political career and goals of the deceased. As war between Antony in the eastern Mediterranean and Octavian in the west loomed, it must have been obvious that the winner would dismantle the old Republic permanently. It was presumably a short and carefully worded speech. That same year Tiberius was betrothed to Vipsania, daughter of Octavian's close friend and aide Agrippa, who was probably even younger than he was. Some have seen Livia's hand at work there, strengthening her son's ties to his stepfather and positioning him for the assumption of power.

Given the circumstances of her remarriage, tension between Livia and her son was inevitable, and the relationship between Octavian and Tiberius was edgy at best. Octavian and Livia had a happy marriage, and Livia's younger son Drusus apparently got along well with his stepfather, but Tiberius did not. In the 20s B.C., Octavian (now the emperor Augustus) claimed to be restoring the old ways of the Republic, though he was actually putting together the elements of a new state. As Tiberius was educated in Roman politics and history, he must have felt increasing disquiet at the discrepancy between what Augustus claimed to be doing and his actual concentration of power in his own hands.

Nonetheless, Livia managed to devote herself wholeheartedly to both Augustus and Tiberius. Augustus's need for male family members to represent the dynasty in the provinces allowed her to serve the interests of her husband, son, and Empire at once. In 20 B.C., Tiberius was sent to deal with an Armenian crisis and handled it creditably. Upon his return, he was married to Vipsania, and Livia's second son Drusus was set out on his political career. Nonetheless, the year ended on a frustrating note for Livia and Tiberius when Julia, Augustus's daughter by a previous marriage, bore the first of her three sons, Gaius. Lucius followed in 17 B.C. Tiberius could look forward only to being used in the interim, until the grandsons of the emperor's blood were old enough to take over.

But the events of 12 B.C. apparently forecast political success for Livia and Tiberius. Agrippa died, leaving Tiberius, at 29, the only adult male in or close to the family whom Augustus could entrust with potentially sensitive assignments. Undertaking the problem of pacifying tribes in the Danube basin, Tiberius handled the situation well. Livia at least agreed to - and was perhaps even enthusiastic about - Augustus's next plan for Tiberius. Forced to divorce his beloved Vipsania, with whom he had enjoyed a tranquil marriage, Tiberius was made to marry Augustus's daughter Julia, Agrippa's widow. At nearly 50, Livia had had to face the fact that she and Augustus could not have children together. Children of Tiberius and Julia would have been the next best thing. Then in 9 B.C., Tiberius as well as Livia felt deeply the loss of Drusus, who died in a fall from his horse.

The family crisis came in 5 B.C. Tiberius, who had served Augustus and Rome loyally at some personal cost, was distressed to witness popular affection for the two attractive young grandsons as well as a clamor in the streets calling for them to be allowed to hold political offices at an illegally early age. Never having aroused such popular enthusiasm, Tiberius now felt rejection. He understood an assignment in Armenia to be an effort to get him out of Rome and consolidate opinion behind Gaius and Lucius, and perhaps it was. Though his mother appealed to him to relent, Tiberius refused to work for the regime anymore. Infuriated, Augustus agreed to let him go to Rhodes for postgraduate study in philosophy, but Livia realized, as Tiberius did not, how precarious his position was. A good general was either loyal to the emperor or dead. In 1 B.C., perhaps at his mother's urging, Tiberius did ask Augustus if he might return to Rome, but Augustus's reply was hostile. Desperately afraid for her son, Livia secured an appointment for Tiburius as ambassador to Rhodes to mask from the public his complete estrangement from his imperial step-father. When Gaius, Augustus's older grandson and heir apparent, began speculating openly about Tiberius's fate, Livia became frantic. Augustus, given to letting Livia have her way in almost everything, drew the line. He said that it was up to Gaius to let Tiberius return. Finally, in 2 A.D., he did, but Tiberius was ordered, as a condition, to withdraw from political life.

Later that year, the younger grandson Lucius died; Gaius died two years after. By this time, Tiberius and Augustus hated each other, but neither had a choice. Augustus was too old and frail to take active field commands himself; his great-grandson Germanicus was too young. Julia's youngest son was a juvenile delinquent. Tiberius could either serve the emperor or break his mother's heart and face execution. Suzanne Dixon's comment that "the royal family sometimes exaggerated its togetherness for propaganda purposes, " seems a tremendous understatement.

Extravagant Roman gossip and popular modern novels have suggested that Livia engineered the deaths of Gaius and Lucius, one at the western end of the Mediterranean and the other at the eastern, but this seems highly unlikely. Nor is it likely that she could have been eliminating all of the emperor's current and prospective heirs, with the exception of her own son, and still have retained the affection of Augustus, a subtle and clever man. Suetonius tells us that Caligula later remembered his great-grandmother as an "Ulysses in skirts, " alluding to the Homeric hero known for his cunning rather than his use of arms, but the demented Caligula also believed that his horse could be a consul of Rome. Given his paranoid fantasies, there is little reason to accept this particular belief that Livia was indulging in Mediterraneanwide skullduggery.

Certainly Augustus came to respect Livia's devotion to her friends and her penchant for political maneuvering. Suetonius is our source for the gossip that she actually helped to procure for Augustus the younger women he wanted. Roman spouses of both genders were often known to be tolerant of even more exotic extramarital adventures, and that is not impossible. What is sure is that their marital union remained solid. As Suetonius says, "Livia remained the one woman whom he truly loved until his death." Perhaps she was the one person, other than himself, whom Augustus had ever really valued; his final words to her would be, "Be mindful of our marriage."

There is no doubt that during Augustus's final illness in 14 A.D., Livia had her eye on the future. She gave the order to seal the house and surround the streets with soldiers, ostensibly to avoid disturbing the dying man, but surely to secure control for herself and her son and to prevent anyone from contesting their version of his wishes. She was also suspected, along with Tiberius, of ordering the execution of Augustus's scapegrace grandson in exile, the young Agrippa Postumus. Perhaps she did; it would certainly have been the wise thing to do to keep him from being used as a pawn by other parties. She was even suspected of having hastened Augustus's end once he had become dangerously incapacitated. It is more likely that Augustus's loving dependence on her during his final weakness led him to accede to her wishes wholeheartedly. As Tacitus commented, "Livia had the aged Augustus firmly under control." It was never quite clear just when Augustus died. Livia did not allow an announcement until Tiberius was on the spot and in command of the Praetorian Guard.

If Livia consoled herself in her widowhood with the thought that there was only smooth sailing ahead, she must have been shocked by Tiberius's subsequent conduct. He had been disappointed too often to accept the responsibility of rule gladly. He still concealed Claudian republican sentiments which he did not enjoy betraying. At 56, he also did not wish to appear to be ordered about by his mother. Livia had been accorded unprecedented public honors by Augustus: he had dedicated a building in her honor, and she had been allowed to restore a temple. Coins in the provinces proclaimed her the mother of her country and even of the world. She had been granted a status previously reserved for vestal virgins. Augustus's will posthumously adopted her into the Julian clan, allowing her to use the name Julia Augusta. Tiberius stopped the flood of honors.

Genuinely against according Romans the sorts of honors previously associated with the hellenistic potentates of the eastern Mediterranean, he kept the Roman senate from proclaiming her mother of the country and refused to let them put up an altar to her adoption or assign her special attendants. Still, the apparent rancor in some of the scenes in the senate recounted by Tacitus also stemmed from a reluctance to be reminded that his own good services had not secured him the throne; his mother's cleverness had. He was particularly piqued by a senatorial move to add "son of Livia" to his own nomenclature.

Still, Livia's influence often counted with Tiberius in times of discord. She was able to persuade him to show clemency to her friend Plancina who was accused of conspiring to assassinate Augustus's great-grandson Germanicus. In another case, Tacitus tells us that Tiberius did not want to deny his mother, so he promised to appear in court to defend a friend of hers, then took a very slow walk to court and arrived too late. Amazingly, Tacitus, who takes a very dim view of Tiberius, thinks this a smart ploy and reports that the Roman populace thought so too. There must have been a contemporary consensus that simply saying no to Livia was not to be contemplated.

Suetonius claims that "Tiberius then complained that his mother Livia vexed him by wanting to be co-ruler of the Empire, " and he therefore avoided her. "Although he did occasionally need and follow Livia's advice, he disliked people to think of him as giving it serious consideration." He became especially angry when a blaze broke out near the temple of Vesta, and she took charge of crowd control and firefighting, "directing the populace and soldiery in person, as though Augustus were still alive."

One vignette in Suetonius is particularly telling. Tiberius and Livia began quarreling openly about a man whose name she wanted registered among those of potential jurors. "Tiberius agreed to do so on one condition - that the entry should be marked 'forced upon the emperor by his mother."' Livia's response was to haul out some of Augustus's letters to her which described Tiberius's "sour and stubborn" character. Her point was presumably to remind Tiberius that he had not earned adoption as Augustus's successor. She had secured it for him.

Supposedly that incident inspired his partial retirement to Capri and his delegation of the government to the vicious Sejanus, which led in turn to Sejanus's plot, its discovery, and the subsequent "reign of terror" which killed so many senators. Among the consequences of the confrontation over the letters, according to Suetonius, was that Tiberius visited Livia only once in the last three years of her life and not at all during her final protracted illness at the age of 86. He did not attend her funeral or probate her will. He vetoed her deification, which was accomplished by a later emperor, Claudius, a handicapped grandson for whom she had little regard.

Livia had, nonetheless, secured a peaceful transition between the first and second emperors, no mean feat since there were no precedents, no legal guidance, and plenty of other claimants. It is quite possible that without her Augustus's great accomplishments including the pax romana, the Roman peace itself, might otherwise have been lost in another round of the sort of civil war which had racked the Republic for the previous century.

Further Reading

Dio Cassius. Dio's Roman History. Vols. 6 & 7. Harvard University Press, 1960.

Suetonius. The Twelve Caesars. Penguin, 1957.

Tacitus. The Annals of Imperial Rome. Penguin, 1989.

Balsdon, J. V. P. D. Roman Women. Barnes and Noble, 1983.

Dixon, Suzanne. The Roman Mother. Oklahoma University Press, 1988.

Hallett, Judith P. Fathers and Daughters in Roman Society. Princeton University Press, 1984.

Levick, Barbara. Tiberius the Politician. Thames & Hudson, 1976.

Seager, Robin. Tiberius. University of California Press, 1972.

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1. Later known as Julia Augusta (58 BCAD 29), wife, first of Tiberius Claudius Nero (Cicero's first choice as husband for his daughter Tullia), and mother by him of the emperor Tiberius and of Claudius Drusus, father of the emperor Claudius; and secondly of the emperor Augustus. In 39 BC when she was pregnant with her second son, Nero was obliged to divorce her because Octavian (later the emperor Augustus) wished to marry her himself. Although she had no children by Augustus she retained his affection and high regard throughout their long marriage. She was a woman of intelligence, dignity, great beauty, and tact, and she ruled over an orderly, well-regulated household. It is impossible to tell how much influence she exerted in matters of state, but Augustus valued her counsel, and she won the reverence of the Roman people. Under Augustus' will she was adopted into the Julian gens and renamed Julia Augusta; she was the link between the Julian and the Claudian houses in the Julio-Claudian dynasty. After the accession of her son Tiberius, discord arose between them. At her death he refused to execute her will or allow her to be deified (as Julius Caesar and Augustus were deified after their deaths); the emperor Caligula later carried out the former, and her grandson Claudius, when emperor, the latter. Some believed her to have acted ruthlessly to promote her own wishes (such as the succession of her son Tiberius) and to have had a hand in the deaths of Marcellus and of Augustus' grandsons C. and L. Caesar (see JULIA), as well as of Agrippa (2) and of her grandson Germanicus (son of Claudius Drusus).

2. Livia or Livilla, b. c.13 BC, the daughter of Claudius Drusus who was the son of Livia (1) above, the sister of Germanicus (see above), and wife first of C. Caesar, Augustus' grandson, and secondly of Drusus, son of Tiberius. In league with Sejanus, Tiberius' prefect of the praetorian guard, she caused her husband Drusus to be poisoned. In AD 25 Sejanus proposed to marry her but Tiberius refused. In 31 she was accused of misconduct and put to death.

 
Columbia Encyclopedia: Livia Drusilla
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Livia Drusilla (lĭv'ēə drūsĭl'ə), c.55 B.C.-A.D. 29, Roman matron; mother of the Roman emperor Tiberius. She first married Tiberius Claudius Nero. Tiberius was his son. In 38 B.C., Augustus forced her husband to divorce her so that he might marry her himself. Her son Drusus Senior (see Drusus), born soon after her remarriage, was not the son of Augustus but of her first husband. On the accession of her son Tiberius, Livia Drusilla attempted unsuccessfully to control the government. She was known for her dignity, intelligence, and ambition.
Wikipedia: Livia
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Livia

8093 - Roma - Ara Pacis - Livia - Foto Giovanni Dall'Orto - 30-Mar-2008.jpg

Livia Drusilla
Spouse Augustus
Issue
Drusus
Tiberius
Father Marcus Livius Drusus Claudianus
Mother Aufidia
Born 58 B.C.
Died 29 A.D.
Roman imperial dynasties
Julio-Claudian dynasty
Livia statue.jpg
A cult statue of Livia represented as Ops, with sheaf of wheat and cornucopia, first century
Chronology
Augustus 27 BC14 AD
Tiberius 14 AD37 AD
Caligula 37 AD41 AD
Claudius 41 AD54 AD
Nero 54 AD68 AD
Family
Gens Julia
Gens Claudia
Julio-Claudian family tree
Category:Julio-Claudian Dynasty
Succession
Preceded by
Roman Republic
Followed by
Year of the Four Emperors

Livia Drusilla, after 14 AD called Julia Augusta (Classical Latin: LIVIA•DRVSILLA, IVLIA•AVGVSTA[1]) (58 BC-29 AD) was the wife of Augustus and one of the most powerful women in the Roman Empire, being Augustus' faithful advisor. She was also mother to Drusus and Tiberius, grandmother to Germanicus and Claudius, great-grandmother to Caligula and Agrippina the Younger and great-great-grandmother to Nero. She was deified by Claudius who acknowledged her title of Augusta.

Portrait of Livia in Egyptian basalt, ca. 31 BC, Louvre

Contents

Life

Birth and first marriage

She was born on 30 January 59 or 58 BC[2] as the daughter of Marcus Livius Drusus Claudianus by his wife Aufidia, a daughter of the magistrate Marcus Aufidius Lurco. The diminutive Drusilla often found in her name suggests that she was a second daughter.[3] Marcus Livius Drusus was her brother. In 40 B.C her father married her to Tiberius Claudius Nero, her cousin of patrician status who was fighting with him on the side of Julius Caesar's assassins against Octavian. Her father committed suicide in the Battle of Philippi, along with Gaius Cassius Longinus and Marcus Junius Brutus, but her husband continued fighting against Octavian, now on behalf of Mark Antony and his brother. In 40 BC, the family was forced to flee Italy in order to avoid Octavian's proscriptions, and joined with Sextus Pompeius in Sicily, later moving on to Greece.[4]

Life with Augustus

A general amnesty was announced, and Livia returned to Rome, where she was personally introduced to Octavian in 39 BC. At this time, Livia already had a son, the future emperor Tiberius, and was pregnant with the second (Drusus the Elder). Legend said that Octavian fell immediately in love with her, despite the fact that he was still married to Scribonia.[5] Octavian divorced Scribonia in 39 BC, on the very day that she gave birth to his daughter Julia the Elder (Cassius Dio).[6] Seemingly around that time, when Livia was six months pregnant, Tiberius Claudius Nero was persuaded or forced by Octavian to divorce Livia. On 14 January, the child was born. Octavian and Livia married on 17 January, waiving the traditional waiting period. Tiberius Claudius Nero was present at the wedding, giving her in marriage "just as a father would."[7] The importance of the patrician Claudii to Octavian's cause, and the political survival of the Claudii Nerones are probably more rational explanations for the tempestuous union. Nevertheless, Livia and Octavian remained married for the next 51 years, despite the fact that they had no children apart from a single miscarriage. She always enjoyed the status of privileged counselor to her husband, petitioning him on the behalf of others and influencing his policies, an unusual role for a Roman wife in a culture dominated by the paterfamilias.[5]

After Mark Antony's suicide following the Battle of Actium in 31 BC, Octavian had removed all obstacles to his power and henceforth ruled as Emperor, from 27 BC on, under the honorary title Augustus. He and Livia formed the role model for Roman households. Despite his wealth and power, Augustus and his family continued to live modestly in their house on the Palatine Hill. Livia would set the pattern for the noble Roman matrona. She wore neither excessive jewelry nor pretentious costumes, she took care of the household and her husband (often making his clothes herself), always faithful and dedicated. In 35 BC Octavian gave Livia the unprecedented honour of ruling her own finances and dedicated a public statue to her. She had her own circle of clients and pushed many protégés into political offices, including the grandfathers of the later emperors Galba and Otho.[5]

With Augustus being the father of only one daughter (Julia the Elder by Scribonia), Livia revealed herself to be an ambitious mother and soon started to push her own sons, Tiberius and Drusus, into power.[5] Drusus was a trusted general and married Augustus's favourite niece, Antonia Minor. Tiberius married Augustus' daughter Julia in 11 BC and was ultimately adopted by his stepfather in 4 BC and named as Augustus' heir.

Rumor had it that when Marcellus, nephew of Augustus, died in 23 BC, it was no natural death, and that Livia was behind it.[8] After the two elder sons of Julia by Marcus Vipsanius Agrippa, whom Augustus had adopted as sons and successors, had died, the one remaining son Agrippa Postumus was incarcerated and finally killed. Tacitus charges that Livia was not altogether innocent of these deaths[9] and Cassius Dio also mentions such rumours,[10] but not even the gossipmonger Suetonius, who had access to official documents, repeats them. Most modern historical accounts of Livia's life discount the idea. There are also rumors mentioned by Tacitus and Cassius Dio that Livia brought about Augustus' death by poisoning fresh figs.[11][12] Augustus' granddaughter was Julia the Younger. Sometime between 1 and 14, her husband Paullus was executed as a conspirator in a revolt.[13] Modern historians theorize that Julia's exile was not actually for adultery but for involvement in Paulus' revolt.[14] Livia Drusilla plotted against her stepdaughter's family and ruined them. This led to open compassion for the fallen family. Julia died in 29 AD on the same island where she had been sent in exile twenty years earlier.[15]

Life after Augustus

Augustus died in AD 14, being deified by the senate shortly afterwards. In his will, he left one third of his property to Livia, and the other two thirds to the successor Tiberius. In the will, he also adopted her into the Julian family, thus turning her into a patrician, and granted her the honorific title of Augusta. These dispositions permitted her to maintain her status and power after his death, under the name of Julia Augusta.

Livia as Pietas.

For some time, Livia and her son Tiberius, the new Emperor, appeared to get along with each other. Speaking against her became treason in AD 20, and in AD 24 he granted his mother a theatre seat among the Vestal Virgins. Livia exercised unofficial but very real power in Rome. Eventually, Tiberius became resentful of his mother's political status, particularly against the idea that it was she who had given him the throne. At the beginning of the reign he vetoed the unprecedented title Mater Patriae ("Mother of the Fatherland") that the Senate wanted to bestow upon her, in the same manner in which Augustus had been named Pater Patriae ("Father of the Fatherland").[5] (Tiberius also consistently refused the title of Pater Patriae for himself.)

The historians Tacitus and Cassius Dio depict an overweening, even domineering dowager, ready to interfere in Tiberius’ decisions, the most notable instances being the case of Urgulania, a woman who correctly assumed that her friendship with the empress placed her above the law,[16][17] and Plancina, suspected of murdering Germanicus and saved at Livia’s entreaty.[18] A notice from AD 22 records that Julia Augusta dedicated a statue to Augustus in the centre of Rome, placing her own name even before that of Tiberius.

Sardonyx cameo of Livia with the bust of the Divus Augustus (Vienna)

Ancient historians give as a reason for Tiberius’ retirement to Capri his inability to endure her any longer.[16][19] Until AD 22 there had, according to Tacitus, been "a genuine harmony between mother and son, or a hatred well concealed;"[20] Dio tells us that at the time of his accession already Tiberius heartily loathed her.[21] In AD 22 she had fallen ill, and Tiberius had hastened back to Rome in order to be with her.[20] But in AD 29 when she finally fell ill and died, he remained on Capri, pleading pressure of work and sending Caligula to deliver the funeral oration.[22][23][24] Suetonius adds the macabre detail that "when she died... after a delay of several days, during which he held out hope of his coming, [she was at last] buried because the condition of the corpse made it necessary...". Divine honours he also vetoed, stating that this was in accord with her own instructions. Later he vetoed all the honours the Senate had granted her after her death and canceled the fulfillment of her will.[24]

It would not be until 13 years later in AD 42, under the reign of her grandson Claudius, that all her honours would be restored and her deification finally completed. Named Diva Augusta (The Divine Augusta), she received an elephant-drawn chariot to convey her image to all public games. A statue of her was set up in the temple of Augustus along with her husband's, races were held in her honour, and women were to invoke her name in their sacred oaths.

Her Villa ad Gallinas Albas north of Rome is currently being excavated; its famous frescoes of imaginary garden views may be seen at National Museum of Rome.[25] One of the most famous statues of Augustus - the Augustus of Prima Porta came from the grounds of the villa.

Livia's personality

Livia Drusilla statue, from Paestum.

While reporting various unsavoury hearsay, the ancient sources generally portray Livia (Julia Augusta) as a woman of proud and queenly attributes, faithful to her imperial husband, for whom she was a worthy consort, forever poised and dignified. With consummate skill she acted out the roles of consort, mother, widow and dowager. Dio records two of her utterances: "Once, when some naked men met her and were to be put to death in consequence, she saved their lives by saying that to a chaste woman such men are in no way different from statues. When someone asked her how she had obtained such a commanding influence over Augustus, she answered that it was by being scrupulously chaste herself, doing gladly whatever pleased him, not meddling with any of his affairs, and, in particular, by pretending neither to hear or nor to notice the favourites of his passion."[26]

With time, however, and widowhood, a haughtiness and an overt craving for power and the outward trappings of status came increasingly to the fore. Livia had always been a principal beneficiary of the climate of adulation that Augustus had done so much to create, and which Tiberius despised ("a strong contempt for honours", Tacitus, Annals 4.37). In 24, typically, whenever she attended the theatre, a seat among the Vestals was reserved for her (Annals 4.16), and this may have been intended more as an honour for the Vestals than for her (cf. Ovid, Tristia, 4.2.13f, Epist.Ex Ponto 4.13.29f).

Livia played a vital role in the formation of her children Tiberius and Drusus. Attention focuses on her part in the divorce of her first husband, father of Tiberius, in 39/38 BC. It would be interesting to know her role in this, as well as in Tiberius’ divorce of Vipsania Agrippina in 12 BC at Augustus' insistence: whether it was merely neutral or passive, or whether she actively colluded in Caesar’s wishes. The first divorce left Tiberius a fosterchild at the house of Octavian; the second left Tiberius with a lasting emotional scar, since he had been forced to abandon the woman he loved for dynastic considerations.

Livia in literature and popular culture

Livia in ancient literature

In Tacitus' Annals, Livia is depicted as having great influence, to the extent where she "had the aged Augustus firmly under control — so much so that he exiled his only surviving grandson to the island of Planasia".

Livia's image appears in ancient visual media such as coins and portraits. She was the first woman to appear on provincial coins in 16 BC and her portrait images can be chronologically identified partially from the progression of her hair designs, which represented more than keeping up with the fashions of the time as her depiction with such contemporary details translated into a political statement of representing the ideal Roman woman. Livia's image evolves with different styles of portraiture that trace her effect on imperial propaganda that helped bridge the gap between her role as wife to the emperor Augustus, to mother of the emperor Tiberius. Becoming more than the "beautiful woman" she is described as in ancient texts, Livia serves as a public image for the idealization of Roman feminine qualities, a motherly figure, and eventually a goddesslike representation that alludes to her virtue. Livia's power in symbolizing the renewal of the Republic with the female virtues Pietas and Concordia in public displays had a dramatic effect on the visual representation of future imperial women as ideal, honorable mothers and wives of Rome. [27]

Livia in modern literature

In the popular fictional work I, Claudius by Robert Graves--based on Tacitus' innuendo—Livia is portrayed as a thoroughly wicked, scheming political mastermind. Devoted to bringing Tiberius to power and then maintaining him there, she is involved in nearly every death or disgrace in the Julio-Claudian family up to the time of her death. However, this portrait of her is balanced by her intense devotion to the well-being of the Empire as a whole. In the 1976 BBC television series based on the book, Livia was played by Siân Phillips. Phillips won a BAFTA for her portrayal of the role.

In the ITV television series The Caesars, Livia was played by Sonia Dresdel.

A heavily fictionalized version of Livia appeared on the show Xena: Warrior Princess, played by Adrienne Wilkinson.

Livia is also dramatized in the HBO/BBC series Rome. Introduced in the 2007 episode "A Necessary Fiction", Livia (Alice Henley) soon catches the eye of young Octavian, who has never been married or fathered any children. Historically, of course, Octavian had already been married to and divorced Clodia Pulchra by this time, and was married to a pregnant Scribonia. Rome does acknowledge the existence of Livia's child, Tiberius Nero, by her first husband, but not that she was pregnant with Nero Claudius Drusus when she met Octavian. Livia is portrayed as deceptively submissive in public, while in private she possesses an iron will, and a gift for political scheming that matches Atia's.

Livia appears in Neil Gaiman's comic "Distant Mirrors - August" collected in The Sandman: Fables and Reflections.

In John Maddox Roberts's short story "The King of Sacrifices," set in his SPQR series, Livia hires Decius Metellus to investigate the murder of one of Julia's lovers.

In Antony and Cleopatra by Colleen McCullough, Livia is portrayed as a cunning and effective advisor to her husband, whom she loves passionately.

Livia plays an important role in two Marcus Corvinus mysteries by David Wishart, Ovid (1995) and Germanicus (1997). She is mentioned posthumously in Sejanus (1998).

Royal titles
Preceded by
None
Empress of Rome
27 BC-AD 14
Succeeded by
Livia Orestilla
Preceded by
None
Empress-Mother of Rome
AD 14-AD 29
Succeeded by
Agrippina the Younger

Notes

  1. ^ E. Groag, A. Stein, L. Petersen - e.a. (edd.), Prosopographia Imperii Romani saeculi I, II et III (PIR), Berlin, 1933 - L 301
  2. ^ "Livia's Birthdate", p. 309. Barett, Antony A., Livia: First Lady of Imperial Rome. Yale University Press. 2002.
  3. ^ For Livia's portraiture and representations, see: Rolf Winkes, Livia, Octavia, Iulia - Porträts und Darstellungen, Archaeologia Transatlantica XIII, Louvain-la-Neuve and Providence, 1995.
  4. ^ Fraschetti, A. Roman Women pp. 100-101. Linda Lappin (tr.) University of Chicago Press. ISBN 9780226260945
  5. ^ a b c d e Hurley, D. (1999). "Livia (Wife of Augustus)." Online Encyclopedia of Roman Emperors.
  6. ^ Cassius Dio Roman History. 48.34.3. (Vol. VI, Loeb Classical Library edition, 1917. Harvard University Press. Translation by Earnest Cary)
  7. ^ Cassius Dio 48.44.1-3
  8. ^ Cassius Dio 55.33.4
  9. ^ Tacitus Annals. 1.3; 1.6. (The Works of Tacitus tr. by Alfred John Church and William Jackson Brodribb 1864-1877),
  10. ^ Cassius Dio 53.33.4, 55.10A, 55.32; 57.3.6
  11. ^ Tacitus Annals 1.5
  12. ^ Cassius Dio 55.22.2; 56.30
  13. ^ Suetonius, The Lives of Caesars, Life of Augustus 19
  14. ^ Norwood, Frances, "The Riddle of Ovid's Relegatio" Classical Philology (1963) p. 154
  15. ^ Tacitus, Ann. IV, 71
  16. ^ a b Cassius Dio, 57.12
  17. ^ Tacitus, 2.34
  18. ^ Tacitus, 3.17
  19. ^ Tacitus, 4.57
  20. ^ a b Tacitus, 3.64
  21. ^ Cassius Dio, 57.3.3
  22. ^ Tacitus, 5.1
  23. ^ Cassius Dio, 58.2
  24. ^ a b Suetonius. Vita Tiberii. (The Life of Tiberius) 51.
  25. ^ Bryn Mawr Classical Review
  26. ^ Cassius Dio, 58.2.5
  27. ^ I Claudia II: Women in Roman art and society. Edited by Diana E. E. Kleiner and Susan B. Matheson Yale University Art Gallery. Austin: University of Texas Press, 2000.

See also

External links


 
 

 

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