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Lola Alvarez Bravo

 
Photography Encyclopedia: Lola Álvarez Bravo

Álvarez Bravo, Lola (née Dolores Martinez Vianda; 1907-93), Mexican photographer. Orphaned very young, she was brought up by relations. In 1925 she married Manuel Álvarez Bravo, began by helping her husband in the darkroom, and went on to share the use of their camera. (Their son Manuelito, born in 1927, also became a photographer.) Their work brought the young couple into contact with other Mexican artists, and when they separated in the mid-1930s, Lola was sufficiently established to pursue an independent career as one of Mexico's first female professional photographers. Her varied oeuvre included an extensive documentary record of everyday Mexican life, images of historical sites, and portraits of national and international figures from art and politics. Her 1944 one-woman exhibition at Mexico City's Palace of Fine Arts was the first of many showings of her images. She also worked as a gallery director and photography teacher. Failing eyesight made her abandon photography in the late 1980s, but her life's achievement was marked by a retrospective exhibition in Mexico City in 1992.

— Robert Pols

Bibliography

  • Sills, L., In Real Life: Six Women Photographers (2000)
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Wikipedia: Lola Alvarez Bravo
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Lola Álvarez Bravo (1907 – 1993) was a Mexican photographer. (Álvarez Bravo is her surname) She was a key figure (along with Tina Modotti, Frida Kahlo, Diego Rivera and her husband Manuel Álvarez Bravo) in Mexico's post-revolution renaissance.

She was born Dolores Martinez de Anda to wealthy parents in the state of Jalisco. She moved to Mexico City as a young child, after her mother left the family under mysterious circumstances. Her father died when she was a young teenager, and she was then sent to live with the family of her half brother, living nearby in Mexico City. It was here that she met the young Manuel Alvarez Bravo, a neighbor. They married in 1925 and moved to Oaxaca where Manuel was an accountant for the federal government. Lola became pregnant but before she gave birth, they returned to Mexico City.

Manuel had taken up photography as an adolescent; he taught Lola and they took pictures together in Oaxaca. Manuel also taught Lola how to develop film and make prints in the darkroom. As he became more serious about pursuing a career in photography, she acted as his assistant, although she also harbored a desire to become a photographer in her own right. The Alvarez Bravo's separated in 1934 but she decided to maintain the Alvarez Bravo name.

Lola needed to support herself and taught as well as worked in a government archives. But she also continued to experiment with photography and in 1936 received her first real commission photographing the colonial choir stalls of a former church.

Inspired by such photographers as Edward Weston and Tina Modotti, Lola established a successful independent career. For 50 years, she photographed a wide variety of subjects, making documentary images of daily life in Mexico's villages and city streets and portraits of great leaders from various countries. She also experimented with photomontage.

She also taught photography at the prestigious Academia de San Carlos in Mexico City.

The full archive of Lola Álvarez Bravo's work is located at the Center for Creative Photography (CCP) at the University of Arizona in Tucson, which also manages the copyright of her work.[1]

Further reading

  • Alvarez Bravo, L., & Ferrer, E. (2006). Lola Alvarez Bravo. New York, Aperture. ISBN 1931788944

External links

References

  1. ^ http://www.creativephotography.org/documents/CCP_LAB.pdf CCP's "Conditions for Publication of Photographs by Lola Álvarez Bravo" (PDF file)

 
 

 

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Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
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