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Long Fin Killie

 
Artist: Long Fin Killie
Long Fin Killie

Group Members:

David Turner, Colin Greig, Philip Cameron, Kenny McEwan, Luke Sutherland

Similar Artists:

Influenced By:

Formal Connection With:

Music A.M., Bows
  • Formed: 1994, Scotland
  • Disbanded: 1998
  • Genres: Rock
  • Representative Albums: "Houdini", "Valentino
  • Representative Songs: "Lipstick", "Hollywood Gem", "Cupid

Biography

Skill was never an issue with Long Fin Killie. Throughout their five-year existence, the Scottish band released three albums that got better as they got shorter and less complex. The only thing they grappled with -- aside from the expected lack of commercial exposure -- was harnessing their staggering levels of musicianly talent.

Formed in the mid-'90s in Scotland, Long Fin Killie consisted of Colin Greig (bass), David Turner (drums), Philip Cameron (guitar), and Luke Sutherland (guitar, vocals). (Turner exited prior to 1998's Amelia, replaced by Kenny McEwan.) Sutherland was the center of LFK, the band's vocalist and a multi-instrumentalist who could hop from guitar to sax to violin with ease in a live setting. More importantly, Sutherland wrote the lyrics. Almost always provocative, he took on homophobia and racism with a literate touch that was every bit on Morrissey's level, but certainly of his own realm. Sutherland's slithery, gentle voice could switch from pulse-racing eroticism to angered politicism on a dime, which was only reflected by the band's lush, repetitive, Krautrock- and post-punk-informed rhythms. Sounding like no other band of their time, LFK also incorporated bouzouki, mandolin, and hammer dulcimer.

Releasing three records named after tragic heroes (Houdini, Valentino, and Amelia -- all on Too Pure), the group gained a small following while touring with the likes of Throwing Muses, Pere Ubu, and Medicine. Buckling under frustrations with their label, the band folded shortly after their last and best effort in 1998. Sutherland, who is also an award-winning author and frequent accessory to Mogwai's live lineup on violin, went on to form the trip hop/drum'n'bass-oriented Bows. ~ Andy Kellman, All Music Guide
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Wikipedia: Long Fin Killie
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Long Fin Killie
Origin Scotland
Genres Experimental rock
Post-rock
Art rock
Years active approx. 1993 - approx. 1998
Labels Too Pure
American
Associated acts Bows
Music A.M.
Wilma Cakebread

Long Fin Killie was a Scottish experimental rock/post-rock band, which released three albums and several EPs on the British avant-rock label Too Pure in the 1990s.

Contents

History

Long Fin Killie's core lineup consisted of Luke Sutherland (vocals, violin, guitar, mandolin, bouzouki, saxophone, hammer dulcimer, thumb piano, etc.), Colin Greig (electric and upright bass), David Turner (drums/percussion), and Philip Cameron (electric guitar). Sutherland had previously been in a band called Fenn, based in Glasgow[1], who played many support gigs, including Ride and Catherine Wheel. Their name was taken from a family of ornamental freshwater fishes known as killifishes, noted for their interesting drought survival and reproductive habits.

The members were all highly-trained, enabling them to create complex, atypical music which usually featured hypnotically-bowed violins/celli, jazz-influenced drumming, and meandering ambient passages. (Allmusic cites them as having "staggering levels of musicianly talent."[2]) Vocalist Luke Sutherland often delivered his cryptic, highly-literate lyrics in an androgynous falsetto voice.

Their debut EP Buttergut was released in 1994, with debut album Houdini following the next year. The band's sound, though diverse, was influenced by the likes of dream pop mainstays A R Kane, Cocteau Twins, and Slowdive, 1970s German krautrock groups like Can, and labelmates Moonshake, Pram and Laika. Mark E. Smith of The Fall contributed "guest rants" to the song "The Heads of Dead Surfers," which appeared in 1995 on the EP of the same name, as well as on Houdini. (British DJ John Peel voted this the #10 best song of 1995 in his "Festive Fifty" list of that year.[3]) LFK toured America in 1995 with the band Medicine; a split EP was released to promote it.

The band received widespread critical acclaim, but little to no radio play, though they did tour on the 1996 edition of Lollapalooza as part of its "second stage," in support of their 1996 second LP Valentino. While driving from Sweden to Norway in late 1996, the band's tour bus was involved in a major accident on a patch of ice, causing Sutherland to suffer a collapsed lung, broken ribs and collar bone, and other injuries. He began writing his first novel while recuperating from the crash.[4] In 1997, Turner was replaced by Kenny McEwan on drums. Subsequent album Amelia (1998) featured songs of shorter lengths and more conventional structures, but it proved to be their last. The group disbanded shortly afterwards, to little mainstream notice, in 1998 or 1999.

Recurring themes

  • All of their albums had one-word titles honoring public icons who died at early ages: Escape artist Harry Houdini, actor Rudolph Valentino, and pilot Amelia Earhart, respectively.
  • Their releases almost all featured intricate woodcut-style graphic design; Valentino used woodcuts by 16th-century printmaker Albrecht Dürer.
  • All of their EPs (except for the split EP) featured four songs.

Post-breakup work

Following the breakup, the former members of the band moved on to other projects. Sutherland helmed the slightly more accessible group Bows, which has released its albums on Too Pure. Sutherland now lives in London and has written the novels Jelly Roll (described by L.S. as "vaguely autobiographical"; Anchor, 1998), Sweetmeat (Anchor, 2002), and Venus As A Boy (Bloomsbury, 2004). He has also played violin with fellow Scottish band Mogwai. He is currently in the band Music A.M..

Greig now lives in Stockholm, Sweden, and runs the independent record label Cocohippo. He also performs his own music under the moniker Wilma Cakebread. Dave turner lives in London and records his own music under the name [ disco haircut astronaut ]

Discography

Albums

  • Houdini (1995, Too Pure/ American) (PURE 47) End of CD has hidden 4.5-minute track with hammer dulcimer/ gamelan-style instrumentation
  • Valentino (1996, Too Pure/ American/ Warner Bros.) (PURE 54)
  • Amelia (1997/98, Too Pure) (PURE 74)

EPs

  • Buttergut EP (1994, Too Pure) (PURE 39)
  • The Heads Of Dead Surfers EP (1995, Too Pure) (PURE 44)
  • Split EP with Medicine (1995, Too Pure/ American) (AMR CD0017) (3 songs by each band)
  • Hands And Lips EP (1996, Too Pure) (PURE 58)
  • Lipstick EP (1997, Too Pure) (PURE 75)

Various-artist compilations

  • The Camden Crawl (1995, Love Train) (PUBE 07) LFK's song: "The Heads Of Dead Surfers"
  • Monsters, Robots And Bug Men: A User's Guide To The Rock Hinterland 2xCD (1996, Virgin) LFK's song: "(A) Man Ray"

External links


 
 

 

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