For more information on Lorenz Milton Hart, visit Britannica.com.
| Britannica Concise Encyclopedia: Lorenz Milton Hart |
For more information on Lorenz Milton Hart, visit Britannica.com.
| American Theater Guide: Lorenz [Milton] Hart |
Hart, Lorenz [Milton] (1895–1943), lyricist. Born in New York, he was educated at Columbia, where he wrote lyrics for college shows. Hart left college to accept a job as translator for the Messrs. Shubert, then Broadway first heard his lyrics when Lew Fields interpolated “Any Old Place with You” in A Lonely Romeo (1919). Working with composer Richard Rodgers, the team had songs heard in Poor Little Ritz Girl (1920) but did not find recognition until the 1925 and 1926 editions of the Garrick Gaieties, introducing such hits as “Manhattan” and “Mountain Greenery.” Subsequent successes included Dearest Enemy (1925), The Girl Friend (1926), Peggy‐Ann (1926), A Connecticut Yankee (1927), Present Arms (1928), Spring Is Here (1929), and Simple Simon (1930). After a stint in Hollywood, Rodgers and Hart returned to New York to create a series of even more memorable shows: Jumbo (1935), On Your Toes (1936), Babes in Arms (1937), I'd Rather Be Right (1937), I Married an Angel (1938), The Boys from Syracuse (1938), Too Many Girls (1939), Higher and Higher (1940), Pal Joey (1940), and By Jupiter (1942). Hart also collaborated on the books for On Your Toes, Babes in Arms, and I Married an Angel. He was a master at polysyllabic and internal rhymes and at innovative lyric forms. His work was pervaded with his essentially misanthropic view of the world. Although personal problems, especially alcoholism, beset his later years, Hart's gifts never waned. His lyric for “To Keep My Love Alive,” which was added to the 1943 revival of A Connecticut Yankee just before his death, was the equal in wit and style to anything he had written earlier. Biography: Lorenz Hart: A Poet on Broadway, Frederick Nolan, 1994.
| Columbia Encyclopedia: Lorenz Milton Hart |
Bibliography
See D. Hart and R. Kimball, ed., The Complete Lyrics of Lorenz Hart (1986, rev. ed. 1995); F. Nolan, Lorenz Hart: A Poet on Broadway (1994).
Dictionary:
Hart (härt) , Lorenz Milton
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| Works: Works by Lorenz Hart |
| 1940 | Pal Joey. A musical about Joey Evans, a shabby nightclub performer, and the women he uses to further his career. John O'Hara wrote the libretto, based on his 1940 novel of the same name. The musical is considered a landmark because it features an unsympathetic main character while treating serious, realistic themes. |
| Artist: Lorenz Hart |
Formal Connection With:
| Wikipedia: Lorenz Hart |
| Lorenz Hart | |
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Lorenz Hart (right) with Richard Rodgers in 1936.
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| Background information | |
| Birth name | Lorenz Milton Hart |
| Born | 2 May 1895 New York City, New York, USA |
| Died | 22 November 1943 (aged 48) New York City, New York, USA |
| Genres | Musical theatre |
| Occupations | Composer, songwriter, playwright |
| Years active | 1919-1943 |
Lorenz "Larry" Hart (May 2, 1895 – November 22, 1943) was the lyricist half of the famed Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include, "Blue Moon", "Isn't It Romantic?", "Mountain Greenery", "The Lady Is a Tramp", "Manhattan", "Where or When", "Bewitched, Bothered, and Bewildered", "Falling in Love with Love", "I'll Tell The Man In The Street" and "My Funny Valentine".
Hart was born in Harlem to Jewish immigrant parents. He attended Columbia University, where a friend introduced him to Richard Rodgers, and the two joined forces to write songs for a series of amateur and student productions. In 1919, the team's song "Any Old Place With You" was included in the Broadway musical comedy A Lonely Romeo. The great success of their score for the 1925 Theatre Guild production, The Garrick Gaieties, brought them great acclaim.
They continued working together until Hart's death in 1943, along the way producing scores for a series of hit shows and making a substantial contribution to the Great American Songbook. Hart also translated plays for the Shubert brothers while continuing to collaborate with Rodgers (who later collaborated with Oscar Hammerstein).
As a lyricist, Hart was an advocate of internal rhyme and multisyllabic rhyming, and his lyrics have often been praised for their wit and technical sophistication.
He struggled with alcoholism, which contributed to his death.
Hart also suffered great emotional turmoil towards the end of his life. His personal problems, including his struggle with being homosexual, were often the cause of friction between him and Rodgers; in fact this led to a brief breakup in 1943, at which time Rodgers started working with Oscar Hammerstein II, a school friend of Hart. Hart's life was heavily sanitized and romanticized for the 1948 MGM biopic Words and Music.
Rodgers and Hart teamed a final time in the fall of 1943 for a revival of A Connecticut Yankee. Five days after this show opened, Hart died in New York City of pneumonia from exposure. He is believed to have died alone. He is buried in Mount Zion Cemetery in Queens County, New York.
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