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Lorenzo de' Medici

 

Lorenzo de' Medici, terra-cotta bust by Andrea del Verrocchio,  1485; in the National …
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Lorenzo de' Medici, terra-cotta bust by Andrea del Verrocchio, 1485; in the National … (credit: Courtesy of the National Gallery of Art, Washington, D.C., Samuel H. Kress Collection, 1943)
(born Jan. 1, 1449, Florence — died April 9, 1492, Careggi, near Florence) Florentine statesman and patron of arts and letters. The grandson of Cosimo de'Medici, he was the most brilliant of the Medici family. He ruled Florence with his younger brother, Giuliano, from 1469. Giuliano was assassinated in 1478 by the Pazzi, a leading Florentine banking family, which was in league with Pope Sixtus IV (who did not support the assassination) and the king of Naples. Lorenzo's direct appeal to the king allowed him to regain power in Florence, and he was sole ruler of the city until his death. His 13-year-old son Giovanni was created a cardinal by Pope Innocent VIII and later became pope as Leo X. Lorenzo used the Medici riches to patronize many artists, including Sandro Botticelli, Leonardo da Vinci, and Michelangelo, and he remains perhaps the most famous patron of all time. His policies bankrupted the Medici bank, but the political power of the Medici remained strong in Florence and Tuscany.

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Biography: Lorenzo de' Medici
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The Italian merchant prince Lorenzo de' Medici (1449-1492), called "il Magnifico," ruled both the Florentine state and a vast commercial empire. As a poet and a patron of poets, he stimulated the revival and splendor of Italian literature.

At a time when the major city-states of Italy were engaged in a fierce political and economic rivalry with one another, Lorenzo de' Medici managed to preserve the independence and territorial integrity of Florence. If he was the inferior of his Medici ancestors in financial acumen, he was their superior in artistic sensitivity and understanding, so that, during the latter half of the 15th century, when the despots of Italy strove consciously through lavish patronage of artists to enhance the prestige and stability of their houses, Lorenzo was acknowledged as the greatest Maecenas of his age.

Lorenzo de' Medici was born in Florence on Jan. 1, 1449. He was the son of Piero the Gouty and the grandson of Cosimo, Pater Patriae. Cosimo, aware of his son Piero's physical weakness and fearful that Piero would not long survive him, prudently groomed his grandson for the exercise of authority. Lorenzo enjoyed the best education available, learning Greek, Latin, and philosophy, both formally, in rigorous sessions with teachers, and informally, in the company of humanists and statesmen. While still a youth, he began to write sonnets and other poems, usually about love. In 1469, on the advice of his father, Piero, he married Clarice Orsini, thereby establishing a bond with one of the oldest, most powerful noble families of Rome.

Ruler of Florence

Piero died on Dec. 5, 1469, and 2 days later the 20-year-old Lorenzo was asked by a delegation of eminent citizens to take control of the state. This he did, ruling as his father and grandfather had done, from behind the scenes and without holding any public office.

Lorenzo enhanced the prestige and stability of his house when he came to an agreement with Pope Sixtus IV in 1471 by which the Medici would continue to handle the papal finances. And in 1472 he won the hearts of all Florentines by saving the city from an imminent famine. When the bad harvest of that year threatened the population with disaster, it was Lorenzo who imported large amounts of grain.

Pazzi Conspiracy and Aftermath

Although it was a maxim of Medici policy to retain close ties with the Holy See, relations between Lorenzo and Pope Sixtus were not always cordial. The Pontiff was very displeased when Lorenzo's diplomacy achieved an alliance between Florence, Venice, and Milan, for such a combination was more than a match for the armies of the Church. Sixtus felt thwarted in his ambitions to expand the papal territory and uneasy about the safety of what the Church already held. His hostility grew when he learned that Lorenzo was trying to buy the town of Imola, which was strategically important. Consequently the Pope agreed to a plot designed to rid Florence of both Lorenzo and his brother Giuliano. The chief conspirators were the Pazzi family, a rival banking house and bitter enemies of the Medici. The plan was to assassinate the two brothers at a moment when their guard would be down, during the celebration of Mass on Easter Sunday, April 26, 1478. Giuliano was slain, but Lorenzo escaped with wounds. The people of Florence rallied to the Medici standard and visited a terrible retribution on the hapless conspirators, most of whom did not survive the day. Among those killed was Francesco Salviato, Archbishop of Pisa.

The Pope, enraged, excommunicated Lorenzo and placed an interdict on the city. In 1479, in the midst of unbearable tension, Sixtus and King Ferrante (Ferdinand) of Naples declared war on Florence. Lorenzo, knowing that the safety of his city and his dynasty were at stake, undertook the most hazardous adventure of his colorful career. He went by sea to Naples, virtually placing his life in the hands of the King. Ferrante was won over by Lorenzo's charm and his persuasive argument that it would not do for Italy to be divided or Florence destroyed. Lorenzo returned to Florence with the gift of peace and was received with great joy. Sixtus was bitter but grudgingly bowed to necessity and in 1480 made peace. Lorenzo's control over Florence and its possessions would not be challenged again.

A new constitution in 1480 simplified the structure of Florentine government. The Signory, or executive branch, chose 30 citizens, who in turn selected 40 more, all to serve for life in a new council. Hence forward all other branches, including the Signory, were responsible to this permanent Council of Seventy. Since the council was filled with Lorenzo's adherents, the effect of the constitutional change was to make his tyranny more obvious. Under this rule the prosperity of Florence grew, primarily through banking and commerce. Not the least of Lorenzo's contributions to this prosperity was the peace which his diplomacy, from 1480 until his death, maintained between Florence and the rest of Italy.

Cultural Life

The private fortune of the Medici did not fare so well under Lorenzo's management as did the economy of Florence. This is attributable to the fact that he tended to neglect business, so preoccupied was he with diplomatic and cultural concerns. It is not accidental that the last decade of his life coincided with the period of Florence's greatest artistic contributions to the Renaissance. He paid with a lavish hand the painters Sandro Botticelli, Domenico Ghirlandaio, and Fra Filippo Lippi to add beauty to the city. The humanist John Lascaris and the poet Angelo Poliziano traveled great distances at the behest and the expense of Lorenzo in search of manuscripts to enlarge the Medici libraries. What could not be bought was copied, and Lorenzo permitted the scribes of other eager book collectors to copy from his stores. When Poliziano and others scorned the new invention of printing from movable type, Lorenzo had the foresight to recognize its value and encourage its use. The famous Platonic Academy frequently met at Lorenzo's palace, where in lively philosophic discussions the ruler was quite the equal of Giovanni Pico della Mirandola, Michelangelo, and Marsilio Ficino. The University of Pisa owes it revival to Lorenzo.

The prodigious feats of patronage touched upon here, as valuable as they are, are secondary in the scale of Lorenzo's accomplishments. It is not too much to say that Lorenzo, with his verses in the vernacular, elevated Tuscan Italian to the dignity and respect it had known in Dante's time, before the humanists buried it under mounds of classical Latin. Although his friend Poliziano still favored Latin, Lorenzo composed Italian poetry not inferior to anything written in his time. His canti carnascialeschi (carnival songs) are still read with pleasure.

Lorenzo was not an attractive man physically. He had a heavy face with a large flat nose and a swarthy complexion. He was tall and robust and given to athletic exertions. His dignity, charm, and wit lay in his manner rather than his appearance. Physical shortcomings and a reputation for personal and commercial immorality, however, did not prevent him from being loved and admired. He died on April 9, 1492, still a despot, but one whose hand had lain lightly on his subjects.

Further Reading

An old but elegantly written biography of Lorenzo is William Roscoe, Life of Lorenzo de' Medici (1851). See also Cecilia Ady, Lorenzo dei Medici and Renaissance Italy (1955), and the two penetrating studies by Ferdinand Schevill, The Medici (1949) and History of Florence (1936), also published in paperback (2 vols., 1963); the last is the best short history of Florence in English. A recent history of the Medici which includes a portrait of Lorenzo is Marcel Brion, The Medici: A Great Florentine Family (1969), a large-format book that is rich in color plates.

 
Columbia Encyclopedia: Lorenzo de' Medici
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Medici, Lorenzo de' (lōrĕn'tsō dā mĕ'dĭchē, Ital. mā'dēchē), 1449-92, Italian merchant prince, called Lorenzo il Magnifico [the magnificent]. He succeeded (1469) his father, Piero de' Medici, as head of the Medici family and as virtual ruler of Florence. One of the towering figures of the Italian Renaissance, he was an astute politician, firm in purpose, yet pliant and tolerant; a patron of the arts, literature, and learning; and a reputable scholar and poet. Without adopting any official title, he subtly managed to conduct the affairs of the Florentine state. His lavish public entertainments contributed to his popularity, but, in combination with his mediocre success as a businessman, they helped to drain his funds. His growing control of the government alarmed Pope Sixtus IV, who helped to foment the Pazzi conspiracy (1478) against Lorenzo and his brother, Giuliano de' Medici. Giuliano was stabbed to death during Mass at the cathedral, but Lorenzo escaped with a wound, and the plot collapsed. Lorenzo retaliated against the Pazzi, and Sixtus excommunicated him and laid an interdict on Florence. An honorable peace was made not long afterward. In 1480, in order to retrieve his huge financial losses, Lorenzo used his political power to gain control over the public funds of Florence. The city, however, flourished, and Lorenzo, who played an important role on the international scene, constantly worked to preserve general peace by establishing a balance of power among the Italian states. Through his credit with Pope Innocent VIII he obtained a cardinal's hat for his son Giovanni (later Pope Leo X). In spite of the attacks of Girolamo Savonarola, Lorenzo allowed him to continue his preaching. Lorenzo spent huge sums to purchase Greek and Latin manuscripts and to have them copied, and he urged the use of Italian in literature. His brilliant literary circle included Poliziano, Ficino, Luigi Pulci, and Giovanni Pico della Mirandola. He was a patron of Sandro Botticelli, Ghirlandaio, Filippino Lippi, Andrea del Verrocchio, Michelangelo, and other famed artists. His own poetry-love lyrics, rustic poems, carnival songs, sonnets, and odes-shows a delicate feeling for nature. His son Piero de' Medici succeeded him as head of the family but was expelled from Florence two years later.

Bibliography

See C. M. Ady, Lorenzo de' Medici and Renaissance Italy (1955, repr. 1964); C. L. Mee, Lorenzo de Medici and the Renaissance (1969).

History Dictionary: Medici, Lorenzo de
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(law-ren-tsoh, law-ren-zoh duh med-uh-chee)

An Italian ruler of the fifteenth century, known as “Lorenzo the Magnificent.” He was patron of several of the great artists of the Renaissance, including Botticelli, Michelangelo, and Leonardo da Vinci.

Wikipedia: Lorenzo de' Medici
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Lorenzo de' Medici
Portrait by Agnolo Bronzino.
Portrait by Agnolo Bronzino.
Spouse Clarice Orsini
Issue
Lucrezia de' Medici
Piero di Lorenzo de' Medici
Maddalena di Lorenzo de' Medici
Pope Leo X
Luisa de' Medici
Contessina de' Medici
Giuliano di Lorenzo de' Medici
Full name
Lorenzo de' Medici
Noble family Medici
Father Piero the Gouty
Mother Lucrezia Tornabuoni
Born March 1, 1449(1449-03-01)
Florence, Republic of Florence
Died April 9, 1492 (aged 43)
Careggi, Republic of Florence
de'Medici's signature.

Lorenzo de' Medici (1 March 1449 – 9 April 1492) was an Italian statesman and in fact[1] ruler of the Florentine Republic during the Italian Renaissance. Known as Lorenzo the Magnificent (Lorenzo il Magnifico) by contemporary Florentines, he was a diplomat, politician and patron of scholars, artists, and poets. His life coincided with the high point of the early Italian Renaissance; his death marked the end of the Golden Age of Florence. The fragile peace he helped maintain between the various Italian states collapsed with his death. Lorenzo de' Medici is buried in the Medici Chapel in Florence.

Contents

Childhood

Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to combine running the Medici bank with leading the Republic. Cosimo, one of the wealthiest men in Europe, spent a very large portion of his fortune in government and philanthropy. He was a patron of the arts and funded public works. Lorenzo's father, Piero 'the Gouty' de' Medici, was also at the center of Florentine life, active as a patron and collector. His mother Lucrezia Tornabuoni was an amateur poet and friend to figures like Luigi Pulci and Agnolo Poliziano.

Lorenzo was considered the brightest of the five children, tutored by a diplomat, Gentile Becchi. He participated in jousting, hawking, hunting, and horse breeding for the palio, a horse race in Siena. His own horse was named Morello.

Piero sent Lorenzo on many important diplomatic missions when he was still a youth. These included trips to Rome to meet with the pope and other important religious and political figures.[citation needed]

Politics

Lorenzo, groomed for power, assumed a leading role in the state upon the death of his father in 1469, when Lorenzo was twenty. Lorenzo had little success in running the bank, and its assets contracted seriously during the course of his lifetime.

Bust of Lorenzo de' Medici by Verrocchio

Lorenzo, like his grandfather, father and son ruled Florence indirectly, through surrogates in the city councils, through threats, payoffs, and strategic marriages — all the tools of despotism.[citation needed] Although Florence flourished under Lorenzo's rule, he effectively ruled as a despot and people had little political freedom.[2] It was inevitable that rival Florentine families should harbor resentments over the Medici's dominance, and enemies of the Medici remained a factor in Florentine life long after Lorenzo's passing.[citation needed]

On Easter Sunday, April 26, 1478, in an incident called the Pazzi Conspiracy, a group including members of the Pazzi family, backed by the Archbishop of Pisa and his patron Pope Sixtus IV, attacked Lorenzo and his brother and co-ruler Giuliano in the Cathedral of Florence. Lorenzo was stabbed but escaped; however the attackers managed to kill Giuliano. The conspiracy was brutally put down by such measures as the lynching of the Archbishop of Pisa and the death of most of the Pazzi family.

In the aftermath of the Pazzi Conspiracy and the punishment of Pope Sixtus IV's supporters, the Medici and Florence suffered from the wrath of the Vatican. The Papacy seized all the Medici assets Sixtus IV could find, excommunicated Lorenzo and the entire government of Florence, and ultimately put the entire Florentine city-state under interdict. When that had little effect, Sixtus IV formed a military alliance with King Ferdinand I of Naples, whose son, Alfonso, Duke of Calabria led an invasion of the Florentine Republic.

A. Pucci, Lorenzo de Medici and F. Sassetti

Lorenzo rallied the citizens. However, with little help being provided by the traditional Medici allies in Bologna and Milan (the latter being convulsed by power struggles among the Milanese ruling family, the Sforza), the war dragged on, and only diplomacy by Lorenzo, who personally traveled to Naples, ultimately resolved the crisis. This success enabled Lorenzo to secure constitutional changes within the Florentine Republic's government that only further enhanced his own power.

Thereafter, Lorenzo, like his grandfather Cosimo de' Medici, pursued a policy of maintaining both peace and a balance of power between the northern Italian states and of keeping the other major European states like France and the Holy Roman Empire's Habsburg rulers out of Italy. Lorenzo maintained good relations with Sultan Mehmed II of the Ottoman Empire, as the Florentine maritime trade with the Ottomans was a major source of wealth for the Medici.[3]

Renaissance

Lorenzo's court included artists such as Piero and Antonio del Pollaiuolo, Andrea del Verrocchio, Leonardo da Vinci, Sandro Botticelli, Domenico Ghirlandaio, and Michelangelo Buonarroti who were involved in the 15th century Renaissance. Although he did not commission many works himself, he helped them secure commissions from other patrons. Michelangelo lived with Lorenzo and his family for several years, dining at the family table and attending meetings of the Neo-Platonic Academy.

Lorenzo was an artist himself, writing poetry in his native Tuscan. In his poetry he celebrates life even while—particularly in his later works—acknowledging with melancholy the fragility and instability of the human condition. Love, feasts and light dominate his verse.

Cosimo had started the collection of books which became the Medici Library (also called the Laurentian Library) and Lorenzo expanded it. Lorenzo's agents retrieved from the East large numbers of classical works, and he employed a large workshop to copy his books and disseminate their content across Europe. He supported the development of humanism through his circle of scholarly friends who studied Greek philosophers, and attempted to merge the ideas of Plato with Christianity; among this group were the philosophers Marsilio Ficino, Poliziano and Giovanni Pico della Mirandola.

Later years

A posthumous portrait of Lorenzo by Giorgio Vasari

During his tenure, several branches of the family bank collapsed because of bad loans, and, in later years, he got into financial difficulties and resorted to mis-appropriating trust and state funds.

Toward the end of Lorenzo's life, Florence came under the spell of Savonarola, who believed Christians had strayed too far into Greco-Roman culture. Lorenzo played a role in bringing Savonarola to Florence.

Lorenzo de' Medici died during the night of April 8/9, 1492, at the long-time family villa of Careggi (Florentine reckoning considers days to begin at sunset, so his death date is the 9th in that reckoning). Savonarola visited Lorenzo on his death bed. The rumor that Savonarola damned Lorenzo on his deathbed has been refuted by Roberto Ridolfi in his book, Vita di Girolamo Savonarola. Letters written by witnesses to Lorenzo's death report Lorenzo died a consoled man, on account of the blessing Savonarola gave him. As Lorenzo died, the tower of the church of Santa Reparata was allegedly struck by lightning. He and his brother Giuliano are buried in a chapel designed by Michelangelo, the New Sacristy; it is located adjacent to the north transept of the Church of San Lorenzo and is reached by passing through the main Capella di Medici; the chapel is ornamented with famous sculptures, and some of the original working drawings of Michelangelo can still be distinguished on two of the walls.

He died at the dawn of "The Age of Exploration"; Christopher Columbus would reach the "New World" only six months later. With his death, the center of the Italian Renaissance shifted from Florence to Rome, where it would remain for the next century and beyond.

Marriage and children

Lorenzo married Clarice Orsini by proxy on February 7, 1469. She was a daughter of Giacomo Orsini, Lord of Monterotondo and Bracciano by his wife and cousin Maddalena Orsini. They had nine children:

Two of his sons later became powerful popes. His second son, Giovanni, became Pope Leo X, and his adopted son Giulio (who was the illegitimate son of his slain brother Giuliano) became Pope Clement VII.

His first son and his political heir, Piero 'the Unfortunate', squandered his father's patrimony and brought down his father's dynasty in Florence. Another Medici, his brother Giovanni, restored it, but it was only made wholly secure again on the accession of a distant relative from a branch line of the family, Cosimo I de' Medici.

See also

Further reading

  • Miles J. Unger, Magnifico: The Brilliant Life and Violent Times of Lorenzo de Medici (Simon and Schuster 2008) is a vividly colorful new biography of this true "renaissance man", the uncrowned ruler of Florence during its golden age.
  • Christopher Hibbert, The House of Medici: Its Rise and Fall (Morrow-Quill, 1980) is a highly readable, non-scholarly general history of the family, and covers Lorenzo's life in some detail.
  • F. W. Kent, Lorenzo de- Medici and the Art of Magnificence (The Johns Hopkins Symposia in Comparative History (The Johns Hopkins University Press, 2004) A summary of 40 years of research with a specific theme of Il Magnifico's relationship with the visual arts.

Historical novels

  • Linda Proud, A Tabernacle for the Sun (Godstow Press, 2005), a literary novel set in Florence during the Pazzi Conspiracy adheres closely to known facts.
  • Linda Proud, Pallas and the Centaur (Godstow Press, 2004), deals with the aftermath of the Pazzi Conspiracy and Lorenzo de' Medici's strained relations with his wife and with Poliziano.
  • Linda Proud, The Rebirth of Venus (Godstow Press, 2008), the final volume of The Botticelli Trilogy, covers the 1490s and the death of Lorenzo.

References

  1. ^ Kent, F.W. (2006). Lorenzo De' Medici and the Art of Magnificence. USA: JHU Press. pp. 248. ISBN 0801886279. 
  2. ^ Francesco Guicciardini, History of Italy and History of Florence, New York: Twayne Publishers: 1964, 8.
  3. ^ Inalcik, Halil (2000). The Ottoman Empire: The Classical Age 1300-1600. London: Orion Publishing Group. pp. 135. ISBN 978-1-8421-2442-0. 

External links


 
 
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Medici (History)
Piero de'Medici (1471–1503, Italian merchant prince)
Giuliano de'Medici (Italian statesman)

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