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Louis-Michel van Loo

(b Toulon, 2 March 1707; d Paris, 20 March 1771). Painter, son of (2) Jean-Baptiste van Loo. He trained with his father in Turin and Rome, later attending the courses of the Acad?mie Royale in Paris. He received the institution's first prize for painting in 1726, and in 1728, accompanied by his brother, Fran?ois, and his uncle, Carle, returned to Rome where he was associated with Fran?ois Boucher. On his way back to France, he stayed for a time in Turin, painting portraits (untraced) of the royal family of Sardinia, the Duke and Duchess of Savoy. In Paris he was admitted (re?u) to membership of the Acad?mie Royale and in 1735 was appointed assistant teacher at the Acad?mie, becoming renowned as a specialist in portrait painting. Most of his portraits from this period are half-length, combining ideas from Hyacinthe Rigaud's later work with other more natural and innovative ones. On the death of Jean Ranc, Philip V of Spain asked Rigaud to suggest a substitute, and van Loo was proposed. He arrived in Madrid in 1737 and remained there as Pintor de la Corte until 1752, responding with modern aesthetic ideas to the demands of the Spanish monarchs for pomp and splendour. He carried out court commissions but devoted part of his time to teaching, his pupils often becoming studio assistants. He also took an active part in meetings held over a number of years to establish the Real Academia de Bellas Artes de S Fernando, for which he produced the canvas, the Education of Cupid by Venus and Mercury (1748; Madrid, Real Acad. S Fernando, Mus.), in which the three figures appear in a garden set in an architectural background. In 1752 he was appointed director of painting, a post he barely enjoyed, since he returned to Paris that year.

Part of the Loo, van family

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Wikipedia: Louis-Michel van Loo
Portrait of Denis Diderot, painted 1767
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Portrait of Denis Diderot, painted 1767

Louis-Michel van Loo (1707-03-021771-03-20) was a French painter.

He studied under his father, the painter Jean-Baptiste van Loo, at Turin and Rome, and he won a prize at the Académie Royale de Peinture et de Sculpture in Paris in 1725. With his uncle, the painter Charles-André van Loo, he went to Rome in 1727–1732, and in 1736 he became court painter to Philip V of Spain at Madrid, where he was a founder-member of the Academy in 1752. He returned to Paris in 1753, and painted many portraits of Louis XV of France. In 1765 he succeeded Charles-André as director of the special school of the French academy known as the École Royale des Élèves Protégés. In 1766 he made the portrait of the Portuguese statesman Sebastião de Melo, Marquis of Pombal.

Among his brothers were the painters François van Loo (1708–1732) and Charles-Amédée-Philippe van Loo (1719–1795).

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