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Ludovico Carracci

 
Art Encyclopedia:

Ludovico Carracci

(b Bologna, bapt 19 April 1555; d Bologna, 13 or 14 Nov 1619). Painter, draughtsman and etcher. His father, Vincenzo Carracci, was a butcher, whose profession may be alluded to in Ludovico's nickname 'il Bue' (It.: 'the Ox'), though this might also be a reference to the artist's own slowness. Ludovico's style was less classical than that of his younger cousins Agostino and Annibale, perhaps because of a mystical turn of mind that gave his figures a sense of other-worldliness. Like his cousins, he espoused the direct study of nature, especially through figure drawing, and was inspired by the paintings of Correggio and the Venetians. However, there survives in his work, more than in that of his cousins, a residue of the Mannerist style that had dominated Bolognese painting for most of the mid-16th century. Ludovico maintained a balance between this Mannerist matrix, his innate religious piety and the naturalism of the work of his cousins. With the exception of some travels during his training and a brief visit to Rome in 1602, Ludovico's career was spent almost entirely in Bologna. In the first two decades of the 17th century he lost touch with the activities of his more up-to-date Bolognese compatriots

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Ludovico Carracci

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The Lamentation (ca. 1582), Oil on canvas, 95 x 173 cm
Metropolitan Museum of Art, New York

Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna.

Ludovico himself apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Along with his cousins Annibale and Agostino Carracci, Ludovico in 1585 was a founder and director (caposindaco) of the so-called Eclectic Academy of painting (also called the Accademia degli Incamminati), which in reality was a studio with apprenticed assistants. This studio however propelled a number of Emilian artists to pre-eminence in Rome and elsewhere, and singularly helped encourage the so-called Bolognese School) of the late 16th century, which included Albani, Guercino, Sacchi, Reni, Lanfranco and Domenichino. The Carracci had their apprentice draw studies focused on observation of nature and natural poses, and use a bold scale in drawing figures. Ludovico specifically helped train Giacomo Cavedone. The Carracci are credited with reinvigorating Italian art, specially fresco art, which was subsumed with formalistic Mannerism.

Carracci's own works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion.

Ludovico Carracci died in Bologna in 1619.

Further reading

  • Babette Bohn Ludovico Carracci and the Art of Drawing Brepols 2004
  • Allessandro Brogi Ludovico Carracci Bologna 2001
  • Andrea Emiliani (ed.) Ludovico Carracci exh. cat. Bologna-FortWorth 1994 (with Essay and catalogue by Gail Feigenbaum)

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