For more information on Luigi Rodolfo Boccherini, visit Britannica.com.
| Britannica Concise Encyclopedia: Luigi Rodolfo Boccherini |
For more information on Luigi Rodolfo Boccherini, visit Britannica.com.
| Music Encyclopedia: (Ridolfo) Luigi Boccherini |
(b Lucca, 19 Feb 1743; d Madrid, 28 May 1805). Italian composer and cellist. The son of a cello or double bass player, he made his public début as a cellist at 13. After studying in Rome, he worked intermittently at the Viennese court, 1757-64. In 1760 he began to catalogue his compositions (though excluding cello sonatas, vocal music and certain other works). In 1764-6 he worked in Lucca, where he composed vocal music and in 1765 reputedly arranged the first string quartet performances in public. On tour with the violinist Filippo Manfredi in Paris, 1767-8, he had his six string quartets op.1 and six string trios op.2 published. In 1769 the duo arrived in Madrid, where Boccherini became composer and performer to the Infante Don Luis. Up to the time of Luis death in 1785 he composed chamber music for his court, notably string quintets for two violins, viola and two cellos. From 1786, as chamber composer to Prince (later King) Friedrich Wilhelm of Prussia, he sent string quartets to the Prussian court, though probably never went there.
The chief representative of Latin instrumental music during the Viennese Classical period, Boccherini was especially prolific in chamber music: he wrote well over 120 string quintets, nearly 100 string quartets and over 100 other chamber works. At first he used a standard Italian idiom, but with unusually ornate melodies and frequent high cello writing. Later, reflecting his isolated position, his style became more personal, with delicate detail, syncopated rhythms and rich textures; he sometimes used cyclic forms. The orchestral music includes several virtuoso cello concertos and over 20 symphonies; the vocal works include an opera, two oratorios and a Stabat mater (1781).
works:| Columbia Encyclopedia: Luigi Boccherini |
Dictionary:
Boc·che·ri·ni (bō'kə-rē'nē, bŏk'ə-, bōk'kĕ-) , Luigi
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| Artist: Luigi Boccherini |

Luigi Boccherini: Concerti Da Violoncello & Sinfonie Buy this CD |
| Wikipedia: Luigi Boccherini |
| Luigi Boccherini | |
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| Born | February 19, 1743 Lucca, Italy |
| Died | May 28, 1805 (aged 62) Madrid, Spain |
| Residence | Spain |
| Nationality | Spanish (naturalized) |
| Ethnicity | Italian |
| Occupation | Musician and composer |
| Employer | Luis de Borbón y Farnesio, 13th Count of Chinchón, Lucien Bonaparte, Friedrich Wilhelm II |
Luigi Rodolfo Boccherini (February 19, 1743 – May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). This last work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. His music was clearly influenced by the Spanish and Mediterranean style in that he composed several quintets for guitar.
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Boccherini was born in Lucca, Italy, into a musical family. At a young age he was sent by his father, a cellist and double bass player, to study in Rome. In 1757 they both went to Vienna where they were employed by the court as musicians in the Burgtheater. In 1761 Boccherini went to Madrid, where he was employed by Infante Luis Antonio of Spain, younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, leading to his immediate dismissal. Then he accompanied Don Luis to Arenas de San Pedro, a little town at the Gredos mountains; there and in the closest town of Candeleda Boccherini wrote many of his most brilliant works.
Among his late patrons was the French consul Lucien Bonaparte, as well as King Friedrich Wilhelm II of Prussia, himself an amateur cellist, flautist, and avid supporter of the arts. Boccherini fell on hard times following the deaths of his Spanish patron, two wives, and two daughters, and he died almost in poverty in 1805, being survived by two sons. His blood line continues to this day in Spain.
Much of his chamber music follows models established by Joseph Haydn; however, Boccherini is often credited with improving Haydn's model of the string quartet by bringing the cello to prominence, whereas Haydn had always relegated it to an accompaniment role. Rather, some sources for Boccherini's style are in the works of a famous Italian cellist, Giovanni Battista Cirri, who was born before Boccherini and before Haydn, and in the Spanish popular music.
A virtuoso cellist of high caliber, Boccherini often played violin repertoire on the cello, at pitch, a skill he developed by substituting for ailing violinists while touring. This supreme command of the instrument brought him much praise from his contemporaries (notably Pierre Baillot, Pierre Rode, and Bernhard Romberg), and is evident in the cello parts of his compositions (particularly in the quintets for two cellos, treated often as cello concertos with string quartet accompaniment).
He wrote a large amount of chamber music, including over one hundred string quintets for two violins, viola and two cellos (a type which he pioneered, in contrast with the then common scoring for two violins, two violas and one cello), a dozen guitar quintets, not all of which have survived, nearly a hundred string quartets, and a number of string trios and sonatas (including at least 19 for the cello). His orchestral music includes around 30 symphonies and 12 virtuoso cello concertos.
Boccherini's works have been catalogued by the French musicologist Yves Gérard (born 1932) in the Gérard catalog, published in London (1969), hence the "G" numbers applied to his output.
With a ministerial decree dated 27 April 2006, the Opera Omnia of the composer Luigi Boccherini was promoted to the status of Italian National Edition. The director of the new critical edition is professor Christian Speck (Koblenz-Landau), and the advisory committee includes Theophil Antonicek (Vienna), Sergio Durante (Padua), Ludwig Finscher (Heidelberg), Yves Gérard (Paris), Roberto Illiano (Cremona-Lucca), Fulvia Morabito (Cremona-Lucca), Rudolf Rasch (Utrecht), Massimiliano Sala (Cremona-Lucca), and Andrea Schiavina (Bologna).
Boccherini's style is characterized by the typical Rococo charm, lightness, and optimism, and exhibits much melodic and rhythmic invention, coupled with frequent influences from the guitar tradition of his adopted country, Spain.
Neglected after his death—the dismissive sobriquet "Haydn's wife" dates from the nineteenth century— his works have been gaining more recognition lately, in print, record, and concert hall. His famous "Musica notturna delle strade di Madrid" (String Quintet in C Major, Op. 30 No. 6, G324), became popular through its use in the Peter Weir film Master and Commander: The Far Side of the World (2003).
His distinctive compositions for string quintet (two violins, one viola, two cellos), long neglected after his death, have been brought back to life by the Boccherini Quintet in the second half of the 20th century, when two of its founding members discovered a complete collection of the first edition of the 141 string quintets in Paris and began playing and recording them around the world.
| String Quintet op.27 No 3, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (October 2001) | |
| String Quintet op.27 No 3, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (October 2001) | |
| String Quintet op.27 No 1, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (November 2001) | |
| String Quintet op.27 No 1, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (November 2001) | |
| String Quintet Op10 No5, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op62 No4, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op62 No4, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op62 No4, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op62 No4, fourth movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op11 No1, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op11 No1, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op11 No1, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet Op11 No3, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet Op11 No3, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet Op11 No3, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet Op11 No3, fourth movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.11 No 2, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet op.11 No 2, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet op.11 No 2, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet op.11 No 2, fourth movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2001) | |
| String Quintet op.13 No 1, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.13 No 1, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.13 No 1, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.13 No 1, fourth movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.18 No 1, first movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.18 No 1, second movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.18 No 1, third movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
| String Quintet op.18 No 1, fourth movement | |
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| Performed by Jacques Lochet, violin and synthesizer (2002) | |
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