Lyle Mays

Lyle Mays
Background information
Born	November 27 1953 (1953--) (age 53) in Wausaukee Wisconsin, U.S.
Genre(s)	Jazz, Contemporary classical music
Occupation(s)	Musician Composer
Instrument(s)	Piano Organ Synthesizers
Years active	1975 –
Associated acts	Pat Metheny Group
Website	LyleMays.com

Lyle Mays (born November 27, 1953) is a jazz pianist from Wausaukee, Wisconsin. He is best known for his work with Pat Metheny as a member of the Pat Metheny Group.

Biography

Of his four dominant childhood interests – chess, mathematics, architecture (building with LEGO bricks as a child) and music – the latter was developed as his area of focus. Being the son of musically interested parents – his mother played the piano in church, his father played guitar by ear – he was allowed to explore the piano with the help of a teacher, Rose Baron, who was open to letting Mays, who had perfect pitch, improvise after the formal lesson, eventually coming to play organ for the family's church.

At the suggestion of Dan Wheelock, his eighth grade band instructor, he attended summer camps where he met Rich Matteson who introduced him to important jazz artists. Bill Evans' album Live in Montreux was among his revelations. He attended University of North Texas for its inspiring environment of music fanatics avid to jam whenever and wherever possible. He composed and arranged for the One o'clock Lab Band and was the composer and arranger of their highly regarded Lab '75 album.

After leaving UNT, Mays toured with Woody Herman's group for approximately eight months.

In 1974, he met Pat Metheny with whom he later founded the still-performing Pat Metheny Group. During that period he lived in New York City, so poor that he was "almost starving", but he continued to pursue his concept of music and artistry. Later, he moved back to rural Wisconsin where, among other activities, he coached an adolescent soccer team. He also flirted with the idea of moving to Brazil but finally moved to Los Angeles at the end of the 1990's.

Character of his work

Within the context of the Pat Metheny Group, he collaborates with Metheny in composition and provides arrangements, orchestration and - most remarkably - the complex harmonic and metric backbone of the group's musical signature. He occasionally performs on electric guitar as well (on the song Roots of Coincidence, for example). On the song Forward March, from the Pat Metheny Group album First Circle (1984), and in the concert tour for that album, he played trumpet.

His albums as a leader reflect a large variety of musical interests: Lyle Mays and Street Dreams expand the ideas of the Pat Metheny Group, while Fictionary is a straight-ahead jazz trio session featuring Marc Johnson on bass and Jack DeJohnette on drums. Solo: Improvisations for Expanded Piano is a curious album of spontaneous piano improvisations, laboriously edited.

He has also composed and recorded music for children's records, such as Tale of Peter Rabbit, with text read by Meryl Streep.

Following his talents and interests, Mays aspires to incorporate divergent elements: composition and improvisation, improvisation and orchestration, acoustic and electronic, old and new. Furthermore he composed classical music like "Twelve Days In The Shadow Of A Miracle", a piece for harp, flute, viola and synthesizer (recorded 1996 by the Debussy Trio).

As a pianist he manifests strong technique, flowing lyricism, and a supple touch; his solos are often described as developing from almost silence to cascades of sound, often strongly organized around a recurring motif or motifs, or a basic stylistic principle. This sort of playing reflects the contrapuntal complexity of his compositional style and his view of soloing as "real-time composition".

As a composer Mays is interested in complex form, expanding motifs and building suspense through gradation and ascension. Modulations and metric shifts are frequently incorporated.

Noting that his oeuvre as a leader is small, some critics evince frustration with this considerable talent (as manifested, for example, on Fictionary) lying fallow. Apparently Mays maintains interest in other intellectual occupations: architecture (he designed his sister's house), mathematics and logic (Hofstadter's book Gödel, Escher, Bach) and computer programming in [[C++]].

Discography (selected)

Lyle Mays

• Lyle Mays, Geffen, 1986
• Street Dreams, Geffen, 1988
• Fictionary, Geffen 1993
• The Debussy Trio - In the Shadow of a Miracle, Sierra Classical, 1996
• Solo, Warner Bros. 2000

Pat Metheny Group

• Watercolors, 1977, ECM
• Pat Metheny Group, 1978, ECM
• American Garage, 1980, ECM
• As Falls Wichita, So Falls Wichita Falls, 1981, ECM (credited as a Metheny-Mays collaborative work)
• Offramp, 1982, ECM
• Travels, 1983, ECM
• First Circle, 1984, ECM
• Still Life (Talking), 1987, Geffen
• Letter from Home, 1989, Geffen
• The Road to You, 1993, Geffen
• We Live Here, 1995, Geffen
• Quartet, 1996, Geffen
• Imaginary Day, 1997, WB
• Speaking of Now, 2002, WB
• The Way Up, 2005, Nonesuch

Additional Reading

• Music and Intellect - a portrait of Lyle Mays
• interview 1
• interview 2
• interview 3
• Lyle Mays: The compositional Process
• The Expanding Piano
• Song For Bilbao - a study of the diachronic development of Mays' soloing
• The Low Down On The Way Up - The making of The Way Up
• Up and Away - an interview with Lyle Mays about "The Way UP", the Pat Metheny Group record of 2005

External links

• The most comprehensive discography of Lyle Mays
• List of any recorded compositions of Lyle Mays and Pat Metheny
• A live radio performance recorded December 4, 1999, featuring Lyle Mays with Bob Sheppard, Dave Carpenter, and Peter Erskine
• A live video performance from the Free Jazz Festival, Rio de Janeiro featuring the Lyle Mays Quartet with Bob Sheppard, Eric Hochberg and Mark Walker
• A live video featuring young Lyle Mays on Rhodes with Woody Herman's Thundering Herd, performing Chick Corea's 'La Fiesta. Unknown Date and venue, possibly arround 1975

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