Architecture that suggested something machine-made, acknowledging industrialization, mass-production, and engineering, or that used elements of metal structures (ships, aeroplanes, motorcars, etc.) in an eclectic fashion, more a matter of arriving at an appearance than of actually being what it seemed, a fact that contradicted demands for honesty and truth in architecture, and denied the logic of structural principles. International Modernism tended to use smooth wall-finishes and long strips of metal-framed windows suggested by ocean-going liners of the Titanic vintage, but the walls were often of rendered brickwork.
Bibliography
Architectural Review ,lxxviii (Dec. 1935), 211–18- R.Banham (1960)
- Giedion (1969)
- P. Johnson (1969)
- Sparke (ed.) (1981)
- Jane Turner (1996)
- R. Wilson et al. (1986)
The full bibliography for this book is available to download as a pdf file.
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