singer; songwriter
Personal Information
Born Natalie McIntyre c. 1970, in Canton, OH; married Tracy Hinds, 1996 (divorced, 1998); children: three.
Education: University of Southern California, attended.
Career
Vocalist and songwriter. Performed with jazz bands in Los Angeles area, 1998; Paramount and Universal studios, secretary, early 1990s; the We Ours club, hostess, early 1990s; signed to Atlantic label, 1994; signed to Epic label; debut album, Macy Gray On How Life Is, released 1999; album reached top 5 of pop sales charts; toured U.S., 2000; second album released, 2001.
Life's Work
Eclecticism--the creative mixing of genres and styles--was a prominent trend in American popular music at the turn of the millennium. One of the major African-American contributors to that trend was Macy Gray, a singer and songwriter who additionally had an unusual but addictive vocal style to offer. After several fruitless careers and frustrating episodes in the music business, Gray finally emerged as the sensation of 1999 with her debut album, On How Life Is. Signed to a four-album deal with the Epic label, she seemed ready to dominate pop airwaves and turntables with more of her unique musical mix for years to come.
Gray was born Natalie McIntyre in Canton, Ohio, around 1970; her father was a steelworker and her mother a math teacher and school administrator. She took the professional name Macy Gray as a tribute to a pool-playing male neighbor who told her when she was a girl that she would be something special one day. Self-conscious about her high-pitched voice, she became a shy child who rarely spoke. Even now, Gray told Newsweek, "When I hear myself talk, I always cringe. It's kind of a trip that everyone finds it so interesting."
Attended Private School
Growing up in the 1970s Gray was exposed to much of the classic soul and R&B music of the era; she especially liked the great eclectic artist of the day, Stevie Wonder. The first wave of rap music surfaced during her junior high school years. Gray's family encouraged her to achieve, and she evolved into a top student--with the result that another layer was added to her musical education. Gray was admitted to and spent most of her high school years at an exclusive and nearly all-white prep school. The atmosphere wasn't always comfortable--Gray recalled in Interview magazine that her classmates "would say or do things that weren't always respectful. I don't think they realized it was offensive because they were never exposed to anything other than their own kind of society." But Gray came away from the experience with an ongoing appreciation for rock music.
Gray studied classical piano for seven years and became a solid musician. Another major influence was Prince, whose fusion of rock and R&B anticipated aspects of Gray's own music. When Prince's Purple Rain LP was released, Gray painted her bedroom purple. She was kicked out of the prep school after bringing a sexual harassment charge against one of the school's administrators, but she had begun to pen short stories and to develop a strong sense of her own identity as a writer. Seething with creativity and determined to get out of Ohio, Gray applied, without her family's knowledge, to film school at the University of Southern California (USC).
Admitted to USC, she turned down a scholarship to the U.S. Naval Academy. The multicultural atmosphere of Los Angeles proved a congenial one for Gray. Mixing with film students and musicians, she began to write song lyrics but never gave a thought to performing them herself. Gray's debut performance came about by chance: a singer friend for whom she had written lyrics failed to show up for a recording date, and Gray was asked to fill in. She thought nothing of it, but tapes of the session began to circulate among L.A. musicians, and to her amazement the leader of a jazz band that worked the city's hotels asked her to join the band as a vocalist. "I thought he was out of his mind, but I did it because I thought it was good money," Gray was quoted as saying on the website sonicnet.com.
Worked at "We Hours" Club
Still not really thinking of herself as a performer, Gray became more deeply involved in the Los Angeles underground music scene in the early 1990s. She worked as a secretary at the Universal and Paramount movie studios and at night was a hostess at a club called the We Ours, open from 1 to 5 a.m. Innovative musicians such as the sophisticated rap group the Roots and the British electronica pioneer Tricky stopped by to perform. The club's owner, Ron Harris, credited its success to Gray's presence and positive impact on those around her. "She has a way of embracing people and nurturing them," he told Newsweek.
Gray's musical efforts culminated in a contract with Atlantic Records in 1994, and she set to work on her debut album. Living with her boyfriend, collection agent Tracy Hinds, Gray had two children in 1995 (a daughter in January and a son in December). The two were married in 1996 but divorced two years later, with Gray pregnant with a third child. At the same time, Gray's musical career fell apart. Atlantic, unnerved by Gray's Janis Joplin-lite voice, refused to release her by-then completed album and dropped her from the label's roster. Gray left Los Angeles and retreated to her parents' house in Canton.
But Gray had a backer in the music industry, publishing executive Jeff Blue, who had been struck by her distinctive voice and encouraged her to try again with another demo recording. It took Gray several months before she would even agree to meet with Blue, but eventually she set to work on the new record, armed with a group of new songs whose lyrics drew heavily on her own experiences. Blue went to work to try to sell her album to a major label, using the pseudonym "Mushroom" to disguise her identity and forestall memories of her career's failed first stage. Signed to the Epic label, Gray released her debut album, On How Life Is, in 1999.
Emphasized Female Sexuality
That album generated an instant buzz and finally rose to the Top Five of Billboard magazine's album sales chart. Lyrically sophisticated and serious (various cuts deal with drug abuse and violent relationships), the album neatly synthesized many of Gray's musical influences. By turns, it sounds like the 1970s soul group Sly and the Family Stone, the 1980s erotic rock-funkster Prince, and the hip-hop of the 1990s. Another noteworthy feature of On How Life Is is its frank emphasis on female sexuality. "Sex is a part of your everyday," Gray told Interview. "I don't think it's really appropriate to be afraid of it because you are a woman. ... I think if we didn't have a taboo and all these reservations about women and sex, maybe women wouldn't be so confused about their place in relationships."
Gray toured energetically in the year 2000, beginning with a stint at the prestigious Los Angeles club the Viper Room. Like other African-American artists who explored older styles in the face of hip-hop's dominance of black radio, she has found the majority of her fans among white listeners--partly, perhaps, because her voice is more typical of alternative rock than of most African-American styles. Initially troubled by this reaction, Gray has since accepted it: "I've learned you just got to keep going and do your thing," she told Essence. Gray surprised observers when her single "I Try" won the Grammy award for Best Female Pop Vocal in February of 2001, beating out such heavily hyped contenders as Madonna and Britney Spears. Expectations were high indeed for her sophomore release, slated for later that year and said to include a stronger hip-hop component.
Awards
Grammy award for Best Female Pop Vocal, 2001.
Works
Selected discography
- On How Life Is, Epic, 2000.
Further Reading
Periodicals
- Billboard, September 11, 1999, p. 19; May 6, 2000, p. 12.
- Ebony, September 1999, p. 18.
- Entertainment Weekly, July 30, 1999, p. 72.
- Essence, July 2000, p. 61.
- Interview, March 2000, p. 66.
- Newsweek, August 2, 1999, p. 62.
- People, March 12, 2001, p. 91.
- Additional material was obtained online at: http://www.allmusic.com, http://www.mtv.com, http://www.rollingstone.com, http://www.sing365.com, and http://www.sonicnet.com.
— James M. Manheim




