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Magnetic Fields

 
Artist: Magnetic Fields
  • Formed: 1990, Boston, MA
  • Genres: Rock
  • Representative Albums: "69 Love Songs," "69 Love Songs, Pt. 3," "69 Love Songs, Pt. 2"
  • Representative Songs: "100,000 Fireflies," "I Don't Want to Get Over You," "When My Boy Walks Down the St"

Biography

The Magnetic Fields are a bona fide band, but in most essential respects they are the project of studio wunderkind Stephin Merritt. Merritt writes, produces, and (generally) sings all of their material, as well as plays many of the instruments, concocting a sort of indie pop synth rock. While the Magnetic Fields may draw upon the electronic textures of vintage acts like ABBA, Kraftwerk, Roxy Music with Eno, Joy Division, and Gary Numan, Merritt's vision is far more pointed toward the alternative rock underground. His songs are also far warmer and more pure pop-oriented than the above reference points might lead you to believe, sounding at times like late-20th century equivalents to Phil Spector or Brian Wilson.

Merritt had been recording on his own four-track from a very young age, but didn't issue the first Magnetic Fields album until 1990, when he was well into his twenties. The first pair of discs featured the choirgirl vocals of Susan Amway, and are probably the most accessible offerings for general listeners wary of electro-rock. On subsequent releases, Merritt handled the vocals himself in a deep croon not far removed from his European influences. The synth pop quotient also became heavier, although Merritt has always taken care to mix in quite a few natural instruments with the electronic ones, often with the help of Claudia Gonson (percussion) and Sam Davol (cello, flute). The emphasis has always remained on the pop hooks and eccentric, romantically reflective lyrics rather than the bedrock synthetic rhythms and textures.

In addition to his work with Magnetic Fields, Merritt has involved himself in several side projects, the most notable being the 6ths' Wasps' Nests album (1995). Merritt sang only one track himself on this disc, for which he acted as composer/producer/multi-instrumentalist, employing well-known alternative rock singers like Barbara Manning, Dean Wareham (Luna), Lou Barlow, Georgia Hubley (Yo La Tengo), Chris Knox, and Robert Scott (the Bats) to handle the lead vocals. After releasing 1997's New Despair as the Gothic Archies, Merritt finally returned to the Magnetic Fields aegis for 1999's 69 Love Songs, released as both a trio of separate discs as well as a limited edition three-CD box set. Merritt spent the next few years releasing more side projects, including records from the Gothic Archies, Future Bible Heroes, the 6ths, as well as numerous soundtracks. It wasn't until May 2004 that Merritt and his Magnetic Fields finally got around to making i, a collection of songs that begin with the aforementioned vowel. Distortion followed in early 2008. ~ Richie Unterberger, All Music Guide
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Wikipedia: Magnetic Fields (album)
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Magnetic Fields
Studio album by Jean Michel Jarre
Released May 1981
Genre Electronic, synthpop
Length 35:51
Label Disques Dreyfus
Producer Jean Michel Jarre
Professional reviews
Jean Michel Jarre chronology
Équinoxe
(1978)
Magnetic Fields
(1981)
The Concerts in China
(1982)

Magnetic Fields (French title: Les Chants magnétiques) is the fifth album by Jean Michel Jarre, released in 1981 on Disques Dreyfus. The album was one of the first records to use sampling as a musical element and represents a departure from the sound of Jarre's previous efforts, although his distinct style is instantly recognizable throughout the duration of the album. For this album Jarre was partly inspired by the works of Andy Warhol and a fascination with the reproducibility of digital sound.

The long first track consists of three distinct movements, the slower second movement being heavily laden with sample work, foreshadowing the sound of Jarre's 1984 album Zoolook.

The album reached #6 in the UK charts and #98 in the US charts. [1]

Contents

Album title

The album has official titles in both French and English. The French title, Les Chants magnétiques is a play on words. Literally translated into English this means "Magnetic Songs"[2][3] or "Magnetic Singing"[3]. Spoken aloud however, it sounds as "Les Champs magnétiques" (literally, "Magnetic Fields"), due to the French words chants (songs or singing) and champs (fields) being homophones. As this is not the case in English, such word play could not have survived translation, and the more straightforward title "Magnetic Fields" was chosen instead.

Track listing

  1. "Magnetic Fields Part 1" – 17:57
  2. "Magnetic Fields Part 2" – 5:25
  3. "Magnetic Fields Part 3" – 2:55
  4. "Magnetic Fields Part 4" – 6:13
  5. "Magnetic Fields Part 5" – 3:31

Equipment

Trivia

Les Chants magnétiques is Jarre's first album using digital synthesizers (as opposed to analog ones used in Oxygène and Équinoxe.)

An excerpt of "Magnetic Fields Part 1" is used as the interval signal for a shortwave numbers station. An audio clip is available here. The same movement was also used as the theme music for the American television series Bare Essence (1982).

The first part of "Magnetic Fields Part 1" was also featured several times as background music for Bassie en Adriaan, a Dutch television series. On the DVD these tracks were replaced.

"Magnetic Fields Part 4" was also featured regularly in a number of Konami video games developed in the mid-1980s, including Yie Ar Kung-Fu.

German power-metal band Helloween included a cover version of "Magnetic Fields Part 2" on their 1996 EP The Time of the Oath

Footnotes

  1. ^ Les Chants Magnetiques (Magnetic Fields)
  2. ^ Babelfish, altavista.com, French to English translation carried out 2006-11-05.
  3. ^ a b 1989, The Collins Pocket Reference French Dictionary, William Collins Sons & Co. Ltd., ISBN 0-00-433255-5

 
 

 

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