- Ludicrous misuse of a word, especially by confusion with one of similar sound.
- An example of such misuse.
[From MALAPROP.]
malapropian mal'a·prop'i·an (-prŏp'ē-ən) adj.
Dictionary:
mal·a·prop·ism (măl'ə-prŏp-ĭz'əm) ![]() |
[From MALAPROP.]
malapropian mal'a·prop'i·an (-prŏp'ē-ən) adj.| Wordsmith Words: malapropism |
(MAL-uh-prop-iz-ehm)
noun
1. The humorous misuse of a word by confusing it with a similar-sounding word.
2. An instance of such misuse.
Etymology
After Mrs. Malaprop, a character in Richard Sheridan's play, The Rivals, who confused words this way.
| Literary Dictionary: malapropism |
malapropism
Adjective: malapropian. Verb: malaprop.
| Grammar Dictionary: malapropism |
A humorous confusion of words that sound vaguely similar, as in “We have just ended our physical year” instead of “We have just ended our fiscal year.”
| Poetry Glossary: Malapropism |
A mistaken substitution of one word for another that sounds similar, generally with humorous effect, as in "arduous romance" for "ardent romance."
| Word Tutor: malapropism |
The writer wrote a malapropism when she wrote "progeny" instead of "prodigy".
| Wikipedia: Malapropism |
| Look up malapropism in Wiktionary, the free dictionary. |
A malapropism (also called a Dogberryism or acyrologia) is the substitution of a word for a word with a similar sound, in which the resulting phrase makes no sense but often creates a comic effect. It is not the same as an eggcorn, which is a similar substitution in which the new phrase makes sense on some level. Occasionally, a phrase is substituted for the original, e.g. Stan Laurel said "What a terrible cat's after me!" (i.e., catastrophe) in Any Old Port!.
Contents |
The word malapropos is an adjective or adverb meaning "inappropriate" or "inappropriately", derived from the French phrase mal à propos (literally "ill-suited").[1] The earliest English usage of the word cited in the Oxford English Dictionary is from 1630. Malaprop used in the linguistic sense was first used by Lord Byron in 1814 according to the OED.
The terms malapropism and the earlier variant malaprop come from Richard Brinsley Sheridan's 1775 play The Rivals, and in particular the character Mrs. Malaprop. Sheridan presumably named his character Mrs. Malaprop, who frequently misspoke (to great comic effect), in joking reference to the word malapropos.
The alternative term "Dogberryism" comes from the 1598 Shakespearean play Much Ado About Nothing, in which the character Dogberry produces many malapropisms with humorous effect.[2]
An instance of mis-speech is called a malapropism when:
These characteristics set malapropisms apart from other speaking or writing mistakes, such as an eggcorns or spoonerisms.
Simply making up a word, or adding a redundant or ungrammatical prefix (irregardless instead of regardless) or suffix (subliminible instead of subliminal) to an existing word, does not qualify as a malapropism.
All of these examples are from Sheridan's play The Rivals.
Malapropisms appear in many works written well before Sheridan created their namesake character; William Shakespeare used them in a number of his plays.
Constable Dogberry in Much Ado About Nothing:
Launcelot in The Merchant of Venice:
Elbow in Measure for Measure
Nurse in Romeo and Juliet:
Nick Bottom in A Midsummer Night's Dream:
The First Clown in Hamlet
Alanis Morissette unintentionally misused the term 'malapropism' when she commented on her misuse of the term 'ironic' within her song "Ironic".
Ringo Starr is known for his many verbal gaffes. Two phrases in particular are often quoted as malapropisms: A Hard Day's Night, and Tomorrow Never Knows.
A Hard Day's Night was thus described by John Lennon in Playboy in 1980: "...it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism..." In fact, Ringo had either substituted day for night and immediately corrected himself, or juxtaposed the two words without thinking (see this song's main article). Neither version qualifies as a malapropism: day and night do not sound similar, and there is no substitution in the other version.
Tomorrow Never Knows was an off-the-cuff comment made at an interview in 1964. Since it is not clear whether Ringo intended to say this or some other phrase, no conclusion can be drawn whether or not this is a malapropism.
In the essay "A Nice Derangement of Epitaphs", philosopher Donald Davidson argues that malapropisms demonstrate that competence in a language is not a matter of applying rigid rules to the decoding of utterances. Rather, says Davidson, it appears that in interpreting others, people constantly modify their own understanding of our language.[10]
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
| Translations: Malapropism |
Dansk (Danish)
n. - (komisk) forkert brug af et ord, især fremmedord
Nederlands (Dutch)
verspreking, m.n. grappig
Français (French)
n. - impropriété de langage
Deutsch (German)
n. - Malapropismus, (irrtüml. Gebrauch eines Wortes statt eines ähnlich klingenden)
Ελληνική (Greek)
n. - ακυρολεξία, σολοικισμός
Italiano (Italian)
papera, strafalcione
Português (Portuguese)
n. - emprego errôneo de palavras (m)
Русский (Russian)
неправильное употребление слов, создающее комический эффект
Español (Spanish)
n. - barbarismo, equivocación de palabras que causa un efecto ridículo
Svenska (Swedish)
n. - felanvändning av ord, groda
中文(简体)(Chinese (Simplified))
词语误用, 用词错误可笑
中文(繁體)(Chinese (Traditional))
n. - 詞語誤用, 用詞錯誤可笑
한국어 (Korean)
n. - 말의 우스운 오용, 오용된 말씨
العربيه (Arabic)
(الاسم) إساءة استعمال
עברית (Hebrew)
n. - שיבוש מילה
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