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Malcolm (Benjamin Graham Christopher) Williamson

(b Sydney, 21 Nov 1931). Australian composer. He studied with Goossens in Sydney and Lutyens in London, where he has spent most of his time since 1950. His earlier works lean either towards Messiaen and sometimes Boulez, or towards a Stravinsky-Poulenc kind of neo-classicism. Partly under Britten's influence, this dichotomy was resolved in his operas Our Man in Havana (1963) andEnglish Eccentrics (1964). Later works include more operas, choral works (Mass of Christ the King, 1978), symphonies and concertos. In 1975 he was appointed Master of the Queen's Music.



 
 
Wikipedia: Malcolm Williamson
This article is about the composer. For the cryptographer, see Malcolm J. Williamson.
Malcolm Williamson

Malcolm Benjamin Graham Christopher Williamson CBE, AO (November 21, 1931March 2, 2003) was an Australian composer. From 1975 until his death he was Master of the Queen's Music.

Biography

Williamson was born in Sydney and studied at the Sydney Conservatorium of Music with Eugene Goossens. In 1950 he moved to London where he worked as an organist, a proofreader, and a nightclub pianist. From 1953 he studied with Elisabeth Lutyens.

Williamson was a very prolific composer at this time, receiving many commissions. He often performed his own works, both on organ and piano.

In 1975, the death of Sir Arthur Bliss left the title of Master of the Queen's Music vacant. As the pre-eminent British composer of the time, Benjamin Britten was the obvious choice to replace him, but he was very ill, and so, to the surprise of many who expected a better known composer such as Sir Michael Tippett to take the post, the title went to Williamson. (Sir William Walton even went so far as to say that "the wrong Malcolm" had been chosen, referring to his preference for Sir Malcolm Arnold). Williamson was the first non-Briton to hold the post since the early days of the office.

Williamson wrote a number of pieces connected to his royal post early in his tenure, including Mass of Christ the King (1978) (see below) and Lament in Memory for Lord Mountbatten of Burma (1980). But this writing dropped off for the last twenty years or so of his life. Indeed, his compositional output as a whole slowed considerably due to a series of illnesses. He died in 2003 in a hospital in Cambridge.

Malcolm Williamson was appointed CBE in 1976, and Honorary[citation needed] AO in 1987. He married Dolores Daniel in 1960 and had one son and two daughters. They were divorced in 1978. He later had a long-term partnership with his publisher Simon Campion.[1][2]

Williamson's music

Some of Williamson's early works use the twelve tone technique of Arnold Schoenberg, but his greatest influence is often said to be Olivier Messiaen. He discovered Messiaen's music shortly before converting to Roman Catholicism in 1952. He was also influenced by Britten, as well as by jazz and popular music (this latter influence may have come in part from him working as a night club pianist in the 1950s).

Williamson wrote seven symphonies, four piano concertos, operas including Our Man in Havana and The Violins of Saint Jacques, the ballets Sun Into Darkness and The Display, choral works, chamber music, music for solo piano, music for film and television including "Prologue" and "Main Title" of Watership Down, and others.

Williamson also wrote music for children, including the opera The Happy Prince (based on the story by Oscar Wilde) and cassations, short operas incorporating audience participation. One of these, The Valley and the Hill, written for the silver jubilee of Elizabeth II, was performed by 18,000 children.

His largest choral work, the Mass of Christ the King, was commissioned by the Three Choirs Festival for the Queen's Silver Jubilee in 1977, and attracted popular attention largely because it was late in being delivered. A monumental 70-minute piece written for two sopranos, tenor and baritone soli, SATB chorus, SATB echo choir and a large orchestra, there were a number of performances over the next few years including a live BBC broadcast in 1981, but the work is now largely, and some would say undeservedly, forgotten.

Williamson became much less prolific in later life, although continuing to write occasionally. The orchestral song cycle on texts by Iris Murdoch A Year of Birds premiered at The Proms in 1995.

Williamson was appointed a Commander of the Order of the British Empire (CBE) in 1976, and an Officer of the Order of Australia (AO) in 1987. Unusually for Masters of the Queen's Music, he was never knighted.


Preceded by
Arthur Bliss
Master of the Queen's Music
1975–2003
Succeeded by
Peter Maxwell Davies

External links

References

  1. ^ Lebrecht, Norman (2007-09-19), Master of no Musick, <http://www.scena.org/columns/lebrecht/070919-NL-master.html>. Retrieved on 2007-09-20
  2. ^ Campion, Edmund (July/August, 2003), Writing the language of paradise: Malcolm Williamson, <http://www.madonnamagazine.com.au/articles/0308campion.html>. Retrieved on 2007-09-20

 
 

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Malcolm Williamson" Read more

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