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"Mandrake root" redirects here. For the Deep Purple song, see
Mandrake
Root.
Mandrake is the common name for members of the plant genus Mandragora
belonging to the nightshades family (Solanaceae). Because their curious bifurcations cause
them to have a semblance to the human figure (male and female), their roots have long been used in magic rituals, today also in neopagan religions such as
Wicca and Germanic revivalism religions such as
Odinism. (It is alleged that magicians would form this root into a crude resemblance to the
human figure, by pinching a constriction a little below the top, so as to make a kind of head and neck, and twisting off the
upper branches except two, which they leave as arms, and the lower, except two, which they leave as legs.)
The mandrake, Mandragora officinarum, is a plant called by the Arabs
luffâh, or beid el-jinn ("djinn's eggs"). The parsley-shaped root is often branched.
This root gives off at the surface of the ground a rosette of ovate-oblong to ovate, wrinkled, crisp, sinuate-dentate to entire
leaves, 6 to 16 inches long, somewhat resembling those of the tobacco-plant. There spring from the neck a number of one-flowered
nodding peduncles, bearing whitish-green flowers, nearly 2 inches broad, which produce
globular, succulent, orange to red berries, resembling small tomatoes, which ripen in late spring. All parts of the mandrake
plant are poisonous. The plant grows natively in southern and central Europe and in lands around the Mediterranean Sea, as well as on
Corsica.
Hebrew Bible
In Genesis 30, Reuben, the eldest son of
Jacob and Leah finds mandrakes in the field. Rachel, Jacob's second wife, the sister of Leah, is desirous of the mandrakes and she barters with her sister for
them. The trade offered by Rachel is for Leah to spend the next night in Jacob's bed. Soon after this Leah, who previously had
had four sons but had ceased to become pregnant for a long while then became pregnant once more and gave birth to a son. There
are classical Jewish commentaries which suggest that mandrakes help barren women to
conceive a child.[citation needed]
Mandrake in Hebrew is דודאים (dûwôdãym), meaning “love plant”.
Among certain Asian cultures, it is believed to ensure conception. [citation needed] Most interpreters hold Mandragora officinarum to be the plant
intended in Genesis 30:14 ("love plant") and Song of Songs 7:13 ("the mandrakes send out
their fragrance"). Numbers of other plants have been suggested, as bramble-berries, Zizyphus
Lotus, the sidr of the Arabs, the banana, the lily,
the citron, and the fig. None of these renderings are supported by
satisfactory evidence.[neutrality disputed]
Magic, spells and witchcraft
According to the legend, when the root is dug up it screams and kills all who hear it. Literature includes complex directions
for harvesting a mandrake root in relative safety. For example Josephus (c. 37 AD Jerusalem – c. 100) gives the following
directions for pulling it up:
A furrow must be dug around the root until its lower part is exposed, then a dog is tied to it, after which the person tying
the dog must get away. The dog then endeavours to follow him, and so easily pulls up the root, but dies suddenly instead of his
master. After this the root can be handled without fear.
Extract from Chapter XVI, Witchcraft and Spells: Transcendental Magic its Doctrine and Ritual by Eliphas
Levi. A Complete Translation of Dogme et Rituel de la Haute Magie by Arthur
Edward Waite. 1896
... we will add a few words about mandragores (mandrakes) and androids, which several writers on magic confound with the waxen
image; serving the purposes of bewitchment. The natural mandragore is a filamentous root which, more or less, presents as a whole
either the figure of a man, or that of the virile members. It is slightly narcotic, and an aphrodisiacal virtue was ascribed to
it by the ancients, who represented it as being sought by Thessalian sorcerers for the
composition of philtres. Is this root the umbilical vestige of our terrestrial origin ? We dare not seriously affirm it, but
all the same it is certain that man came out of the slime of the earth, and his first appearance must have been in the form of a
rough sketch. The analogies of nature make this notion necessarily admissible, at least as a possibility. The first men were, in
this case, a family of gigantic, sensitive mandragores, animated by the sun, who rooted themselves up from the earth ; this
assumption not only does not exclude, but, on the contrary, positively supposes, creative will and the providential co-operation
of a first cause, which we have reason to call God.
Some alchemists, impressed by this idea, speculated on the culture of the mandragore, and experimented in the artificial
reproduction of a soil sufficiently fruitful and a sun sufficiently active to humanise the said root, and thus create men without
the concurrence of the female. (See: Homunculus) Others, who regarded humanity as the
synthesis of animals, despaired about vitalising the mandragore, but they crossed monstrous pairs and projected human seed into
animal earth, only for the production of shameful crimes and barren deformities. The third method of making the android was by
galvanic machinery. One of these almost intelligent automata was attributed to
Albertus Magnus, and it is said that St Thomas (Thomas
Aquinas) destroyed it with one blow from a stick because he was perplexed by its answers. This story is an allegory; the
android was primitive scholasticism, which was broken by the Summa of St Thomas, the daring innovator who first
substituted the absolute law of reason for arbitrary divinity, by formulating that axiom which we cannot repeat too often, since
it comes from such a master: " A thing is not just because God wills it, but God wills it because it is just.
The real and serious android of the ancients was a secret which they kept hidden from all eyes, and Mesmer was the first who dared to divulge it; it was the extension of the will of the magus into another body, organised and served by an elementary spirit; in more modern and intelligible terms, it
was a magnetic subject.
It was a common belief in some countries that a mandrake would grow where the semen of a hanged man dripped on to the earth;
this would appear to be the reason for the methods employed by the alchemists who "projected human seed into animal earth". In
Germany, the plant is known as the Alraune: the novel (later adapted as a film) Alraune
by Hanns Heinz Ewers is based around a soulless woman conceived from a hanged man's
semen, the title referring to this myth of the Mandrake's origins.
Mandragora is also reference to a "little man in a bottle". The following is taken from "Paul Christian". [1] pp.
402-403, The History and Practice of Magic by Paul Christian. 1963:
Would you like to make a Mandragora, as powerful as the homunculus (little man in a
bottle) so praised by Paracelsus? Then find a root of the plant called bryony. Take it out of the ground on a Monday (the day of the moon), a little time after the vernal equinox. Cut off the ends of the root and bury it at night in some country churchyard in a dead man's
grave. For thirty days water it with cow's milk in which three bats have been drowned. When the thirty-first day arrives, take
out the root in the middle of the night and dry it in an oven heated with branches of verbena;
then wrap it up in a piece of a dead man's winding-sheet and carry it with you everywhere.
In literature
In Genesis 30:14, Leah gives Rachel mandrakes in exchange for a night of sleeping with their husband.
-
-
-
- During wheat harvest, Reuben went out into the fields
- and found some mandrake plants,
- which he brought to his mother Leah.
- Rachel said to Leah, "Please
- give me some of your son's mandrakes."
Song of Songs 7:13 KJV
-
-
-
- "The mandrakes send out their fragrance,
- and at our door is every delicacy,
- both new and old,
- that I have stored up for you, my lover."
- Machiavelli wrote a play Mandragola (The Mandrake) in which the plot revolves around the use of a mandrake potion as a ploy to bed a
woman.
- Shakespeare refers four times to mandrake and twice under the name of
mandragora.
- "...Not poppy, nor mandragora,
- Nor all the drowsy syrups of the world,
- Shall ever medicine thee to that sweet sleep
- Which thou owedst yesterday."
- Shakespeare: Othello III.iii
- "Give me to drink mandragora...
- That I might sleep out this great gap of time
- My Antony is away."
- Shakespeare: Antony and Cleopatra I.v
- "Shrieks like mandrakes' torn out of the earth."
- Shakespeare: Romeo and Juliet IV.iii
- "Would curses kill, as doth the mandrake's groan"
- King Henry IV part II III.ii
-
- Ferdinand "I have this night digged up a mandrake..."
-
- "Go and catch a falling star
- Get with child a mandrake root
- Tell me where all past years are,
- Or who cleft the devil's foot..."
-
- (This poem can be heard set to music by John Renbourn [of Pentangle fame] on his eponymous CD [Transatlantic TRA 135, 1965])
- Ezra Pound used it as metaphor in his poem "Portrait d'une femme":
-
- "You are a person of some interest, one comes to you
- And takes strange gain away: [...]
- Pregnant with mandrakes, or with something else
- That might prove useful and yet never proves, [...]"
- Samuel Beckett, in Act I of Waiting for
Godot the two attendants discuss hanging themselves and reference is made to the belief that mandrake is seeded by the
ejaculate of hanged men.
- In J. K. Rowling's Harry
Potter and the Chamber of Secrets, the mandrake root is cultivated by Professor
Sprout to cure the petrification of several characters who had looked indirectly into the eyes of the Basilisk; the author
makes use of the legend of the mandrake's scream (see above), and anyone tending mandrakes wears earmuffs to dull the sound of
the scream, if the plant must be transplanted.
In film
References
- ^ pp. 402-403, The History and Practice of Magic by Paul Christian.
1963
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