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Marc Almond

 

Singer, songwriter

Before vocalist and songwriter Marc Almond commenced his acclaimed and prolific solo career, he earned fame as a member of Soft Cell, the pioneering electronic duo that created the smash hit "Tainted Love." But Almond's talents go beyond his ability to produce number one songs. The internationally revered artist has made his most important contribution to music as a successful singer, songwriter, and performer, acclaimed by critics throughout Europe and the United States. "Listeners who acknowledge Marc Almond only as the voice behind Soft Cell's ‘Tainted Love’ do the English singer a great disservice," wrote Kurt B. Reighley in a profile for the Trouser Press Guide to '90s Rock. "Since that electro-pop landmark in 1981, Almond has steadfastly devoted his career to exploring the art of the song."

Throughout his career, Almond has always been happy to interpret other songwriters' music, regardless of the style. For example, he successfully covered the music of Jacques Brecht, tunes from the 1960s intended to be performed by female vocalists, and even music by pop superstar Madonna with his rendition of "Like a Prayer." Almond has also collaborated with a wide range of artists, some of which included Gene Pitney, Nico, Nick Cave, Psychic TV, and Andi Sex Gang. And while he bounced from label to label as a solo recording artist, Almond maintained a devoted following and occasionally made a hit on the European and British charts.

Peter Marc Almond was born on July 9, 1956, in Southport, Lancashire, England. In 1979, Almond, acknowledged as a leading futurist and looking for a musician to accompany his cabaret act, teamed with keyboardist Dave Ball to found Soft Cell, Great Britain's first successful electro-pop duo. Although the press criticized Almond's overly stylized mannerisms, fans reveled in his on-stage antics. In just four years together, Soft Cell enjoyed a string of international hits, including a 1981 multi-million selling version of Gloria Jones's northern soul song "Tainted Love." As popular two decades later as it had been in the early 1980s, the single was followed by other popular hits such as "Bedsitter," "Numbers," "Torch," and "Say Hello, Wave Goodbye." Soft Cell's first single, 1981's "Memorabilia," was the very first techno record, setting the stage for a whole new movement in pop music.

When Almond and Ball disbanded in 1984, Soft Cell had sold in excess of ten million records worldwide, and their style would influence the next generation of bands, from the Pet Shop Boys and the Divine Comedy to Pulp, Blur, and others. Critics have frequently named the duo's 1981 album for Sire Records, Non-Stop Erotic Cabaret, as Soft Cell's best offering. In Rock: The Rough Guide, Brian Connolly concluded that "Almond takes every song by force, while Ball's arrangements have a simplicity that belies their age."

Beginning in 1982, Almond put together an offshoot project called Marc and the Mambas as a less com- mercial outlet for his ideas. With fellow musicians Billy McGee and the classically trained Annie Hogan (both of whom remained with Almond during his solo pursuits throughout the 1980s), Almond released two double albums in 1983, Untitled and Torment and Toreros. Featuring a mainly acoustic lineup and a small orchestra, the Mambas firmly established Almond's credibility as an artist. The project enabled Almond to explore a variety of styles other than electro-pop. With Untitled, for example, Almond covered songs by Jacques Brel, Scott Walker, and Lou Reed.

After retiring the Mambas, Almond announced that he was leaving the music business. However, his retirement was short-lived, as 1984 saw the release of a single titled "The Boy Who Came Back," as well as his first solo album, Vermine in Ermine. The transition from band leader to solo artist proved fruitful, with Almond forging ahead to produce a string of diverse and critically noted albums that always took his audience in a new direction. After leaving the Phonogram label and signing with Virgin Records, he released Stories of Johnny, an album that displayed Almond's undoubted power as a torch singer rather than a traditional rock/pop performer, and managed to reward him with a hit single for the LP's title track.

Although Almond's mainstream popularity started to diminish, his reputation within the music business and among critics and colleagues only strengthened. They took notice of his improving vocals, his interpretive powers and willingness to perform others' songs, and his sense of humor and irony combined with a hint of bitterness. In 1986 Almond released the mini-LP A Woman's Story, an obscure collection of cover songs that, given the singer's open bisexuality and fascination with cross-dressing, proved he could tackle songs intended for women without changing the gender. The controversial but musically stunning Mother Fist and Her Five Daughters arrived in 1987 to supportive reviews.

In reference to the above efforts, Melody Maker's Ben Myers insisted that "Almond created a number of masterpieces which easily rivaled anything by the likes of Edith Piaf, Otis Redding and Rogers & Hammerstein. Add to this the destructive wit of Oscar Wilde and you'll be fleetingly touched by moments of genius." The performer's greatest asset, Myers continued, was "his willingness to absorb the past to create albums which are not merely a collection of songs, but a series of instances as immediate as the greatest of cinema and as lasting as a classic novel." Nonetheless, chart action still eluded the performer, and Virgin decided not to renew his contract.

Ironically, Almond's first release for the Parlophone label, 1987's The Stars We Are, became his greatest commercial success; the duet "Something's Gotten Hold of My Heart," sung with George Pitney, gave both artists their first number one hit as soloists. In 1990 Almond returned with an album of Jacques Brel songs, Jacques, followed by Enchanted. Despite including some of Almond's finest work, neither received much popular attention. However, Almond returned to the charts in 1992 when his remake of David McWilliams's "The Days of Pearly Spencer," from Tenement Symphony, entered the British top five.

In the fall of 1992 Almond made a second attempt to bid farewell to a high-profile career by performing two retrospective concerts at London's Royal Albert Hall, documented on the 1993 album Twelve Years of Tears. A low-key album titled Absinthe: The French Album, a collection of old French songs and arrangements of poems by Baudelaire and Rimbaud, arrived that year as well. Two years later, in 1995, Almond released Treasure Box, featuring the glam-rock single "The Idol," and returned to the stage with a new band. The following year the performer released Fantastic Star, recorded in New York City with a larger band and offering a lush, more traditional pop sound. A less conventional effort with Jim Thirlwell that mixed camp and industrial music, the disturbing Flesh Volcano/Slut, appeared in 1998.

In March of 1999 Almond released Open All Night. Tackling an array of styles, including the jazz-inspired "When Bad People Kiss" and the poignant "Tragedy," the album drew from a well of musical sources, including rhythm and blues, trip hop, Latin, and gospel. The album also featured two duets, "Threat of Love," with Siouxsie Sioux and the Creatures, and "Almost Diamonds," with Sneaker Pimps' vocalist Kelly Dayton.

To add to his long list of credits, Almond also wrote an anthology of poems and lyrics titled A Beautiful Twisted Night, published by Ellipsis in 1999, and an autobiography, Tainted Life, published by Macmillan in the same year.

For Almond's first studio release in the new millennium, Stranger Things, he found another collaborative foil in Icelandic keyboardist Johann Johannson. The pair seemingly attempted to provide a contemporary soundtrack to a nonexistent British spy film. His next studio outing, the 2003 release Heart on Snow, eliminated electronica and trip-hop completely in favor of acoustic instruments that provided a musical background for Russian folk music-tinged existentialist contemplations. On two separate pieces, Almond dueted with Russian singers Ludmilla Zukena and Alla Bayanova, and the British singer even sang several verses in the Russian language. According to All Music Guide critic Tim DiGravina, the album "really is essential listening for Almond fans. [These are] heartfelt, solid songs that show Almond going strong with great emotional depth and a wonderful range of musicality more than 20 years after his first solo album."

In 2004 Almond was involved in a motorcycle accident that resulted in a fractured skull, a broken shoulder and ruptured eardrum, a collapsed lung, and a ten-day coma. Despite his near-death experience, Almond was performing onstage again within a year. He also rebounded creatively by recording an album of carefully chosen cover songs (2007's Stardom Road) by songwriters as diverse as Bobby Darin, David Bowie, Al Stewart, and Charles Aznavour, in what many critics perceived as Almond's successful attempt to create a musical autobiography of his musical and lyrical influences.

Selected discography

Solo
Vermine in Ermine, Phonogram, 1984; reissued, 1998.
Stories of Johnny, Virgin, 1985.
A Woman's Story, Virgin, 1986.
Violent Silence, (EP) Virgin, 1986.
Melancholy Rose, (EP), Virgin, 1987.
Mother Fist and Her Five Daughters, Virgin, 1987.
Singles 1984-1987, Virgin, 1987.
The Stars We Are, Parlophone, 1987.
Jacques, Rough Trade, 1989.
Enchanted, Parlophone, 1990.
Tenement Symphony, WEA, 1991.
A Virgin's Tale Vol. I, Virgin, 1992.
A Virgin's Tale Vol. II, Virgin, 1992.
Twelve Years of Tears, Warner, 1993.
Absinthe: The French Album, Thirsty Ear, 1994.
Treasure Box, EMI, 1995.
Fantastic Star, Mercury, 1996.
Live in Concert, Thirsty Ear, 1998.
(With Jim Thirlwell) Flesh Volcano/Slut Some Bizarre, 1998.
Open All Night, Blue Star/Instinct, 1999.
Live at the Liverpool Philharmonic Hall, 1992, Blue Star Music, 2000.
Stranger Things, XIII Bis, 2001.
Live at the Union Chapel: December 12, 2000, Import, 2001.
Little Rough Rhinestones, Vol. 1, Blue Star Music, 2002.
The Willing Sinner: Live in Berlin, Import, 2003.
In Session: Vol. 1, Strange Fruit, 2003.
The Radio One Sessions, Vol. 1, Strange Fruit, 2003.
Heart on Snow, Psychobaby, 2003.
In Session, Vol. 2, Import, 2003.
Gone But Not Forgotten, XIII Bis, 2005.
Other People's Rooms, Universe, 2007.
Stardom Road, Sanctuary, 2007.

As Marc and the Mambas
Untitled, Phonogram, 1983; reissued, 1998.
Torment and Toreros, Phonogram, 1983; reissued, 1998.

Soft Cell/Marc Almond
Non-Stop Erotic Cabaret, Sire, 1981.
Memorabilia: The Singles, Polydor, 1991.

Sources
Books
Buckley, Jonathan, et al, editors, Rock: The Rough Guide, Rough Guides Ltd., 1999.
Robbins, Ira A., editor, Trouser Press Guide to '90s Rock, Fireside/Simon & Schuster, 1997.

Periodicals
Advocate, November 9, 1999.
Billboard, September 25, 1999.
Los Angeles Times, November 24, 1999.
Melody Maker, December 16, 1995; December 13, 1997; August 8, 1998; May 1, 1999; July 31, 1999; November 3-9, 1999.
New York Times, November 30, 1999.
UPI NewsTrack Entertainment News, February 1, 2005.

Online
All Music Guide, http://www.allmusic.com (April 1, 2008).
Billboard.com, http://www.billboard.com/bb/releases/week_3/rock.jsp (November 12, 2003).
Marc Almond Official Web site, http://www.marcalmond.co.uk/ (April 9, 2008).
Sonicnet.com, http://www.sonicnet.com (May 22, 2000).
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  • Genres: Electronica

Biography

After disbanding Soft Cell, vocalist Marc Almond pursued a solo career that followed the same vaguely sleazy, electronic dance-pop his former group had made popular. Almond's strength was never his personality -- his voice tends to waver around the notes instead of hitting them. It was the atmosphere he created with the synths and drum machines. Underneath all of the electronics and disco rhythms, Almond harked back to the days of cabaret singers, updating that sound for the dance clubs of the '80s.

Before he properly started a solo career, Almond formed Marc & the Mambas, a loose congregation that featured Matt Johnson of The The and Annie Hogan. Untitled (1982), the group's first album, featured covers of Lou Reed, Syd Barrett, and Jacques Brel; throughout his career, Almond would cover the songs of Brel, which he had learned from the records of Scott Walker. Like Walker, Almond used Brel's heavily orchestrated compositions and social ruminations as a starting point, both musically and lyrically -- Almond added a self-conscious element of camp with his Euro-disco and occasionally sleazy lyrics. Torment & Toreros (1983), Marc & the Mambas' second album, explored this path in more detail than Untitled, only to an orchestral background. After its release, the group broke up.

Almond formed the backing group the Willing Sinners in 1984, releasing Vermin in Ermine in 1984. Almond began to hit his stride with this album, which fulfilled most of his campy cabaret fantasies. Stories of Johnny, released the following year, was more cohesive, spawning a British hit with the title song. Even though he maintained a cult following in England and various parts of Europe, his records were not being released in the U.S.

In 1987, Almond released Mother Fist and Her Five Daughters, his first proper solo album and his bleakest work to date; a compilation, Singles: 1984-1987, appeared the same year. Stars We Are, released the following year, was a brighter, more welcoming album that revived his commercial career. In addition to a duet with Nico on "Your Kisses Burn," Almond performed a duet with Gene Pitney on Pitney's own "Something's Gotten Hold of My Heart," which became a number one single. Stars We Are also became his first album released in the U.S. since Soft Cell.

Almond followed the success of Stars We Are in 1990 with the pet project Jacques, a collection of Brel songs. That same year, he released Enchanted, which was more successful than Jacques, yet didn't reach the heights of Stars We Are. In 1991, he released The Tenement Symphony, and in 1993, a live album entitled Twelve Years of Tears, followed by a pair of albums on EMI. Almond then switched over to New York independent Thirsty Ear, which reissued some of his material, and then again to Instinct with his 1999 release Open All Night. Through the early 2000s, Almond stayed busy releasing archived live performances on both CD and DVD as well as issuing the studio efforts Stranger Things (2001) and Heart on Snow (2003) for yet another label, Psychobaby. Almond continued to write during this period, publishing a travel book called In Search of the Pleasure Palace: Disreputable Travels in 2004.

Things took a turn for the worse soon after the book came out; Almond was involved in a serious motorcycle accident in October of that year and spent the majority of the following year recovering from the incident. Almond resumed recording in 2006 and released an album of cover songs, Stardom Road, the following summer. His 2009 effort Orpheus in Exile featured the songs of Vadim Kozin, a Russian songwriter and performer active in the 1930s and ‘40s. A year later the single ”Nijinsky Heart” preceded the release of Varieté, Almond’s first studio album of his own material in over ten years. ~ Stephen Thomas Erlewine, Rovi
Wikipedia on Answers.com:

Marc Almond

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Marc Almond

Almond performing at Manezh Kadetskogo Korpusa, October 2008.
Background information
Birth name Peter Mark Sinclair Almond
Born 9 July 1957 (1957-07-09) (age 54)
Southport, (then Lancashire,
now Merseyside), England, UK
Genres Rock, cabaret, pop, art pop
Occupations Musician, singer-songwriter
Instruments Vocals
Years active 1978–present
Labels Some Bizzare, Virgin, Sire, Echo, Blue Star, Sanctuary, Vertigo
Associated acts Soft Cell, Marc and the Mambas, Flesh Volcano, The Immaculate Consumptive, Marc Almond and the Willing Sinners, Jools Holland, Sex Gang Children, Current 93
Website http://www.marcalmond.co.uk

Peter Mark Sinclair "Marc" Almond (born 9 July 1957, Southport)[1] is an English singer-songwriter and musician. Almond first began performing and recording in the synthpop/New Wave duo Soft Cell. He has sold over 30 million records worldwide.[2]

Contents

Childhood and early life

Almond was born in 1957 in Southport (then Lancashire, now part of Merseyside), the son of Sandra Mary Dieson and Peter John Sinclair Almond, a Second Lieutenant in the King's Liverpool Regiment. He was brought up at his grandparents' house in Birkdale with his younger sister, Julia, and as a child suffered from bronchitis and asthma. When he was four, they left their grandparents' house and moved to Starbeck on the edge of Harrogate, North Yorkshire. Two years later they returned to Southport, and then moved to Horsforth (near Leeds).[citation needed]

At age 11 he attended Aireborough Grammar School near Leeds. Almond found solace in music, listening to British radio pioneer John Peel. The first album he purchased was the soundtrack of the stage musical Hair and the first single "Green Manalishi" by Fleetwood Mac. He later became a great fan of Marc Bolan and David Bowie and got a part time job as a stable boy to fund his musical tastes.[citation needed]

After his parents' divorce in 1972 he moved with his mother back to his home town of Southport. He gained two O-Levels in Art and English and was accepted onto a General Art and Design course at Southport College, specialising in Performance Art.[3] He applied to Leeds Polytechnic where he was interviewed by Jeff Nuttall, also a performance artist, who accepted him on the strength of his performing skills. During his time at Art College he did a series of performance theatre pieces: "Zazou", "Glamour in Squalor", "Twilights and Lowlifes", as well as Andy Warhol inspired minimovies. The Yorkshire Evening Post labeled one of his performances "depressingly nihilistic". He followed bands like Siouxsie and the Banshees. He left Art College with a 2:1 honours degree. Almond later credited writer and artist Molly Parkin with discovering him. It was at Leeds Polytechnic that Almond met David Ball, a fellow student; they formed Soft Cell in 1979.[citation needed]

Early musical influences

As a child, Almond listened to his parent's record collection, which included his mother's "Let's Dance" by Chris Montez and "The Twist" by Chubby Checker, also his father's collection of jazz including Dave Brubeck and Eartha Kitt. As an adolescent, Almond listened to Radio Caroline and Radio Luxembourg. He listened at first to Progressive, Blues and Rock Music, Free, Jethro Tull, Van der Graaf Generator, The Who, and The Doors, and bought the first ever issue of Sounds because it contained a free poster of Jimmy Page. He became a great fan of Marc Bolan after hearing him on the John Peel Show, buying the T. Rex single "Ride a White Swan", from then on he "followed everything Marc Bolan did", and it was his obsession with Bolan that prompted Almond to adopt the 'Marc' spelling.[4] He discovered the songs of Jacques Brel through Bowie as well as Alex Harvey and Dusty Springfield. Brel became a major influence.[citation needed]

Career

1980s

Almond initially shot to fame in the early 1980s as one half of the synth duo Soft Cell, whose hits included "Tainted Love" (UK #1), "Bedsitter" (UK #4), "Say Hello, Wave Goodbye" (UK #3), "Torch" (UK #2), "What!" (UK #3), "Soul Inside" (UK #16), and the club hit "Memorabilia". Soft Cell's first release was an independent record (funded by David Ball's mother) entitled "Mutant Moments" via Red Rhino Records in 1980.[5]

It came to the attention of music entrepreneur Stevo Pearce, who at the time was compiling a "futurist" chart for the music paper Sounds which featured young, upcoming and experimental bands of the new wave of electronic sound. He signed the duo to his Some Bizarre label and they enjoyed a string of nine Top 40 hit singles and four Top 20 albums in the UK between 1981-84. They recorded three albums in New York with producer Mike Thorne: Non Stop Erotic Cabaret, Non Stop Ecstatic Dancing and The Art of Falling Apart. He became involved with the New York Underground Art Scene at this time with writer/DJ Anita Sarko, and performed at a number of Art events as well as meeting many New York Art luminaries including Andy Warhol. Soft Cell disbanded in 1984 just before the release of their fourth album, This Last Night In Sodom, though the duo reunited in 2001. "Tainted Love", a cover of a Gloria Jones's Northern Soul classic, was in the Guinness Book of Records for a while as the record that spent the longest time in the Billboard Top 100 chart in the U.S. It also won the best single award of 1981 at the first Brit Awards.[citation needed]

In 1982 Almond formed Marc and the Mambas as an off-shoot project from Soft Cell. Marc and the Mambas was a new wave group that included Matt Johnson from The The, Steve James Sherlock and Annie Hogan, with whom Almond worked later in his solo career.

His first solo album was Vermin in Ermine, released in 1984. Produced by Mike Hedges It featured musicians from the Mambas outfit, Annie Hogan, Martin McCarrick and Billy McGee. This ensemble, known as The Willing Sinners, worked alongside Almond for the subsequent albums Stories of Johnny (1985) and Mother Fist and Her Five Daughters (1987), also produced by Mike Hedges. McCarrick left The Willing Sinners in 1987 to join Siouxsie and the Banshees, from which point Hogan and McGee became known as La Magia. Almond signed to EMI and released the album The Stars We Are in 1988.[citation needed] This album featured Almond's version of "Something's Gotten Hold Of My Heart", which was later re-recorded as a duet with the song's original singer Gene Pitney and released as a single. The track reached No. 1 in the UK. It was also number one in Germany and was a major hit in countries around the world. The album would become his biggest selling solo album in the USA, with his biggest-selling solo single, "Tears Run Rings". His other recordings in the 1980s included an album of Brel songs, called Jacques, and an album of dark French chansons originally performed by Juliette Greco, Serge Lama and Léo Ferré, as well as poems by Rimbaud and Baudelaire set to music.[citation needed]

1990s

Almond's first release in the 1990s was the album Enchanted, which spawned the Top 30 hit "A Lover Spurned". A further single from the album, "Waifs and Strays", was remixed by Dave Ball who was now in the electronic dance band The Grid. Almond left EMI Records. In 1991, Soft Cell returned to the charts with a new remix of "Say Hello Wave Goodbye" followed by a re-release of "Tainted Love" (with a new video). The singles were issued to promote a new Soft Cell/Marc Almond compilation album, Memorabilia - The Singles, which collected some of the biggest hits from Almond's career throughout the previous ten years. The album reached the UK Top 10.[citation needed]

Almond signed to WEA and released a new solo album, Tenement Symphony. Produced partly by Trevor Horn, the album yielded three Top 40 hits including renditions of the Jacques Brel classic "Jacky" (which made the UK Top 20), and "The Days of Pearly Spencer" which returned Almond to the UK Top 5 in 1992. Later that year, Almond played a lavish one-off show at the Royal Albert Hall in London, which featured an orchestra and dancers as he performed material from his entire career. The show was recorded and released as the CD and video 12 Years of Tears.[citation needed]

In 1993 Almond toured Russia and Siberia by invitation of the British consul in Moscow. Accompanied only by Martin Watkins on piano, he played small Soviet halls and theatres, often without amplification, and ended at the "mini Bolshoi" in Moscow. Transmitted live on television Almond made a plea for tolerance of gay people. The tour was fraught with troubles, which Almond detailed in his autobiography, but it marked the beginning of his love affair with the genre of Russian folk torch songs known as Romance. He was given master classes by Alla Bayanova.[citation needed]

Almond's next album Fantastic Star saw him part with WEA and sign to Mercury Records. Much of Fantastic Star was originally recorded in New York with Mike Thorne, but later after signing to Mercury, was reworked in London. Almond also recorded a session for the album with John Cale, David Johanson, and Chris Spedding; some made the final cut. Other songs were produced by Mike Hedges and Martyn Ware. Adding to the disjointed recording process was the fact that during recording Almond also spent several weeks attending the Promis Treatment Centre in Canterbury, for treatment for addiction to prescription drugs.[6] However on its release Fantastic Star gave Almond a hit single with Adored and Explored, and also stage favorites such as The Idol and Child Star. Fantastic Star was Almond's last album with a major record label, and the period also marked the ending of his managerial relationship with Stevo.[citation needed]

Almond re-invented himself and signed to Echo records in 1998 with a more downbeat and atmospheric electronica album, Open All Night. This featured R and B, triphop and voodoo/Santería influences, as well as torch songs which he had become known for. The album featured a duet (Threat of Love) with Siouxsie Sioux as well as one (Almost Diamonds) with Keli Ali (then of the Sneaker Pimps). Open All Night was a successful album both with critics and fans, and introduced a darker, more mature and bluesy vocal sound. Almond left the label and signed to European label Tres Bis Viii where he stayed for the next four years. Tragedy was the single from the album Open All Night.[citation needed]

2000s

Almond relocated in 2000 to Moscow where he rented an apartment. With the encouragement and connections of executive producer Misha Kucherenko, he embarked on the three year recording project of Russian romance and folk songs, called "Heart on Snow". Featuring many Russian Stars old and new it was the first time that such a project had been undertaken by a Western Artist, many of the loved Soviet era songs sung in English for the first time.The album was produced by musician/arranger Andrei Samsonov. Almond performed many times at the famous now demolished Rossiya Concert Hall with Lyudmila Zykina and Alla Bayanova, and with the Rossiya Folk Orchestra. Another album of Russian songs came later in 2010.[citation needed]

2001: Soft Cell reunited briefly and released their first new album in 18 years, Cruelty Without Beauty and had a top 40 hit with a cover of the Frankie Valli's "The Night".

2004: Almond was seriously injured in a motorbike accident outside St Paul's Cathedral London. Near death and in a coma for weeks, he also suffered serious head injuries multiple breaks and fractures, collapsed lung and damaged hearing. He began a slow recovery determined to get back on the stage and in the studio.

2006: Almond recorded an album of cover songs, Stardom Road. Specially hand picked to tell a story of his life and career the album featured songs as diverse as I Have Lived by Charles Aznavour, to Stardom Road by Third World War, Strangers in the Night, and Kitch by Paul Ryan. The album featured his first new song since the crash, Beauty Will Redeem the World. The album was produced by Tris Penna and Marius De Vries. The Fashion House Yves St Laurent picked Almonds Strangers in the Night to represent their show at Londons Fashion Rocks. Almond performed it at the Albert Hall. It was to be one of three albums for the Sanctuary label but the label folded soon after.[citation needed]

2007: Almond celebrated his 50th birthday on stage and performed at a tribute show to Marc Bolan his teenage hero. At the concert he dueted with Bolan's wife, Gloria Jones, on an impromptu version of Tainted Love.

2008/2009: he toured with Jools Holland throughout the UK as well at guesting at shows by Current 93, Baby Dee and a tribute show to the late folk singer Sandy Denny at the Festival Hall.

2010: In June 2010, he released Varieté, an album of crafted personal songs, his first studio album of self-penned songs in almost a decade. Almond has stated this will possibly be his last fully self-penned album. He also announced a new concert tour in Autumn 2010 to celebrate his 30 years in music. Almond was awarded a Hero Award by the music magazine Mojo. He undertook his most successful tour celebrating thirty years of being a recording artist with a show of mostly Hits and A sides entitled "All A's".

2011: Almond released an album Feasting with Panthers. A collaboration with musician and arranger Michael Cashmore. Poems of Count Eric Stenboc put to music as well as decadent and Homo erotic poems by Jean Genet, Jean Cocteau, Paul Verlaine and Rimbaud. Almond took part in a unique music-theatre work Ten Plagues held at Edinburgh's Traverse Theatre from 1–28 August 2011. Ten Plagues is a song cycle based on Daniel Defoe's Journal of the Plague Year (which dates back to 1665), and was a collaboration between Almond, theatre director and designer Stewart Lain, libretto author Mark Ravenhill and composer Conor Mitchell. The show won the Scotman's Fringe First Award.

2011: On the 29 December 2011 It is announced that Marc will be performing a special 55th Birthday celebration concert at the Shepherds Bush Empire on Monday July 9. The title of the show will be 'My Favourite Songs (Of Mine)', with an emphasis on Marc's own favourite self-penned songs.

Personal life

Almond divides his time between London, Moscow and Barcelona.[7] He is openly gay, although dislikes being pigeon-holed as "a 'gay' artist", claiming that such a label "enables people to marginalize your work and reduce its importance, implying that it won't be of any interest to anyone who isn't gay".[8]

Discography

References

  1. ^ Cooke, Rachel (23 January 2005). "One close shave". The Guardian. http://www.guardian.co.uk/music/2005/jan/23/popandrock1. Retrieved 2010-03-04. 
  2. ^ "Biography", Official Marc Almond site
  3. ^ Walker, John. (1987) "Marc Almond & David Ball - Soft Cell: music + art school". In Cross-Overs: Art into Pop, Pop into Art.
  4. ^ Sinclair, David (2007) "Marc Bolan: the celebration", The Times, 17 September 2007, retrieved 2010-07-27
  5. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 20. ISBN 1-904994-10-5. 
  6. ^ Almond, M., Tainted Life - the autobiography, Sidgwick and Jackson, 1999, p. 389
  7. ^ "The dramatic world of Marc Almond", The Times, 25 October 2008
  8. ^ Almond, M., Tainted Life - the autobiography, Sidgwick and Jackson, 1999, p122

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