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March of the Penguins

 
Movies:

March of the Penguins

 
  • Director: Luc Jacquet
  • AMG Rating: starstarstarstar
  • Genre: Nature
  • Movie Type: Natural Environments, Animals
  • Release Year: 2005
  • Country: FR
  • Run Time: 80 minutes
  • MPAA Rating: G

Plot

While many people think of penguins as comical birds who look like they've been decked out in tuxedos, the truth is they're among the strongest and most resilient creatures in the animal kingdom. And they have to be -- each year, the emperor penguins of Antarctica travel through the most punishing environment on Earth to their nesting grounds, and after the females lay their eggs, the males keep them warm while their mates walk 70 miles back to the sea to fatten themselves with fish for themselves and their young. Filmmaker Luc Jacquet spent over a year braving the frigid temperatures of the South Pole to film this annual ritual of the penguins, and March of the Penguins documents their brave struggle to survive, as well as the close emotional bonds between the penguin families. March of the Penguins was first screened in France as La Marche de l'Empereur, with a handful of French actors providing a voice-over in which they expressed the "thoughts" of the penguins; for the American edition, Morgan Freeman was brought in to deliver a more straightforward narration. ~ Mark Deming, All Movie Guide

Review

Harnessing the drama of ten Oscar nominees in the simple act of mated penguins transferring an egg across frigid ice, March of the Penguins became a documentary phenomenon, grossing upwards of 70 million dollars and thriving in theaters for months on the strength of its word of mouth. But the most phenomenal detail is that March is not that different from something you might stumble across on Animal Planet, except for being narrated by Morgan Freeman. What March of the Penguins revealed was a true audience appetite for low-tech real-world nourishment, and for a film that would please children without resorting to garish animated fads and their product tie-ins. From the moment the penguins' bobbing heads first peek over the horizon, it's clear the audience will be brought into touch with both the familiar and the unknown; familiar because everyone knows and loves penguins in the abstract, but unknown because few have a sense of the arduous life cycle these determined creatures endure. In their own amazing feat of endurance, Luc Jacquet's crew has captured a palpable sense of both the macroscopic and microscopic struggles of the emperor penguin's mating ritual, documenting the cold and snowy hours in which the birds cling to their basic survival impulse. The harsh conditions also have the effect of putting into perspective the problems of a movie patron sitting in an air-conditioned theater. Laurent Chalet's beautiful camerawork of the Antarctic landscape demands to be seen on the big screen, but even at home on DVD, March of the Penguins is something far more profound than your average nature film. ~ Derek Armstrong, All Movie Guide

Cast

Morgan Freeman - Narrator

Credit

Jeff Schindler - Conductor, Jerome Maison - First Assistant Director, Luc Jacquet - Director, Sabine Emiliani - Editor, Ilann Girard - Executive Producer, Cinelumiere - Lighting, Alex Wurman - Composer (Music Score), Emile Simon - Composer (Music Score), Laurent Chalet - Cinematographer, Jerome Maison - Cinematographer, Daniel Longuein - Production Manager, Yves Darondeau - Producer, Christophe Lioud - Producer, Emmanuel Priou - Producer, Sam Lehmer - Recording, Larry Mah - Recording, Gerard Lamps - Sound Mixer, Laurent Quaglio - Sound/Sound Designer, Clavicorde - Sound Editor, Luc Jacquet - Screen Story, Michel Fessler - Screenwriter, Luc Jacquet - Screenwriter, Eric Leclerc - Aerial Photography, Christian Palacin - Aerial Photography, Alex Wurman - Music Producer, Alan Steinberger - Musical Performer, Rose Corrigan - Musical Performer, Fred Seldon - Musical Performer, Laetitia Roure - Post Production Coordinator, Jean-Christophe Barret - Post Production Supervisor, Steve Pederson - Re-Recording Mixer, Kevin E. Carpenter - Re-Recording Mixer, Emilie Feret - Special Effects Coordinator, Francois De Riberolles - Underwater Photography, Patrick Marchand - Underwater Photography, Pascal Dedeye - Foley Artist, Laura McLean - Personal Assistant, Willy Allen - ADR Supervisor, Armelle Mahe - Foley Recordist, Valentine Duley - Assistant Editor, Brice Ferre - Assistant Editor, Emmanuelle Zelez - Assistant Editor

Similar Movies

Winged Migration; Penguins Under Siege; National Geographic: Antarctic Wildlife Adventure; Anima Mundi; The Penguins' Journey; National Geographic Kids: Animal Holiday; Cute and Cuddly Critters: A Baby Mountain Lion's Adventures; Animals Are Beautiful People; Penguins!
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Wikipedia: March of the Penguins
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March of the Penguins

American Release poster
Directed by Luc Jacquet
Produced by Ilann Girard
Yves Darondeau
Christophe Lioud
Emmanuel Priou
Written by Luc Jacquet
Michel Fessler
Narrated by Charles Berling
Romane Bohringer
Jules Sitruk
Amitabh Bachchan
Morgan Freeman
Cinematography Laurent Chalet
Jérôme Maison
Distributed by Warner Independent Pictures (US)
Lionsgate (Canada)
Maple Pictures (theatrical Quebec (east of Canada))
Alliance Films (theatrical Toronto (west of Canada)
Release date(s) Flag of France January 26, 2005
Flag of Canada 20 May 2005
Flag of the United States June 24, 2005 (limited)
Flag of the United States July 22, 2005 (wide)
Flag of the United Kingdom 9 December 2005
Flag of Australia 19 October 2006
Running time 85 min.
84 min. (US version)
Budget $77,413,017 (US)

March of the Penguins (French: La Marche de l'empereur; literally The Emperor's March) is a French nature documentary film which won the 2005 Academy Award for Best Documentary Feature.[1] It was directed and co-written by Luc Jacquet, and co-produced by Bonne Pioche and the National Geographic Society.

The film depicts the yearly journey of the emperor penguins of Antarctica. In autumn, all the penguins of breeding age (five years old and over) leave the ocean, their normal habitat, to walk inland to their ancestral breeding grounds. There, the penguins participate in a courtship that, if successful, results in the hatching of a chick. For the chick to survive, both parents must make multiple arduous journeys between the ocean and the breeding grounds over the ensuing months.

It took one year for the two isolated cinematographers Laurent Chalet and Jérôme Maison to shoot the movie, which was filmed around the French scientific base of Dumont d'Urville in Adélie Land.

Contents

International versions

The original French language release features dialog "dubbed" as if it were spoken by the penguins themselves; the voice actors are Charles Berling, Romane Bohringer and Jules Sitruk. The Hungarian version follows that, with actors Ákos Kőszegi, Anna Kubik, and Gábor Morvai.

The German version as seen in German movie theaters (and in the televised broadcast in April 2007 on channel ProSieben) uses the voices of Andrea Loewig, Thorsten Michaelis and Adrian Kilian for the "dubbed dialog" of the penguins. The Austrian channel ORF 1, however, used for their near-simultaneous broadcast in April 2007 the alternate version available on the German "Special Edition" DVD. This uses a documentary narration voiceover spoken by the German actor Sky Du Mont.

The English language release was given a more straightforward narration by American actor Morgan Freeman, as were the Dutch version (narrated by Belgian comedian Urbanus), the Indian version (narrated in Hindi and English by Indian actor Amitabh Bachchan and known by the title "Penguins: A Love Story"), the Polish version (narrated by Polish actor Marek Kondrat), and the Swedish version (narrated by Swedish actor Gösta Ekman).

The Tagalog version (also straightforward) is narrated by actress Sharon Cuneta; it was entitled Penguin, Penguin, Paano Ka Ginawa? (English: "Penguin, Penguin, How Were You Made?") with the English title as the subtitle. The Tagalog title is similar to that of a Philippine novel and movie, Bata, Bata, Paano Ka Ginawa? (English: "Child, Child, How Were You Made?")

The original version uses an original soundtrack by Émilie Simon, whereas the English language version replaces it with a score by Alex Wurman.

Subject matter

The Emperor Penguins use a particular spot as their breeding ground because it is on ice that is solid year round and there is no danger of the ice becoming too soft to support the colony. It is also in a protected area, which shields the colony from winds that can reach 300 kilometres per hour (190 mph). At the beginning of Antarctic summer, the breeding ground is only a few hundred meters away from the open water where the penguins can feed. However, by the end of summer, the breeding ground is over 100 kilometres (62 mi) away from the nearest open water. In order to reach it, all the penguins of breeding age must traverse this great distance.

The penguins practice serial monogamy within each breeding season. The female lays a single egg, and the co-operation of the parents is needed if the chick is to survive. After the female lays the egg, she transfers it to the feet of the waiting male with a minimal exposure to the elements, as the intense cold will kill the developing embryo. The male tends to the egg when the female returns to the sea, now even further away, both in order to feed herself and to obtain extra food for feeding her chick when she returns. She has not eaten in two months and by the time she leaves the hatching area, she will have lost a third of her body weight.

For an additional two months, the males huddle together for warmth, and incubate their eggs. They endure temperatures approaching (−62 °C (−79.6 °F)), and their only source of water is snow that falls on the breeding ground. When the chicks hatch, the males have only a small meal to feed them, and if the female does not return, they must abandon their chick and return to the sea to feed themselves. By the time they return, they have lost half their weight and have not eaten for four months. The chicks are also at risk from predatory birds such as skuas.[2]

The mother penguins come back and feed their young, while the male penguins go all the way back to sea (70 miles) to feed themselves. This gives the mothers time to feed their young ones and bond with them. Unfortunately, a fierce storm arrives and some of the chicks perish.

The death of a chick is tragic, but it does allow the parents to return to the sea to feed for the rest of the breeding season. When a mother penguin loses its young in a fierce storm, it sometimes attempts to steal another mother's chick. At times, the young are abandoned by one parent, and they must rely on the return of the other parent, who can recognize the chick only from its unique call. Many parents die on the trip, killed by exhaustion or by predators (such as the Leopard Seal), dooming their chicks back at the breeding ground.

The ingenious fight against starvation is a recurring theme throughout the film. In one scene, near-starving chicks are shown taking sustenance out of their father's throat-sacs, 11th-hour nourishment in the form of a milky, protein-rich substance secreted from a sac in the father-penguins' throat sacs to feed their chicks in the event that circumstances require.

The parents must then tend to the chick for an additional four months, shuttling back and forth to the sea in order to provide food for their young. As spring progresses, the trip gets progressively easier, until finally the parents can leave the chicks to fend for themselves.

Releases and responses

The first screening of the film was at the Sundance Film Festival, in the USA on 21 January 2005. It was released in France the next week, on 26 January, where it earned a 4-star rating from AllôCiné, and was beaten at the box office only by The Aviator during its opening week.

The film was released on DVD in France on July 26, 2005. The DVD extras address some of the criticisms the movie had attracted, most notably by reframing the film as a scientific study and adding facts to what would otherwise have been a family movie. This Zone 2 release featured no English audio tracks or subtitles.

The original French version was released in Quebec. Subsequently, an English language version was released in the rest of North America on June 24, 2005, which drew praise from most critics who found it both informative and charming (it has received an enviable 95% "fresh" rating on the website Rotten Tomatoes, which collects movie reviews). The movie-going public apparently agreed with that assessment, as the film distinguished itself as one of the most successful films of the season on a per-theatre basis: it became the second most successful documentary released in North America, after Fahrenheit 9/11, grossing over $77 million in the United States and Canada (in nominal dollars, from 1982 to the present.)[3]

The reason for the unusually strong success of March of the Penguins in the United States is a subject of some speculation. Nature documentaries are released on a fairly regular basis, but most do not perform as well in the marketplace or garner as much recognition in the film industry. The decision to release this movie in theaters as opposed to television was unusual, although not unprecedented, particularly for French documentaries such as Microcosmos and Winged Migration.

In 2007 a direct-to-DVD parody written and produced by Bob Saget called Farce of the Penguins was released. It is narrated by Samuel L. Jackson and features other stars providing voice-overs for the penguins. Although the film uses footage from actual nature documentaries about penguins, the parody was not allowed to include footage from March of the Penguins itself.[4]

In November 2006, the film was adapted into a video game by DSI Games for the Nintendo DS and Game Boy Advance platforms. It features Lemmings-like gameplay.

In the run up to the 2007 Irish General Election Irish Prime Minister Bertie Ahern said March of the Penguins was his favourite film of all time.[citation needed]

Political and social interpretations

The film attracted some political and social commentary in which the penguins were viewed anthropomorphically as having similarities with, and even lessons for, human society. Michael Medved praised the film for promoting conservative family values by showing the value of stable parenthood[5]. Medved's comments provoked responses by others, including Andrew Sullivan[6], who pointed out that the penguins are not in fact monogamous for more than one year, in reality practicing serial monogamy. Matt Walker of New Scientist pointed out that many emperor penguin “adoptions” of chicks are in fact kidnappings, as well as behaviours observed in other penguin species, such as ill treatment of weak chicks, prostitution, and ostracism of rare albino penguins.[7] "For instance, while it is true that emperor penguins often adopt each other's chicks, they do not always do so in a way the moralisers would approve of."[8] Sullivan and Walker both conclude that trying to use animal behavior as an example for human behavior is a mistake.

The director, Luc Jacquet, has condemned such comparisons between penguins and humans. Asked by the San Diego Union Tribune to comment on the film's use as "a metaphor for family values – the devotion to a mate, devotion to offspring, monogamy, self-denial", Jaquet responded:[9]

I condemn this position. I find it intellectually dishonest to impose this viewpoint on something that's part of nature. It's amusing, but if you take the monogamy argument, from one season to the next, the divorce rate, if you will, is between 80 to 90 percent... the monogamy only lasts for the duration of one reproductive cycle. You have to let penguins be penguins and humans be humans."

Some of the controversy over this may be media driven. Rich Lowry, editor of National Review, reported in the magazine's blog that the BBC “have been harassing me for days over March of the Penguins ... about what, I'm not sure. I think to see if I would say on air that penguins are God's instruments to pull America back from the hell-fire, or something like that. As politely as I could I told her, ‘Lady, they're just birds.’”[10]

Awards

Awards
Preceded by
Born into Brothels
Academy Award for Documentary Feature
2005
Succeeded by
An Inconvenient Truth

See also

Further reading

References

External links


 
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