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Margaret Anglin

 
American Theater Guide: Margaret Anglin

Anglin, Margaret (1876–1958), actress. Born in Ottawa, where her father was Speaker of the Canadian House of Commons and her brother later the country's Chief Justice, she came to New York to train at the Empire Dramatic School, which Charles Frohman ran in conjunction with his Empire Theatre. Impressed by her work, Frohman offered her the part of Madeleine West in Shenandoah, in which she made her first New York appearance in 1894. She then toured with James O'Neill and with E. H. Sothern, performing in such varied pieces as The Count of Monte Cristo, Lord Chumley, and Hamlet. She won plaudits in 1898 for her Roxane opposite Richard Mansfield's Cyrano, followed by her Mrs. Dane, the foredoomed woman with a past, in Mrs. Dane's Defense (1900) and the wrongly suspected Dora in Diplomacy (1901). However, Anglin felt most of Frohman's offerings were too insubstantial, so in 1903 she joined forces with Henry Miller, and the two toured together with a repertory that included The Devil's Disciple and Camille. She gave one of her most memorable portrayals as Ruth Jordan, the traditional New Englander who finds love with a rough‐hewn Westerner, in The Great Divide (1906) and she enjoyed long runs in The Awakening of Helen Richie (1909) and Green Stockings (1911). In the 1910s Anglin turned her attention to revivals, appearing in the principal woman's roles in As You Like It, Twelfth Night, The Taming of the Shrew, Antony and Cleopatra, and Lady Windermere's Fan. She also essayed a number of classic Greek roles, mounting some of the first important professional productions of the school, including Antigone, Electra, Hippolytus, and Medea. She scored major hits as Vivian Hunt, the long‐suffering, faithful wife in The Woman of Bronze (1920); Clytemnestra in Iphigenia in Aulis; and Joan in The Trial of Joan of Arc. Anglin's last New York appearance was as the impoverished but resourceful Lady Mary Crabbe in Fresh Fields (1936), although she played several of her old roles in summer stock thereafter. Of her Katherine, Walter Prichard Eaton wrote, “She herself is the best Shrew since Ada Rehan. . . . She is brilliantly vitriolic, edged like a saber, and she is properly and convincingly subdued, but only after a tussle that kindles the blood.” Biography: Margaret Anglin, A Stage Life, John Le Vay, 1989.

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Margaret Anglin
Born April 3, 1876(1876-04-03)
Died January 7, 1958 (aged 81)

Mary Margaret Anglin (April 3, 1876 – January 7, 1958) was a Canadian-born Broadway actress, director and producer whom Encyclopædia Britannica calls "one of the most brilliant actresses of her day."

Margaret Anglin was born in Ottawa, Ontario, one of nine children of newspaper editor and politician Timothy Warren Anglin (1822-1896) who at the time of her birth was the Speaker of the Canadian House of Commons. Her older brother, Francis Alexander Anglin (1865-1933) served as Chief Justice of the Supreme Court of Canada from 1924 to 1933.

Ms. Anglin attended Catholic convent schools in Montreal, and then in Toronto, where her family moved in 1883. At age seventeen she attended acting school in New York City where she studied under Nelson Wheatcroft. Her acting skills brought the attention of theatre impresario Charles Frohman who provided her with the opportunity to make her professional stage debut in 1894 in the Bronson Howard production of "Shenandoah." In 1896 she played Ophelia opposite James O'Neill.[1] She went on to make her first Broadway theatre appearance in the 1898 production of "Lord Chumley" then achieved considerable fame that year on tour portraying "Roxane" in the Edmond Rostand play, Cyrano de Bergerac starring Richard Mansfield.

By 1905 she had gained wide recognition for her acting skills and in December of that year the New York Times reported that, following a benefit matinee for the Jewish sufferers in Russia, the doyenne of the stage Sarah Bernhardt asked Anglin to perform with her in the Maurice Maeterlinck play Pelléas et Mélisande. The blessing by the great Bernhardt sealed Margaret Anglin's reputation as the new star of American theatre.

Margaret Anglin as Electra

Inspired by reading the classics and a love for the Greek tragedies that centered on women, Margaret Anglin became the dominant dramatic actress of the first two decades of the 20th Century in Greek tragedies and acclaimed for her performances in Shakespearean plays, acting and producing The Taming of the Shrew, As You Like It, and Twelfth Night in repertory at Broadway's Hudson Theatre in 1914.

In 1911, Margaret Anglin became a U.S. citizen through her marriage to fellow actor Howard Hull. In 1929, after her husband had not been cast in a Broadway production for twenty years, she insisted that producers give him a role in her plays. Balked at by the producers, she walked out on a production and did not return to until 1936 in what would be her final Broadway appearance. Like many Broadway luminaries at the beginning of the century Anglin refused to sacrifice her theatrical art by bowing to the new medium motion pictures.

Margaret Anglin returned to live in Toronto in 1953 where she died in 1958. She bore no children. She was interred there in the Anglin family plot at Mount Hope Catholic Cemetery.

External links

References

  1. ^ Eaton, Walter Prichard (1910). The American Stage of Today. New York, NY: P.F. Collier & Son. 
  • "Margaret Anglin, A Stage Life" by John LeVay (grandnephew of Ms Anglin) (1989) ISBN 0-88924-206-2

 
 
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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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