Career Highlights: Die Letzte Bruecke, The Mark, Gervaise
First Major Screen Credit: The Angel with the Trumpet (1950)
Biography
The older sister of actor Maximillian Schell, Viennese-born leading lady Maria Schell was one of four children born to a Swiss author and Austrian actress. Billed as Gritli Schell, Maria Schell made her screen debut at 16 in the Swiss-filmed Steibruch; it would be six years before she'd appear before the cameras again, in 1948's Der Engel Mit der Posaune. This last-named Austro-German production was simultaneously filmed in an English-language version, Angel With a Trumpet, which brought Schell to the attention of international filmgoers. In 1954, she won a Cannes Film Festival award for her enigmatic portrayal of a German nurse imprisoned in wartime Yugoslavia in The Last Bridge; two years later, she claimed a Venice Film Festival prize for her work in Gervaise (1956). Schell's American film career consisted of starring roles in The Brothers Karamazov (1958, as Grushenka), the Gary Cooper vehicle The Hanging Tree (1959), and the remake of Edna Ferber's Cimarron (1961). Dissatisfied with the diminishing value of the characters she was called upon to play, Maria Schell retired in 1963, but made a comeback in character roles five years later; among these later assignments was her fleeting appearance as a Kryptonian judge in Superman: The Movie (1978) and her portrayal of Albert Speer's mother in the made-for-TV Inside the Third Reich. ~ Hal Erickson, All Movie Guide
The daughter of a Swiss author and an Austrian actress, she was the older sister of actor Maximilian Schell, and lesser-known actors Carl Schell, and Immy (Immaculata) Schell.
Schell was married twice, first to Horst Hächler and second to Veit Relin. Her daughter by her second marriage, actress Marie Theres Relin (born 1966), who is married to Bavarian playwright Franz Xaver Kroetz and has three children, made a media and Internet appearance as a spokeswoman for housewives (If Pigs Could Fly. Die Hausfrauenrevolution, 2004).
Upon her death, Maximilian Schell released a statement, saying in part: "Towards the end of her life, she suffered silently and I never heard her complain. I admire her for that. Her death might have been for her a salvation. But not for me. She is irreplaceable."