American screenwriter who won an Academy Award for The Big House (1930) and The Champ (1932). She was the highest-paid screenwriter in Hollywood from 1916 through the mid-1930s.
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| Frances Marion | |
|---|---|
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| Born | Marion Benson Owens November 18, 1888 San Francisco, California |
| Died | May 12, 1973 (aged 84) Los Angeles, California |
| Other name(s) | Frank M. Clifton |
| Occupation | Writer, screenwriter |
| Spouse(s) | Fred Thomson (1919-1928) George W. Hill (1930-1933) |
Frances Marion (November 18, 1888[1] - May 12, 1973) was an American journalist, author, and screenwriter often cited as the most renowned female screenwriter of the twentieth century alongside June Mathis and Anita Loos
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Born Marion Benson Owens in San Francisco, California, she worked as a journalist and served overseas as a combat correspondent during World War I. On her return home, she moved to Los Angeles and was hired as a writing assistant by "Lois Weber Productions", a film company owned and operated by pioneer female film director Lois Weber.
As "Frances Marion", she wrote many scripts for actress/filmmaker Mary Pickford, including Rebecca of Sunnybrook Farm and The Poor Little Rich Girl, as well as scripts for numerous other successful films of the 1920s and 1930s. She became the first female to win an Academy Award for Best Adapted Screenplay in 1930 for the film The Big House, she received the Academy Award for Best Story for The Champ in 1932. She was credited with writing 300 scripts and over 130 produced films. She directed and occasionally appeared in some of Mary Pickford's early movies.
She was married four times, first to Wesley de Lappe, and later to Robert Pike, both prior to changing her name. In 1919, she wed Fred Thomson, who co-starred with Mary Pickford in The Love Light in 1921. After Thomson's unexpected death in 1928, she married director George W. Hill in 1930, but that marriage ended in divorce in 1933. She had two sons -- Fred C. and Richard (adopted). Fred earned a Ph. D. in English at Yale, taught there and later joined the faculty of the University of North Carolina. He became an editor of the writings of George Eliot, publishing editions of Felix Holt, the Radical in 1980 and later.
For many years she was under contract to MGM Studios but independently wealthy, she left Hollywood in 1946 to devote more time to writing stage plays and novels.
Frances Marion published a memoir Off With Their Heads: A Serio-Comic Tale of Hollywood in 1972. Marion died the following year of a ruptured aneurysm in Los Angeles.[2]
| Year | Title | Notes |
|---|---|---|
| 1912 | The New York Hat | Contributing writer |
| 1915 | Camille | Scenario |
| 1917 | The Little Princess | Writer |
| Rebecca of Sunnybrook Farm | Writer | |
| The Poor Little Rich Girl | Writer | |
| 1918 | Stella Maris | Photoplay |
| How Could You, Jean? | Scenario | |
| M'Liss | Writer | |
| Amarilly of Clothes-Line Alley | Writer | |
| 1919 | The Cinema Murder | Scenario |
| Anne of Green Gables | Writer | |
| 1920 | Pollyanna | Adaptation |
| The Flapper | Screenplay, story | |
| The Restless Sex | Writer | |
| 1921 | The Love Light | Director, story (uncredited) |
| 1922 | The Toll of the Sea | Scenario (uncredited), story |
| 1923 | The Famous Mrs. Fair | Adaptation, screenplay |
| 1924 | Secrets | Adaptation |
| 1925 | Stella Dallas | Adaptation |
| A Thief in Paradise | Adaptation | |
| Thank You | Writer | |
| Lightnin' | Writer | |
| 1926 | The Scarlet Letter | Adaptation, scenario, titles |
| The Winning of Barbara Worth | Adaptation | |
| Son of the Sheik | Adaptation | |
| 1927 | The Red Mill | Adaptation, screenplay |
| Love | Continuity | |
| Madame Pompadour | Writer | |
| 1928 | The Wind | Scenario |
| The Awakening | Story | |
| Bringing Up Father | Writer | |
| 1929 | Their Own Desire | Screenplay |
| 1930 | Min and Bill | Dialogue, scenario |
| The Big House | Dialogue, story Won the Academy Award for Best Writing (Adapted Screenplay) |
|
| Good News | Scenario | |
| The Rouge Song | Writer | |
| Anna Christie | Writer | |
| 1931 | Anna Christie | Adaptation |
| The Secret Six | Dialogue, screenplay | |
| The Champ | Story Won the Academy Award for Best Story |
|
| 1932 | Blondie of the Follies | Screenplay, story |
| Emma | Story | |
| 1933 | Peg o' My Heart | Adaptation |
| Dinner at Eight | Screenplay | |
| The Prizefighter and the Lady | Story Nominated for the Academy Award for Best Story |
|
| Going Hollywood | Story (uncredited) | |
| Secrets | Writer | |
| 1936 | Camille | Screenplay |
| Riffraff | Screenplay, story | |
| Poor Little Rich Girl | Writer | |
| 1937 | Knight Without Armour | Adaptation |
| 1940 | Green Hell | Original story, screenplay |
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