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marionette

 
Dictionary: mar·i·o·nette   (măr'ē-ə-nĕt') pronunciation
marionette
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marionette
(© School Division, Houghton Mifflin Company)
n.
A jointed puppet manipulated from above by strings or wires attached to its limbs.

[French marionnette, from Old French, musical instrument, diminutive of mariole, the Virgin Mary (influenced by the name Marion), from diminutive of Marie, Mary, from Late Latin Maria. See Mary1.]


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Puppet figure manipulated from above by strings attached to a wooden cross or control. The figure, also called a string puppet, is usually manipulated by nine strings, attached to each leg, hand, shoulder, and ear and at the base of the spine. Additional strings give more sensitive control of movement, and some marionettes can be made to imitate almost every human and animal action. Early marionettes were controlled by an iron rod instead of strings, a form that survived in Sicily. In the 18th century, marionette operas were extremely popular, and they are still performed today in Salzburg to Mozart's music. See also puppetry.

For more information on marionette, visit Britannica.com.

Word Tutor: marionette
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pronunciation

IN BRIEF: A puppet or small jointed doll moved by strings or wires.

pronunciation Our daughters and sons have burst from the marionette show leaving a tangle of strings and gone into the unlit audience. — Maxine Kumin

Wikipedia: Marionette
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Marionette from Tiller family marionette company, 1870s-1890s V&A Museum no. S.286-1999

A marionette is a puppet controlled from above using wires, formerly strings but dropped due to increased durability of wires; a marionette's puppeteer is called a manipulator.[1] Marionettes are operated with the puppeteer hidden or revealed to an audience by using a vertical or horizontal control bar in different forms of theatres or entertainment venues. They have also been used in films and on television.

Contents

Ancient times

Puppetry is an ancient form of performance. Some historians claim that they pre-date actors in theatre.[citation needed] There is evidence that they were used in Egypt as early as 2000 BC when string-operated figures of wood were manipulated to perform the action of kneading bread, and other string controlled objects. Wire controlled, articulated[specify] puppets made of clay and ivory have been found in Egyptian tombs. Marionette puppetry was used to display rituals and ceremonies using these string-operated figurines back in ancient times and is used today[specify].

Though the Greeks left few physical examples of puppets, their literature suggests that puppetry was important. The oldest written record on puppetry can be found in the writings of Xenephon dating from around 422 BC. The Greek word usually translated as "puppets" is neurospasta, which means "string-pulling", from nervus, meaning either sinew, tendon, muscle, string, or wire, and span, to pull. Aristotle compared pulling strings to control heads, hands and eyes, shoulders and legs[citation needed]. Archimedes is known to have worked with marionettes[citation needed]. Plato's work is full of references to puppeteering. The 'Iliad' and the 'Odyssey' were presented using puppetry.[specify] Herodotus wrote that during festivals to honour Osiris, female priests carried statues which had moving arms activated by strings.

In ancient Greece and Rome clay and ivory dolls, dated from around 500 BC, were found in children's tombs. These dolls had articulated arms and legs, some of which had an iron rod extending up from the tops of their heads. This rod was used to manipulate the doll from above, exactly as is done today in Sicilian puppetry. A few of these dolls had strings in place of the rods. Some authorities believe these ancient figures were mere toys and not puppets due to their small size.[citation needed]

The Indian word sutradhara refers to the show-manager of theatrical performances (or a puppet-player), and also means literally "string-puller" or "string-holder".

Middle Ages and Renaissance

Italy is considered by many to be the early home of the marionette thanks to the influence of Roman puppetry. Xenophon and Plutarch refer to them. The Christian church used marionettes to perform morality plays. It is believed that the term marionette emerged around 1600. Comedy sneaked into the plays as time went by and ultimately led to an edict banning puppetry from the church. Puppeteers responded by setting up stages outside cathedrals and became ever more ribald and slapstick. Out of this grew the Italian comedy called commedia dell'arte. Puppets were used at times in this form of theatre. Sometimes Shakespeare's plays were performed using marionettes instead of actors.

Sicilian marionettes

The sides of donkey carts are decorated with intricate, painted scenes from the Frankish romantic poems, such as The Song of Roland; these same tales are enacted in traditional puppet theatres featuring hand-made marionettes of wood, this art is called Opira dî pupi (Opera of the puppets) in Sicilian. The opera of the puppets and the Sicilian tradition of cantastorî (sing stories) are rooted in the Provençal troubadour tradition in Sicily during the reign of Frederick III, Holy Roman Emperor, in the first half of the 13th century. A great place to see this marionette art is the puppet theatres of Palermo, Sicily.

Marionette operas

From a production of Mozart's The Magic Flute by the Salzburg Marionette Theatre

In the eighteenth century, operas were specifically composed for marionettes. Mozart as a child had seen marionettes. Gluck, Haydn, de Falla and Respighi all composed adult operas for marionettes. Today in Salzburg in Austria, the Salzburg Marionette Theatre still continues the tradition of presenting full length opera using marionettes in their own purpose built theatre.

Marionettes in modern times

Marionettes have sometimes been referred to as "puppets". Puppeteers refer to them as marionettes as there are other forms of puppetry such as finger, glove, rod and shadow puppetry.

In the UK the renaissance of Marionettes during the early 20th century was driven by W. H. Whanslaw and Waldo Lanchester, Two of the co founders of the B.P.M.T.G. (British Puppet and Model Theatre Guild). The only purpose-built UK marionette theatre founded by Eric Brammall is The Harlequin Puppet Theatre (built 1958) in Rhos on Sea, North Wales. Other theatres that occasionally perform with marionettes are The Little Angel Puppet Theatre, founded by John and Lyndie Wright in Islington, London and the Norwich Puppet Theatre founded by Ray & Joan DaSilva. In Scotland, Dr Malcolm Knight has championed the art form and over the last 25 years the Scottish Mask and Puppet Centre has acted as a catalyst,a lead agency and as a resource centre for all those with an interest in mask and puppet theatre.

The Salzburg Marionette Theatre was founded in 1913 by Professor Anton Aicher. Aicher was heavily influenced by Count Franz Pocci who founded the Munich Marionette Theatre in Germany in 1855. Today, the Salzburg Marionette Theatre is under the artistic direction of his granddaughter, Gretel Aicher, who commented on her lasting interest in marionettes, "What then is the fascination of a life with marionettes? Is it the pleasure of performing? The appeal of mastering an "instrument" to the point of virtuosity? The transformation of one's own self? For me, it is the process of emphathising with mind and soul, of feeling at one with music and movement that bring these much loved creatures to life. The Salzburg Marionette Theatre performs mainly operas such as Die Fledermaus and The Magic Flute and a small number of ballets such as The Nutcracker. The Salzburg Marionette Theatre productions are aimed for adults although children are welcome. There is also a marionette theatre at Schoenbrunn Palace in Vienna. Marionette theatre also had a very long history in entertainment in Prague, and elsewhere in the Czech Republic. An important organisation is the National Marionette Theatre in Prague. Its repertoire mainly features a marionette production of Mozart's famous Don Giovanni. The production has period costumes and a beautifully designed eighteenth century setting. There are numerous other companies including, Buchty a Loutky ("Cakes and Puppets") founded by Marek Becka. Rocky IX and Tibet are just two works in the repertoire. [2]

In Australia, like is many other countries, there is a continuing tradition of marionette puppetry. Peter Scriven, founder of the Marionette Theatre of Australia, and Richard Bradshaw OAM are notable puppeteers.

Television and film

With the rise in popularity of television and film, marionettes found a rise in popularity especially in children's programming. The story of Pinocchio and its Disney adaptation (Pinocchio), which was released in 1940, is a story about a marionette. In 1947, Howdy Doody introduced marionettes to Saturday morning television, with Howdy Doody (the main character) being a marionette, as well as some other characters.

In the 1950s, Bil Baird and Cora Eisenberg presented a great number of marionette shows for television, and were also responsible for the Lonely Goatherd sequence from the classic film The Sound of Music. Bil Baird also wrote a classic book on his work. [3] In Australia, a program called Mr. Squiggle, using a marionette central character of the same name, ran for just over 40 years (1959-1999). Another program for children using puppetry was the Magic Circle Club featuring puppets Cassius Cuckoo and Leonardo de Funbird.

Andypandy.jpg

In 1950 in the United Kingdom, a well loved marionette program for children, Andy Pandy entertained young and old. Later in the 1960s, Gerry Anderson with his wife, Sylvia Anderson and colleagues made a number of hit series, Fireball XL5, Stingray and Thunderbirds, which pioneered a technique combining marionettes and electronics. This allowed for radio control moving of the mouth of a marionettes. The technique is patented and called "supermarionation". The programs have been shown all around the world and are now widely distributed on DVD. Anderson also made two films, Thunderbirds Are Go and Thunderbird 6. [4] Team America: World Police is a 2004 movie made by South Park creators Matt Stone and Trey Parker which uses the same style of supermarionation as Thunderbirds. Matt Stone and Trey Parker dubbed their version "Supercrappymation" due to the fact they intentionally left the strings visible, among other reasons.

Also appearing in 2004 was the full length marionette fantasy film Strings, directed by Dane Anders Rønnow Klarlund which received several awards.

Puppets have also been used widely in animated films. Czech animator, Jiří Trnka, was particularly famous for his work. Pixar also uses its own proprietary software called Marionette to create its animations.


Marionettes are featured in the 2003 film, "Being John Malkovich". John Cusack played a manipulator who referred to himself as a puppeteer.

Styles of marionettes

Sicilian marionettes

Sicilian marionettes are among the simplest marionettes to operate. They are usually carved out of wood and have a sturdy rod which extends up through the body into the head. This rod, and one string attached to the hand, controls the manipulation of the puppet.

Marionette in Prague

Czech marionettes

Czech rod marionettes are similar to Sicilian ones though they are more complex. They are hand carved, usually using lime wood. The marionettes have the central rod like the Sicilian marionette but also have strings for the arms and legs. Sometimes they also use string to control a mouth or movable ears. These require more skilled manipulation. Czechs also have marionettes that have no central rod and strings that are attached to the head, shoulders and back. These are the most difficult marionettes to manipulate due to the absence of the central rod. Miroslav Trejtnar is an acknowledged master puppeteer and teacher of traditional Czech marionette making skills.

References

  1. ^ Puppetry Today by Helan Binyon, p.11
  2. ^ Czech Puppet Theatre by Alice Dubska, p.56
  3. ^ The Art of the Puppet by Bil Baird
  4. ^ BBC Online - Cult - Gerry Anderson - Thunderbirds

Books

  • Baird, Bil (1966). The Art of the Puppet. Plays. ISBN 10 0823800679. 
  • Binyon, Helen (1966). Puppetry Today. London: Studio Vista Limited. 
  • Beaton, Mabel; Les Beaton (1948). Marionettes: A Hobby for Everyone. New York. 
  • Currell, David (1992). An Introduction to Puppets and Puppetmaking. London: New Burlington Books, Quintet Publishing Limited. ISBN 1 85348 389 3. 
  • Dubska, Alice; Jan Novak, Nina Malikova, Marie Zdenkova (2006). Czech Puppet Theatre. Prague: Theatre Institute. ISBN 80 7008 199 6. 
  • Latshaw, George (2000). The Complete Book of Puppetry. London: Dover Publications. ISBN 978-048640-952-8. 
  • Robinson, Stuart; Patricia Robertson (1967). Exploring Puppetry. London: Mills & Boon Limited. 
  • Sinclair, Anita (1995). The Puppetry Handbook. Richmond, Victoria, Australia: Richard Lee Publishing. ISBN 0 646 39063 5. 
  • Suib, Leonard; Muriel Broadman (1975). Marionettes Onstage!. New York: Harper & Row, Publishers. ISBN 0 06 014166 2. 

See also

External links


Translations: Marionette
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Dansk (Danish)
n. - marionet

Nederlands (Dutch)
marionet

Français (French)
n. - marionnette

Deutsch (German)
n. - Marionette

Ελληνική (Greek)
n. - ανδρείκελο, νευρόσπαστο, μαριονέτα, (μτφ.) ενεργούμενο

Italiano (Italian)
marionetta

Português (Portuguese)
n. - marionete (f)

Русский (Russian)
марионетка

Español (Spanish)
n. - marioneta, títere

Svenska (Swedish)
n. - marionett

中文(简体)(Chinese (Simplified))
牵线木偶

中文(繁體)(Chinese (Traditional))
n. - 牽線木偶

한국어 (Korean)
n. - 꼭두각시

日本語 (Japanese)
n. - 操り人形, マリオネット

العربيه (Arabic)
‏(الاسم) لعبه تحرك بأسلاك أو خيوط‏

עברית (Hebrew)
n. - ‮בובה (על חוטים), מריונטה‬


 
 
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