Career Highlights: The Magnificent Ambersons, Cat People, Citizen Kane
First Major Screen Credit: Citizen Kane (1941)
Biography
Canadian-born Mark Robson began his career in the movie industry in the prop department at 20th Century-Fox, and subsequently joined RKO, where he moved through various departments before settling into editing. He worked with Robert Wise on the editing of Orson Welles' Citizen Kane, and then, with Wise, was swept up in the turmoil surrounding Welles' ouster from the studio, and landed a spot as an editor working for Val Lewton's B-movie unit at RKO. Robson (later joined by Wise) succeeded Jacques Tourneur as Lewton's director for his low budget horror movies -- today regarded as some of the finest pictures ever made by the studio -- including The Ghost Ship and The Seventh Victim. RKO's instability finally led to Robson's exit in 1948. He was fortunate to find a berth with independent producer Stanley Kramer, who was about to embark on an ambitious program of film production -- among the movies that Robson got to direct were Champion (1949), one of the most celebrated boxing movies of its era, and Home of the Brave (1949). Robson also went to work for Samuel Goldwyn and directed the underrated, seldom seen dark drama Edge of Doom (1950) and the Korean War drama I Want You (1951). He reached his commercial peak soon after, with films such as The Bridges At Toko-Ri (1955); The Harder They Fall (1956), Humphrey Bogart's final film); and Peyton Place (1957), which moved Robson into big-budget, high-profile movies. The Prize (1963), Von Ryan's Express (1965), and Valley of the Dolls (1967) were among his most successful films of the 1960s. He seemed to lose his commercial touch after that, although he made a brief comeback -- at least to box office success -- in the 1970s in a production partnership with Robert Wise, with the movie Earthquake (1974), a critical and artistic disaster that cleaned up at the box office. ~ Bruce Eder, All Movie Guide
Born in Montreal, Quebec, he moved to the United States at a young age. He studied at the University of California, Los Angeles then found work in the prop department at 20th Century Fox studios. He eventually went to work at RKO Pictures where he began training as a film editor. In 1940 he worked as an assistant to Robert Wise on the editing of Citizen Kane in addition to several other films. Both he and Wise benefited tremendously from producer and screenwriter Val Lewton, who promoted Robson from film editor to production assistant and later as director. In 1943, at the insistence of Lewton, Robson assisted Lewton and famed director Jacques Tourneur in a series of low-budget horror films produced by Val Lewton that today are regarded as some of RKO's best, including Cat People and I Walked with a Zombie. Later, Lewton was instrumental in promoting Robson to the director's chair for films such as The Seventh Victim (1943), Robson's first directing credit, and the troubled Isle of the Dead (1945).
In 1958, Mark Robson was nominated for an Academy Award for Directing for the major box office success Peyton Place and again the following year for directing Ingrid Bergman in the acclaimed film The Inn of the Sixth Happiness . For these films he also received his third and fourth Directors Guild of America nomination. Robson also produced a number of films which he also directed including Von Ryan's Express in 1965. He directed 1967's Valley of the Dolls, a film panned by the critics but a success at the box office. In 1974 he directed the blockbuster Earthquake, the film that introduced "Sensurround".