Career Highlights: The Lemon Drop Kid, Rebecca of Sunnybrook Farm, Daddy Long Legs
First Major Screen Credit: The American Princess (1913)
Biography
American director Marshall "Mickey" Neilan was the General Billy Mitchell of movies; he was undeniably brilliant, but alienated too many important people by reminding them of his brilliance. Neilan dropped out of school at age 11 when his father died, helping to support his mother with a variety of odd jobs. Intrigued by the theatre, the teenaged Neilan appeared often as a stock company juvenile. In 1911 he became the chauffeur to Biograph director D. W. Griffith, who cast the dashingly handsome Neilan in small roles. Directing his first picture at the American Film Company in 1913, Neilan continued fluctuating between acting and directing until the late teens; one of his most frequent leading ladies was Mary Pickford, who was both costarred with and directed by Neilan. After his marriage to film star Blanche Sweet, Neilan concentrated totally on directing, gaining critical adulation for such artistic triumphs as Bits of Life (1921) (a multipart drama in which ethnic stereotypes were treated with rare dignity) and The Lotus Eater (1921). He directed his wife in a number of films, the best of which was Tess of the D'Ubervilles (1924), for which Neilan filmed two endings: one tragic (as in the Thomas Hardy novel) and one artificially happy, so that distributors could choose which one they preferred. Though Neilan made a successful transition to sound with Pathe's The Awful Truth (1929), too many of his early talkies were box-office bombs (the Rudy Vallee vehicle Vagabond Lover [1929] being a particularly noxious example). Any other director might have been allowed to regain his lost footing, but Neilan's enemies were legion by the early '30s, and they had long been waiting for an opportunity to slap him down. At best, Neilan's talkies were programmers that any competent director could have handled, such as The Lemon Drop Kid (1934); at worst, they were poverty-row products like the Pinky Tomlin musicals Sing While You're Able (1936) and Swing It Professor (1937). By 1937, the former boy wonder was a 46-year-old hasbeen. Some took pity on this Neilan by giving him small jobs with outsized salaries. One such assignment was drenched with irony: playing an uncredited Santa Anita spectator in A Star is Born, Neilan could be seen snubbing Fredric March, who was playing a once-great star who'd drunk himself into oblivion. In 1957, one year before his death, Marshall Neilan played his last minor role in Elia Kazan's aptly titled A Face in the Crowd (1957). ~ Hal Erickson, All Movie Guide
Born in San Bernardino, California, Neilan was known by most as "Mickey." Following the death of his father, the eleven-year-old Mickey Neilan had to give up on schooling to work at whatever work he could find in order to help support his mother. As a teenager, he began acting in bit parts in live theatre, and in 1910 he got a job driving Biograph Studios executives around Los Angeles there to determine the suitability of the West Coast as a place for a permanent studio.
Having all but given up acting, Neilan's directing successes led to him creating his own production company and between 1920 and 1926, Marshall Neilan Productions made eleven feature-length films almost all of which were distributed through First National Pictures. He received critical acclaim for directing and producing such films as Bits of Life and The Lotus Eater In 1929, he was hired by RKO Radio Pictures but had difficulty adapting to directing the new talkies. That year he directed Rudy Vallee and Marie Dressler in the talking film, The Vagabond Lover and although Dressler received high praise for her acting, the film was a commercial and critical failure.
Early in his career Neilan had done as most others in the pioneering days of film and helped out in many areas of filmmaking through performing, directing, and writing. A talented screenwriter, in 1930 he wrote the story for the Howard Hughes film, Hell's Angels. He was hired by Hal Roach Studios for whom he directed a few films in 1930 and made his final directorial effort in 1937. Having battled alcoholism for a large part of his adult life, twenty years after he made his last film, Neilan returned to acting on the screen in a small role portraying an aging and less than enlightened United States Senator in the Elia Kazan film, A Face In The Crowd.
In recognition of his contribution to the motion picture industry, in 1940 the Directors Guild of America conferred on him an "Honorary Life Member Award." He later received a star on the Hollywood Walk of Fame at 6233 Hollywood Blvd.
Personal life
Marshall Neilan had married actress Gertrude Bambrick in 1913 with whom he would have a son, Marshall Neilan, Jr.. Marshall, Jr. also worked in the film industry as a successful film editor, working on almost every episode of The Brady Bunch.
Neilan's marriage to Bambrick ended in 1921 and a year later he married actress Blanche Sweet whom he directed on several occasions. They divorced in 1929.