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Mary Douglas

 
Biography: Mary Tew Douglas

Mary Tew Douglas (born 1921) was a British anthropologist and social thinker of international fame.

Mary Tew Douglas was born in San Remo, Italy, to Phyllis Twomey and Gilbert Charles Tew, and was the eldest of two daughters. She was educated as a Catholic at the Sacred Heart Convent, Roehampton, in England, and she was keenly interested in religion all her life. As an anthropologist she kept on with her faith. At Oxford (where she did a B.A. degree in 1943) she fell under the influence of the famous social anthropologist E.E. Evans-Pritchard, who was also interested in comparative religion; he died a Catholic. Douglas wrote a biography of her mentor in 1980.

She interrupted her graduate study at Oxford to be a volunteer in World War II in the British Colonial Office working on penal reform. Afterwards she earned a Bachelor of Science in 1948 in anthropology and went to Africa, to the Belgian Congo (now Zaire), to study the folkways of a tribe, the Lele of the Kasai, for her Ph.D. under Professor Evans-Pritchard (1951). Also in 1951, Mary Tew married the economist James A. T. Douglas. They had one daughter and two sons. She lived in London and was associated with University College, London, from that time onwards (lecturer in anthropology, 1951-1962; reader, 1963-1970; professor, 1971 until her retirement in 1978). She was the 1994 Bernal prize recipient.

Subsequently she went to the United States. Douglas was in New York City at the Russell Sage Foundation as director of research on human culture from 1977 to 1981; in Chicago at Northwestern University in Evanston, Illinois, as Avalon Foundation professor in anthropology and religion, 1981-1985; and at Princeton University as visiting professor of religion and anthropology beginning in 1985. She maintained her residence in London.

Doctoral Dissertation

Her doctoral dissertation, published as The Lele of the Kasai in 1963, studied the Lele tribe "as they cooked, divided food, talked about illness, babies and proper care of the body" and examined how taboos operated within tribal society and the way in which polygamous male elders of the tribe manipulated raffia cloth debts in order to restrict the access of younger men to Lele women. This field investigation led Douglas on to other studies in what she called "social accountability" and "classification schemes" of human relations, applied equally to "primitive" societies (pre-industrial, pre-modern) and to modern industrial society. She wrote books on a variety of subjects including pollution, the consumer society, and religion.

The anthropology of Douglas was derived partly from the work of the French sociologist Emile Durkheim (1858-1917). Douglas rejected his determinism, but accepted what Durkheim realized: the social basis for human thought. She used the Durkheimian method of drawing on "primitive" cultures to illuminate problems in modern society. For Douglas, rituals dramatize moral order in the human universe. "Culture" is rooted in daily social relations: the most mundane and concrete things of daily life. From childhood on, the drama of life is constructed: the self concept; the linguistic code, which the individual learns as a child; the individual as a moral actor; the collective nature of human existence. Comparative studies have to be made of such things as dirt and pollution, food and meals, the biological body, speech, jokes, and material possessions. The biological body is a perfect metaphor or symbol for the social body or the tribe or nation.

Douglas' view of "culture" was of it being created afresh each day. Hers was a world of ordinary symbols, rituals, and activities, all of which dramatized the "construction of social life." Everyday life was itself the focus of interest. Every mundane activity carried ritual and ceremonial significance. Symbolic order reflected social order as she looked at the ritual dramatization of social patterns.

Pollution and Taboo

Douglas was perhaps noted for her writings on pollution and taboo. Dirt in "primitive" (as in modern) society is relative to location: dirty shoes are dirty on the table, not dirty on the floor; cooking utensils are dirty in the bedroom; earth is dirty on chairs. Pollution behavior is the reaction of our cherished classifications: dirt takes us straight to the field of symbolism, to symbols of purity. In Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1966) she stated that modern notions express basically the same idea as "primitive" notions of pollution: "Our practices are solidly based on hygiene; theirs are symbolic; we kill germs; they ward off spirits."

It was Purity and Danger: An Analysis of Concepts of Pollution and Taboo and Natural Symbols (1970), the two early books, that had such an impact on the emerging sociology of scientific knowledge.

Four related themes were presented in that early work. First, she invited attention to culture, to knowledge of nature, and specifically to cosmological and taxonomic notions, as embedded within systems of accountability. Culture is maintained and it is modified as people use it: it is a tool in everyday social action. There is no fundamental "problem" of "the relationship between culture and social action" because culture is the means by which social action is accomplished, by which members say "good" and "bad" about each other's actions, and by which they recognize them as actions of a certain sort. Second, knowledge, including natural knowledge, is treated as constitutively social. As we bring up our children, and as we talk to each other, so we build, maintain, and modify the categories of perception, thought, and language: "The colonisation of each other's minds is the price we pay for thought." For Douglas, anything but a fully general social epistemology followed from a misunderstanding of the sort of thing knowledge was.

Third, beliefs and representations become knowledge - a collective good - by successfully making the transition from the indivudal to the communal, the private to the public. The achievement of credibility is a practical problem attached to all beliefs: no belief or representation shines by its own lights, carries its crediblity with it. "Credibility," she says, "depends so much on the consensus of a moral community that it is hardly an exaggeration to say that a given community lays on for itself the sum of the physical conditions which it experiences."

Finally in the years between Purity and Danger and Natural Symbols, she developed a set of techniques for the systematic comparative study of "cultural bias." "The Great Divide" between the "modern" and the "scientific," on the one hand, and the "primitive" and "magical," on the other, was rejected. "We" are forms of "them." There is a finite range of predicaments faced and principles available for the maintenance of order. A specific form of these predicaments and principles might be as well devised by Sepik River tribes, by the Big Men of Conservative Party Central Office, or by a community of high-energy phsycists. Cultural diversity has finite forms, and, because these forms do not map onto exisiting Great Divide theories, the comparative study of cultural bias has the capacity to join up the conversations of those who study the "primitive" and those who study the "modern": anthropologists and students of modern science.

But when Douglas attempted to write about the contemporary environmental protection movement of the 1960s and 1970s in Risk and Culture, written with Aaron Wildavsky (1982), she was less sure of the material. Half the book is an attack on the beliefs of the environmentalists. She portrayed the antinuclear and environmental movements as freakish, quasireligious cults. She did not uncover anything about the actual physical environment, or nuclear plants, or off-shore oil-drilling, or industrial pollution of rivers and lakes. Douglas was best when she was talking about the Lele and pollution and food taboos.

The World of Goods

The World of Goods: An Anthropological Theory of Consumption, written with Baron Isherwood (1979), is partly an attempt to explore the social context of modern consumer society. Goods are social markers and a means of communicating. Individuals attain and keep power in society by acts of consumption, which ritually reaffirm their status. The Douglas argument is very generalized and takes us not much further than the old (and much more informative) notion of Thorstein Veblen of "conspicuous consumption" in his book The Theory of the Leisure Class (1899). Modern culture is supposedly a secular world, in which science replaces religion and ritual. Douglas as a scholar delved into comparative religion. She disagreed with the idea that religion and science could not coexist. There would be no demise of religion in the world, whatever science discovers, because religion originates in human social relations. Modernity changes the shape of society; but there are still human social relations and religion will survive. Douglas was of the opinion that so long as there is collective life, there will be religion, ritual, myths, ceremonies, and rites.

Modernity has three allegedly negative effects on the survival of religion: Douglas dismissed all three. Science is supposed to reduce the explanatory power of religion; for Douglas, religion and science pose no tension with each other - their explanations apply to different kinds of problems. Modern life is undergoing bureaucratization, and this reduces the sense of the unknown and sacred; but Douglas thought that bureaucracy existed in the Vatican in the 15th century, and so did religion. And modern life has little direct experience of nature; but Mary Douglas felt that the discoveries of modern science itself created a new sense of awe and religion. Thus, religion does not disappear in modern society, it just reappears in new forms.

Looking back on her life as a young anthropologist in Africa in Implicit Meanings: Essays in Anthropology (1976), she commented: "The central task of anthropology was to explore the effects of the social dimensions on behaviour. The task was grand, but the methods were humble … We had to stay with a remote tribe, patiently let events unfold and let people reveal the categories of their thought." From a fundamental Durkheimian belief in the role of ritual and symbol in the construction of social life and social relations, Douglas explained the rituals of meals and food, cleaning and tidying, material possessions, speech, and numerous other concrete things of daily life - in modern as well as "primitive" society.

Further Reading

In addition to the many books mentioned in the text, Mary Douglas wrote Natural Symbols: Explorations in Cosmology (1970), Rules and Meanings: The Anthropology of Everyday Knowledge (1973), Edward Evans-Pritchard (1980), In the Active Voice (London: 1982), Essays in the Sociology of Perception (London: 1982), and How Institutions Think (1986).

Discussions of her work can be found in Adam Kuper, Anthropologists and Anthropology: The British School, 1922-1972 (London: 1973); The Social Science Encyclopedia, edited by A. Kuper and J. Kuper (London: 1985); Women Anthropologists (1988); and Robert Wuthnow et al., editors, Cultural Analysis: The Work of Peter L. Berger, Mary Douglas, Michel Foucault, and Jurgen Habermas (1984).

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Artist: Mary Ann Douglas
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  • Active: '90s, 2000s
  • Genres: Jazz
  • Instrument: Producer, Vocals, Arranger
  • Representative Albums: "True Stories", "Sensory", "Unfinished Business

Biography

Southern California vocalist Mary Ann Douglas stands apart from most of her counterparts. She is not all that interested in pursuing live appearances. Rather, Douglas prefers to spend her time cutting albums CDs and, most of all, composing. As a speech pathologist in her "other" life, Douglas has the luxury of going down the musical road at her own pace using her own methods. She also eschews singing standards, even though one of her more defining moments in jazz was well-known pianist Gene Harris' kudos on her rendition of "When Sunny Gets Blue" as he insisted she send him more tapes. Douglas believes, however, that there is a lot of, and probably better, singers out there doing standards. Choosing to write her own standards rather then those composed by others with confidence that they are good enough to support an entire CD. Her two albums, True Stories and Sensory, released in 1997 and 1999, respectively, are devoted to her tunes entirely.

Douglas has clearly earned respect with her music as she has been able to attract the creme of San Diego jazz musicians in these recording ventures. Mike Wofford, Bob Magnusson and John Rekevics have been on both her sessions and leading guitar player Peter Sprague joined the group for the last release. Douglas writes successfully in many jazz forms: straight-ahead, swing, blues, bossa nova, and even a touch of R&B. One characteristic about her music is that the structure permits interesting and compelling arrangements. One can do things with her songs. Although Douglas may be too self-deprecating about her vocal qualities, she is in fact a fine singer. Like Peggy Lee, she has managed to conquer both the pen and the vocal chord. Her singing style also reflects her admiration for Frank Sinatra, Nat King Cole, and Carmen McRae.~ Dave Nathan, All Music Guide
Wikipedia: Mary Douglas
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Mary Douglas (1921–2007)
British anthropologist
Mary Douglas while young and working in Africa

Dame Mary Douglas, DBE, FBA (25 March 1921 – 16 May 2007) was a British anthropologist, known for her writings on human culture and symbolism.

Her area was social anthropology; she was considered a follower of Emile Durkheim and a proponent of structuralist analysis, with a strong interest in comparative religion.

Contents

Biography

She was born as Margaret Mary Tew in San Remo, Italy to Gilbert and Phyllis Tew; her father was in the British colonial service. Her mother was a devout Roman Catholic and Mary and her younger sister, Patricia, were raised in that faith. After their mother's death, the sisters were raised by their maternal grandparents and attended the Roman Catholic Sacred Heart Convent in Roehampton (later Woldingham School). Mary went on to study at the St Anne's College, Oxford from 1939 to 1943; there she was influenced by E.E. Evans-Pritchard.

She worked in the British Colonial Office until 1947, when she returned to Oxford to take up graduate study she had left. She studied with M. N. Srinivas as well as Edward Evans-Pritchard. In 1949 she did field work with the Lele people in what was then the Belgian Congo; this took her to village life in the region between the Kasai River and the Loange River, where the Lele lived on the edge of the previous Kuba kingdom.

In the early 1950s she completed her doctorate, married James Douglas and started a family of three children. She taught at University College, London, where she remained for around 25 years. She taught and wrote in the USA for 11 years. She published on such subjects as risk analysis and the environment, consumption and welfare economics, and food and ritual, all increasingly cited outside anthropology circles.

After four years (1977–81) as Foundation Research Professor of Cultural Studies at the Russell Sage Institute in New York, she moved to Northwestern University as Avalon Professor of the Humanities with a remit to link the studies of theology and anthropology. Her reputation was established by her book Purity and Danger (1966). She wrote The World of Goods (1978) with an econometrician, Baron Isherwood, which was considered a pioneering work on economic anthropology.

She became a Dame Commander of the Order of the British Empire in the Queen's New Year's Honours List, published on 30 December 2006. She died on 16 May 2007 in London, aged 86, from complications of cancer, survived by her three children. Her husband died in 2004.

Contributions to anthropology

Mary Douglas is best known for her interpretation of the book of Leviticus, and for her role in creating the cultural theory of risk.

Douglas' book Purity and Danger is considered a key text in social anthropology.

The line of enquiry in Purity and Danger traces the words and meaning of dirt in different contexts. What is considered dirt in a given society is matter which is considered out of place (Douglas takes this lead from William James). She attempts to clarify the differences between the sacred, the clean and the unclean in different societies and times. Through a complex and sophisticated reading of ritual, religion and lifestyle she challenges Western ideas of pollution, making clear how the context and social history is essential.

In Purity and Danger, Douglas first proposed that the kosher laws were not, as many believed, either primitive health regulations or randomly chosen as tests of Jews' commitment to God. Instead, Douglas argued that the laws were about symbolic boundary-maintenance. Prohibited foods were those which did not seem to fall neatly into any category. For example, pigs' place in the natural order was ambiguous because they shared the cloven hoof of the ungulates, but did not chew cud.

Later in a 2002 preface to Purity and Danger, Douglas went on to retract her initial explanation of the kosher rules, saying that it had been "a major mistake." Instead, she proposed that "the dietary laws intricately model the body and the altar upon one another" as of land animals, Israelites were only allowed to eat animals which were also allowed to be sacrificed; these animals which depend on the herdsmen. Thus, Douglas concludes that the animals which are abominable to eat are not in fact impure, as the "rational, just, compassionate God of the Bible would [never] have been so inconsistent as to make abominable creatures." Douglas makes it clear in Purity and Danger that she does not endeavour to judge religions as pessimistic or optimistic in their understanding of purity or dirt as positive (dirt affirming) or otherwise.

Online Course in Cultural Theory

Douglas also wrote extensively on cultural and institutional theory. A 2006 course she developed on Cultural Theory [1] is publicly available from the Online Semiotic Resource Center [2]. The following is a list of lecture topics covered:

1. Cultural Bias and Global Climate Change

2. Risk and Uncertainty

3. Group Management: The Household Level: effects of diaspora, effects of immigration

4. Management of the Firm: effects of staff turnover; recruitment and training; perceived injustice.

5, 6 and 7. The Withdrawn Enclave (strong group boundary, weak grid regulation); Sectarianism; Problems of Authority; internal government; and of external relations

8. Grid and group applied to decision-making in Financial Institutions

9. Terrorism

10. City Planning and the Problem of Traffic

11. Problems of Tyranny in the Community under one Dominant Culture

12. The challenge of Multi-Cultural Society

13. Hierarchies, Ancient and Modern

14. Equality as an Ideal that is bound to deceive

Works

  • The Lele of the Kasai (1963)
  • Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1966)
  • Pollution (1968)
  • Natural Symbols: Explorations in Cosmology (1970)
  • Implicit Meanings: Essays in Anthropology (1975)
  • Jokes, in Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies (1975); edited by Chandra Mukerji and Michael Schudson
  • The World of Goods (1979) with Baron Isherwood
  • Evans-Pritchard (1980)
  • Risk and Culture (1980) with Aaron Wildavsky
  • In the Active Voice (1982)
  • How Institutions Think (1986)
  • Missing persons: a critique of the social sciences (1988) with Steven Ney
  • Risk and Blame: Essays in Cultural Theory (1992)
  • In the Wilderness: The Doctrine of Defilement in the Book of Numbers (1993)
  • Thought styles: Critical essays on good taste (1996)
  • Leviticus as Literature (1999)
  • Constructive Drinking: Perspectives on Drink from Anthropology (2002)
  • Jacob's Tears: The Priestly Work of Reconciliation (2004)
  • Thinking in Circles (2007)

Sources

  • Richard Fardon, Mary Douglas: an Intellectual Biography (1999)

See also

External links


 
 
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