- Born: May 10, 1946 in Hull, England
- Occupation: Actor
- Active: '70s-2000s
- Major Genres: Comedy, Drama
- Career Highlights: Educating Rita, The Pianist, Oklahoma!
- First Major Screen Credit: Up the Junction (1968)
| Actor: Maureen Lipman |
| Filmography: Maureen Lipman |
| Wikipedia: Maureen Lipman |
| Maureen Lipman | |
|---|---|
| Born | Maureen Diane Lipman 10 May 1946 Hull, England |
| Spouse(s) | Jack Rosenthal (deceased) |
Maureen Diane Lipman CBE (born 10 May 1946) is a British film, theatre and television actress, columnist, and comedienne.
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Lipman was born in Kingston upon Hull in the East Riding of Yorkshire, England, the daughter of Maurice Julius Lipman and Zelma Pearlman.[1] Her father was a tailor; he used to have a shop between the Ferens Art Gallery and Monument Bridge. She attended Newland High School for Girls in Kingston upon Hull and was encouraged into an acting career by her mother, who used to take her to the pantomime and push her onto the stage. Lipman trained at the London Academy of Music and Dramatic Art.
Lipman worked extensively in the theatre following her debut in a stage production of The Knack at the Palace Theatre, Watford and was a member of Laurence Olivier's Royal National Theatre Company at the Old Vic. She made an early film appearance in Up the Junction. After many years playing minor and secondary TV roles, including appearances in the sitcoms The Lovers, Binmen and Doctor at Large, Lipman first gained prominence on television in the 1979 situation comedy Agony, in which she played an agony aunt with a troubled private life. She played the lead role in the television series All at No 20 and took on a range of diverse characters when starring in the series About Face. She is well-known for playing Joyce Grenfell in the biographical show Re: Joyce!, which she co-wrote with James Roose-Evans, and another memorable character Beatrice Bellman (Beatie/BT), a Jewish grandmother in a series of television commercials for British Telecom. She has continued to work in the theatre for over thirty years, playing, amongst other roles, Aunt Eller in the National Theatre's Oklahoma! with Hugh Jackman.
In 2002, she played a snooty landlady, Lillian, in Coronation Street, and the titular character's mother in Roman Polanski's award-winning film The Pianist. More recently, she has narrated two television series on the subject of design, one for UKTV about Art Deco and one about 20th century design for ITV/Sky Travel. In 2003 she appeared in Jonathan Creek in the episode "The Tailor's Dummy".
She also wrote a monthly column for Good Housekeeping magazine for over ten years, which spawned several biographical books, including "How Was It For You?", "Something To Fall Back On", "Thank You For Having Me", "You Can Read Me Like A Book" and "Lip Reading". More recently, Lipman penned a weekly column in The Guardian in the newspaper's G2 section. She performed as a villain in the 2006 series of Doctor Who in the episode entitled "The Idiot's Lantern" as The Wire. Until 29 April 2006 she played Florence Foster Jenkins in the Olivier Award nominated show Glorious! at the Duchess Theatre in London's West End.
After her playwright husband's death in May 2004 she completed his autobiography By Jack Rosenthal, and played herself in her daughter's four-part adaptation of the book, Jack Rosenthal's Last Act on BBC Radio Four in July 2006. She has created several volumes of autobiography from her Good Housekeeping columns and recently published The Gibbon's In Decline But The Horse Is Stable, a book of animal poems which is illustrated by established cartoonists including Posy Simmonds and Gerald Scarfe, to raise money for the International Myeloma Foundation, to combat the cancer to which she lost her husband.
She has also appeared a few times on Just a Minute, The News Quiz, That Reminds Me, This Week and Have I Got News For You. In 2007, Lipman appeared as a celebrity contestant on Comic Relief Does The Apprentice to raise money for Comic Relief. The show saw her helping to run a fun fair. Later in 2007, she made a guest appearance in Casualty. In May 2008 she appeared in the BBC documentary series Comedy Map of Britain. She currently writes for The Oldie.
On Sunday 11 January 2009 BBC Four was devoted to a "Maureen Lipman Night". On 5 February 2009, she appears in the third series of teen drama Skins, episode "Thomas".
In 2009 Lipman made a guest appearance on the E4 hit TV show Skins as Pandora Moon's Aunt Elizabeth.
Lipman married the late dramatist Jack Rosenthal in 1974, and has had a number of roles in his works. She has two children, writers Amy Rosenthal and Adam Rosenthal. Lipman is a Labour Party supporter.[2]
Lipman supports the work of the Burma Campaign UK, Europe's largest NGO regarding Burma. Lipman supports the process of democratisation in the troubled nation. Ms Lipman also supports the work of Prospect Burma, a non-political charity that offers Burmese students the opportunity to study at Universities outside of Burma. Ms Lipman spoke on behalf of Prospect Burma in the BBC Radio 4 Charity Appeal [1], which was broadcast on 6 September 2009.
Lipman supported Israel during the 2006 Israel-Hezbollah conflict. On 13 July 2006, in a debate on the BBC's This Week, she argued that "human life is not cheap to the Israelis, and human life on the other side is quite cheap actually, because they strap bombs to people and send them to blow themselves up." These comments were condemned by Muslim political columnist Yasmin Alibhai-Brown who said "Brutally straight, she sees no equivalence between the lives of the two tribes"[3] and left-wing journalist John Pilger, who in the New Statesman criticised the BBC for allowing Lipman - whom he described as "a Jew and promoter of selective good causes" - to present her allegedly insensitive remarks without, in his view, any "serious challenge".[4] Lipman responded to Alibhai-Brown's accusation of racism by arguing that the columnist had deliberately misrepresented Lipman's comments as generalisations about Muslims rather than specific comments about terrorists.[5]
In the Jewish Chronicle, Lipman argued that media reporting of the conflict was "heavily distorted":
| “ | ...
There is rarely any film of rockets being fired into Israel, nor any mention of the damage, nor of the 250,000 refugees who have fled to the centre of Israel, nor of rockets targeting Israel every day since it withdrew from Gaza, nor the damage done by 100 Hizbollah rockets a day... More people are being killed in São Paulo, Somalia and Darfur than in this conflict. Where is the coverage? It is as if the Iraq war has completely stopped while this blanket coverage in Lebanon goes on and on and on... I sometimes think Israel should ban the press as Zimbabwe has. They are a democracy, though, and behave accordingly... I respect freedom of speech, but I’m contemptuous of the 300 signatories [to the anti-Invasion Times advert and the Independent letter]". To English, assimilated, sometimes self-despising Jews such as Gerald Kaufman and Harold Pinter, I say: where are you going to go when the shit hits the fan? It doesn’t matter if you stand in Parliament or marry into the aristocracy, there will be no Israel to receive you, as they have received so many before. Why didn’t they put their ad in an Israeli newspaper? Because it is more important to impress their fellow Englishmen than to effect change in the situation. Where are their signatures against Burma, Nepal, Tibet, and Zimbabwe?...[6] |
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