Career Highlights: Gösta Berlings Saga, Herr Arnes Pengar, Thomas Graal's Best Film
First Major Screen Credit: Mor Och Dotter (1912)
Biography
Swedish filmmaker Mauritz Stiller was, next to Victor Sjöström, the greatest director of Swedish cinema's golden age. Stiller, the Helsinki-born son of Russian-Polish Jewish parents, was orphaned at four and then adopted by the Katzmans, a family of haberdashers. As a youth he attended Hebrew school, took violin lessons and apprenticed at their business until he was conscripted into the Czar's army. Rather than serve he escaped to Sweden. He got involved in the Swedish film industry in 1912. Like his colleague Sjöström, Stiller was able to create sophisticated, lyrical films that earned Swedish cinema great international respect. His early films were usually elegant social satires, but after World War I, he began making epic adaptations of popular novels, those of Selma Lagerlöf in particular. On of those adaptations The Atonement of Gosta Berling (1924) introduced Greta Garbo, his protogee. At the invitation of mogul Louis B. Mayer, Stiller and Garbo went to Hollywood where her career exploded while his lagged behind as he found himself constantly battling the confines of the Hollywood studio system. His first American Garbo film, The Temptress (1926), was taken away from him. He found success with his next two films, but in all, he was not impressed with Hollywood and returned to Sweden in the late twenties. There he died of acute rheumatism at age 45. ~ Sandra Brennan, All Movie Guide
Born Moshe Stiller in Helsinki, his family was of Russian-Polish origin. At age four, his mother committed suicide, after which Stiller was raised by family friends. From early on, Stiller was interested in acting. His talents did not go unnoticed, and soon Stiller was offered the opportunity to practice and display his acting skills in the theaters of Helsinki and Turku in Finland.
Drafted into the army of Czar Nicholas II -- Finland was at the time an autonomous Grand Duchy of Russia—rather than report for duty he fled the country for exile, and settled in Sweden.
Career
By 1912 Stiller had become involved with Sweden's rapidly developing silent film industry. He began by writing scripts, in addition to acting and directing in short films but within a few years gave up on acting to devote his time to writing and directing. He was soon directing feature-length productions and his 1918 effort Thomas Graals bästa barn (Thomas Graal's First Child) with Victor Sjöström in the leading role, received much acclaim.
By 1920, having directed more than thirty-five films including Herr Arnes pengar (Sir Arne's Treasure), Stiller was a leading figure in Swedish filmmaking. At the Royal Dramatic Theatre in Stockholm he met a young actress named Greta Gustafsson whom he cast in an important but secondary role in his film, Gösta Berlings saga (The Atonement of Gosta Berling) giving her the stage name Greta Garbo. For Stiller, the screen presence of the eighteen-year-old actress led to him bringing her to the United States after he accepted an offer from Louis B. Mayer to direct for MGM.
In Hollywood, Mauritz Stiller was assigned to direct 1926's The Temptress but he could not deal with studio structure and after repeated arguments with MGM executives he was replaced on the film by Fred Niblo and his contract with the studio terminated. Stiller was immediately hired by Famous Players-Lasky Corporation where he made three successful films but was let go a second time while directing his fourth as a result of his continuing disagreements with studio bosses.
Mauritz Stiller returned to Sweden in 1927 and died the following year from pleurisy at the age of forty-five. He was interred in the Norra begravningsplatsen in Stockholm.
Stiller's contribution to the motion picture industry has since been recognized with a star on the Hollywood Walk of Fame at 1713 Vine Street. In Kristianstad, a monument was erected in his honor. Originally, his star on the Walk of Fame was erroneously listed as "Maurice Diller" and wasn't corrected until the late 1980s.